Uzbekistan’s Garden Blossoms at the Osaka Expo
At Osaka Expo 2025, Uzbekistan is stepping onto the global stage with a pavilion that embodies the country’s theme: culture as the foundation of future societies. Created by the Uzbekistan Art and Culture Development Foundation (ACDF), the space celebrates heritage as both a legacy and a launchpad to connect communities, bridge generations, and spark global conversations. ACDF is no stranger to ambitious cultural projects. In Tashkent, it has staged the World Conference on Creative Economy, created the first Aral Culture Summit in Nukus, and is behind the renovation of the Centre for Contemporary Art. The Foundation is also working with star architect Tadao Ando on the design of a new National Museum and restoring the storied Palace of the Grand Duke of Romanov. Its research project, Tashkent Modernism XX/XXI, has already caught international attention with publications from Rizzoli New York and Lars Müller Publishers. [video width="1280" height="720" mp4="https://timesca.com/wp-content/uploads/2025/09/IMG_6020-online-video-cutter.com_.mp4"][/video] Recently, ACDF has been igniting fresh cultural currents. In Bukhara, the UNESCO-listed jewel of the Silk Road, the debut of the first-ever Biennial, Recipes for Broken Hearts, has transformed the ancient city into a vibrant stage for contemporary creativity. As we approached the pavilion, the queue was already packed and closed off to latecomers still straggling in. Before entry, a guide explained in Japanese the concepts in motion. Designed by internationally acclaimed ATELIER BRUCKNER, the installation unfolds under the theme Garden of Knowledge: A Laboratory for a Future Society, inspired by Uzbekistan’s fertile soil and fragrant gardens where wisdom and originality take root. Built with materials sourced in Japan, the structure features 10,000 hand-glazed bricks crafted by a master artisan from Uzbekistan. Its design has already earned international acclaim, winning the prestigious Red Dot: Best of the Best, and taking home gold at the German Design Award. Inspired by Khiva and the Khorezm region’s rich architectural and intellectual legacy, it’s a two-storey 750 square meter space that blends the ancient with forward-thinking design, mirroring the life cycle of a garden. Khiva, a UNESCO World Heritage city, has long been a crossroads of learning where scholars, artisans, and merchants exchanged ideas within its madrasahs and courtyards. It reimagines this heritage as a contemporary space for gathering and exchange. [caption id="attachment_36099" align="aligncenter" width="2560"] Exhibit: transport of the future; image: TCA, Stephen M. Bland[/caption] Brick and clay symbolize earth and ancestry, while cypress wood cultivated near Osaka underscores environmental responsibility. The triangular plot draws from the tumar, a traditional Central Asian amulet of protection, while a floor-level garden evokes Uzbekistan’s landscapes. Visitors follow a symbolic journey from planting seeds of knowledge to harvesting ideas, exploring zones aligned with UNESCO’s goals, including quality education, clean energy, resilient infrastructure, and innovation. [caption id="attachment_36097" align="aligncenter" width="2560"] Exhibit blending the ancient and the modern; image: TCA, Stephen M. Bland[/caption] The experience begins in the soil, a ground-floor gallery that highlights Uzbekistan’s shift toward a green economy through renewable energy, eco-friendly transport, and energy-efficient housing, along with landmark projects such as the revitalization of the Aral Sea Basin. From there,...
