Cultural Heritage - The Times Of Central Asia

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World Nomad Games

Horses, Eagles, and Fire: The Steppe Awakens as the 2026 World Nomad Games Return to Kyrgyzstan

On the shores of Lake Issyk-Kul, where mountains drop sharply into the water, and horses and cars are found in almost equal measure, Kyrgyzstan will host the World Nomad Games 2026 from August 31 to September 6, with The Times of Central Asia reporting from the ground. Since their launch in 2014, the Games have grown well beyond their origins, drawing competitors and audiences from across the world. This year’s emblem, the snow leopard, captures that idea with unusual precision. It has been adopted as the national symbol of Kyrgyzstan in recent years and has long been central to the country’s conservation diplomacy, including its role in establishing October 23 as International Snow Leopard Day. Presented as a representation of strength, clarity, and endurance, it reflects both the terrain and the mindset that fortifies the event. [caption id="attachment_46882" align="aligncenter" width="1280"] Image: International Secretariat of the World Nomad Games[/caption] The Games have expanded beyond the region, but are now returning home again. Kyrgyzstan hosted the first three editions before they went to Turkey in 2022 and Kazakhstan in 2024. Their homecoming now carries greater international weight, reinforced by UNESCO’s support, recognizing their role in preserving intangible cultural heritage. This year’s experience is mostly set in the Issyk-Kul region, around three hours from Bishkek, where the mountainous landscape will form the backdrop to the lakeside venues. The opening and closing ceremonies are scheduled to take place in the capital’s Bishkek Arena. In Cholpon Ata, the hippodrome will host horse racing and Kok Boru, while the nearby sports complex stages wrestling competitions. The Rukh Ordo Cultural Center brings together strength events and traditional tournaments alongside parts of the cultural program. In Kyrchyn, the Ethno Village will become the core of the experience, where archery, falconry, crafts, performances, and food sit within a setting that reflects nomadic life. [caption id="attachment_46886" align="aligncenter" width="2560"] Kok Boru at the Bishkek Hippodrome, 2014; image: Stephen M. Bland[/caption] Forty-plus sports disciplines will be spread across competitive and demonstrative formats, with more than 100 medals at stake. Kok Boru is fast and unforgiving, played on horseback as riders grapple over what was traditionally a headless goat carcass (now a synthetic dummy or serke), surging and colliding before hurling it into the opponent’s goal. [caption id="attachment_46885" align="aligncenter" width="1280"] Image: International Secretariat of the World Nomad Games[/caption] Horseback archery demands precision under movement, with riders standing in the stirrups or twisting at full gallop to fire arrows at distant targets. Eagle hunting illustrates a partnership between human and bird refined over generations, as trained golden eagles launch from the arm to track and strike prey across open ground. [caption id="attachment_46887" align="aligncenter" width="1200"] Woman with a bird of prey, World Nomad Games, Astana, 2024; image: Stephen M. Bland[/caption] Wrestling styles such as Alysh and Kurash emphasize balance and control rather than brute force, with fighters gripping belts and using timing, leverage, and footwork to unbalance their opponent. The Times of Central Asia spoke with the International Secretariat of the World Nomad Games to...

Islamic Civilization Center

Uzbekistan’s Islamic Civilization Center Enters Guinness World Records as Largest Museum

The Center of Islamic Civilization in Uzbekistan has been officially recognized as the world’s largest museum dedicated to Islamic civilization, receiving a Guinness World Records title on April 13. The recognition was confirmed by Guinness World Records adjudicator Şeyda Subaşı Gemici, who attended the ceremony alongside project architects, designers, and members of the Center’s Scientific Council. The award followed a detailed verification process. The recognition comes as Uzbekistan continues to invest in large-scale cultural infrastructure as part of a broader effort to present its historical narrative and reshape its international image. “As an official Guinness World Records adjudicator, I can state that every corner of the museum and every exhibit possesses its own uniqueness and cultural value,” Gemici said. “The evaluation process strictly followed established procedures… every exhibit was recorded and verified by specialists in Islamic archaeology, art, and science.” She added that the scale and depth of the project left a strong impression, describing it as “an outstanding achievement” and, in Guinness terminology, “Officially Amazing.” The Center is a large-scale scientific, educational, and museum complex initiated in 2017 under the leadership of President Shavkat Mirziyoyev and completed on March 17, 2026. It was conceived as a platform combining research, cultural heritage, and modern technologies, aimed at showcasing the history and contributions of Islamic civilization. The project reflects a wider policy under Mirziyoyev of positioning Uzbekistan not only as a historical center of Islamic scholarship but as a modern platform for its study and interpretation. Chief architect, Abdukakhor Turdiev, said the project reflects Uzbekistan’s historical and cultural legacy. “The uniqueness of the Center lies in the fact that its architecture reflects the rich culture and heritage of Uzbekistan,” he said, adding that the country is increasingly positioning itself as an active participant in global cultural dialogue. Across Central Asia, governments have increasingly used large cultural projects to reinforce national identity and attract international attention, but Uzbekistan has placed particular emphasis on linking heritage with scholarship and global engagement. According to officials, the complex has quickly become one of the most visited cultural sites in the region, receiving up to 5,000 visitors daily, including both locals and international tourists. That scale suggests the Center is intended not only as a museum, but as a flagship institution shaping how both domestic and international audiences understand the region’s intellectual and cultural history. Director Firdavs Abdukhalikov described the award as recognition of years of work by hundreds of specialists. He said the Center’s primary goal is to support scientific and educational projects while preserving and promoting Uzbekistan’s cultural heritage. Beyond its record-setting size, the Center reflects Uzbekistan’s broader effort to reclaim and reinterpret its place in the history of Islamic civilization. By combining scholarship, state backing, and public accessibility, it positions cultural heritage as both a foundation of national identity and a tool of international engagement.

Cultural Heritage

Bukhara Demolitions Resurface as Developer Faces Financial Trouble

Concerns over demolition works linked to the “Eternal Bukhara” tourism project have resurfaced following renewed questions directed at Uzbekistan’s Cultural Heritage Agency, as the project’s main developer faces financial difficulties. In 2024, The Times of Central Asia reported that construction of the large-scale tourism complex near the historic center of Bukhara had drawn criticism from local residents and UNESCO. The project, located in the buffer zone surrounding the ancient city, was seen as a potential threat to the integrity of one of Central Asia’s most significant cultural sites. According to Uzbek outlet Uzdiplomat, the issue was raised again during a recent briefing, where journalists questioned officials about the consequences of last year’s demolitions. The project’s main investor, Enter Engineering, has since encountered financial problems and is reportedly selling assets to repay debts to banks, the government, and employees. While construction has slowed, concerns remain over the damage already caused to the cultural environment. The demolitions carried out in 2024 sparked strong reactions from the public, architects, and international organizations. Several buildings, including administrative and social facilities in central Bukhara, were reportedly demolished as part of preparations for the tourism complex. At the time, international heritage group Alerte Héritage called for a halt to the process, arguing that it could contradict global preservation commitments. Responding to questions, a representative of the Cultural Heritage Agency said the works were conducted outside UNESCO’s core protected area and instead took place in the buffer zone. According to the agency, all required documentation, including a master plan and impact assessments, was submitted, and UNESCO was informed of the process. Officials also addressed criticism over the demolition of buildings that, while not officially listed as cultural heritage, were considered by some to have historical value. Deputy head of the agency Tursunali Kuziyev said the agency can only intervene in cases involving officially registered heritage sites. He added that granting such status requires a formal scientific review and legal procedure. Questions about whether the agency could take a broader stance in defense of the public interest were met with similar responses. Officials reiterated that decisions regarding non-listed buildings fall under the authority of local governments and urban planning bodies.

Obituary

Olimjon Toshkenboyev, Uzbek Tightrope Master and Cultural Figure, Dies

Olimjon Toshkenboyev, an acrobat from a family dynasty of performers who promoted the Uzbekistani tightrope walking art known as dorbozlik, has died at the age of 81. In a condolence message to Toshkenboyev’s family, Uzbekistan’s Ministry of Culture said he was “a famous representative of Uzbek circus art” who made big contributions to national heritage and was a mentor to many students. “Under his leadership, the ‘Uzbekistan Dorbozlari’ group successfully showcased their art in many foreign countries, including Poland, Germany, Egypt, Belgium, the Netherlands, Switzerland, Brazil, Argentina, Colombia, Ecuador, and others,” the ministry said on Telegram on March 28. Toshkenboyev, whose son and daughter participated in dorbozlik programs, was also the director of Uzbekistan’s state circus association. The Tashkent circus is housed in a landmark Soviet-era building that some observers have compared to a flying saucer. Dorbozlik has a storied history in Uzbekistan. Some accounts say ropewalkers participated in shows in the palace of Amir Temur, the 14th-century Central Asian conqueror who is also known as Tamerlane. “Dorbozes skillfully demonstrated their stunts (running back and forth; jumping; walking with knives and trays tied to their legs; dancing on one or paired ropes blindfolded and with a sack on their heads, etc.) by holding langar (a balancer or long balancing pole) on a rope, which was installed at the height of 25-30 m,” says a website listing Uzbekistan’s “intangible cultural heritage.” Ropewalkers' performances were combined with those of strongmen, illusionists, dancers, comedians and musicians, according to the account. As the folk art evolved, performances moved from fairgrounds and market squares to indoor circuses, wire replaced ropes, metallic poles replaced wooden ones, and safety belts were introduced. At a UNESCO meeting in Namibia in 2015, a committee noted that boys and men were the traditional practitioners of ropewalking in Uzbekistan, and girls were increasingly getting involved. It said there were more than 40 ropewalking troupes in Uzbekistan and that skills were transmitted from generation to generation within families. However, the committee did not accept Uzbekistan’s proposal that the art be included on the U.N. cultural agency’s list of intangible cultural heritage. It raised concerns about the danger, particularly to children, of ropewalking, as well as questions about the originality of the art, since other countries have similar types of performance.

Nauryz

How Nauryz Was Celebrated in Astana: Traditions, Sports, and the Spirit of Spring

Spring in Astana traditionally begins with one of the country’s most beloved holidays, Nauryz. In 2026, citywide celebrations once again brought together thousands of residents and visitors to open-air venues, where ancient traditions, national games, crafts, and family activities combined to create a vibrant festive atmosphere. In recent years, Nauryz has also taken on a broader role in Kazakhstan’s public life, reflecting efforts to reinforce national identity and cultural continuity in a rapidly modernizing society. In Astana, where public space and national imagery are carefully curated, the holiday takes on a particularly structured and representative form. This year, the city’s central squares were transformed into a large ethno-village. Traditional yurts were set up throughout the area, decorated with national carpets, ornaments, and objects reflecting nomadic culture. Inside, visitors could explore elements of the traditional Kazakh way of life. Wooden tableware, textiles with ornamental patterns, fur decorations, and historical weapons created a strong sense of cultural heritage. The air carried the sounds of traditional music and the smell of freshly prepared dishes, adding to the immersive atmosphere. Craft exhibitions attracted particular attention. Artists and artisans presented paintings and decorative panels inspired by Kazakh ornaments and steppe symbolism. Bright compositions, created using techniques ranging from textured painting to decorative ceramics, showed how these patterns continue to find expression in contemporary art. [caption id="attachment_45761" align="aligncenter" width="1920"] Image: TCA[/caption] [caption id="attachment_45762" align="aligncenter" width="2365"] Image: TCA[/caption] Traditional games are an integral part of Nauryz. One of the most notable competitions was asyk atu, an ancient Kazakh game in which players use skill and precision to knock down asyks (sheep knucklebones) from a distance. Spectators gathered around the playing area, watching the precise throws of experienced participants. Strength contests were also a major draw. On stages and sports grounds, athletes demonstrated their power and endurance in kettlebell lifting, attracting large crowds. Such competitions have long symbolized the resilience and physical strength associated with steppe traditions. As Nauryz is a family-centered holiday, special attention was given to activities for children. In designated play zones, young visitors could learn about folk customs, take part in workshops, and try on national costumes, alongside more modern раstimes, including digital games and interactive exhibits. Many residents attended with their extended families. Across the festival grounds, elderly people in traditional headwear, parents with children, and groups of young people gathered together, creating a sense of unity tied to the arrival of spring. [caption id="attachment_45763" align="aligncenter" width="1920"] Image: TCA[/caption] [caption id="attachment_45764" align="aligncenter" width="1920"] Image: TCA[/caption] Nauryz celebrations in Astana in 2026 showed that the holiday is more than a date on the calendar. It remains a marker of renewal and continuity, with traditions passed down through generations still visible in the modern capital, where people of different ages and backgrounds come together to celebrate. In Astana, Nauryz continues to evolve without losing its core meaning, balancing carefully staged tradition with everyday participation. In a city defined by its future-facing architecture, the holiday offers a reminder that renewal is rooted as much in continuity...

Tourism

New Rail Tour Launched Across Silk Road Routes in Central Asia

Rail tourism is gaining traction in Central Asia, offering travelers a slower yet more immersive way to experience the region’s historic Silk Road cities. Kazakhstan and Uzbekistan have recently expanded their joint Jibek Joly tourist train route to include Dushanbe, the capital of Tajikistan, an initiative that further strengthens regional railway tourism. A new high-end offering has now entered the market. British operator Golden Eagle Luxury Trains has launched The Grand Silk Road, a 22-day luxury rail journey traversing key cultural and historical landmarks along the ancient Silk Road corridor. Spanning approximately 3,862 kilometers, the route begins in Beijing and concludes in Tashkent. It passes through northwest China and four Central Asian countries: Kazakhstan, Kyrgyzstan, Tajikistan, and Uzbekistan. Notable stops include Almaty, Bishkek, Lake Issyk-Kul, Dushanbe, and Uzbekistan’s major heritage cities, Samarkand, Bukhara, Khiva, Kokand, and Nukus. The inaugural departure is scheduled for September 21 to October 12, 2026. The route is expected to increase high-end tourism to Central Asia. Due to the absence of a direct railway link between China and Kyrgyzstan, a segment of the journey, between Kashgar and Almaty, will be completed by air. Kyrgyzstan’s existing rail network connects to Kazakhstan, extending to Bishkek and Balykchi, near Lake Issyk-Kul. Meanwhile, China, Kyrgyzstan, and Uzbekistan are advancing the construction of a new cross-border railway that will directly link the three countries. Once operational, the line is expected to facilitate both freight transit and tourism, providing a critical new artery for regional connectivity.