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Milan Design Week

Uzbekistan’s ‘When Apricots Blossom’ Shortlisted for Fuorisalone Award at Milan Design Week

Uzbekistan’s first national exhibition at Milan Design Week 2026 has closed with strong international recognition, drawing large crowds and earning praise from critics for its focus on culture, craft, and environmental change. Titled When Apricots Blossom, the exhibition ran from April 20 to 26 at Palazzo Citterio, welcoming around 25,000 visitors over seven days. Organized by the Uzbekistan Art and Culture Development Foundation (ACDF), the project was commissioned by its chairperson Gayane Umerova and curated by architect Kulapat Yantrasast, founder of WHY Architecture. The exhibition was shortlisted for the main Fuorisalone Award, which recognizes leading installations among the thousands of events held across Milan during the week. It also received a Special Mention from a panel of media partners and critics. The jury praised the project for creating “a dialogue between the space and the content” and for encouraging deeper engagement with its themes. Uzbekistan’s debut comes at a time when design is increasingly addressing global challenges, including climate change and sustainability. In this context, When Apricots Blossom stood out for its focus on the Aral Sea region, one of the world’s most widely recognized environmental disasters. [caption id="attachment_47943" align="aligncenter" width="451"] Cooking demonstration led by Bayrangul. Still from the film Where the Water Ends by Manuel Correa and Marina Otero 2026. Courtesy of ACDF[/caption] Over the past six decades, the Aral Sea has largely disappeared, reshaping life in Karakalpakstan, an autonomous region in northwestern Uzbekistan. The exhibition explored how communities in the area have adapted to these changes, not only through new solutions but also through long-standing traditions. Rather than presenting craft as something of the past, the project framed it as a form of living knowledge. “Our intention was for the Aral Sea to be recognized not only as a site of loss, but as a lens through which design considers broader questions of climate, culture, and responsibility,” Umerova said. She emphasized that collaboration played a key role in the exhibition. Designers from different countries worked alongside Uzbek and Karakalpak artisans, creating a space for exchange between tradition and contemporary practice. “The knowledge exchange between our craftspeople and international designers has helped reconnect past, present, and future,” she said. Inside Palazzo Citterio, visitors moved through installations centered on three fundamental aspects of life: food, shelter, and clothing. These were represented through bread-making, yurt-building, and textile weaving, practices that have helped communities adapt to changing environments. Twelve designers created new works inspired by these traditions, including bread trays and stamps used in the preparation of non, a staple of Uzbek cuisine. Made from materials such as wood, ceramics, felt, and reeds, the objects reflected both local resources and evolving design approaches. The exhibition also included artifacts selected by participants of the Aral School, an international educational program focused on the region through design and research. A film, Where the Water Ends, offered visitors a closer look at the lives and landscapes shaped by the disappearance of the sea. For Yantrasast, the project marks the beginning of a longer process. “This...

Gilded Vessel

Seventeenth-Century Gilded Vessel Joins Permanent Exhibition at Uzbekistan’s Islamic Civilization Center

A rare gilded decorative vessel dating to the seventeenth century has been added to the permanent exhibition of the Islamic Civilization Center in Uzbekistan, the Center announced. Acquired from the British auction house Christie’s at the initiative of the president, the artifact is being presented to the public for the first time in Tashkent. According to the Islamic Civilization Center, the vessel is notable for its refined form, gold-leaf ornamentation, and exceptional craftsmanship, offering insight into the aesthetic sensibilities of its time. Experts describe it as a rare luxury object intended for elite or courtly use, rather than for everyday function. Rustam Jabborov, Scientific Secretary of the Center, said the vessel is approximately 400 years old and features a carefully balanced design. “The object has a spherical body with cylindrical workmanship. The lower section is adorned with a braided floral ornamental band, while five blooming yellow lotus flowers are arranged above it in a circular pattern to create compositional unity,” Jabborov explained. He noted that the surface of the vessel was polished and gilded, with gold-leaf decorations that have retained their artistic appeal over centuries. “The gilding enhances both the sense of splendor and the impression of antiquity. The yellow lotus flower, used as the central decorative motif, adds both symbolic and aesthetic meaning to the overall composition,” he said. According to Jabborov, the manufacturing technique, ornamental style, and state of preservation all attest to the object’s historical significance. The Islamic Civilization Center stated that the inclusion of the vessel in its exhibition reinforces its status as a rare cultural artifact recognized at the international level. In February last year, the Center announced plans to host an international exhibition in Tashkent featuring Uzbek cultural masterpieces housed in Italian museums and private collections. The event is scheduled to coincide with the opening of the Center for Islamic Civilization. As part of those preparations, a delegation led by the Center’s director, Firdavs Abdukhalikov, visited Italy, where they held talks with museum representatives and private collectors who expressed support for the project. Elmira Gul, scientific coordinator of the Cultural Heritage of Uzbekistan in the Collections of the World project, noted that collections of Uzbek artifacts in Italian museums have already been documented in published volumes, reflecting the global reach of Uzbekistan’s cultural legacy.

Archaeology

Medieval Wall Paintings Discovered at Ancient Kanka Site in Uzbekistan

Archaeologists in Uzbekistan have uncovered rare wall paintings dating back to the 10th-11th centuries at the ancient site of Kanka in the Tashkent region, according to a report by UzA. The excavation is being led by researchers from the Institute of History at the Academy of Sciences of Uzbekistan, with support from the Tashkent regional administration. Dilnoza Jamolova, the institute’s deputy director, stated that the mural fragments were discovered within the remains of a large caravanserai located in the shahristan (inner city) of ancient Kanka. The structure, situated approximately 60 meters south of the city’s southern gate, measures around 100 by 70 meters and is noted for its significant architectural features. Inside one of the caravanserai’s rooms, archaeologists found fragments of wall paintings that had fallen from the walls. The pieces, ranging from 15×20 to 30×35 centimeters, confirm that the building’s interior was once adorned with mural artwork. Experts say the discovery is notable evidence that wall painting, a tradition believed to have declined following the Arab conquest, experienced a revival in the Tashkent region during the 10th and 11th centuries. Similar wall paintings have been identified at other prominent Central Asian archaeological sites, including Samarkand and Ahsikent. The ongoing study, which involves restorers from the Samarkand Archaeological Institute under the Cultural Heritage Agency, also suggests the existence of a distinct mural art tradition in medieval Tashkent. In earlier excavations at Kanka in 2023, researchers discovered murals dating back to the 5th-7th centuries. The latest findings are expected to offer new insights into the cultural and artistic life of the region and to deepen scholarly understanding of Tashkent’s medieval heritage. Previously, The Times of Central Asia reported on another major archaeological discovery in southern Uzbekistan, where scientists found evidence that hunter-gatherer communities were harvesting wild barley as early as 9,200 years ago, challenging long-standing theories about the origins of agriculture in the ancient world.

Archaeology

Underwater Secrets of the Steppe: Archaeologists Unearth Ancient Artifacts in Kazakhstan’s Bogen Reservoir

A team of archaeologists from the Zhanibekov University Research Center has uncovered a trove of ancient artifacts at the Bogen Reservoir in the Ordabasy district of Kazakhstan’s Turkestan region. An unusually dry season significantly lowered the water level, revealing archaeological remains hidden for centuries. Paleolithic Tools and Bronze Age Burials Within just one week of surveying, researchers recovered dozens of Late Paleolithic and Mesolithic stone tools, including chalcedony flakes, cores, and cutting plates. Several Bronze Age burial sites were also excavated. While skeletal remains were poorly preserved, the grave goods were remarkable: decorated ceramics, a gold-plated bronze temple ornament, rings, bracelets, earrings, and hundreds of tiny beads likely used in headdresses. A particularly notable discovery was a burial dated to the 1st century BC-1st century AD. It contained three socketed arrowheads, a utility knife, a belt buckle, and a ceramic jug. Experts say such finds affirm the continuous human settlement of the region over millennia. After analysis, the artifacts will be transferred to a local museum. Bronze Knives, a Saka Ring, and a Lost Medieval City Earlier this year, The Times of Central Asia reported that archaeologists from Margulan University had unearthed two bronze knives near Lake Toraygyr. While attributed to the early Saka period, their design reflects stylistic elements of the Early Iron Age, evidence of both advanced metallurgy and cultural connectivity across Central Asia. At another site, researchers from Al-Farabi Kazakh National University discovered a gold ring from the Scythian era, weighing nearly 8 grams and featuring a lion motif. Experts interpret the human-animal hybrid symbolism as representative of the spiritual worldview of Saka elites in the 4th-3rd centuries BC. The burial also contained the remains of a man and a woman, alongside stone, iron, and gold artifacts. In Zhetysu, archaeologists revealed the ruins of a medieval city likely destroyed during the Mongol invasions. Excavations uncovered preserved brickwork, a defensive tower, and evidence of intense fire damage. Experts have drawn comparisons with other UNESCO-listed sites such as Talgar (Talhiz) and Koilyk. Meanwhile, the Saryarka Archaeological Institute has identified 25 historical and cultural sites in the Shet district of central Kazakhstan. These range from the Bronze Age through the Iron Age and into the medieval period. Excavations are pending, awaiting official permits. The “Golden Man” of East Kazakhstan and the Buddhist Crossroads One of the country’s most celebrated discoveries in recent years remains the 2018 unearthing of the so-called “Golden Man of East Kazakhstan” by archaeologist Zeinolla Samashev. More than 3,000 gold artifacts, including earrings, necklaces, and horse harness ornaments, were recovered from a burial dating to the 7th-8th centuries BC. Further south, in the Aiyrandy Gorge of the Merke district, archaeologists uncovered the remains of an ancient Buddhist temple, including a carved stone head of the Buddha. The find underscores the region’s historic role as a crossroads of religions and cultures along the Silk Road. From Paleolithic tools and Saka-era treasures to lost medieval cities and Buddhist sanctuaries, Kazakhstan’s recent archaeological discoveries reveal an extraordinary continuity of settlement...