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Yulduz Usmonova

Campaign Targets New York Concert by Uzbekistan’s Yulduz Usmonova

A campaign has been launched in the United States against a planned concert by singer Yulduz Usmonova from Uzbekistan, according to a report by Brighton Beach News. The controversy is unfolding in Brooklyn, where Usmonova is scheduled to perform on May 9 at the Oceana Theater in the Brighton Beach area. Local politicians have voiced strong criticism and announced plans to hold a press conference calling for the event to be canceled. Among those involved are New York State Assembly members Michael Novakhov and Alec Brook-Krasny, as well as Nassau County Executive Bruce Blakeman. According to statements cited in the report, the officials accuse the singer of having made remarks in the past that they consider offensive toward the Jewish community. The issue has drawn particular attention due to the location and timing of the concert. Brighton Beach is known as a major center for Russian-speaking and Jewish communities in New York, and May 9 is widely observed as a day marking the victory over Nazi Germany in World War II. Organizers of the campaign say they have called on the singer to publicly reject and apologize for the alleged statements but claim that she has declined to do so. They have also reportedly submitted a request to U.S. Secretary of State Marco Rubio asking for the revocation of her visa. This is not the first time a concert by Usmonova in New York has come under pressure. In 2024, another planned performance in the city was canceled after protests over remarks attributed to the singer that critics described as antisemitic.

Kazakh Diaspora

NoMad Nights: Celebrating Kazakh Identity at New Year in New York

There’s no party like a New Year NoMad Kazakh Party. Staged slightly ahead of New Year’s Eve to align with the weekend, the glamorous event marked a welcome to the incoming 2026 as well as a celebration of Kazakh culture in New York City. The Sky Wise Lounge, a fashionable Asian fusion venue with regular live entertainment, is located in Brooklyn’s Sheepshead Bay. The neighborhood has a sizable Central Asian population rooted in the former Soviet diaspora and sustained by post-Soviet migration. Events like this one are part of an expanding series of multi-city gatherings across the United States hosted by ATB Promotions, led by Kazakhstani entrepreneur, Talgat Abdrakhmanov. A rotating group of about half a dozen DJs brings high-energy sets that fuse their own mixes with crowd-favorite Kazakhstani hits. [caption id="attachment_41575" align="aligncenter" width="455"] Talgat Abdrakhmanov (right) at NoMad Nights[/caption] Abdrakhmanov, originally from Karaganda, has achieved the American dream. Like other successful immigrants, he has built a business by adopting, adapting, and commercializing the enterprising customs of the U.S. After arriving in New York City in 2012, Abdrakhmanov worked his way up from a dishwasher and a waiter to a customer service representative. He later worked as an IT quality assurance analyst and in the competitive worlds of Wall Street and Silicon Valley. But it was not all work. While navigating employment and IT studies, Abdrakhmanov also embraced the play element of his American life, particularly nightlife and dance music, where he began to notice an unmet demand within his community. During this time, he developed an idea rooted in his own downtime preferences and a desire to cater to fellow immigrants from Kazakhstan. Initially, he organized small meetups with friends at restaurants and sports bars, as well as group outings to soccer games and boxing matches, including bouts featuring former Kazakhstani middleweight world champion Gennady Golovkin, widely known as GGG. “That was the initial spark that gave me an idea to make parties and events in the future,” Abdrakhmanov told The Times of Central Asia. “That’s how ATB Promotions came up.” The Kazakhstani community in the U.S. was receptive to Abdrakhmanov’s first networking foray, KazCommunity USA. “I started KazCommunity USA back in 2016, because I had held many jobs and gained a lot of experience, and people were often asking me for advice, where to find a job, where to find a place to live, how to do this, how to do that. Based on those questions, I decided to create chats and groups on Facebook, Telegram, and WhatsApp, so they exist across different social media platforms. “KazCommunity USA is really about the community. I never charged any money for it. It’s more like a nonprofit initiative that helps people find work, find a place to live, and connect with each other. That includes organizing meetups and events, some of which I later did through ATB Promotions. But KazCommunity itself is free and focused on helping people and building connections within the community.” Abdrakhmanov’s efforts to connect U.S.-based Kazakhstani...

Art and Culture

Kyrgyzstan’s UN Mission Opens Environmental Art Exhibition in New York

In honor of International Mother Earth Day, the Permanent Mission of the Kyrgyz Republic to the United Nations has opened an art exhibition in New York, highlighting the planet’s environmental challenges. The exhibition features works by young Kyrgyz artists that explore the intricate relationship between climate change, human development, and the natural world. Through a mix of paintings and installations, the artists aim to emphasize the environmental threats affecting global stability. [caption id="attachment_31162" align="aligncenter" width="900"] @mfa.gov.kg[/caption] Speaking at the opening, Aida Kasymalieva, Kyrgyzstan’s Permanent Representative to the UN, underscored the urgent need for intergenerational dialogue and collective responsibility in tackling environmental degradation. “Humanity must realize its shared duty to nature and future generations,” she said, calling for stronger efforts to reduce pollution, curb biodiversity loss, and increase funding for green initiatives. “This exhibition supports the Kyrgyz Republic’s broader commitment to environmental sustainability both nationally and internationally,” the Kyrgyz Foreign Ministry stated in a press release. “Kyrgyzstan is actively implementing programs to preserve mountain ecosystems, protect biodiversity, and transition to a green economy.” [caption id="attachment_31163" align="aligncenter" width="900"] @mfa.gov.kg[/caption] Kyrgyzstan has long sought to draw international attention to the unique vulnerabilities of mountain regions. Since the early 2000s, the country has positioned itself as a global advocate for highland communities, particularly in the context of climate resilience and sustainable development.

Kyrgyz Art

Altynai Osmo’s New Show in New York: Restoring Female Narratives

In the heart of Tribeca in New York, the Sapar Contemporary Art Gallery has launched a new exhibition, Beneath the Earth and Above the Clouds, which brings Central Asian narratives to the forefront. This dual show – which runs until May 15, 2025 - features Altynai Osmo and Aya Shalkar, two artists who have been devoted to exploring female narratives in the region, and do this through works that are both steeped into tradition, and modern and vibrant at the same time. The Times of Central Asia spoke with Altynai Osmo, a multimedia artist from Kyrgyzstan whose work weaves the threads of nomadic heritage with contemporary expression. Born in Bishkek and nurtured by the serene shores of Lake Issyk-Kul, Osmo's artistic journey is deeply rooted in the traditions of her homeland. A graduate of Central Saint Martins in London, she seamlessly blends mediums — textiles, metals, video, and installation — to explore themes of identity, matriarchy, and the evolving role of women in Central Asian societies. Her works such as Blessing Yurt, a red fringed costume inspired by the Kyrgyz nomadic traditional dwelling, not only pay homage to ancestral practices but also challenges present-day socio-political narratives. Speaking with TCA, Osmo reflects on the layers of meaning in her new series, her enduring engagement with mythology and matriarchy, and how her practice bridges personal memory and collective history. [caption id="attachment_31131" align="aligncenter" width="2231"] Image courtesy of Altynai Osmo/Sapar Contemporary Art Gallery[/caption] TCA: Can you tell me about how your previous practice led to this new series for the show? My previous work has always involved exploring the intersections of feminine identity, cultural memory, and inherited spirituality in Central Asia, particularly in Kyrgyzstan. This new series evolved naturally from that foundation. It reflects a more layered and intentional engagement with Central Asian history, mythology and matriarchal histories — particularly the symbolic and spiritual dimensions that have often been erased, distorted and forgotten. The materials and narratives I use now draw more explicitly from the Kyrgyz epic, Manas, ancestral craftsmanship, and belief systems like Tengrism, allowing me to express deeper reflections on women's roles across time. TCA: Your Kyrk Kyz series reinterprets the legendary warrior women of Central Asia. How does this mythology resonate with contemporary Kyrgyz identity and gender roles? The Kyrk Kyz legend, with its origin in female strength and collective action, presents a striking contrast to the more patriarchal norms that dominate present-day Kyrgyz/Central Asian society. Revisiting these stories reminds us that women were once seen as the protectors of land, lineage, and cultural continuity. By reimagining these warriors through my art, I want to challenge modern gender expectations and inspire a reconnection to a more empowering view of womanhood that is already rooted in our collective past. [caption id="attachment_31132" align="aligncenter" width="2560"] Image courtesy of Altynai Osmo/Sapar Contemporary Art Gallery[/caption] TCA: The use of felt in your masks ties your work to nomadic traditions. How does the choice of materials reinforce the themes of your work? Felt is not just a...