• KZT/USD = 0.00222
  • TJS/USD = 0.10820
  • UZS/USD = 0.00009
  • TMT/USD = 0.29760
  • KZT/USD = 0.00222
  • TJS/USD = 0.10820
  • UZS/USD = 0.00009
  • TMT/USD = 0.29760
  • KZT/USD = 0.00222
  • TJS/USD = 0.10820
  • UZS/USD = 0.00009
  • TMT/USD = 0.29760
  • KZT/USD = 0.00222
  • TJS/USD = 0.10820
  • UZS/USD = 0.00009
  • TMT/USD = 0.29760
  • KZT/USD = 0.00222
  • TJS/USD = 0.10820
  • UZS/USD = 0.00009
  • TMT/USD = 0.29760
  • KZT/USD = 0.00222
  • TJS/USD = 0.10820
  • UZS/USD = 0.00009
  • TMT/USD = 0.29760
  • KZT/USD = 0.00222
  • TJS/USD = 0.10820
  • UZS/USD = 0.00009
  • TMT/USD = 0.29760
  • KZT/USD = 0.00222
  • TJS/USD = 0.10820
  • UZS/USD = 0.00009
  • TMT/USD = 0.29760
13 September 2026

Viewing results 1 - 6 of 3

Inside a Universe of Culture at the World Nomad Games

Of all the sites at the 6th World Nomad Games in Kyrgyzstan, the “Universe of Nomads” ethno-town is arguably the most interesting. Its setting is Kyrchyn jailoo, a large summer pasture in Semenov Gorge, where the forested slopes of the Kungey Ala-Too Mountains rise around it. The location feels far removed from the largely sports-specific venues in Cholpon-Ata, including the Kok Boru Arena, the Hippodrome, and the Gazprom Sports and Recreation Complex. Getting there takes around an hour from Cholpon-Ata on marshrutkas, minivans used as tourist shuttles, and the journey is often chaotic, with passengers packed head-to-hip. Those who make the journey find stunning scenery, an abundance of culture, and indeed sport, including some of the event’s more unusual tournaments. Among them is spine-bone breaking, a very literal nomadic sport in which competitors use their bare hands to break apart cattle spinal bones with a single strike. Other sports at the ethno-town range from Kyrgyz-style mounted archery and Turkish-style archery to golden eagle hunting and races featuring taigans, a breed of sighthound from Kyrgyzstan. The pure spectacle and traditional regalia keep visitors enthralled, as does the sheer number of animals with which they can pose for photographs. Built partly from clay and modeled on the fortifications of a medieval Central Asian shahristan, or walled inner city, the walls enclose two large spaces. The Ethno Bazaar combines souvenirs and crafts with regular street performances featuring comedy, clowns, acrobatics, and traditional music, while the Nomadic Cuisine area offers samples of national dishes on a try-before-you-buy basis. For Western tourists so inclined, the few vegetarian options include kattama, a layered, flaky flatbread made with onion and accompanied by sour cream, and boorsok, small pieces of deep-fried dough. The practical difficulties of the ethno-town come with the territory. Visitors reluctant to navigate the uneven ground and muddy slopes on foot can hire a “horse taxi” from the scrum of young men and boys on horseback looking for business. At the muddy squat-toilet setups dotted around the site, women clamber into the comparatively empty men’s facilities next door, where a smattering of men merely shrug when faced with the laughing female stampede. The sprawling site features around 500 traditional yurts organized into regional sections such as Issyk-Kul, Bishkek, Osh, and Naryn. Clusters on the outskirts appear to be used for their traditional purpose as temporary homes for sellers and exhibitors, since hotels and other accommodation are far from the site. [video width="1920" height="1080" mp4="https://timesca.com/wp-content/uploads/2026/09/WhatsApp-Video-2026-09-04-at-18.24.43.mp4"][/video] Further afield, on the main stage and in a clearing beside the thematic and cultural-exchange yurts, dramatic theater, nomadic music, improvised poetry (aitysh), contemporary music threaded with history, and dancers twirling in brightly colored costumes follow one another in a hypnotically dizzying procession. [video width="1920" height="1080" mp4="https://timesca.com/wp-content/uploads/2026/09/WhatsApp-Video-2026-09-04-at-18.24.25.mp4"][/video] Among those taking part are members of Yr Kerben, or “Song Caravan,” a cultural project that brings together women from Kyrgyzstan’s seven regions. Known as the ak elechek apalary, or “mothers in white elecheks,” they promote a headdress traditionally associated with married women, with...

Kyrgyzstan Hosts Inaugural World Festival of Traditional Culture and Music “Rukh Sanat”

From August 1-3, the cultural and ethnographic complex Rukh Ordo, on the shores of Lake Issyk-Kul, hosted Kyrgyzstan’s first World Festival of Traditional Culture and Music, Rukh Sanat. The event brought together more than 130 performers, researchers, and artisans from 37 countries. The festival opened with a parade of participants and a theatrical ceremony celebrating nomadic traditions and harmony with nature. Kyrgyz Minister of Culture, Information and Youth Policy Mirbek Mambetaliev described Rukh Sanat as “a new cultural doctrine” where tradition “sounds, lives, and interacts.” [caption id="attachment_34893" align="aligncenter" width="2560"] Image: TCA/Maria Malinovskaya[/caption] [caption id="attachment_34892" align="aligncenter" width="2560"] Image: TCA/Maria Malinovskaya[/caption] The program included an International Competition of Oral-Professional Musical Art, featuring 82 soloists and ensembles from 14 countries. The Grand Prix was awarded to the Kyrgyz ensemble Akak, while laureates included performers from Kazakhstan, Uzbekistan, Russia, South Korea, and India. [caption id="attachment_34895" align="aligncenter" width="2560"] Image: TCA/Maria Malinovskaya[/caption] [caption id="attachment_34896" align="aligncenter" width="2560"] Image: TCA/Maria Malinovskaya[/caption] Alongside the performances, the International Council for Traditional Music and Dance (ICTMD) held a symposium attended by more than 100 scholars from 40 countries, addressing the preservation and transformation of intangible cultural heritage. The festival concluded on August 3 with a gala concert of laureates. Deputy Chairman of the Cabinet of Ministers Edil Baisalov announced that the next Rukh Sanat will be held in Kyrgyzstan’s Jalal-Abad region in 2027. [caption id="attachment_34897" align="aligncenter" width="2560"] Image: TCA/Maria Malinovskaya[/caption] [caption id="attachment_34898" align="aligncenter" width="2560"] Image: TCA/Maria Malinovskaya[/caption] Organizers see the festival as an important step toward strengthening Central Asia’s cultural presence on the global stage.

Cultural Appropriation: How the YAKA Brand Sparked Outrage in Kyrgyzstan

A scandal has erupted in Kyrgyzstan over the Russian clothing brand YAKA, founded by Anna Obydenova. The company, which produces clothing, accessories, and carpets adorned with stylized Kyrgyz ornaments, has faced backlash after claiming exclusive copyright to its designs. This move has sparked widespread outrage among Kyrgyz citizens, who accuse the brand of appropriating their cultural heritage. Social Media Backlash The controversy first gained traction on social media, where users quickly pointed out the alleged appropriation. One of the first to speak out was Uulzhan Bekturova, who posted an Instagram story highlighting that YAKA’s so-called “skirt” from its YAKA Unique collection was, in fact, a traditional Kyrgyz garment known as a beldemchi. She addressed the brand directly: “No, this is not a ‘skirt’ from your YAKA Unique collection, it is our beldemchi! Stop stealing our culture! Shame on you!” Her post quickly went viral, triggering a wave of public indignation. Further fueling the controversy was a statement on YAKA’s official website claiming that the brand was created “in honor of the 100th anniversary of Kyrgyzstan’s independence.” This historical inaccuracy (Kyrgyzstan gained independence only 34 years ago, in 1991) led to further accusations of ignorance and cultural insensitivity. Another source of outrage was YAKA’s warning that copying its designs was prohibited, which many saw as an attempt to monopolize traditional Kyrgyz patterns. TikTok Outrage and Calls for Boycott Public discontent was particularly intense on TikTok, where users criticized YAKA’s actions. One user, @rrrrrramilya, posted a viral video condemning the brand’s claim over Kyrgyz symbols: “A clothing brand has patented Kyrgyz patterns, registering them as their property. They justify it by saying ‘Made in Kyrgyzstan’ is on each product and that Kyrgyz artisans create them. So, if it’s made in Kyrgyzstan, is that OK? No! Manufacturing in a country does not give you the right to own its culture. Making something in Kyrgyzstan does not mean you get exclusive rights to traditional symbols!” Another user, @yido.kg, explained why cultural appropriation is such a sensitive issue: “The problem is that culture bearers are often discriminated against because of their own culture, while others use it as a fashion trend. But this isn’t just fashion - it’s the heritage of an entire people.” These videos gained widespread support, with many users calling for a boycott of YAKA products and demanding legal protection of Kyrgyz cultural heritage at the international level. Voices from Kyrgyzstan TCA spoke with Kyrgyz citizens to gauge their perspectives on the issue. Aisulu, 20, from Bishkek, expressed her frustration: “I am proud of our culture and traditions. It’s terrible when someone tries to profit from our heritage without our consent.” Mairam, 24, from Osh, added: “Our ornaments are not just patterns; they are part of our soul. No one should have the right to appropriate them.” Beksultan, 26, from Bishkek, emphasized the need for action: “We must unite and protect our cultural heritage. Cases like this should not go unnoticed.” YAKA’s Response and a New Controversy In response to the backlash,...