• KGS/USD = 0.01150 0%
  • KZT/USD = 0.00190 0%
  • TJS/USD = 0.09158 -0.11%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28490 -0.42%
  • KGS/USD = 0.01150 0%
  • KZT/USD = 0.00190 0%
  • TJS/USD = 0.09158 -0.11%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28490 -0.42%
  • KGS/USD = 0.01150 0%
  • KZT/USD = 0.00190 0%
  • TJS/USD = 0.09158 -0.11%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28490 -0.42%
  • KGS/USD = 0.01150 0%
  • KZT/USD = 0.00190 0%
  • TJS/USD = 0.09158 -0.11%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28490 -0.42%
  • KGS/USD = 0.01150 0%
  • KZT/USD = 0.00190 0%
  • TJS/USD = 0.09158 -0.11%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28490 -0.42%
  • KGS/USD = 0.01150 0%
  • KZT/USD = 0.00190 0%
  • TJS/USD = 0.09158 -0.11%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28490 -0.42%
  • KGS/USD = 0.01150 0%
  • KZT/USD = 0.00190 0%
  • TJS/USD = 0.09158 -0.11%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28490 -0.42%
  • KGS/USD = 0.01150 0%
  • KZT/USD = 0.00190 0%
  • TJS/USD = 0.09158 -0.11%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28490 -0.42%
14 December 2024

Viewing results 1 - 6 of 41

UAE Embracing the Silk Road Narrative: Central Asia at Art Abu Dhabi 2024

More than at any other time in recent history, the entire art world is this year tackling geopolitical identity issues. And while we usually delegate Biennales and non-commercial art events to take the pulse of our contemporary reality, this time an art fair took up this task: Art Abu Dhabi. This year the fair was bigger than ever and had a hugely relevant Central Asian and Caucasus section, curated by Elvira Eevr Djaltchinova-Malec, which was aptly called “Drifting identities.” Founder of the Warsaw Institute for Modern and Contemporary Asian Art (WIMCAA) Foundation - based on the spreading of Asian and global art – Djaltchinova-Malec was invited by the fair's artistic director, Dyala Nusseibeh, to curate a section that presented different aspects of the rich cultural tapestry of the region without shying away from the political concerns and instability which often characterize this part of the world. [caption id="attachment_26543" align="aligncenter" width="928"] From left to right, Abdelmonem Alserkal - prominent art patron based in Dubai, founder of the Alserkal Avenue, Alserkal Foundation, Elvira Eevr Djaltchinova-Malec, Almagul Menlibayeva, and Danagul Tolepbay image: Elvira Eevr Djaltchinova-Malec[/caption] Djaltchinova-Malec has been working on this concept of the Silk Road in different shows – namely Silk Road 2.0 - Artists re-loaded conference in Warsaw, Silk Road 2.0 - New Opportunities panel for art for 021 Art fair in Shanghai - adapting it to the changing geopolitical landscape of the region. "Our foundation was established in 2016, and already, eight years ago, we started to explore the topic of the Silk Road,” Djaltchinova-Malec told TCA. “We wanted to understand the desire of China and countries who joined Chinese projects for the New Silk Road, and we invited artists and art professionals from Vietnam, the United Kingdom, Central Asia, Kazakhstan, Germany, Tibet, France, and Ukraine for the foundation’s first conference.” The Belt and Road Initiative, sometimes referred to as the New Silk Road, is a global infrastructure development strategy adopted by the Chinese government in 2013 to invest in more than 150 countries and international organizations. [caption id="attachment_26545" align="aligncenter" width="2560"] Tapestry by Almagul Menlibayeva; image: Elvira Eevr Djaltchinova-Malec[/caption] It’s the first time that the curator is presenting these artistic geographies in the context of the Gulf. On one hand, this is opening up Central Asian narratives to an Arab public that might be curious to learn more about art in this region. On the other hand, it is helping to open markets and create access to a different pool of new collectors. Thanks to an individual outreach which started well before the fair, the experiment proved successful. "Fortunately, many collectors from the Gulf already know artists from Central Asia, as there are a few art galleries in the UAE which represent them, as well as institutions like the Sharjah Foundation,” Djaltchinova-Malec stated. In addition, many collectors and artists from Russia who are knowledgeable about Central Asian narratives and sensitive to colonization issues, are now based in the UAE. “We tried to involve as many collectors from other circles as...

Kazakh Rituals Included in UNESCO’s Intangible Cultural Heritage List

The Kazakh wedding ritual of Betashar has been officially recognized by UNESCO as part of the Representative List of the Intangible Cultural Heritage of Humanity. This inclusion highlights the enduring beauty and cultural significance of Kazakhstan's ancient traditions. In this article, we explore the Betashar ritual, other celebrated customs, and the challenges posed by certain archaic practices in modern times. Betashar: Revealing the Bride's Face During the UNESCO Committee for the Safeguarding of the Intangible Cultural Heritage meeting in Asunción, Paraguay, Betashar was officially added to the list of intangible cultural heritage. State Counselor Yerlan Karin announced the decision, which underscores Kazakhstan's commitment to preserving its rich cultural legacy. Kazakhstan ratified UNESCO’s Convention for the Safeguarding of the Intangible Cultural Heritage in 2011, pledging to protect and promote cultural traditions. Today, 13 Kazakh practices are on UNESCO’s list, including kiiz үi (yurt), kүi (instrumental music), aitys (improvised poetry duels), Nauryz (spring festival), kүres (wrestling), and togyzkymalak (a traditional board game). Betashar—literally "revealing the face"—is a wedding rite introducing the bride to her husband's family. Historically, the bride spent three days secluded with the women of her community before being ceremonially presented to her new family. Her face, hidden under a large cloth, was uncovered in front of the gathered relatives while a zhirshy (singer-improviser) performed the betashar zhyry, a song introducing the family members. In return, they pledged gifts to the couple. The ritual concluded with the bride serving tea to her in-laws. While modern weddings often simplify Betashar, its symbolic meaning remains deeply cherished. Preserving Other Traditions Another ritual presented to UNESCO is Salburyn, an ancient hunting custom. Hunters once gathered on horseback for multi-day expeditions, accompanied by falcons and hounds. These hunts began with feasts and competitions, emphasizing camaraderie and skill. Today, while hunting is less necessary, Salburyn is celebrated as part of cultural events, such as during the Nauryz festivities in Kyzylorda region. The custom of Tusau Kesu—cutting a child’s “fetters”—is a joyous milestone in Kazakh culture. When a child begins to walk, their legs are symbolically tied with a colorful string, which is then cut by a respected relative. The ceremony includes laying out a symbolic “white path” (ak zhol), representing a prosperous future. Items such as money, a whip, a dombra, or a book are placed along the path to hint at the child’s potential destiny. Addressing Harmful Practices Not all traditions are compatible with contemporary values or legal norms. Bride kidnapping, an archaic practice still occurring in some regions, has drawn criticism and calls for stricter legal measures. Mazhilis deputy Murat Abenov recently urged tougher penalties for bride abduction, highlighting gaps in the Criminal Code that leave many cases unresolved. “Many victims are coerced into claiming they went voluntarily,” Abenov explained, citing examples where cultural products like songs and videos romanticize the practice. Despite its criminalization after the October Revolution, the issue persists. In 2023, there were 13 officially recorded cases of bride abduction, though Abenov believes the real figure is higher due to...

Eurasian Creative Week in Scotland Celebrates International Art, Literature, and Cultural Exchange

The XIII Eurasian Creative Week took place in Greenock, Scotland, from November 28 to 30, 2024, drawing artists, writers, poets, and diplomats from 15 countries, including Kazakhstan, Russia, and Canada. Hosted at the Beacon Arts Centre, the event kicked off with the presentation of artwork from the renowned collection The Great Steppe Treasure, featuring creators such as Maria Muchinskaya and Larisa Pak. Attendees also enjoyed video messages from notable writers and public figures, fostering a spirit of collaboration and dialogue. The evening spotlighted author Alexander Kazarnovsky, who captivated the audience with readings from his acclaimed novel, War will show the plan. Continuing on November 29 at the OYO Gin House Hotel, the festival’s literary program showcased key publications by Hertfordshire Press, including Viktor Slipenchuk’s Zinziver. A highlight was the screening of an AI-created film based on Slipenchuk’s poem Chingis-Khan, which sparked discussions on historical and modern leadership. Meanwhile, OCA Magazine unveiled its special issue celebrating Uzbekistan’s vibrant Jizzakh region and key cultural figures. The day culminated in an award ceremony recognizing influential contributors, with honors like the Jonathan Fryer Medal and the Barbara Yurkowska-Nawrocka Medal celebrating efforts in literature and creative exchange. Notable award winners included Timur Akhmedjanov for his charity comic book, Elish and the Wicker Tale, and Marina Alyassova for her psychological fairy tales, Wise Tales for Children and Adults. Other honorees, such as Tajikistan’s Gulsifat Shahidi and Kazakhstan’s Alikhan Zhaksylyk, were recognized for their contributions to romance stories and innovative novels. A gala reception featured traditional dishes and a keynote speech emphasizing the importance of fostering international ties. The festival concluded on November 30 with a visit to the Watt Institution Museum, offering participants a glimpse into Scottish cultural heritage. Throughout the week, exhibits of national art and literature from countries like Uzbekistan and Kyrgyzstan exemplified Eurasia’s cultural diversity and creative potential. The XIII Eurasian Creative Week reaffirmed its role in strengthening international cultural collaboration.

Turkmen Scientists Acquire Over 100 Rare Manuscripts from the UK

Researchers from the Institute of Language, Literature, and National Manuscripts at the Academy of Sciences of Turkmenistan have returned from the United Kingdom with 107 electronic copies of valuable manuscripts. These acquisitions enrich the collection of historical materials documenting the cultural heritage of the Turkmen people. From November 2 to 23, researchers Amandurdy Nuraev and Guichmyrat Changliyev conducted studies at two of the UK’s most renowned repositories: the British Library in London and the John Rylands Research Institute and Library in Manchester. These archives house extensive collections of historical documents, including rare manuscripts with significant relevance to Turkmenistan’s history and culture. The expedition culminated in the transfer of electronic copies of key documents to Turkmenistan. Among the manuscripts are works by prominent authors such as Makhtumkuli Fraghi, Alisher Navoi, Fizuli, and Hussein Baygara, along with other renowned oriental poets and scholars. Special emphasis was placed on uncovering works previously unknown to the Turkmen academic community. In addition to literary compositions, the manuscripts provide unique insights into the history and traditions of the Turkmen people. These materials offer new opportunities for studying the heritage of Makhtumkuli Fraghi, a celebrated figure and symbol of Turkmenistan’s national culture. This significant achievement enhances the preservation and understanding of Turkmenistan’s rich literary and historical legacy, contributing to broader academic and cultural exploration.

Ashgabat Hosts Vibrant Days of Korean Culture, Showcasing Music, Art, and Tradition

On November 22 and 23, Ashgabat, the capital of Turkmenistan, became a hub of cultural exchange during the Days of Korean Culture, an event organized by the Embassy of the Republic of Korea. The festivities kicked off on November 22 at the Arkach Shopping and Entertainment Center, where visitors were treated to a lively introduction to Korean culture. Colorful photo zones displayed scenic Korean landscapes, while interactive stations allowed attendees to craft souvenirs such as traditional-style trinkets and mirrors. Korean snack tastings and live music enhanced the festive atmosphere, making it a family-friendly event that drew many visitors of all ages. The celebrations culminated on November 23 with a concert at the Makhtumkuli Music and Drama Theater of Turkmenistan. Korean artists, accompanied by the State Symphony Orchestra of Turkmenistan under the direction of Rasul Klychev, delivered a memorable performance. The program featured a blend of Korean lyrical compositions inspired by love and nature, alongside timeless pieces of world classical music. A standout moment of the evening was the performance by acclaimed Korean singers, tenor Kwon Hwapyeong and mezzo-soprano Kwon Miji, which earned a standing ovation from the audience. Kwon Hwapyeong, a graduate of the Vienna University of Music and Korea National University of the Arts, is celebrated internationally for his exceptional artistry. Mezzo-soprano Kwon Miji, a distinguished alumna of Gyeonggi-do University with further studies abroad, has similarly garnered acclaim for her remarkable vocal range and stage presence. The concert was a fitting finale to Ashgabat's fall cultural season, blending the traditions of Korean musical artistry with the creativity of Turkmen performers.

London Hosts Celebration for the 300th Anniversary of Turkmen Poet Makhtumkuli Fraghi

Makhtumkuli Fraghi, a revered Turkmen poet and philosopher, whose writings have profoundly shaped Turkmenistan’s national identity and enriched global cultural heritage, was celebrated in London on November 22, 2024. Known for his deep reflections on life, justice, and humanism, Makhtumkuli’s works have become an integral part of the world’s cultural heritage, emphasizing universal values and profound human insight. The Embassy of Turkmenistan in London hosted a gala evening to mark the 300th anniversary of the poet’s birth. Organized in collaboration with the Makhtumkuli Institute of Language, Literature, and National Manuscripts of the Academy of Sciences of Turkmenistan, the event welcomed diplomats, scholars, students, and members of the Turkmen diaspora. Turkmenistan's Ambassador to the UK, Yazmurad Seriaev, along with scientists Nuraev and Changliyev, delivered speeches celebrating the poet’s profound contributions to world culture and his enduring significance for the Turkmen people. Attendees were treated to a documentary on Makhtumkuli Fraghi’s life and work as well as an exhibition of his writings translated into English. Special attention was given to the early phase of his literary journey, its influence on public thought, and its role in the evolution of literature. The London celebration was part of a series of global events commemorating Makhtumkuli’s tricentennial. These tributes not only honor his literary legacy but also serve to strengthen cultural ties between nations, reaffirming the timeless relevance of Makhtumkuli Fraghi’s work in global literature.