• KGS/USD = 0.01144 0%
  • KZT/USD = 0.00193 0%
  • TJS/USD = 0.09168 0.11%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28571 0.28%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00193 0%
  • TJS/USD = 0.09168 0.11%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28571 0.28%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00193 0%
  • TJS/USD = 0.09168 0.11%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28571 0.28%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00193 0%
  • TJS/USD = 0.09168 0.11%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28571 0.28%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00193 0%
  • TJS/USD = 0.09168 0.11%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28571 0.28%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00193 0%
  • TJS/USD = 0.09168 0.11%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28571 0.28%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00193 0%
  • TJS/USD = 0.09168 0.11%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28571 0.28%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00193 0%
  • TJS/USD = 0.09168 0.11%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28571 0.28%
30 January 2025

Viewing results 1 - 6 of 405

CNN Report on Ibn Sina Sparks Central Asian Nationality Debate

A recent CNN report referring to the scholar Ibn Sina as an Uzbek scientist has ignited controversy in Central Asia, particularly in Tajikistan. Tajikistan’s Minister of Culture, Matlubakhon Sattoriyon, strongly criticized the report, calling it a “distortion of reality.” Ibn Sina, known as Avicenna in the West, was a polymath who made groundbreaking contributions to medicine, logic, physics, mathematics, and other sciences. Born in 980 in the village of Afshona near Bukhara, an area now part of Uzbekistan, he died in 1037. Over his lifetime, he authored more than 450 works, with about 240 surviving to this day. His most renowned book, The Canon of Medicine (Tib qonunlari), served as a standard medical text in Europe and the Islamic world for centuries. While the Ibn Sina segment was actually created not by CNN itself but by the Center of Islamic Civilization in Uzbekistan, Sattoriyon accused CNN of disregarding historical facts and described the report as another example of what she called the “appropriation” of Tajik's scientific and literary heritage. “This is an insult not only to the Tajik people but also to the history and culture of Persian literature worldwide,” she said. The minister urged Tajik scientists and intellectuals to counter such claims with evidence, though she also dismissed CNN’s report as “just a TV channel’s material with no historical basis,” pointing out that it does not reflect Uzbekistan’s official stance. In Uzbekistan, reactions to the controversy varied. Sherzodkhon Kudratkhuja, Rector of the University of Journalism and Mass Communications, acknowledged the shared history of Uzbekistan and Tajikistan and called for moderation. “At a time when Central Asia is strengthening its unity, we must all approach such issues carefully,” Kudratkhuja said. He emphasized that Ibn Sina is commonly described as a scholar born in Bukhara, a region now within Uzbekistan’s borders, but suggested that he should be seen as a figure representing the entire Central Asian region. Bobur Bekmurodov, Chairman of Uzbekistan’s “Yuksalish” movement, expressed disappointment with Tajikistan’s criticism. “The legacy of figures like Ibn Sina belongs to the entire region and the world,” Bekmurodov said. He urged Central Asian nations to focus on shared challenges such as climate change, economic growth, and security rather than divisive historical disputes. Azamat Ziyo, Director of the Institute of History at Uzbekistan’s Academy of Sciences, echoed calls for regional unity. “There is no written evidence about the nationality of many historical figures in Central Asia, including Ibn Sina. What matters is their contribution to science and humanity, not their nationality,” he stated. Ziyo also appealed to politicians to avoid interfering in historical scholarship. “The science of history is the business of historians. We should rely on objective, source-based research rather than political interpretations,” he said. He emphasized the importance of collaboration among historians from Uzbekistan, Tajikistan, Kazakhstan, Kyrgyzstan, and Turkmenistan to address shared historical legacies. Drawing on his 40 years of research into the history of Central Asian statehood, Ziyo explained the complexity of national identities in the region. “During the reign of the...

Satellite Internet Now Available on Astana-Almaty Train in Kazakhstan

Kazakhstan Temir Zholy (KTZ), the national railway company, has launched a pilot project to provide satellite Internet access on its trains. The new service debuted on January 25 aboard the train connecting the capital, Astana, with the country's largest city, Almaty. Covering a 17-hour journey, the Astana-Almaty train route is one of the most popular in Kazakhstan. Using satellite technology, passengers can now access apps such as WhatsApp, YouTube, and other video-hosting platforms throughout their trip. However, access to torrent sites and platforms enabling streaming downloads will be restricted. The initiative is a collaboration between the Ministry of Digital Development, Innovation and Aerospace Industry, the Ministry of Transport, and Jusan Mobile, the official distributor of Eutelsat-OneWeb in Kazakhstan. Zhaslan Madiyev, Minister of Digital Development, Innovation and Aerospace Industry, described the project as a milestone for digitalizing the country's transportation network. “The launch of this pilot project on the KTZ train using the low-orbit satellite constellation Eutelsat-OneWeb is an important event in the digitalization of transport,” Madiyev stated. “Thanks to cooperation with partners, we have demonstrated that even in challenging conditions, it is possible to provide passengers with high-speed (50-100 Mbps) and stable internet. This achievement paves the way for further digital transformation in Kazakhstan and enhances travel comfort for our citizens.” The pilot project also includes the introduction of several technological upgrades to improve the passenger experience. Mobile terminals for conductors have been deployed to facilitate quick ticket verification, while POS terminals allow for cashless payments in the dining car. Additionally, video surveillance systems have been installed to enhance security in railcars. According to Anuar Akhmetzhanov, Chairman of the Board of JSC Passenger Transportation, the introduction of satellite internet is a key step in modernizing passenger services. He added that in the future, satellite internet access will be expanded to trains operating on other major routes. Currently, internet access on Kazakh trains is available only when trains travel near cities and villages with cellular network coverage. For the vast stretches of railway running across Kazakhstan’s expansive steppes - often far from human habitation - connectivity has traditionally been unavailable. The adoption of satellite internet technology addresses this gap and ensures seamless connectivity even in remote areas. For a country as large as Kazakhstan - it is the ninth largest in the world - railways remain a vital mode of transportation. In 2024, KTZ transported 13.6 million passengers, with the Astana-Almaty, Astana-Shymkent, Almaty-Shymkent, Astana-Semey, and Almaty-Semey routes being the most popular.

Tajikistan Nominates National Game and Stories for UNESCO Heritage List

Tajikistan is advancing efforts to preserve its cultural heritage by proposing several national traditions for inclusion on UNESCO’s Intangible Heritage of Humanity list, according to Culture Minister Matlubakhon Sattoriyon. The National Commission for UNESCO is currently reviewing these nominations. One notable nomination is the traditional game nardbozi, similar to backgammon, which has been submitted jointly with Iran. Tajikistan is also seeking recognition for the folklore tales of One Thousand and One Nights and the Toki tradition, both of which reflect the rich oral storytelling heritage of the Tajik people. Aminzoda Abdufatto, director of the Research Institute of Culture and Information at the Tajik Ministry of Culture, emphasized that these proposals are part of a broader strategy to preserve Tajikistan’s cultural traditions while promoting them on the global stage. In 2024, Tajikistan successfully inscribed several cultural elements on the UNESCO Intangible Heritage List, including the Meҳrgon festival, a celebration of harvest and gratitude, and the art of playing the rubob, a stringed instrument central to the musical traditions of Tajikistan and neighboring countries such as Afghanistan, Iran, and Uzbekistan. These recent initiatives underscore Tajikistan’s commitment to cultural diplomacy and its collaboration with neighboring countries in safeguarding shared traditions. UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity recognizes cultural practices, knowledge, skills, and expressions that communities identify as part of their heritage. This recognition helps raise awareness of cultural diversity and encourages the protection and preservation of these traditions.

Amre Kashaubaev and the Mystery of an Old Photograph

In Kazakhstan, the musical talent of Amre Kashaubaev is well known. Thanks to him, European audiences were introduced to the live melodies of Kazakh music when Kashaubaev performed Kazakh songs at the International Exhibition of Modern Decorative and Industrial Arts of 1925 in Paris. As previously reported by The Times of Central Asia, the first recordings of Kazakh music were made between 1903 and 1909 during the travels of the German explorer Richard Karutz in Turkestan. His book, Among the Kirghiz and Turkmens in Mangyshlak, published in 1911 in Russia, was edited by Vasily Radlov, a renowned ethnographer, archaeologist, and educator of German origin, who was also a pioneer in Turkology. However, it was only in 1925, thanks to Kashaubaev’s talent, that Europeans could hear Kazakh folk songs performed live. The fate of this man is very similar to the destinies of thousands of talented individuals in the early years of the Soviet Union, whose creative works could not fit into the "Procrustean bed" of communist ideology. [caption id="attachment_27972" align="aligncenter" width="1279"] Amre Kashaubaev and his wife Orazke, Kzyl-Orda, 1926.[/caption] Amre Kashaubaev was born in 1888 in the Abraly district of the Semipalatinsk region. His first professional attempt to become a singer was a public performance at a fair near the village of Koyandy, not far from the modern city of Petropavlovsk, at a festival of Kazakh oral art. Through his songs, Kashaubaev’s art became famous throughout Kazakhstan. Anatoly Lunacharsky, then the People’s Commissar for Education, personally invited him to participate in concerts at the International Exhibition in Paris. Kashaubaev also actively participated in the creation of the first Kazakh professional theater. In April 1927, he gave a concert in Moscow, followed by a performance in Frankfurt. He frequently performed on the radio, singing Kazakh folk songs and enchanting listeners with the beauty and depth of his voice. His theatrical performances also garnered great interest. Today, archival institutions and museums in Kazakhstan hold only a few photographs and documents depicting Kashaubaev. This is because many documents were destroyed by his colleagues and relatives due to his political persecution by the Bolsheviks. His trip to Paris proved to be fatal for the singer since it drew the attention of the Soviet state security agencies. During the Paris exhibition, the talented singer met Kazakh political dissident Mustafa Shokay, who in 1917 had been the Chairman of the Kokand Autonomy — a state entity that lasted for six months in the Turkestan region of the Russian Empire. Moreover, Shokay was an active member of the Alash Party, which the Soviets deemed bourgeois and whose members were subjected to repression. Although Kashaubaev was not imprisoned for his ties with political opponents of the Bolsheviks, he faced significant pressure from the authorities. On December 6, 1934, he was found dead on the streets of Alma-Ata. The cause of his death remains unknown. Within the archival fonds of The Central State Archive of Film, Photo Documents, and Sound Recordings of the Republic of Kazakhstan, we believe there...

Kazakhstan Sumo Wrestler Takes Third Place at Japan’s Emperor’s Cup

According to the Japanese publication Tachiai, Kazakhstan’s Yersin Baltagul, known in Japan as Kimbodzan Haruki, has achieved a historic milestone at the Emperor's Cup, one of the most prestigious tournaments in the sumo world. Baltagul entered the tournament's final round with an impressive record of 12 wins and 3 losses. However, in the decisive matches, he was bested by Japan’s Ojo Konosuke and Mongolia’s Sugarragchaagiin Byambasuren, known by his ring name Hoshoryu Tomokatsu. This secured Baltagul a commendable third-place finish. While Hoshoryu Tomokatsu ultimately claimed the championship title, Baltagul did not leave the tournament empty-handed. He was awarded the “Fighting Spirit” prize, a special recognition for his skill, determination, and resilience in the ring. This accolade cements Baltagul’s place as the first Kazakhstani athlete to reach such heights in the professional world of Japanese sumo. Baltagul, 27, began his wrestling journey in his childhood, training in traditional kazaksha kures (national wrestling) and judo. Aged 18, he moved to Japan to pursue a career in sumo, and in 2019, he claimed the title of Japan's youth sumo champion, marking an important early milestone. Since then, he has steadily risen through the ranks to become one of the strongest competitors in a sport deeply rooted in Japanese culture and tradition. Baltagul's 12th victory during the Emperor's Cup has spotlighted his elite level of training and competitiveness, ranking him among the sport's top athletes. His success demonstrates the growing prominence of Kazakhstan's athletes on the international stage and paves the way for the development of sumo in Kazakhstan. Baltagul’s story is one of perseverance and excellence, marking a proud moment for Kazakhstan in the global sports arena.

Art and Inspiration: Capturing the Essence of Almaty

With colorful illustrations of landmarks, natural monuments, and city-life moments, Aidana Niyazalieva’s postcards of Almaty stand out. TCA spoke with the artist to learn more about her inspiration, creative process, and challenges behind her postcards and the Almaty arts scene. TCA: What inspired you to start making postcards of Almaty? I've been drawing since I can remember; everything surrounding me – my room, the streets, and the buildings – inspires me. This led me to study architecture. However, after working as an architect, I realized that my passion for drawing was stronger. I decided to try it, eventually devoting myself to illustration and turning this hobby into a profession. I started with the city I grew up in, Almaty, and created a few postcards of the views I walked past the most. This became a way to combine everything I love - art, architecture, and my love for the city. TCA: How do you decide which landmarks, views, or themes to feature in your postcards? I choose places and themes close to me that evoke an emotional connection in people. Usually, the ideas come from my walks around the city. During my walks, I take many photos for possible drawings. Sometimes, a few buildings of the same type could grow into a series of illustrations, as in the “Houses“ postcard set that was united by the old houses of the Soviet period located in a Golden Square area. Also, I might get requests from people about places they would like to see, as happened with the Kazakhstan Hotel or Esentai River illustrations. TCA: What is your favorite spot in Almaty to capture in your art, and why? My favorite place in Almaty is the old city center. Its unique architecture, with characteristic features from different periods from neoclassical to modernist buildings, and its streets with cafes and terraces have always attracted my attention. Those buildings keep their history, whether these are old houses with sophisticated details or monumental facades of theaters and institutes. When I'm there, I always look closely at small elements like the carved balconies, window frames, mosaics, and patterns on the facades – I try to capture them in every illustration. TCA: Are there specific stories or personal memories behind some of your postcard designs? As a local, I have a personal connection to almost every location I illustrate. Capturing a place authentically requires more than just visual reference - it also needs an emotional connection. That’s why I barely draw locations I’ve never visited. Behind almost every illustration is a moment tied to the place. For example, the Kasteyev Museum holds a special place in my heart. My grandma used to take me there often when I was little, and it’s where I first took art lessons. So, I decided to create this illustration to capture the architecture of the museum and the memories connected to the place. TCA: Can you walk us through the creative process behind designing a postcard? Firstly, after the location is...