Kazakhstan Featurees - The Times Of Central Asia

Viewing results 751 - 756 of 1121

Cultural Heritage

Gods and Demons of Central Asia

In today's dynamic world, Central Asia is emerging as a trendsetter in fashion, culture, lifestyle, and worldview. The ancient Tengrian faith, deeply rooted in Central Asian mythology and superstitions, may soon resurface creatively among the region's people, though it is unlikely to be reinstated as an official religion. While some in Kazakhstan attempt to distance themselves from Abrahamic religions, Tengrism remains a vital part of the cultural heritage, featuring gods, demigods, and dark entities that shaped the beliefs of our ancestors during the pre-Islamic era. [caption id="attachment_22010" align="aligncenter" width="167"] photo: pininterest: Tengri's domain[/caption] Divine entities According to Tatar scientist and writer Gali Rahim, shamanism attributes significant roles to various spirits and deities. Among the Turkic peoples, the supreme deity is Tengri, the eternal blue sky. Rahim's lectures on “The Folklore of the Kazan Tatars,” presented at the East Pedagogical Institute in the 1920s, describe Tengri as the primary god in Turkic cosmology, with the earth and humanity emerging from the union of the sky and the earth. Umai, the goddess associated with motherhood and children, stands next in importance. Ancient Turkic inscriptions and symbolic artifacts, such as the stone carving discovered in 2012 in the Zhambyl district of Almaty, Kazakhstan, depict her as a protective figure for children. Teleut pagans represented her as a silver-haired, young woman who descended from heaven on a rainbow to guard children with a golden bow, and the Kyrgyz appealed for her help during childbirth and when children fell ill. Motifs dedicated to Umai by Shorian shamans, were positioned around cradles. Boys' cradles were pierced with an arrow, girls' with a spindle, and wooden arrows were placed within the those of both. Another prominent character common to Turkic, Mongolian, and Altaic mythology is Erlik or Yerlik Khan. Ruler of the underworld, the horned deity presides over the realm of the dead from a palace of black mud or blue-black iron on the bank of the Toibodym, a river of human tears. A single horsehair bridge is guarded by monsters known as dyutpa whilst the palace is protected by Erlik’s sentries or elchi, brandishing pike poles known as karmak. His breath, carried by a tan, a light warm breeze, was believed to paralyze anyone who inhaled it, which is why the Khakas term for paralysis, tan sapkhany, literally means “wind blow.” Kudai (Khudai), also known as Ulgen, is another central deity who, alongside his brother Erlik, created the land, its vegetation, mountains, and seas. Kudai created man from clay, and Erlik gave him his soul. Kudai created a dog but it was Erlik who clothed it in hair. Whilst Kudai created the first animals, the horse, the sheep, and the cow, Erlik created the camel, the bear, the badger, and the mole. Kudai brought down lightning from the sky and commanded thunder. In a dispute over who was the mightiest creator, Kudai won. The brothers parted ways, and after producing nine sons, from whom the tribes of Kpchak, Mayman, Todosh, Tonjaan, Komdosh, Tyus, Togus,...

Natural Disaster Threat

Countries of Central Asia Team up as Threat of Natural Disasters Grows

Central Asia is vulnerable to a panoply of natural hazards: Floods, landslides, droughts, sandstorms, avalanches and earthquakes. Countries in the region increasingly seek to collaborate on early warning systems and other emergency precautions, especially since disasters can spill across borders and because the effects of climate change are intensifying. To that end, the heads of the national emergency departments of Kyrgyzstan, Kazakhstan, Tajikistan and Uzbekistan met last week in Cholpon-Ata, a lakeside resort town in northern Kyrgyzstan whose attractions include ancient petroglyphs showing deer, leopards and hunting scenes. Turkmenistan´s flag – green expanse, red stripe with designs and white crescent and stars - was on display in the conference hall, though official announcements did not mention the presence of any delegation from the reclusive Turkmen government. The goal was to share information and experience, and deepen cooperation among the emergency agencies of those Central Asian countries, said Maj. Gen. Boobek Azhikeev, Kyrgyzstan’s minister of emergency situations. The five nations, which have a total of approximately 75 million people and encompass four million square kilometers, face growing risks from natural disasters, and the region has been warming faster than the global average according to a report released in May by the U.N. agency for the coordination of disaster risk reduction and the U.N. Development Programme. The two U.N. bodies, which helped to support the Central Asia meeting on the shores of Kyrgyzstan’s Lake Issyk-Kul on Aug. 15, also mentioned human-made hazards, such as industrial accidents, chemical waste facilities in densely populated areas, and severe air pollution in major cities in all the countries. “Many disaster risk management systems are still reactive, not proactive. Early warning processes are often fragmented, and poorly integrated into countries' development strategies and policies for risk-informed decision-making,” the U.N. agencies said. “There is a lack of anticipation of new and emerging risks, insufficient monitoring and forecasting, and limited financial and technological support. Early warning communication and dissemination are often unclear, especially for the most vulnerable.” The private sector and media can also get more involved in ways of reducing the risk from disasters, they said. The U.N. agencies also noted progress, saying Tajikistan had taken the lead in Central Asia in rolling out an early warning system focused on monitoring, forecasting, communication and other measures. Earlier this month TCA reported that the head of Tajikistan’s committee for emergency situations and civil defense, Rustam Nazarzada, stated that the economic damage caused by natural disasters in the country has amounted to over $12 million in this year alone. Additionally, Uzbekistan is updating an early warning system in the populous, economically important Ferghana valley that will promptly disseminate weather forecasts. Central Asian countries have sought to coordinate on environmental issues in the past, sometimes with mixed results. But the sense of urgency is growing. Earlier this year, Kyrgyzstan was among countries that sent aid to Kazakhstan after floods there that the Kazakh president described as the worst natural disaster in 80 years. Kazakhstan, in turn, sent tons of humanitarian aid to Kyrgyzstan after...

Infectious Diseases

Central Asia Takes Steps to Ward off Mpox after WHO Declares Emergency

Central Asian countries have prepared mpox test kits and taken other precautions since the U.N. World Health Organization said last week that the sharp increase in cases of the virus in Africa posed an international health emergency. Kyrgyzstan and Kazakhstan are among countries in the region that say they have not registered any suspected cases of the virus. They are heeding the advice of WHO, which is appealing for a coordinated international response to prevent its wider spread. The U.N. health agency also declared a global health emergency because of mpox in 2022, and cases were reported around the world before declining. Kyrgyzstan’s Ministry of Health said on Monday that it has increased sanitary and quarantine measures at airports, railway stations and border crossings, and is focusing on people coming from countries where cases of mpox have been reported. “Today, sanitary and quarantine points are equipped with thermal imagers and contactless thermometers for the timely detection of people with fever,” the ministry said. It added that WHO had assisted with the delivery to Kyrgyzstan of 3,000 PCR tests for detecting mpox in 2022. Some 500 tests were available as of Monday and efforts are underway to procure more tests, according to the ministry. Kazakhstan and Uzbekistan are also conducting similar precautionary measures. Timur Sultangaziyev, Kazakhstan’s deputy health minister, said methods for detecting people infected with the mpox virus are based on the COVID-19 pandemic and treatment guidelines are in place, according to the Kazinform News Agency. Health officials in Uzbekistan said they are planning for a 21-day medical observation period of anyone who has had contact with a patient sick with mpox. Like other Central Asian countries, they plan to build up their reserve of test kits for the virus. Medical specialists are also being trained in how to handle the disease. Mpox has been reported in the Democratic Republic of Congo, or DRC, for more than a decade, with cases increasing each year, according to WHO. The number of cases reported so far this year is more than last year’s total, with more than 15,000 cases and at least 500 deaths, according to WHO. Some other African countries have reported a far smaller number of cases. The DRC outbreak is being driven by two strains – one that mostly affects children, and a new one that “primarily affects adults and is spreading rapidly, sustained largely, but not exclusively, through transmission linked to sexual contact and amplified in networks associated with commercial sex and sex workers,” WHO said. Mpox symptoms can include fever, skin rash, lesions and chills. Most treatment is aimed at relieving symptoms. The disease can spread through close contact with an infected animal or person.

Water Security

Kazakhstan and China in Talks on Feeding Lake Balkhash

The Kazakh Ministry of Water Resources and Irrigation announced on August 19 that Kazakhstan and China are drafting an agreement on dividing trans-boundary river waters between the two countries. The main objective of the agreement is to ensure that the water in Kazakhstan’s Lake Balkhash remains at an optimal level. Located 280km northwest of the country’s largest city, Almaty, Lake Balkhash is the fifteenth largest lake in the world. It is fed by several trans-boundary rivers flowing from China, the largest of which is the Ili River, which provides about 80% of the lake's water. [caption id="attachment_21931" align="aligncenter" width="1056"] Image: Wikimapia[/caption] Environmentalists in Kazakhstan have been concerned about Lake Balkhash's shallowing. Balkhash has been gradually drying up in recent years, including due to the decline in water volumes in the Ili River. Upstream China has extensively diverted the river over the past half century to produce hydroelectric power and agricultural crops on irrigated land. According to research, as of 2021 China was blocking 40% of the river’s inflow. Moldir Abdualieva, a spokesperson of the Kazakh Ministry of Water Resources and Irrigation, said that the ministry has been paying great attention to providing Lake Balkhash with the necessary volume of water. “Since the beginning of this year, more than 12 billion cubic meters of water have been sent to the lake," she said. In May, it was reported that the water level in Balkhash had risen by 23cm since the beginning of the year due to increased rainfall and floods caused by snow melt this past spring.

World Nomad Games

The World Nomad Games: Capturing a Sense of the Great Steppe

The 5th World Nomad Games, set to be hosted in Astana from September 8-13, is Central Asia's largest national sports competition and, complemented by unique cultural and scientific programs, attracts participants and spectators from throughout the world. As reported by TCA, there is a distinctive festive fizz in the air as the city prepares to welcome visitors, with streets, shopping centers, public spaces and even buses already festooned with flags and colorful decorations. Ablai Kondybaev, the Deputy Head of the Directorate responsible for preparing and organizing the 5th World Nomad Games, spoke to The Times of Central Asia about how the event allows visitors to experience the spirit of the Great Steppe. TCA: The geographical scope of the Nomad Games is steadily expanding worldwide. How many countries will participate this year and how many tourists and spectators are expected to attend? AK: The Games have a ten-year history. Having originated in Kyrgyzstan in 2014, they have since been held three times in the Kyrgyz city of Cholpon-Ata and on the shores of Lake Issyk-Kul. Over the relatively short period since it began, the event has grown dramatically. The first Games attracted participants from 19 countries mainly from Central Asia where there is a historic nomadic culture, whereas the 4th Nomad Games hosted by Iznik, Turkey, in 2022, saw athletes competing from 81 countries. It's very interesting to track the geography of engagement. In previous Games, for example, countries such as New Zealand and Madagascar participated. Superficially, they have nothing to do with nomadic culture, yet consider themselves descendants of nomads. Such things bring us closer together; in the distant past, all humanity was nomadic. To date, we have received applications for participation from 89 countries to compete in this year's event. The Nomadic Games are a new and interesting phenomenon, offering unique and highly engaging spectacular sports, unfamiliar and exotic to European and Western audiences. As such, the Games are becoming increasingly popular abroad. Today's geographical representation of athletes is expansive, with countries including Venezuela, Ireland, Gambia, and Brunei participating for the first time. For ten years, countries from literally all continents have joined the event and perhaps in the future, we will reach a point where interest in our national sports is on a par with the Olympics or soccer championships. [caption id="attachment_21887" align="aligncenter" width="2560"] Falconry in Cholpon-Ata, Kyrgyzstan; image: Stephen M. Bland[/caption] TCA: Is it significant that the month of September was chosen for the Games? AK: Absolutely. September is when nomads traditionally celebrate the completion of the migration with their caravan of yurts and animals from their summer to winter camp with a toi ; an event comprising feasts, rituals, games and competitions. TCA: Which competitions generate the most excitement amongst spectators: Horse racing, archery, wrestling? AK: Nomadic life is directly related to horses, and year on year we observe how people who know nothing about steppe culture are particularly fascinated by our equestrian sports. Always spectacular and challenging, they take the audience's breath away. But...

Art and Culture

An Exploration of Identity by Kazakh Artist Gulnur Mukazhanova

There are some abstract works that can feel like a spiritual encounter. We are all familiar with the work of Mark Rothko, a master in materializing emotions and bringing viewers to transcendence through simple hues, nuances, and color gradients. Far fewer people however, will be aware of Gulnur Mukazhanova, a Kazakh artist whose felt paintings are imbued with a tenderness that offers viewers solace and comfort, and grounded in hope, open new horizons. When I first saw the artist’s work at the Parisian art fair ‘Asia Now’ two years ago, I was immediately struck by her unique use of wool and felt in the creation of abstract art. Delicate and evocative at once, her work successfully elevates craft to the status of fine art. [caption id="attachment_21715" align="alignnone" width="732"] Photo: Estefania Landesmann: Gulnar at work[/caption] Born in Semipalatinsk, Kazakhstan, shortly before the end of the USSR, the artist has been working with textiles since beginning her practice, and influenced by Kazakh traditions, employs felt as a primary material. Mukazhanova studied at the Art Academy in Almaty and later, at the Kunst Hochschule in Berlin Weißensee. She has now lived and worked in Berlin for many years and it was here, that she started to process her Kazakh origins, heritage, and the state of society, with an international audience in mind. Spiritual and emotional, her abstractions are informed by issues concerning identity and the transformation of traditional values of her native culture in the age of globalization. TCA caught up with Gulnur to discuss her latest work, her creative process, and how her Kazakh origins continue to influence her art. TCA: What initially drew you to art and how did your journey begin? GM: My earliest memories involve drawing animals when I was around five years old. My cousin, also an artist, had a significant influence on me and was the first person to open my eyes to the world of art. I studied art at the university in Kazakhstan and then moved to Berlin, initially to study textile design. However, I quickly realized that design wasn’t my path and so, shifted my focus to more experimental approaches with textiles. By the end of my studies in Berlin, I was fully immersed in working with felt and it has remained a central part of my practice ever since. [caption id="attachment_21716" align="alignnone" width="2500"] Photo: Thierry Bal : Öliara & the Dark Moon[/caption] TCA: Your work often carries deep emotional and historical weight, as illustrated by your series “Öliara: The Dark Moon” and your abstract self-portraits. How do you approach abstraction in these works? GM: “Öliara: The Dark Moon” was a solo show in Mimosa House in London that dealt with dark periods in Kazakh history, particularly the tragic events of "Bloody January" 2022. The series reflects on life, death, and the fragile nature of existence; themes that are unfortunately all too relevant in our world today. The felt pieces in this series are abstract allowing them a deep emotional resonance which would not be afforded by a...