Karakalpakstan - The Times Of Central Asia

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Foreign Investment

Karakalpakstan Investment Push Brings $7.6 Billion in New Projects

Uzbekistan has announced 58 projects worth about $7.6 billion in Karakalpakstan, ranging from wind power and data centers to transport and healthcare. At a September 18 ceremony, 11 projects worth $592 million were commissioned or launched, while construction began on 47 more with a combined value of $7 billion. The projects are expected to create around 8,000 jobs, according to the presidential press service. Wind Power Leads Investment Push Among the largest projects is the 1.5-gigawatt Kungrad Wind Farm, being developed with Saudi Arabia’s ACWA Power. The Uzbek government values the project at $2.6 billion, although ACWA’s own project page puts its cost at just over $3 billion. The development includes extensive new transmission infrastructure and substation upgrades to connect the plant to Uzbekistan’s power grid. The wind farm will also include a 300-megawatt battery energy storage system. Once completed, it is expected to become one of the largest wind power projects in Central Asia. ACWA is already operating renewable energy facilities in Karakalpakstan. The Nukus-1 and Nukus-2 projects have a combined wind power capacity of 300 MW, along with 100 MW of battery storage. According to ACWA Central Asia President Abid Malik, the company’s planned, operational, and under-construction projects in Karakalpakstan represent about 2.3 GW of generation capacity and around $4 billion in investment. The projects are expected to generate about 8.77 billion kilowatt-hours of electricity annually, enough to cover the energy needs of approximately 2.4 million households, while saving around 2.1 billion cubic meters of natural gas. “Karakalpakstan is becoming one of the most vital investment destinations for ACWA in Uzbekistan,” Malik told The Times of Central Asia. He said construction of the Kungrad project could create around 4,000 jobs at its peak, while local content could reach approximately $750 million. ACWA is also supporting workforce development, with 78 students from Karakalpakstan currently studying at Shirin College to prepare for work in the country’s energy sector, Malik said. The ceremony also marked the launch of two wind power plants with a combined capacity of 300 MW and a 100 MW energy storage system in Karauzyak district. Health, Digital and Transport Projects Other projects launched during the visit included the $27 million Sheikh Khalifa Hospital in Nukus, built in cooperation with the United Arab Emirates. The 100-bed facility has created 80 jobs. A Karakalpak Scientific and Practical Medical Academy is also being established for medical training and research. The first phase of a modular computing center operated by the Chinese company Shanghai LinkWise Data Intelligence was launched in Takhiatash district. The presidential office valued the phase at $150 million. Chinese partners are also involved in projects worth a combined $2.281 billion to “produce digital currency” and establish artificial intelligence data centers in Kungrad and Takhiatash. The presidential statement did not identify the partners or explain what producing digital currency would entail. Transport infrastructure is another focus. A $20 million project by SAPSAN TRANS NO‘KIS has already delivered 25 buses and electric buses to Nukus, with another 75 electric buses...

Japanese Investment

Japanese Investment Tackles Uzbekistan’s Aral Sea Crisis

Until recently, the rehabilitation center in Akmangit, a settlement in Karakalpakstan, relied on sewage trucks to remove wastewater. Although it receives about 3,500 patients with disabilities each year, the center had no sewer system. In March 2025, a Johkasou system, a compact Japanese unit that treats wastewater biologically, was installed at the center. The treated water can now be reused for irrigation instead of being hauled away. Similar systems were installed at a kindergarten and a specialized school. In their first four months of operation, the three units treated more than 16,400 cubic meters of wastewater. Although these installations are small relative to Karakalpakstan’s water and sanitation needs, they illustrate Japan’s approach in Uzbekistan’s Aral Sea region through local pilot projects tied to longer-term development programs. During an October 2025 visit, a United Nations Development Programme (UNDP) delegation and a representative of the Embassy of Japan in Uzbekistan saw residents using the program to introduce drip irrigation and expand small businesses. A smoked-fish producer in Samanbay employed 12 people. Since 2020, Japan has funded trials of water-saving and wastewater-treatment technologies in the region, supported climate-resilient agriculture, and introduced local business-development models. These projects draw less attention than Central Asia’s uranium, critical-mineral, energy, and transport deals. In Karakalpakstan, however, Japan has pursued influence through smaller projects intended to remain in place for years. Water and Agriculture Projects In September 2023, Japan provided $2 million for a UNDP program promoting climate-resilient agriculture in four districts of Karakalpakstan. By the program’s conclusion in 2025, more than 7,700 residents had gained access to clean drinking water. The Johkasou units were among the program’s most visible elements. Developed in Japan in the late 1940s amid sanitation problems, the decentralized systems offer an alternative where centralized sewer networks are impractical. Their treated water can be reused for irrigation. The program tested another Japanese technology on the dried Aral Sea bed. In 2024, UNDP planted 1,000 saxaul seedlings using a superabsorbent polymer (SAP) that retains moisture around plant roots. Saxaul, a desert shrub or small tree, helps stabilize sand and limit the spread of salt and dust from the former seabed. The 1,000 seedlings formed part of UNDP’s Green Aral Sea initiative. Between 2020 and March 2025, the program planted 823,000 trees across 658.2 hectares. In February 2026, Japan and UNDP launched a $4.6 million project scheduled to run through 2028. Its work includes irrigation rehabilitation, digital water monitoring, wastewater reuse, and desalination powered by renewable energy. More than 1,000 farmers and households are expected to benefit. Local Business Models Japan has paired these technologies with models for local economic development. One is the One Village, One Product Movement (OVOP), which began in Japan’s Oita Prefecture in 1979. Under the model, communities develop marketable products based on local resources and skills. In Karakalpakstan, OVOP has been applied to agriculture, handicrafts, and food processing, including the small businesses visited by the delegation in October 2025. Another Japanese approach is kaizen ("continuous improvement"). It seeks to improve production and...

Aral School

“It’s Not the Whole Story”: Aral School Participants Rethink Karakalpakstan

A proverb about seasonal food caught the attention of Australian researcher, multimedia artist, and producer Jess Nikitina-Li while she was at the Aral School in Nukus. “I’m interested in language, art and storytelling, and I didn’t really know what I would be working on during the program, but I became obsessed with this proverbial wisdom that kept coming up when we started asking questions about food systems in Karakalpakstan,” she told The Times of Central Asia. One proverb in particular became important to her work: “Three months of pumpkin, three months fish, three months melon, three months milk. All four seasons of the year the people are well fed and a lot of sweet fruit we have in our lands.” “This really grounded my thinking because it reflects my belief that people are not inherently depleted,” she said. “People become depleted through extraction. Seasonal abundance has always been in this land, and people know how to work with the seasons; people are adaptive.” The school is an initiative of the Uzbekistan Art and Culture Development Foundation (ACDF). Its first cohort studied food and water at a household level. Applications for the second cohort, which will explore the theme of “Climate and Landscape” from January to June 2027, are open until October 25. [caption id="attachment_56507" align="aligncenter" width="1774"] Image: ACDF[/caption] TCA spoke with participants about their work in Karakalpakstan. Nikitina-Li became particularly interested in the role of women within households, including kelin, a term referring to a young bride or daughter-in-law. “One of the key projects I worked on was a project called Tabak,” she said. “Tabak is a specifically resonant symbol in Karakalpakstan. It is the iron plate that everyone traditionally eats from.” Her work with women eventually led to the creation of a cooking collective called “The Wild Kelin,” through which participants explored traditional recipes, nutrition, seasonality, and the knowledge passed between generations. “I wanted to see what was important to them, what was relevant to their households, because that to me is the test of what is relevant to this region,” she said. “We did a lot of community programming, textbook research, field research, field recordings and filmmaking, but the most important thing for me was done in close collaboration with our local colleagues,” she told TCA. “This was really a priority for me. It was why I came here, to have this strong intercultural exchange and to make solidarities with the land and with the people who understand the land the best.” “We didn’t do this through this lens of people as victims, but through a lens of empowerment and understanding people as having agency - that they have an inherent capability of keeping themselves, and each other, alive,” Nikitina-Li said. “Something unique to this program was understanding how to create a community - a community of thinkers and makers who are grounded in the same principles, values and ethos, but who work so differently.” “My biggest takeaway from the first cohort is wow - this was very...

YONAR

Artists Build a Temporary White Salt City in Karakalpakstan

For three days, a city appears on the Barsakelmes salt flat in Karakalpakstan. It has no permanent residents, shops, or spectators. There are tents and yurts, art installations, music, and several dozen people who have come to build, paint, perform, cook, and live together. Then the city disappears. The second international YONAR experimental art festival is taking place in Uzbekistan’s Kungrad District from September 17 to 19. Its site is about 200 kilometers from Nukus. Organizers call the temporary settlement White Salt City. There is no conventional festival audience: anyone who comes to YONAR becomes a participant. They can create an installation, play music, run a workshop, help build the camp, or take responsibility for part of the community’s daily life. Participation is free, subject to application. There is no commercial trade or advertising. After three days, participants are expected to dismantle the camp and remove their belongings and waste. YONAR follows a leave-no-trace principle: the salt flat should be left without signs of the temporary city. YONAR was created by the team behind Stihia, an electronic music, art, and science festival that originated in Karakalpakstan. Some of its principles clearly echo Burning Man: instead of a stage and an audience, there is a space created by the participants themselves; instead of commerce, exchange and communal living; instead of permanent architecture, structures built to last only a few days. The setting gives YONAR its particular character. The white surface of the salt flat has almost none of the usual landmarks. During the day, there is salt, horizon, and harsh light; at night, darkness and an open sky. Against this backdrop, even a temporary structure begins to look like part of the landscape. The first YONAR was held here on September 11-13, 2025. According to Uzbekistan’s Tourism Committee, 35 local and international participants created six major installations: Sphere, Monolith, Teleport, Statue of Amorphosis, Hologram of the Future, and Art Car Scorpion. Participants lived in five yurts, with generators providing electricity. At the end, Sphere and Teleport were burned, the other structures were dismantled, and the camp area was cleaned. This year’s theme is dreams. Surrealism, absurdity, and the space between reality and imagination come with an almost ready-made setting here: an empty salt horizon. More than 70 applications were submitted. Organizers expected around 40 participants from Tashkent, Nukus, Moynaq, Almaty, Bishkek, Berlin, Vienna, London, Moscow, and other cities. Barsakelmes is in Karakalpakstan, in the wider Aral Sea region. But describing the festival site simply as the dried bed of the Aral Sea would be misleading: YONAR takes place on the distinct Barsakelmes salt flat in Kungrad District. Outside Central Asia, Karakalpakstan has for decades appeared in the news largely alongside the words “Aral Sea,” “environmental disaster,” and “desertification.” YONAR uses the region’s stark landscape differently, as a space for contemporary art. The state is also taking an interest. The festival is being held with the support of Uzbekistan’s Tourism Committee. The Tourism Committee has announced familiarization tours for journalists, bloggers, and...

Aral Sea

Opinion: Can the Aral Sea Be Saved? Central Asia’s Water Cooperation Test

For most people, the Aral Sea is known through climate documentaries and satellite images as shorthand for ecological disaster. Once the world’s fourth-largest lake, it withered after Soviet planners diverted its two lifelines, the Amu Darya and Syr Darya, to turn Central Asia into a cotton empire. Over almost five decades, as much as three-quarters of the water in these river systems has leaked into desert soils rather than reaching the sea. NASA satellite data show that the blue inland ocean has been replaced by dusty basins. We all know that story. But the more urgent question is different: can the Aral Sea still be “saved” in any meaningful sense, in a century of climate stress and water shortages? Is it still capable of being restored to health? The honest answer is yes, but only if Central Asian states and their international partners stop treating it as a frozen symbol of Soviet failure and begin governing the entire basin as a shared, climate-vulnerable commons. Anything less is nostalgia with good drone footage. From Lake to Warning Signal The Aral Sea once covered about 68,000 square kilometers and supported fishing communities along what is now the Kazakhstan-Uzbekistan border. Before the large-scale Soviet irrigation projects of the 1960s, its level depended mainly on inflow from the Amu Darya and Syr Darya, with smaller contributions from precipitation and groundwater. In the arid climate of the basin, the sea’s stability depended on a fragile balance between river inflow and water loss through evaporation. That balance began to collapse after Soviet planners expanded irrigation for cotton and rice, diverting water from rivers that had fed the sea for centuries. Evaporation continued while river inflow fell, and the sea shrank rapidly. By the early 2000s, time-lapse images published by NASA’s Earth Observatory showed large areas of deep blue water turning into exposed seabed and dust plains within a generation. The consequences went far beyond a retreating shoreline. As the water receded, the exposed seabed became the Aralkum Desert, a source of toxic dust contaminated with salt as well as fertilizer and pesticide residues. Winds carry that dust across farms and towns, degrading soil and crops while exposing residents to serious health risks. The IFAS Agency in Uzbekistan, a working body of the International Fund for Saving the Aral Sea, coordinates projects and programs in the Aral Sea basin. The collapse of fisheries also devastated local livelihoods and food supplies. Researchers have linked the wider Aral Sea crisis to higher rates of respiratory disease and anemia. Some studies have also reported elevated cancer risks. The loss of such a large body of water has changed the local climate. Without the sea’s moderating effect, summers have become hotter and drier, while winters have become colder. These pressures are now compounded by climate change and the retreat of glaciers in the upstream mountains that feed Central Asia’s river systems. The Aral Sea is therefore more than an environmental tragedy. It is a warning of what can happen when political...

From a Vanishing Sea to Milan’s Spotlight: When Apricots Blossom, a Lost Sea Speaks

From April 20 to 26, 2026, Uzbekistan will present one of its most ambitious cultural projects to date at the Milan Design Week. Titled When Apricots Blossom, the exhibition will take place at Palazzo Citterio in Milan’s Brera district, transforming the historic space into a multi-layered exploration of craft, memory, and environmental change. Organized by the Uzbekistan Art and Culture Development Foundation, the exhibition is commissioned by its chairperson, Gayane Umerova, and curated by architect Kulapat Yantrasast, founder of WHY Architecture. Bringing together twelve international designers and Uzbek artisans, the project explores how traditional knowledge can help societies respond to environmental crises. At its core lies Karakalpakstan, an autonomous region in northwestern Uzbekistan that has experienced one of the world’s most severe ecological disasters. A Story Rooted in Loss and Resilience The exhibition takes its name from a poem by Hamid Olimjon, written in the 1930s as a reflection on hope and renewal. Today, that symbolism carries renewed relevance. For decades, the Aral Sea has been shrinking. Once one of the largest inland bodies of water in the world, it has lost more than 90% of its volume since the 1960s, largely due to irrigation policies that diverted its feeder rivers. The result is a transformed landscape of desert, salt plains, and fragmented ecosystems, with communities forced to adapt to rapid environmental change. [caption id="attachment_30520" align="aligncenter" width="2560"] Moynaq. Aral Culture Summit 2025; image courtesy of Iwan Baan and ACDF[/caption] Rather than focusing solely on loss, When Apricots Blossom highlights how communities continue to live, create, and adapt. Visitors enter through a façade transformed by a large textile installation by British designer Bethan Laura Wood, created in collaboration with Uzbek artisans. Drawing on decorative elements used in nomadic yurts, tassels, ribbons, and woven patterns, the work creates a vivid and tactile threshold. Inside the courtyard, an installation of apricot trees by Uzbek floral artist Ruben Saakyan sets the tone. The apricot, both a symbol of hospitality and a key Uzbek export, also reflects resilience, continuing to grow even in the harsh conditions of the Aral Sea region. Further inside, a “deconstructed yurt” designed by WHY Architecture serves as a central gathering space, reflecting the adaptability of nomadic shelter traditions. Craft as Knowledge, Not Decoration For Umerova, this distinction is central. “Craft in Karakalpakstan is more than tradition, it is a system of knowledge,” she told The Times of Central Asia. “It has evolved over centuries in close relationship with the land.” [caption id="attachment_46319" align="aligncenter" width="1440"] Handwoven textiles on a traditional loom at “When Apricots Blossom”; image: ACDF[/caption] Umerova notes that materials such as wood, silk, felt, ceramic, and reed reflect a deep understanding of local ecosystems. These practices are passed down through generations, carrying both technical skills and cultural knowledge. In the context of the Aral Sea crisis, this knowledge takes on renewed importance. “The communities there have long developed ways of adapting to changing environments,” she told TCA. “Their craft traditions embody this resilience.” For Umerova, sustainability is as...