• KGS/USD = 0.01181 0%
  • KZT/USD = 0.00208 0%
  • TJS/USD = 0.09393 -0.21%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28490 -0.28%
  • KGS/USD = 0.01181 0%
  • KZT/USD = 0.00208 0%
  • TJS/USD = 0.09393 -0.21%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28490 -0.28%
  • KGS/USD = 0.01181 0%
  • KZT/USD = 0.00208 0%
  • TJS/USD = 0.09393 -0.21%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28490 -0.28%
  • KGS/USD = 0.01181 0%
  • KZT/USD = 0.00208 0%
  • TJS/USD = 0.09393 -0.21%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28490 -0.28%
  • KGS/USD = 0.01181 0%
  • KZT/USD = 0.00208 0%
  • TJS/USD = 0.09393 -0.21%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28490 -0.28%
  • KGS/USD = 0.01181 0%
  • KZT/USD = 0.00208 0%
  • TJS/USD = 0.09393 -0.21%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28490 -0.28%
  • KGS/USD = 0.01181 0%
  • KZT/USD = 0.00208 0%
  • TJS/USD = 0.09393 -0.21%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28490 -0.28%
  • KGS/USD = 0.01181 0%
  • KZT/USD = 0.00208 0%
  • TJS/USD = 0.09393 -0.21%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28490 -0.28%
06 October 2024

Viewing results 1 - 6 of 14

Turkmen Designers Present Their Works at an Evening of Art in Brussels

An evening dedicated to Turkmen art and traditions, organized by the Embassy of Turkmenistan within the framework of cultural exchange, was held in Brussels. The event brought together cultural sector representatives from Central Asia and Europe, including fashion and art figures. The Ambassador of Turkmenistan to Belgium, Sapar Palvanov, opened the meeting, noting that Turkmen culture is a heritage that needs to be protected and passed on to new generations. The diplomat emphasized the role of cultural diplomacy as a means of strengthening ties between peoples. “Culture has always been a neutral sphere that unites people," Palvanov stated. An essential part of the program was a speech dedicated to the 300th anniversary of the great poet, Makhtumkuli. The Ambassador spoke about how his ideas continue to inspire not only Turkmen, but people of other nations, influencing Turkmenistan's cultural ties with Europe. The evening's guests were presented with the works of talented Turkmen designers, Sheker Akiniyazova, Shemshat Tachmammedova, and Ogulbeg Berdimiradov. Their collections combined traditional elements with modern fashion. The designers also participated in the Brussels cultural program and presented at European institutions. Elena Kharitonova, founder of Caravan Cultura CreArt Agency in the Netherlands who co-organized the event emphasized the preservation of cultural values through modern projects and her support for young Turkmen designers.

Turkmenistan to take part in Turkic World Documentary Film Festival

Turkmenistan has been announced as a participant in the 9th Turkic World Documentary Film Festival, which will be held in Ankara in October this year. The festival received 300 applications from nine countries, including Turkmenistan, Kazakhstan, Kyrgyzstan, Azerbaijan, Uzbekistan, the Turkish Republic of Northern Cyprus, Hungary, and Northern Macedonia. The festival is organized by the Federation of Journalists of the Turkic World with the support of the Ministry of Culture and Tourism of Turkey, the International Turkic Culture Organization (TURKSOY), and other partners. Out of 300 submitted works, 147 films passed preliminary consideration by the jury. The festival’s grand opening is scheduled for October 11 at TURKSOY's headquarters. The competition will include works in the “feature-length documentary,” “short documentary,” and “student documentary” categories. A jury consisting of documentary filmmakers and scholars of the Turkic world will choose the winners. The festival will end on November 15 with a closing ceremony and announcement of the final results.

Gods and Demons of Central Asia

In today's dynamic world, Central Asia is emerging as a trendsetter in fashion, culture, lifestyle, and worldview. The ancient Tengrian faith, deeply rooted in Central Asian mythology and superstitions, may soon resurface creatively among the region's people, though it is unlikely to be reinstated as an official religion. While some in Kazakhstan attempt to distance themselves from Abrahamic religions, Tengrism remains a vital part of the cultural heritage, featuring gods, demigods, and dark entities that shaped the beliefs of our ancestors during the pre-Islamic era.   [caption id="attachment_22010" align="aligncenter" width="167"] photo: pininterest: Tengri's domain[/caption]   Divine entities According to Tatar scientist and writer Gali Rahim, shamanism attributes significant roles to various spirits and deities. Among the Turkic peoples, the supreme deity is Tengri, the eternal blue sky. Rahim's lectures on “The Folklore of the Kazan Tatars,” presented at the East Pedagogical Institute in the 1920s, describe Tengri as the primary god in Turkic cosmology, with the earth and humanity emerging from the union of the sky and the earth. Umai, the goddess associated with motherhood and children, stands next in importance. Ancient Turkic inscriptions and symbolic artifacts, such as the stone carving discovered in 2012 in the Zhambyl district of Almaty, Kazakhstan, depict her as a protective figure for children. Teleut pagans represented her as a silver-haired, young woman who descended from heaven on a rainbow to guard children with a golden bow, and the Kyrgyz appealed for her help during childbirth and when children fell ill. Motifs dedicated to Umai by Shorian shamans, were positioned around cradles. Boys' cradles were pierced with an arrow,  girls' with a spindle, and wooden arrows were placed within the those of both. Another prominent character common to Turkic, Mongolian, and Altaic mythology is Erlik or Yerlik Khan. Ruler of the underworld, the horned deity presides over the realm of the dead from a palace of black mud or blue-black iron on the bank of the Toibodym, a river of human tears. A single horsehair bridge is guarded by monsters known as dyutpa whilst the palace is protected by Erlik’s sentries or elchi, brandishing pike poles known as karmak. His breath, carried by a tan, a light warm breeze, was believed to paralyze anyone who inhaled it, which is why the Khakas term for paralysis, tan sapkhany, literally means “wind blow.” Kudai (Khudai), also known as Ulgen, is another central deity who, alongside his brother Erlik, created the land, its vegetation, mountains, and seas. Kudai created man from clay, and Erlik gave him his soul. Kudai created a dog but it was Erlik who clothed it in hair. Whilst Kudai created the first animals, the horse, the sheep, and the cow, Erlik created the camel, the bear, the badger, and the mole. Kudai brought down lightning from the sky and commanded thunder. In a dispute over who was the mightiest creator, Kudai won. The brothers parted ways, and after producing nine sons, from whom the tribes of Kpchak, Mayman, Todosh, Tonjaan, Komdosh, Tyus, Togus,...

An Exploration of Identity by Kazakh Artist Gulnur Mukazhanova

There are some abstract works that can feel like a spiritual encounter. We are all familiar with the work of Mark Rothko, a master in materializing emotions and bringing viewers to transcendence through simple hues, nuances, and color gradients. Far fewer people however, will be aware of Gulnur Mukazhanova, a Kazakh artist whose felt paintings are imbued with a tenderness that offers viewers solace and comfort, and grounded in hope, open new horizons. When I first saw the artist’s work at the Parisian art fair ‘Asia Now’ two years ago, I was immediately struck by her unique use of wool and felt in the creation of abstract art. Delicate and evocative at once, her work successfully elevates craft to the status of fine art. [caption id="attachment_21715" align="alignnone" width="732"] Photo: Estefania Landesmann: Gulnar at work[/caption] Born in Semipalatinsk, Kazakhstan, shortly before the end of the USSR, the artist has been working with textiles since beginning her practice, and influenced by Kazakh traditions, employs felt as a primary material. Mukazhanova studied at the Art Academy in Almaty and later, at the Kunst Hochschule in Berlin Weißensee. She has now lived and worked in Berlin for many years and it was here, that she started to process her Kazakh origins, heritage, and the state of society, with an international audience in mind. Spiritual and emotional, her abstractions are informed by issues concerning identity and the transformation of traditional values of her  native culture in the age of globalization. TCA caught up with Gulnur to discuss her latest work, her creative process, and how her Kazakh origins continue to influence her art. TCA: What initially drew you to art and how did your journey begin? GM: My earliest memories involve drawing animals when I was around five years old. My cousin, also an artist, had a significant influence on me and was the first person to open my eyes to the world of art. I studied art at the university in Kazakhstan and then moved to Berlin, initially to study textile design. However, I quickly realized that design wasn’t my path and so, shifted my focus to more experimental approaches with textiles. By the end of my studies in Berlin, I was fully immersed in working with felt and it has remained a central part of my practice ever since. [caption id="attachment_21716" align="alignnone" width="2500"] Photo: Thierry Bal : Öliara & the Dark Moon[/caption] TCA: Your work often carries deep emotional and historical weight, as illustrated by your series “Öliara: The Dark Moon” and your abstract self-portraits. How do you approach abstraction in these works? GM: “Öliara: The Dark Moon” was a solo show in Mimosa House in London that dealt with dark periods in Kazakh history, particularly the tragic events of "Bloody January" 2022. The series reflects on life, death, and the fragile nature of existence; themes that are unfortunately all too relevant in our world today. The felt pieces in this series are abstract allowing them a deep emotional resonance which would not be afforded by a...

Samarkand to Host International Music Festival “Sharq Taronalari”

The XIII International Music Festival “Sharq Taronalari” will be held in Samarkand from August 26 to 30 under the auspices of UNESCO, the Ministry of Culture in Uzbekistan reported. “‘Sharq Taronalari’ is considered one of the largest festivals in Central Asia. The main objectives of the festival are to promote achievements in national musical art to the wider public, to preserve and develop the cultures and traditions of nations, to support talented youth in the fields of music and singing, and to expand international creative ties while promoting the ideals of peace, friendship, and mutual tolerance,” according to the festival's press release. More than 300 delegates from 70 countries are expected to participate in the festival this year. As of August 1, delegates from 62 countries have expressed their desire to participate, and applications for the festival are still being accepted. The festival’s opening ceremony will be held on August 26. On August 27-28, an international scientific and practical conference on “Music Culture of Eastern Peoples: Principles of Creative Convergence in the Processes of Globalization” is scheduled. On August 27-29, a competition will be held, and an international jury will evaluate the participants' performances. The closing ceremony will be held on August 30, and the winners will be announced. The “Grand Prix” of $10,000 will not be awarded, however, if a worthy candidate is not found according to the decision of jury.

British Publisher Promotes Kyrgyz Artists

The second issue of 'The Great Steppe Treasury', released in July by British publisher Hertfordshire Press, includes the addition of work by three artists from Kyrgyzstan: Seid Atambaev, Larisa Pak, and Gulmira Ayipova. The art catalogue which promotes the diversity of Eurasia's contemporary art, culture, and creativity, represents 24 artists from the UK, Kyrgyzstan, Lithuania, Belarus, Kazakhstan, Russia, Germany, and Crimea. Regarding the second edition, publisher Marat Akhmedjanov commented,  “We are glad to be able to give artists from Kyrgyzstan the opportunity to share their creativity with an international audience through our unique project. And we especially admire how Seid Atambaev, as a deputy, combines his political activities with promoting his country through creativity, demonstrating the variety of ways to support the growth and representation of Kyrgyzstan." Copies of the catalogue will be sent to significant galleries in the UK and plans are in place for participants to present their work in Glasgow, London, Almaty, Minsk, St. Petersburg, and Batumi.