• KGS/USD = 0.01143 -0%
  • KZT/USD = 0.00198 -0%
  • TJS/USD = 0.10899 0.65%
  • UZS/USD = 0.00008 -0%
  • TMT/USD = 0.28490 -0.28%
  • KGS/USD = 0.01143 -0%
  • KZT/USD = 0.00198 -0%
  • TJS/USD = 0.10899 0.65%
  • UZS/USD = 0.00008 -0%
  • TMT/USD = 0.28490 -0.28%
  • KGS/USD = 0.01143 -0%
  • KZT/USD = 0.00198 -0%
  • TJS/USD = 0.10899 0.65%
  • UZS/USD = 0.00008 -0%
  • TMT/USD = 0.28490 -0.28%
  • KGS/USD = 0.01143 -0%
  • KZT/USD = 0.00198 -0%
  • TJS/USD = 0.10899 0.65%
  • UZS/USD = 0.00008 -0%
  • TMT/USD = 0.28490 -0.28%
  • KGS/USD = 0.01143 -0%
  • KZT/USD = 0.00198 -0%
  • TJS/USD = 0.10899 0.65%
  • UZS/USD = 0.00008 -0%
  • TMT/USD = 0.28490 -0.28%
  • KGS/USD = 0.01143 -0%
  • KZT/USD = 0.00198 -0%
  • TJS/USD = 0.10899 0.65%
  • UZS/USD = 0.00008 -0%
  • TMT/USD = 0.28490 -0.28%
  • KGS/USD = 0.01143 -0%
  • KZT/USD = 0.00198 -0%
  • TJS/USD = 0.10899 0.65%
  • UZS/USD = 0.00008 -0%
  • TMT/USD = 0.28490 -0.28%
  • KGS/USD = 0.01143 -0%
  • KZT/USD = 0.00198 -0%
  • TJS/USD = 0.10899 0.65%
  • UZS/USD = 0.00008 -0%
  • TMT/USD = 0.28490 -0.28%
07 December 2025

Viewing results 139 - 144 of 987

Discovery in Uzbekistan Reveals Early Steps Toward Agriculture 9,200 Years Ago

An international team of archaeologists has uncovered evidence that hunter-gatherer communities in southern Uzbekistan were harvesting wild barley as far back as 9,200 years ago, reshaping current understanding of how agriculture first emerged. Until now, scholars largely believed that the domestication of crops such as barley and wheat began in the Fertile Crescent about 10,000 years ago, particularly among the Natufian people. But new findings from Uzbekistan’s Surkandarya Valley indicate that the cultural practices leading to farming extended much further afield. Researchers argue this challenges long-held assumptions that agriculture arose only once, in response to climate change or population pressures, in a single geographic cradle. Excavations at Toda Cave The discovery was made at Toda Cave, excavated under the direction of Xinying Zhou of the Institute of Vertebrate Paleontology and Paleoanthropology in Beijing, with oversight from Farhad Maksudov, director of the Institute of Archaeology in Samarkand. From the cave’s oldest layers, the team recovered stone tools, charcoal, and plant remains. Archaeobotanical analysis by Robert Spengler of the Max Planck Institute of Geoanthropology confirmed the presence of wild barley, along with pistachio shells and apple seeds, suggesting a diverse diet. Stone blades and flakes, mostly made from limestone, showed clear use-wear patterns consistent with cutting grasses and plants. These tools closely resemble those found at early farming sites elsewhere. Rethinking the Origins of Agriculture “This discovery should change the way scientists think about the transition from foraging to farming,” Zhou said. Spengler added that repeated harvesting of wild plants may have led to unintentional domestication, with early foragers gradually shaping the plants they relied on. The researchers suggest that the behaviors seen in Toda Cave could represent either an independent experiment in cultivation or evidence of an earlier-than-assumed eastward spread of farming traditions from the Fertile Crescent. Either way, the findings highlight the role of Central Asia in the global story of agriculture. Next Steps The team plans to expand excavations in the region to determine whether similar practices existed among other communities. “These ancient hunters and foragers were already tied into the cultural practices that would lead to the origins of agriculture,” Spengler noted. The discovery underscores that Central Asia, long overlooked in studies of agricultural origins, may have played a crucial role in humanity’s shift from foraging to farming.

How Climbers Die: The Tragedy of Natalya Nagovitsyna and the Perils of the Peaks

Professional climbers have all but given up hope for Russian mountaineer Natalya Nagovitsyna, who remains stranded on Pobeda Peak (Victory Peak) in the Tien Shan mountains of Kyrgyzstan. No successful evacuation has been recorded from this treacherous summit since 1955. Still, Nagovitsyna’s son continues to hold out hope, citing drone footage taken last week that appeared to show her waving from her tent and still in good spirits. However, on August 27, a military drone captured thermal imaging of conditions on Pobeda Peak, showing no signs of life in Nagovitsyna’s tent, as confirmed in imagery published on the official website of Kyrgyzstan’s State Committee for National Security (GKNB). Officially Declared Lost Russian Investigative Committee Chairman Alexander Bastrykin has ordered his office to coordinate with the Ministry of Emergency Situations and submit an operational report regarding Nagovitsyna’s case. However, rescue services have already called off search operations and dismantled the base camp at Pobeda Peak. Alexander Yakovenko, head of the classical mountaineering commission of the Russian Mountaineering Federation, stated: “In reality, there’s no one left to rescue; we can only speak of a body recovery. The climbing season at Victory Peak has ended, and the base camp has been removed.” Yakovenko emphasized that Pobeda Peak is one of the most difficult and dangerous mountains for rescue operations. Since the 1960s, many bodies have been left behind, unreachable due to extreme weather and inaccessible terrain. A Mountain That Does Not Forgive Veteran Russian climber Alexander Shcherbashin recently told reporters that a rescue mission for Nagovitsyna would be logistically impossible. “In my view, survival is unlikely. The ridge is long, and evacuating someone from there typically requires between 8 and 18 people, under varying conditions,” he said. Another experienced mountaineer, Alexander Kirikov, described Pobeda Peak as “a mountain that does not forgive mistakes.” “There are fatal accidents there nearly every year, going back to the late 1950s. I estimate the mountain has claimed over 150 lives,” he noted. Death in the Mountains Mountaineering remains one of the world’s most dangerous sports. On average, 24 out of every 10,000 climbers die annually. Hundreds perish each year in mountain accidents. The highest-risk peaks are the so-called eight-thousanders. Everest (Jomolungma), while the most fatal in absolute numbers, owes its toll to the sheer volume of climbers. The deadliest is Annapurna I in the Himalayas, where the fatality rate approaches 50%. Other notorious peaks include K2 (Chogori, “Savage Mountain”) and Nanga Parbat, dubbed “the man-eater.” The former Soviet Union has no eight-thousanders, but Pobeda Peak is widely recognized as its most dangerous seven-thousander. It was here that Natalya Nagovitsyna’s story unfolded. Tragedy has struck her family before. In 2021, just 16 kilometers away on nearby Khan Tengri, Nagovitsyna’s husband died in her arms after suffering a stroke during their ascent. As her case unfolded this summer, another Russian climber, Alexey Ermakov, died on Khan Tengri. “We passed him on the route; he was climbing up as we were descending,” said Alexey Trubachev, a mountain guide and founder...

Bold Pavilions, Big Statements: Central Asia at Osaka Expo 2025

On a sweltering August day, The Times of Central Asia arrived at the Osaka Expo 2025. The theme, "Designing Future Society for Our Lives," set the stage for a carnival of new ideas and technology. Pavilions buzzed with invention, each one a world of its own. Central Asia turned heads - with all five countries represented - with vibrant stalls, bustling booths, and grand castle-like showpieces that drew crowds from every corner. [caption id="attachment_35420" align="aligncenter" width="2560"] Kazakhstan Pavilion; image: TCA, Stephen M. Bland[/caption] Kazakhstan’s pavilion presents the theme “Born Bold” in the “Connecting Lives” zone, alongside South Korea, Germany, Luxembourg, Nepal, Azerbaijan, Iran, Monaco, and Türkiye. At its heart rises the shanyrak, the sacred crown of the yurt, once a symbol of roots and now a beacon of unity, mirroring the Expo’s spirit of innovation and shared horizons. The story begins with the essence of the Kazakh people. Generations, history, culture, and traditions unfold from the Kazakh Khanate and the vast steppe to Abai’s poetry and the nation’s sporting heroes. It is a narrative of memory and strength, where the past is not closed, but carried forward as a living value. [video width="1280" height="720" mp4="https://timesca.com/wp-content/uploads/2025/08/KZ1-REMOVE-AUDIO-Videobolt.net_.mp4"][/video] From history, the focus shifts to unity. Every guest becomes part of the experience as their face is woven into a digital mosaic, a vivid symbol of belonging. Interactive technologies present Kazakhstan as a country where diversity does not divide but connects. From past to present, the spotlight then falls on a Kazakhstan that is inventive and future-ready. Visitors explore the country’s energy transition, green initiatives, digitalization, and work in artificial intelligence, alongside its rise as an investment hub. [caption id="attachment_35413" align="aligncenter" width="2560"] Prolonging life - ALEM at the EXPO; image: TCA, Stephen M. Bland[/caption] The final chapter places pride and place on the groundbreaking ALEM (Astana Life Ex-situ Machine) developed by Kazakh scientists. Created by the Heart Center Foundation, it is already redefining the possibilities of transplantation. The window for organ transplants is short, from just a few hours for a heart or lungs to more than a day for a kidney. ALEM changes the game. By replicating the body’s internal conditions, it can keep a donor heart alive for 24 hours, opening new possibilities. Only a few models currently exist, including the one on display in the pavilion. [caption id="attachment_35414" align="aligncenter" width="2560"] The Turkmenistan Pavilion; image: TCA, Stephen M. Bland[/caption] The Turkmenistan Pavilion dazzles with three lavish floors beneath an iconic, rounded-triangular ceiling that symbolizes circulation, sustainability, and the flow of life. On the ground level, an epic immersive video left the Japanese audience gasping as it honored Turkmenistan’s great men, legendary horses, and loyal dogs, while women appeared only in fleeting roles. [video width="1280" height="720" mp4="https://timesca.com/wp-content/uploads/2025/08/TK1.mp4"][/video] The second-floor shifts to the present, celebrating modern achievements, from the smart city of Arkadag to advances in industry, finance, and science. The space unfolds as an eclectic mix of books, jewelry, rugs, and even everyday objects like bottles of oil. At its center, a glowing...

Kyrgyz Schools Face Persistent Shortages of Teachers and Textbooks

Kyrgyzstan continues to face serious shortages of qualified teachers and school textbooks, according to Deputy Minister of Education Nadira Jusupbekova, who addressed the issue during a recent press conference in Bishkek. Teacher Deficit in Key Subjects As of the end of the last academic year, schools across the country were short 947 teachers, Jusupbekova reported. The most acute gaps are in mathematics, Russian language, and history, though a shortage of history teachers is a more recent development. “The lack of mathematics teachers is particularly severe, especially in Bishkek,” she said. “Russian language comes next. We currently have teachers from Russia assisting us, and we’ve requested universities to increase training for mathematics and Russian language specialists.” Ongoing Textbook Shortage In addition to staffing challenges, many schools still lack adequate textbook supplies. Last year, the Ministry of Education admitted that general education schools were only 50% stocked with textbooks, forcing many students to rent materials. This year, 744 million KGS (approximately $8.5 million) was allocated from the national budget for textbook production. These funds have been used to publish new English language textbooks for grades 3-9, with a total print run exceeding 1.9 million copies. Among them are 158,700 textbooks for grade 4, printed with support from the British Embassy. Mathematics and science textbooks for grades 1-2 (over 1.2 million copies) have already been printed, with additional sets for grades 5 and 7 scheduled for release soon. Textbooks for Russian language and literature, adapted by a working group in Kyrgyzstan, will be printed in Russia. They are expected to be delivered by October 2025. Digital Platform Offers Interim Relief To address the immediate textbook shortage, the Ministry has launched the Okuu Kitebi online platform, which provides access to all school textbooks in digital format. Future updates will integrate the platform with other educational systems, enabling students and teachers to download and use materials offline. According to Okuu Kitebi Publishing House, the goal is to meet 110% of textbook demand in schools by 2030, with funding to continue coming from the national budget.

Backup Goalkeeper Anarbekov Secures Champions League Berth for Kairat Almaty

Temirlan Anarbekov, the reserve goalkeeper for Kazakhstani football club Kairat Almaty, played a starring role as his team reached the UEFA Champions League group stage for the first time. On August 26 Kairat secured its place in Europe’s premier club competition this season by beating Scottish champions Celtic in the final qualifying round. Kairat entered the Champions League qualifiers after claiming their fourth domestic title last year. This summer, the Kazakh champions successfully navigated three qualifying rounds, defeating Slovenia’s Olimpija, Finland’s KuPS, and Slovakia’s Slovan Bratislava, to reach a decisive playoff against Celtic. The Scottish club, a regular participant in recent Champions League group stages, posed a formidable challenge. Kairat, by contrast, had previously reached the autumn phase of European competition just once, in the lesser UEFA Conference League three years ago. In the first leg in Glasgow last week, Kairat held Celtic to a 0-0 draw. However, the result came at a cost: first-choice goalkeeper and national team regular Alexander Zarutsky sustained a leg muscle injury and had to be substituted. Temirlan Anarbekov, the team’s backup, stepped in. With Zarutsky still sidelined, Anarbekov started the return leg in Almaty. He delivered a flawless performance, keeping a clean sheet through regular time and two 15-minute periods of extra time. The match was ultimately decided by a penalty shootout. Anarbekov stole the spotlight by saving three out of five attempts. Kairat won the shootout 3-2. The team became only the second from Kazakhstan to reach the Champions League group stage, following Astana’s breakthrough in 2015. Kairat will discover its group-stage opponents during the Champions League draw on August 28. They are Kazakhstan’s sole representative in European competition this season, after Aktobe failed to qualify for both the Europa League and Conference League, and Shymkent’s Ordabasy and Astana exited in earlier rounds. Meanwhile, in neighboring Uzbekistan, the national football federation continues its search for a new head coach. As previously reported by The Times of Central Asia, former South Korea and Portugal manager Paulo Bento is the frontrunner for the role.

Almaty to Open Central Asia’s First Private Museum of Contemporary Art

Almaty is preparing for a cultural milestone of international significance. In September 2025, the Almaty Museum of Arts will open its doors as the first private museum of contemporary art in Central Asia. The project is poised to reshape Kazakhstan’s cultural landscape and position Almaty as a new regional hub for artists, curators, and global audiences. Architecture and Concept The 10,000-square-meter building was designed by British firm Chapman Taylor, in collaboration with Buro Happold and Lord Cultural Resources. The architectural concept draws on Almaty’s unique identity: stone elements evoke the surrounding mountains, while metal structures reflect the city's dynamism. Together, they create a space where art exists in a dialogue with both nature and urban life. The museum will include permanent and temporary exhibition halls, artist studios, educational auditoriums, a performance venue, a restoration laboratory, a café, and a museum shop. [caption id="attachment_35388" align="aligncenter" width="657"] Image: Almaty Museum of Arts[/caption] Investment and Collection The project is valued at approximately $100 million, with $30 million allocated for construction and $70 million for building the collection and outfitting the museum. The collection already comprises more than 700 works, spanning Kazakh and Central Asian artists as well as internationally renowned figures such as Yayoi Kusama, Alicja Kwade, Richard Serra, Yinka Shonibare, and Bill Viola. One permanent installation has already captured the public's attention: Nades, a 12-meter sculpture by Spanish artist Jaume Plensa, stands at the museum's main entrance. Depicting a young girl with her eyes closed, the artwork has sparked mixed reactions. Museum founder Nurlan Smagulov described it as a symbol of the "strength, dignity, and beauty of women.” While some praised its serenity and conceptual elegance, others questioned its cost and originality. Regardless, Nades has succeeded in igniting a public discourse, something all meaningful art aspires to, making the museum a topic of national conversation before its official opening. [caption id="attachment_35389" align="aligncenter" width="527"] Image: Almaty Museum of Arts[/caption] Curators and Opening Program Meruert Kalieva, founder of Almaty’s Aspan Gallery, has been appointed artistic director. The museum’s chief curator will be Inga Lāce, formerly of the Latvian Centre for Contemporary Art and a contributor to the Venice Biennale. The inaugural program includes: “I Understand Everything” - a solo exhibition by Kazakh artist Almagul Menlibayeva, tracing her work since the 1980s, and “Qonaqtar” - a group exhibition exploring themes of hospitality and migration, curated from the museum’s growing collection. [caption id="attachment_35399" align="aligncenter" width="884"] Aisha Galimbaeva, "Shepherd's Wedding", 1965; image: Almaty Museum of Arts[/caption] Role for the City and the Region The Almaty Museum of Arts aims to serve as a bridge between Central Asia and the global contemporary art world. Beyond exhibitions, it will function as an educational platform, hosting lectures, masterclasses, and programming for children and students. The institution is expected to boost the local art scene while drawing international visitors, contributing to the creation of a new cultural district in Almaty. More broadly, it signals Central Asia’s readiness to participate fully in global artistic discourse. Almaty stands to emerge as the cultural...