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Kyrgyzstan’s President Says Acquitted Protesters Deserved “At Least a Fine or Probation”

International rights groups welcomed the recent acquittal of more than 20 Kyrgyz activists and political figures who would have faced long jail sentences if convicted of plotting riots and other crimes, but Kyrgyzstan’s president says the defendants should have been fined or put on probation. President Sadyr Japarov commented about the case on Saturday in an interview with the official Kabar News Agency, one day after the activists were acquitted because of insufficient evidence. The activists were arrested in 2022 after protesting against a border demarcation agreement with Uzbekistan that involved the Kempir-Abad Dam and surrounding lands. “The court is a separate branch of government,” Japarov said. “I have been saying since the beginning that no one has the right to interfere in the work of the court. We must all obey the court's decision. We have no right to criticize whether it is legal or not. Whatever the court decides, whether it is right or wrong, we must agree.” Japarov continued: “But now, after the decision of the court, I can express my opinion. If I were a judge, I would give the organizers of this case some kind of punishment, at least a fine or probation.” The Kyrgyz president said the activists deserved a penalty because, in his view, they misled people into thinking that Kyrgyzstan was losing the entire dam in the border deal, when in fact it is being jointly managed with Uzbekistan. Prosecutors were seeking 20-year jail terms for the defendants. Several were also charged with trying to violently seize power. “We didn’t expect it, at all. We were crying from surprise,” Rita Karasartova, one of the accused activists said of the acquittal. She was quoted by Amnesty International, which described the charges as politically motivated. The prosecutions in the Kempir-Abad case fed into worries that Kyrgyzstan, under Japarov’s leadership, is walking back the relative freedoms that it has enjoyed in comparison to some of its Central Asian neighbors. Critics point to prosecutions of journalists and a new law that tightens control of foreign-funded non-governmental groups as signs of growing authoritarianism. Japarov has described some of the international criticism as an exercise in double standards and meddling in the country’s internal affairs.

Cannes Award-Winning Film, “Anora” Vexes Uzbek Public

American director Sean Baker’s film “Anora” was awarded the Palme d’Or at the 77th Cannes Film Festival for the comedy-drama genre. The film, which is about a prostitute, has sparked discussions in Uzbekistan on social networks. Starring Mikey Madison, Mark Eidelshtein, and Yura Borisov, the film premiered on May 21st, 2024, at the 77th Cannes Film Festival. The audience applauded the filmmakers for nine minutes after the screening. As a result, the film was awarded the “Golden Palm Leaf” on May 25th. The movie's events take place in Brooklyn, New York, USA. The main character, Anora, introduces herself as Ani, a 23-year-old girl working as a dancer and sex worker in a nightclub. Ani meets a Russian, Vanya, in a club and starts a conversation. Vanya brings Ani to a luxurious house, where they drink alcohol, play video games, and enjoy the night together. The audience then learns that Vanya is the son of a wealthy Russian oligarch, and suddenly, he offers Ani the chance to fly to Las Vegas and marry him, presenting her with a four-carat diamond ring as proof of his intentions. Ani agrees, but the story does not end happily. Having learned about his son’s plan, Vanya's father and his wife immediately fly from Russia to New York to persuade their son to cancel the marriage. The interpretation of Ani has caused much conversation in Uzbekistan, with many expressing their displeasure with the movie's portrayal of her. Baker has described the character, Anora, both as “Russian-American” and as from a post-Soviet state. However, Anora is rarely ever used in Russia but is fairly common in Uzbekistan, where it means "red" and also "pomegranate". “I didn’t see any image or reality in this film or in the comments about the film that indicate that Anora is Uzbek," journalist Chori Latipov wrote. "I didn't even read such a concept in the review. On the contrary, the comments talk about the novel of an American woman and a Russian man. Russian commentators are currently criticizing the subject of this film as an attempt to confuse Russian life without knowing Russian life. So, the heroes are an American woman and a Russian man, and the word Uzbek comes from the name only.” Social network users in Uzbekistan, however, are worried that the film portrays Uzbek girls in a negative light. Lochinbek Amanov remarked, “This is a complicated issue for an honorable nation.” “There can be various reasons why such a film is developed and won at the festival,” journalist and screenwriter Sarvar Rahimi stated. “First of all, they are angry that we are holding onto national and religious values instead of following their lead. Secondly, they have wrong assumptions about our nation.” Shahrukh Abdurasulov, senior researcher in the Department of Theater and Choreography of the Academy of Sciences of the Republic of Uzbekistan and Doctor of Philosophy (PhD) in Art Studies, told The Times of Central Asia that it is true that some Uzbek girls make a living as prostitutes...

Controversial Petition on “LGBT Propaganda” Passes Threshold for Consideration in Kazakhstan

A petition against so-called “LGBT propaganda” has received more than 50,000 signatures, meaning Kazakhstan’s Ministry of Culture and Information must consider it. However, a number of experts believe that restrictions on the gay community would damage Kazakhstan’s image. In addition, the petition’s authors are known for their controversial initiatives. The Kazakhstan Parents' Union is the author of the petition “We are Against Open and Concealed LGBT Propaganda in the Republic of Kazakhstan,” which was published on the official E-Petition.kz portal. According to Article 90-4 of the Administrative Procedural Code, the government must consider a petition with 50,000 signatures. A working group including interested parties, government agencies, and public associations will be created. The consideration of official petitions are a relatively recent innovation. So far, only three have collected the required number of signatures. The first came in the wake of the Nukenova murder at the hands of a disgraced former minister. It was considered by the Kazakhstan president himself and brought about landmark legislation on domestic violence. The decision to allow public input via petitions is seen as a sign of the fulfillment of President Tokayev's promise of a more engaging and aware "listening state." Kazakhstan has seen repeated attempts to include in various legislative acts such a ban on promoting “nontraditional relations.” However, these amendments were not adopted, though numerous Mazhilis (lower chamber of parliament) deputies and public figures spoke out in favor of them. Nevertheless, there have been cases in Kazakhstan where media products containing what is deemed “homosexual content” did not reach the market. For example, in 2022, the former Minister of Culture and Information, Dauren Abaev, announced that, "In response to numerous requests from citizens and the media, I inform you, the animated film Lightyear will not be shown in Kazakhstan." Officially, however, the ministry did not prohibit the screening of the Hollywood animation in cinemas. According to rumors, distributors themselves canceled showings in response to the public outcry. Also, in January 2024, a website for LGBT people was blocked in Kazakhstan. The site, among other things, had materials to help young people answer questions about their sexual orientation. “During monitoring of the internet resource selftanu.kz, a violation of the law was identified related to the posting of information harmful to the health and development of children,” the Ministry of Culture stated in justifying blocking the site. The head of the group pushing the current petition, Bagila Baltabaeva, stated that, “Same-sex love is being openly forced on our children. It is forced [on them] in bookstores, on TV screens, and on smartphones. Young people openly spread [information about] and promote their unhealthy relationships. Thus, stealthily and subtly, new standards of sexual relations are taking shape among young people. In parallel, it is promoted that traditional values are relics of the past, a sign of backwardness. Therefore, for fear of criticism, many remain silent. And those who work up the courage and speak out against LGBT propaganda are branded as retrogrades and conservatives.” This is not the...

Kazakh Chess Player Wins World Junior Title in India

Kazybek Nogerbek of Kazakhstan has become the FIDE world junior chess champion, winning the title in Gandhinagar, India even though he was only the ninth seed. An emotional Nogerbek, 20, briefly rested his head on his forearm on the table on Thursday after the tournament victory. “It feels very good,” said Nogerbek, who won the rapid and blitz titles in the World Youth U18 Championship. The Kazakh player is an international master (IM), which is the second most difficult title to secure after grandmaster (GM). A number of grandmasters were among those participating in the U20 World Junior Chess Championship, which started at the beginning of June. Divya Deshmukh, the 18-year-old top seed from India, won the girls’ section. Nogerbek’s victory was tight. He scored 8.5/11 points, as did grandmaster Emin Ohanyan of Armenia. But Nogerbek did better under a tiebreak system designed to determine a winner in such a scenario. Grandmaster Kuja Budisavljevic of Serbia won bronze with eight points. “Going into the final round, GM Mamikon Gharibyan from Armenia was in sole lead with eight points, half a point ahead of four players, including Nogerbek,” chess.com reported. “The two faced in the final round, with the Armenian making a crucial mistake in time trouble, while trying to defend a difficult ending.” Chess.com said the world junior championship has a prestigious history but fewer top players are participating because “more attractive tournaments” are available. FIDE is the International Chess Federation, which is the translated name of Federation International des Echecs, founded in Paris in 1924.

Pavel Durov’s Visit to Issyk-Kul Sparks Investment Hopes

Pavel Durov, the founder of Telegram and VK, has visited the Issyk-Kul region in Kyrgyzstan, generating significant interest amidst speculations about a potential investment in a large-scale project. The government are currently keen on attracting investment in the Three Peaks ski resort, and local authorities believe that his involvement could substantially enhance the potential of the project. Durov’s presence as an investor is seen as a strategic move that could attract additional capital and provide invaluable advertising support. Durov is traveling with Russian blogger Huseyn Gasanov, whom sources suggest could play a mediating role in the negotiations with the local authorities. The presence of Durov and Gasanov has not gone unnoticed by locals. The pair were recently spotted at the Petroglyphs Park in Cholpon-Ata, sparking rumors and excitement among residents. Many hope that this high-profile visit will lead to concrete investment plans and significantly boost the local economy.

Decolonial Futurism: A Focus on Kazakhstan’s Pavilion at the 60th Venice Biennale

Kazakh artists have traditionally been marginalized in the global art scene due to political intricacies and a complex cultural identity. With historical influences and colonization by both Russia and China, Kazakh artists are now carving out a unique artistic identity and sharing it with international audiences. The Kazakh pavilion "Jerūiyq: Journey Beyond the Horizon" at the 60th International Art Exhibition of the Venice Biennale, from April 20 to November 24, represents a major milestone in changing perceptions of Kazakh art. Staged in the Naval Historical Museum, the exhibition reinterprets the ancient legend of Jerūiyq, drawing inspiration from Kazakh myths and the visionary journey of the 15th-century philosopher Asan Kaigy. The word "kaigy" means "pain" in Kazakh, symbolizing the nation's traumatic encounters with modernity's darker aspects: the devastating famine of the 1930s, the craters left by nuclear tests in Semey, the shrinking of the Aral Sea, and the wounds inflicted on the Kazakh landscape. The exhibition traces the evolution of Kazakh utopian imagination from the 1970s to today through artists’ visions of ideal worlds, where their utopian imagination merges with the artistic movement of "decolonial futurism." On behalf of TCA, Naima Morelli interviewed curator Anvar Musrepov on the concept and significance of Kazakhstan's participation in the Venice Biennale. TCA: How did the idea for the Kazak pavilion “Jerūiyq: Journey Beyond the Horizon” evolve? A.M: In our curatorial research, we found that the theme of utopia and futuristic imagination has concerned several generations of Kazakhstan's artists since the 1970s. Using this as a starting point, we decided to establish, in chronological order, a collection of works by multiple generations of artists. Divided by decades, the collection manifested a wave of Kazakh futurism, including themes of spirituality, cosmism, nomadism, and utopian ideas. This in turn, will help formulate a term to comprehensively describe and unite all these intuitions that have concerned Kazakh artists in different historical periods. [caption id="attachment_18933" align="aligncenter" width="522"] Sergey Maslov, "Baikonur" at the Venice Biennale [/caption] TCA: The exhibition’s title alludes to the ancient legend of Jerūiyq. What is it about and how have you interpreted it? A.M: Jeruiq is an ancient legend about a utopian land that according to many myths, was sought by Asan Kaigy, advisor to the first Kazakh khans Zhanibek and Kerey. Legend describes it as a land that has fermented, a place where time has stopped, a land full of vividness, devoid of disease or longing. We found in this ancient Kazakh legend, an ideal metaphor to unite all the intuitions presented in the exhibition and manifest the chronology of post-nomadic futuristic imagination. If established, the definition of this unique phenomenon, could become a movement in Kazakh art. TCA: What can you tell us about the philosopher Asan Kaigy? A.M: Asan Kaigy is a quasi-historical character who features in Kazakhstan’s rich oral tradition where history and memory are passed down from mouth to mouth. Every region of Kazakhstan has local legends about miracles performed by Asan Kaigy. One such legend says that he found...