Laughter Amidst Ruins: Rediscovering Tajikistan’s Resilience Through Comedy and Cultural Exchange
The UN General Assembly's Human Rights Council recently condemned the government of Tajikistan for its failure to implement the recommendations of a 2019 study by UN representatives. The study focused on the unreconciled atrocities and societal wounds caused by the civil war that swept through the republic after the collapse of the Soviet Union. More than 60,000 people died in this war, and more than 250,000 fled the republic. Reading this news, I was reminded of and reflected on post-war Tajikistan, which I visited in the late summer of 2000. At that time, the country had been in a state of fragile peace for two years, and you could still feel the tension in the air. Since my visit to the country in 2000, the Tajik Civil War has been reflected on by many people in the arts. In the same year that UN researchers were raking up the old tragedy, the film Kazbat was released in Kazakhstan. This movie is a military drama about the real deaths of 17 soldiers of the Internal Troops of the Ministry of Internal Affairs of the Republic of Kazakhstan (now the National Guard), who fell into an ambush in Tajikistan on April 7, 1995. A little earlier, in 2017, Russian writer Vladimir Medvedev released the novel Zakhok, which talks about the horrors of that six-year war through the struggles of a single family, where the mother is Russian, and the children are half Tajik. My visit to this war-torn country was for a reason most wouldn’t have expected - a comedy festival. The group that I traveled with consisted of my teammates, Almaty residents, as well as people from other Kazakh, Uzbek, and Kyrgyz cities. Despite coming from all over Central Asia, we ended up in Tajikistan for the first international СVN festival (СVN - Club of the Funny and Inventive) in Central Asia. СVN is an improv and sketch comedy competition involving students that originated in Soviet times, the point of which is to satirize the surrounding reality through theatrical skits and question-based improv. Due to its satirical nature, СVN was banned for two decades during the Soviet-era. It was later revived during Perestroika, and, in the shortest possible time, became a phenomenon in all universities in Russia and across almost all of post-Soviet space. In Kazakhstan, СVN was developed immediately after the collapse of the USSR. Alma-Ata, which was the capital city back then, organized its own league, which included teams from the leading national universities of that time - Kazakh State University, Narkhoz, Almaty Institute of Transport Engineers, and Almaty State Medical Institute. I belong to the second generation of СVN players. Our task was to popularize this game throughout the republic and attract not only universities but also colleges and schools. Later, the new СVN league went beyond Kazakhstan, starting with friendly meetings with universities from Bishkek, Tashkent, and other Central Asian cities. Then, the International League of СVN, which was created and headed by Alexander Maslyakov, who passed...
