Opening the Islamic Civilization Center in Tashkent: A New Landmark of Memory, Scholarship, and National Identity

With its public opening scheduled for March 17, 2026, the Islamic Civilization Center in Tashkent is emerging as one of the most consequential cultural projects in contemporary Uzbekistan. Conceived under President Shavkat Mirziyoyev’s initiative first announced in 2017, the Center presents itself not simply as a museum but as a national statement about memory, scholarship, and identity. The Center’s own mission describes it as a bridge between the Golden Age and New Uzbekistan, linking a rich spiritual and scientific inheritance with the country’s modern aspirations. In that sense, the opening is not only an institutional debut; it is a carefully staged declaration of civilizational confidence. The setting reinforces that message. The complex rises in Tashkent’s historic Hast-Imam area, at Karasaray 47 in the Almazar district, where architecture itself is part of the narrative. The official site says the building’s 65-meter dome and four portals symbolize the unity of Uzbekistan’s regions, turning the Center into a monument as much as a museum. From the outside, the structure is meant to signal national scale; from the inside, it is designed to draw visitors into a journey through faith, science, and statehood. The opening therefore introduces not just a new institution, but a new symbolic landmark for the capital. What makes the Center distinctive is the scope of its ambition. Official descriptions emphasize that it is more than an exhibition venue: alongside museum halls, it includes a library, restoration and digitization laboratories, research departments, and archival storage. That institutional mix matters. Rather than treating Islamic civilization as a fixed inheritance locked behind glass, the Center is built to keep knowledge active through conservation, scholarship, and public interpretation. It is a museum-research hybrid with an international educational focus, drawing inspiration from historical centers of learning such as Baghdad’s House of Wisdom, the Khorezm Ma’mun Academy, and Ulugh Beg’s madrasah in Samarkand. At the spiritual and architectural core of the complex is the Qur’an Hall. The official website describes it as the largest and most majestic section of the building, as well as the conceptual heart of the entire project. At its center stands the 7th-century Mushaf of Uthman, preserved beneath the great dome and recognized by UNESCO’s Memory of the World Register. The hall also features a gallery of 114 Qur’ans tracing the evolution of Islamic calligraphy, and the Center says the space is designed not only for display but also for contemplation, with continuous Qur’an recitation planned inside. The result is an opening centered on reverence as much as spectacle. Beyond the Qur’an Hall, the Center organizes Uzbekistan’s civilizational story along a long historical arc. Its exhibition program moves from pre-Islamic heritage through the First and Second Renaissances and into New Uzbekistan, combining rare objects with replicas, models, 3D technologies, audiovisual tools, and other modern display formats. The Hall of Honor, one of the site’s highlighted spaces, contains 14 arches depicting key events in Central Asian history and interactive panels linked to a digital platform with avatars of more than one hundred thinkers...

Kazakhstan’s Yenlik Brings Her Sound to COLORS

Kazakhstani singer and songwriter Yenlik has made history by becoming the first artist from Kazakhstan to be featured on the international music platform COLORSxSTUDIOS. Founded in Berlin in 2016, COLORSxSTUDIOS, commonly known as COLORS, has grown from a small creative experiment into one of YouTube’s most influential music platforms. Recognized for its minimalist visual style, each performance is filmed against a single-color backdrop without set design or special effects, placing the focus squarely on the music, the voice, and the artist. The channel now counts more than 8.2 million subscribers and over 3.5 billion views, cementing its status as a global tastemaker in contemporary music. Over the years, COLORS has showcased a wide range of talent, from emerging artists to international stars such as Billie Eilish, Drake, Doja Cat, and Joji. The platform describes its mission as an effort to “connect people, countries, and cultures on a creative and emotional level,” framing its global, genre-spanning approach as a form of cultural exchange as much as a musical one. Yenlik’s Voice: Rooted in Culture, Reaching Beyond Borders Yenlik, born Enlik Kurarbek, is one of the most prominent figures in Kazakhstan’s emerging musical wave. Her sound blends alternative pop with modern R&B influences, creating a style that feels both personal and closely tied to her cultural identity. The Kazakh language plays a central role in her work, not as a folkloric reference but as a contemporary form of expression. Her music reflects a broader shift in which Kazakh is increasingly present in global pop contexts without being confined to traditional or ethnic frameworks. Yenlik’s authorial sound, shaped by contemporary production and subtle national influences, is paired with an emotionally restrained vocal delivery that has become her signature. Observers suggest it was this originality that drew the attention of the COLORS curators. Known for prioritizing authenticity over commercial success, the platform seeks artists with strong individuality and a distinctive voice, qualities that align closely with Yenlik’s creative vision. From Rejection to Recognition For Yenlik, the invitation from COLORS marked a long-awaited milestone. She had previously applied to the project without receiving a response, making the eventual outreach from the platform all the more meaningful. “When the invitation came, I was overjoyed and burst into tears,” she recalled. “This project always felt so distant. Two years ago, we submitted an application with no response. And now, COLORS reached out to us first.” The performance was filmed outside Kazakhstan and completed within a few hours. Yenlik was struck by the production’s simplicity, defined by an absence of elaborate sets and large crews, and by the quiet intimacy that has become a hallmark of COLORS. The team fostered a welcoming atmosphere, and she was even able to choose the episode’s background color, which she described as symbolizing “true gentle strength,” a visual reflection of the emotional tone of her performance. Rising Digital Momentum Yenlik’s digital presence has continued to grow steadily, with her music gaining traction among younger audiences on social media. Her songs often circulate...