Life & Culture - The Times Of Central Asia

Viewing results 1 - 6 of 1489

Esports

Games, Ambitions, and a New Industry: How Esports are Developing in Kazakhstan

Just ten years ago, esports in Kazakhstan were widely seen as little more than a hobby for teenagers and university students. Today, the situation has changed dramatically. The industry is expanding, international tournaments are being hosted in the country, and Kazakhstani players are competing on the global stage. The development of infrastructure, growing government support, and the success of individual esports athletes are gradually making Kazakhstan a visible player on the global esports map. From Computer Clubs to International Arenas The first esports competitions in Kazakhstan were held in small computer clubs, which became centres for the formation of local gaming communities. Over time, the standard of tournaments rose, and audiences grew. Today, Kazakhstan hosts major international competitions. One such event was the PGL Astana 2025 Counter-Strike 2 tournament, held in the capital. Featuring some of the world’s strongest teams, the event had a prize pool of $1,250,000. Team Spirit defeated Astralis in the final. The tournament attracted thousands of spectators to the arena and a large online audience worldwide. Mobile esports are developing in parallel. In spring 2025, Almaty hosted the PUBG Mobile Super League Central & South Asia Spring 2025. Teams from across the region took part, competing for a total prize pool of $200,000. Alpha Gaming won the tournament after demonstrating consistent performance throughout the championship. Hosting events at this scale highlights Kazakhstan’s growing attractiveness as a venue for international esports tournaments. Government Support and Future Plans The rising popularity of esports has prompted the government to view the sector as a promising area for development. In 2025, the Concept for the Development of Esports in Kazakhstan for 2025-2029 was approved. The document outlines plans to create a comprehensive system for player development. These include expanding school and university leagues, organising regional tournaments, and developing infrastructure for training professional teams. According to projections, the country’s esports audience could reach around 5 million people by 2026. Kazakhstan is also preparing to host the international “Games of the Future” in 2026, a large-scale “phygital” event combining traditional sports and esports. Organisers have indicated a multi-million dollar prize fund, with figures varying depending on the competition structure. Hosting such a tournament could become one of the biggest esports milestones in the region’s history. A New Generation of Stars Kazakhstan’s esports scene has long been regarded as one of the strongest in the CIS region, particularly in Counter-Strike 2 and Counter-Strike: Global Offensive. In recent years, several players from the country have gained international recognition. Among them is Abay “HObbit” Khasenov, champion of one of the biggest CS:GO tournaments, PGL Major Kraków 2017. Also well-known are Alexey “Qikert” Golubev, who played for Virtus.pro, and Dauren “AdreN” Kystaubayev, one of the most experienced players on the Kazakhstani scene and a winner of major international championships. Their achievements have helped shape Kazakhstan’s reputation as a country with a strong Counter-Strike tradition. A new generation is continuing this legacy. One of its most notable representatives is Counter-Strike 2 player Danil “molodoy” Golubenko, who is...

Sports

Tajikistan Loses Chance to Host the Asian Cup

Asian football is set for a major overhaul of its schedule. Under pressure from FIFA, the Asian Football Confederation (AFC) has decided to cancel the current selection process for Asian Cup hosts and effectively restart it, while also changing the traditional timing of the tournaments. The AFC has informed national federations of the suspension of the bidding process for the 2031 and 2035 Asian Cups. The decision came as a surprise, as the list of candidates had been published only a few weeks earlier. Among the bids was a joint proposal from Tajikistan, Uzbekistan, and Kyrgyzstan. However, the entire process has now been “reset”: all submitted applications are no longer valid, and the selection procedure will have to begin again. The changes follow a FIFA initiative to revise the schedule of continental competitions and move them to even-numbered years. After consultations, the AFC agreed to adopt the new model. As a result, the 2031 Asian Cup has been postponed to 2032, and the 2035 tournament to 2036. The 2027 Asian Cup, however, will take place as planned. The revised calendar is expected to place additional pressure on the international football schedule. With the rescheduling of major competitions, tournaments such as the UEFA European Championship, the Copa América, and the Asian Cup could be held in the same years. This may significantly “overload” national team calendars, forcing federations, coaches, and players to adapt to a more congested schedule and more complex planning requirements. The cancellation of the current bidding procedures means that countries will have to compete again for the right to host the tournaments. A new selection cycle has not yet been announced, and the timeline for its launch remains unclear.

TCA Interviews

Kazakhstani Cinema at a Turning Point: Screenwriter Sergey Litovchenko Discusses the Industry

Kazakhstani cinema may be entering a “golden age.” Kazakh films are increasingly appearing at international festivals, while television series are reaching major global streaming platforms and attracting millions of viewers. Yet the country has not broken through at the Oscars, and the reasons go beyond funding. Screenwriter and creative producer Sergey Litovchenko discusses the changes and challenges shaping the industry, why the pandemic unexpectedly benefited Kazakhstani cinema, and which projects he considers the most significant milestones to date. TCA: Sergey, the Oscars have just taken place. Will Kazakhstan ever win an Oscar? And when might that happen? Sergey: Our industry is developing rapidly, with the pace increasing every year. I believe we are close to that moment. However, it will probably come sooner in the short-film category. Although it may seem like an unattainable goal, that is not the case. Look at Brazil, for example, which has been prominent in the Oscar race for the second year in a row. Last year, the film I’m Still Here received three nominations and won an Oscar for Best International Feature Film. This year, Brazilian entries have already secured four nominations, including Best Picture. So anything is possible. At present, the main factor holding us back is technical capacity. TCA: The relatively low-budget film Sentimental Value won Best International Feature Film this year. Is technical prowess really the most important factor? Sergey: It is technically very well made. We should also remember that it participated in a major festival and featured Hollywood star Elle Fanning. The reason I mentioned the Brazilian example is that Brazilian cinema is not widely known to mass audiences, yet the technical quality and acting impressed me. It is clear they have the time and resources to prepare thoroughly for filming. For Kazakhstan, the situation is more complex. We often operate in a “we should have filmed this yesterday” mode. The only film to reach not just the shortlist but the nominations was Sergei Bodrov’s Mongol. It is a masterpiece of technical craftsmanship. Its $17 million budget is evident on screen. It is not only technically accomplished, but also a strong film artistically. There have been other worthy candidates: Sergei Dvortsevoy’s Aika and Tulpan, Yermek Tursunov’s Kelin, and Askhat Kuchinchirekov’s Bauryna Salu. All are high-level works. But for a major breakthrough, we need stronger production capacity. TCA: Is this primarily a question of money? Sergey: Not always. I often hear filmmakers say, “Give us a budget and we will make it happen.” I ask them how much they need, a billion? Two? Asghar Farhadi shot A Separation for $400,000. Andrey Zvyagintsev filmed The Return for about $300,000. So it is not only about money. Nor is it about casting, we have many talented people. To create a breakthrough film, you need not only a profound story but also extensive preparation and a certain uncompromising attitude, in a positive sense. In Kazakhstan, however, we often adapt films to circumstances. If the weather is unsuitable, we proceed anyway. If the actor...

Nauryz

How Kazakhstan’s Southern Cities Celebrated Nauryz

Across southern Kazakhstan, cities welcomed the arrival of spring with vibrant Nauryz celebrations that combined centuries-old traditions with modern cultural elements. Public squares, parks, and pedestrian areas were transformed into festive spaces filled with concerts, exhibitions, national games, and family activities. Almaty Kazakhstan's biggest city is one of the main venues for celebrating Nauryz. In 2026, the city marked the spring holiday on a particularly large scale, hosting more than 200 events across various locations. The main festivities unfolded in central squares, where concerts, exhibitions, craft fairs, and interactive cultural zones were organized. One distinctive feature of the celebrations was the concept of blending traditional rituals with modern technologies. Themed yurts were installed in public spaces, each dedicated to different aspects of Great Steppe culture, from musical heritage and archaeological reconstructions to contemporary ethno-design. [caption id="attachment_45770" align="aligncenter" width="2560"] Image: TCA[/caption] Pedestrian streets were decorated with light installations, LED displays, and interactive digital projects. In the evening, there were concerts by Kazakhstani performers and light shows. Residents attended the celebrations with their families, many wearing national costumes. Ethno-villages were also set up in several districts of Almaty, where sports competitions and children’s programs took place. Shymkent Nauryz was also celebrated on a large scale in Shymkent. Ethno-villages were organized throughout the city, allowing visitors to learn about Kazakh traditions, sample national dishes, and watch performances by local artists. A distinctive feature of the celebrations in Shymkent was the balanced combination of traditional festivities with modern cultural initiatives. Alongside folk performances, guests could explore digital exhibitions, interactive spaces, and educational programs dedicated to Kazakhstan’s history and heritage. [caption id="attachment_45769" align="aligncenter" width="2560"] Image: TCA[/caption] Concerts and theatrical performances featuring well-known national performers became a central part of the program, blending traditional motifs with modern stage production. Craft fairs, entertainment areas, playgrounds, and creative workshops were organized for children and families in the city’s main public spaces. Taraz In Taraz, Nauryz was celebrated with lively public festivities reflecting both tradition and contemporary creativity. Central squares were transformed into festive ethno-villages, with yurts installed, folk craft exhibitions arranged, and traditional dishes offered to guests. Residents and visitors watched theatrical performances dedicated to the history of the Kazakh people and the arrival of spring. Folklore groups, dance ensembles, musicians, and young performers took to the stage throughout the day. [caption id="attachment_45772" align="aligncenter" width="2560"] Image: TCA[/caption] The celebrations also incorporated modern elements. Visitors could see robots dressed in national costumes, an unusual symbol of the connection between cultural heritage and technological progress. Playgrounds, swings, and various entertainment activities were organized, while many residents took photographs against the backdrop of yurts, traditional decorations, and spring floral displays. The holiday concluded with a large open-air concert and mass public celebrations, reinforcing the sense of unity, joy, and renewal that accompanies Nauryz each year in Kazakhstan.

Nauryz

How Nauryz Was Celebrated in Astana: Traditions, Sports, and the Spirit of Spring

Spring in Astana traditionally begins with one of the country’s most beloved holidays, Nauryz. In 2026, citywide celebrations once again brought together thousands of residents and visitors to open-air venues, where ancient traditions, national games, crafts, and family activities combined to create a vibrant festive atmosphere. In recent years, Nauryz has also taken on a broader role in Kazakhstan’s public life, reflecting efforts to reinforce national identity and cultural continuity in a rapidly modernizing society. In Astana, where public space and national imagery are carefully curated, the holiday takes on a particularly structured and representative form. This year, the city’s central squares were transformed into a large ethno-village. Traditional yurts were set up throughout the area, decorated with national carpets, ornaments, and objects reflecting nomadic culture. Inside, visitors could explore elements of the traditional Kazakh way of life. Wooden tableware, textiles with ornamental patterns, fur decorations, and historical weapons created a strong sense of cultural heritage. The air carried the sounds of traditional music and the smell of freshly prepared dishes, adding to the immersive atmosphere. Craft exhibitions attracted particular attention. Artists and artisans presented paintings and decorative panels inspired by Kazakh ornaments and steppe symbolism. Bright compositions, created using techniques ranging from textured painting to decorative ceramics, showed how these patterns continue to find expression in contemporary art. [caption id="attachment_45761" align="aligncenter" width="1920"] Image: TCA[/caption] [caption id="attachment_45762" align="aligncenter" width="2365"] Image: TCA[/caption] Traditional games are an integral part of Nauryz. One of the most notable competitions was asyk atu, an ancient Kazakh game in which players use skill and precision to knock down asyks (sheep knucklebones) from a distance. Spectators gathered around the playing area, watching the precise throws of experienced participants. Strength contests were also a major draw. On stages and sports grounds, athletes demonstrated their power and endurance in kettlebell lifting, attracting large crowds. Such competitions have long symbolized the resilience and physical strength associated with steppe traditions. As Nauryz is a family-centered holiday, special attention was given to activities for children. In designated play zones, young visitors could learn about folk customs, take part in workshops, and try on national costumes, alongside more modern раstimes, including digital games and interactive exhibits. Many residents attended with their extended families. Across the festival grounds, elderly people in traditional headwear, parents with children, and groups of young people gathered together, creating a sense of unity tied to the arrival of spring. [caption id="attachment_45763" align="aligncenter" width="1920"] Image: TCA[/caption] [caption id="attachment_45764" align="aligncenter" width="1920"] Image: TCA[/caption] Nauryz celebrations in Astana in 2026 showed that the holiday is more than a date on the calendar. It remains a marker of renewal and continuity, with traditions passed down through generations still visible in the modern capital, where people of different ages and backgrounds come together to celebrate. In Astana, Nauryz continues to evolve without losing its core meaning, balancing carefully staged tradition with everyday participation. In a city defined by its future-facing architecture, the holiday offers a reminder that renewal is rooted as much in continuity...

Transport

Prototype Driverless Taxi Unveiled in Astana

As part of the Nauryz celebrations in Astana, a demonstration run of a driverless vehicle developed at the Daulet Serikbayev East Kazakhstan Technical University (EKTU) was held. In the future, this prototype could become part of the city’s driverless taxi system. The presentation took the form of a public demonstration for residents and visitors to Kazakhstan’s capital. According to the Astana City Administration, the vehicle’s software and test route were developed by specialists from the Luban Workshop, which opened at EKTU in Ust-Kamenogorsk in late 2023 with support from China’s Tianjin Vocational Institute. The project is being implemented as part of an initiative to develop engineering competencies and introduce new technologies, ranging from alternative fuels to AI systems in the transport sector. At the same time, an agreement was signed to establish the Kazakhstan Engineering Center for the Application and Development of Intelligent Automotive Technologies. The demonstration run was organised by the Ministry of Artificial Intelligence and Digital Development in collaboration with the capital’s city administration and the IT company Astana Innovations. The test took place at one of the city’s festive venues. Visitors were able to observe the autonomous vehicle in real time and assess its potential for use in an urban environment. According to the organisers, the prototype demonstrated the potential for integrating AI technologies into Smart City systems, including navigation, data processing, and interaction with infrastructure. Authorities view driverless transport as one of the key areas in the development of urban mobility. In the future, such solutions may be integrated into Astana’s infrastructure, including the launch of autonomous taxis. It was previously reported that Kazakhstan plans to launch pilot projects for driverless taxis in the capital as early as 2026. At the same time, work is under way to prepare road infrastructure. Digital “passports” for highways are being developed, which are expected to enable the future use of driverless trucks.