Cultural Heritage - The Times Of Central Asia

Viewing results 1 - 6 of 123

Obituary

Olimjon Toshkenboyev, Uzbek Tightrope Master and Cultural Figure, Dies

Olimjon Toshkenboyev, an acrobat from a family dynasty of performers who promoted the Uzbekistani tightrope walking art known as dorbozlik, has died at the age of 81. In a condolence message to Toshkenboyev’s family, Uzbekistan’s Ministry of Culture said he was “a famous representative of Uzbek circus art” who made big contributions to national heritage and was a mentor to many students. “Under his leadership, the ‘Uzbekistan Dorbozlari’ group successfully showcased their art in many foreign countries, including Poland, Germany, Egypt, Belgium, the Netherlands, Switzerland, Brazil, Argentina, Colombia, Ecuador, and others,” the ministry said on Telegram on March 28. Toshkenboyev, whose son and daughter participated in dorbozlik programs, was also the director of Uzbekistan’s state circus association. The Tashkent circus is housed in a landmark Soviet-era building that some observers have compared to a flying saucer. Dorbozlik has a storied history in Uzbekistan. Some accounts say ropewalkers participated in shows in the palace of Amir Temur, the 14th-century Central Asian conqueror who is also known as Tamerlane. “Dorbozes skillfully demonstrated their stunts (running back and forth; jumping; walking with knives and trays tied to their legs; dancing on one or paired ropes blindfolded and with a sack on their heads, etc.) by holding langar (a balancer or long balancing pole) on a rope, which was installed at the height of 25-30 m,” says a website listing Uzbekistan’s “intangible cultural heritage.” Ropewalkers' performances were combined with those of strongmen, illusionists, dancers, comedians and musicians, according to the account. As the folk art evolved, performances moved from fairgrounds and market squares to indoor circuses, wire replaced ropes, metallic poles replaced wooden ones, and safety belts were introduced. At a UNESCO meeting in Namibia in 2015, a committee noted that boys and men were the traditional practitioners of ropewalking in Uzbekistan, and girls were increasingly getting involved. It said there were more than 40 ropewalking troupes in Uzbekistan and that skills were transmitted from generation to generation within families. However, the committee did not accept Uzbekistan’s proposal that the art be included on the U.N. cultural agency’s list of intangible cultural heritage. It raised concerns about the danger, particularly to children, of ropewalking, as well as questions about the originality of the art, since other countries have similar types of performance.

Nauryz

How Nauryz Was Celebrated in Astana: Traditions, Sports, and the Spirit of Spring

Spring in Astana traditionally begins with one of the country’s most beloved holidays, Nauryz. In 2026, citywide celebrations once again brought together thousands of residents and visitors to open-air venues, where ancient traditions, national games, crafts, and family activities combined to create a vibrant festive atmosphere. In recent years, Nauryz has also taken on a broader role in Kazakhstan’s public life, reflecting efforts to reinforce national identity and cultural continuity in a rapidly modernizing society. In Astana, where public space and national imagery are carefully curated, the holiday takes on a particularly structured and representative form. This year, the city’s central squares were transformed into a large ethno-village. Traditional yurts were set up throughout the area, decorated with national carpets, ornaments, and objects reflecting nomadic culture. Inside, visitors could explore elements of the traditional Kazakh way of life. Wooden tableware, textiles with ornamental patterns, fur decorations, and historical weapons created a strong sense of cultural heritage. The air carried the sounds of traditional music and the smell of freshly prepared dishes, adding to the immersive atmosphere. Craft exhibitions attracted particular attention. Artists and artisans presented paintings and decorative panels inspired by Kazakh ornaments and steppe symbolism. Bright compositions, created using techniques ranging from textured painting to decorative ceramics, showed how these patterns continue to find expression in contemporary art. [caption id="attachment_45761" align="aligncenter" width="1920"] Image: TCA[/caption] [caption id="attachment_45762" align="aligncenter" width="2365"] Image: TCA[/caption] Traditional games are an integral part of Nauryz. One of the most notable competitions was asyk atu, an ancient Kazakh game in which players use skill and precision to knock down asyks (sheep knucklebones) from a distance. Spectators gathered around the playing area, watching the precise throws of experienced participants. Strength contests were also a major draw. On stages and sports grounds, athletes demonstrated their power and endurance in kettlebell lifting, attracting large crowds. Such competitions have long symbolized the resilience and physical strength associated with steppe traditions. As Nauryz is a family-centered holiday, special attention was given to activities for children. In designated play zones, young visitors could learn about folk customs, take part in workshops, and try on national costumes, alongside more modern раstimes, including digital games and interactive exhibits. Many residents attended with their extended families. Across the festival grounds, elderly people in traditional headwear, parents with children, and groups of young people gathered together, creating a sense of unity tied to the arrival of spring. [caption id="attachment_45763" align="aligncenter" width="1920"] Image: TCA[/caption] [caption id="attachment_45764" align="aligncenter" width="1920"] Image: TCA[/caption] Nauryz celebrations in Astana in 2026 showed that the holiday is more than a date on the calendar. It remains a marker of renewal and continuity, with traditions passed down through generations still visible in the modern capital, where people of different ages and backgrounds come together to celebrate. In Astana, Nauryz continues to evolve without losing its core meaning, balancing carefully staged tradition with everyday participation. In a city defined by its future-facing architecture, the holiday offers a reminder that renewal is rooted as much in continuity...

Tourism

New Rail Tour Launched Across Silk Road Routes in Central Asia

Rail tourism is gaining traction in Central Asia, offering travelers a slower yet more immersive way to experience the region’s historic Silk Road cities. Kazakhstan and Uzbekistan have recently expanded their joint Jibek Joly tourist train route to include Dushanbe, the capital of Tajikistan, an initiative that further strengthens regional railway tourism. A new high-end offering has now entered the market. British operator Golden Eagle Luxury Trains has launched The Grand Silk Road, a 22-day luxury rail journey traversing key cultural and historical landmarks along the ancient Silk Road corridor. Spanning approximately 3,862 kilometers, the route begins in Beijing and concludes in Tashkent. It passes through northwest China and four Central Asian countries: Kazakhstan, Kyrgyzstan, Tajikistan, and Uzbekistan. Notable stops include Almaty, Bishkek, Lake Issyk-Kul, Dushanbe, and Uzbekistan’s major heritage cities, Samarkand, Bukhara, Khiva, Kokand, and Nukus. The inaugural departure is scheduled for September 21 to October 12, 2026. The route is expected to increase high-end tourism to Central Asia. Due to the absence of a direct railway link between China and Kyrgyzstan, a segment of the journey, between Kashgar and Almaty, will be completed by air. Kyrgyzstan’s existing rail network connects to Kazakhstan, extending to Bishkek and Balykchi, near Lake Issyk-Kul. Meanwhile, China, Kyrgyzstan, and Uzbekistan are advancing the construction of a new cross-border railway that will directly link the three countries. Once operational, the line is expected to facilitate both freight transit and tourism, providing a critical new artery for regional connectivity.

Gilded Vessel

Seventeenth-Century Gilded Vessel Joins Permanent Exhibition at Uzbekistan’s Islamic Civilization Center

A rare gilded decorative vessel dating to the seventeenth century has been added to the permanent exhibition of the Islamic Civilization Center in Uzbekistan, the Center announced. Acquired from the British auction house Christie’s at the initiative of the president, the artifact is being presented to the public for the first time in Tashkent. According to the Islamic Civilization Center, the vessel is notable for its refined form, gold-leaf ornamentation, and exceptional craftsmanship, offering insight into the aesthetic sensibilities of its time. Experts describe it as a rare luxury object intended for elite or courtly use, rather than for everyday function. Rustam Jabborov, Scientific Secretary of the Center, said the vessel is approximately 400 years old and features a carefully balanced design. “The object has a spherical body with cylindrical workmanship. The lower section is adorned with a braided floral ornamental band, while five blooming yellow lotus flowers are arranged above it in a circular pattern to create compositional unity,” Jabborov explained. He noted that the surface of the vessel was polished and gilded, with gold-leaf decorations that have retained their artistic appeal over centuries. “The gilding enhances both the sense of splendor and the impression of antiquity. The yellow lotus flower, used as the central decorative motif, adds both symbolic and aesthetic meaning to the overall composition,” he said. According to Jabborov, the manufacturing technique, ornamental style, and state of preservation all attest to the object’s historical significance. The Islamic Civilization Center stated that the inclusion of the vessel in its exhibition reinforces its status as a rare cultural artifact recognized at the international level. In February last year, the Center announced plans to host an international exhibition in Tashkent featuring Uzbek cultural masterpieces housed in Italian museums and private collections. The event is scheduled to coincide with the opening of the Center for Islamic Civilization. As part of those preparations, a delegation led by the Center’s director, Firdavs Abdukhalikov, visited Italy, where they held talks with museum representatives and private collectors who expressed support for the project. Elmira Gul, scientific coordinator of the Cultural Heritage of Uzbekistan in the Collections of the World project, noted that collections of Uzbek artifacts in Italian museums have already been documented in published volumes, reflecting the global reach of Uzbekistan’s cultural legacy.

Archaeology

Chinese Uzbek Archaeologists Uncover Ancient City Walls at Kuva Silk Road Site

A team of Chinese and Uzbek archaeologists has uncovered a well-preserved section of city walls at the ancient settlement of Kuva in eastern Uzbekistan, dating from the 3rd century BCE to the 10th century CE, according to a report published by Xinhua. The discovery was made by the joint Luoyang-Ferghana archaeological expedition. Researchers say the find offers critical physical evidence for understanding the historical development of a Silk Road city and the enduring cultural exchange between East and West. The team also hailed the excavation as a key achievement of international cooperation under the Belt and Road Initiative. Located in the Ferghana Valley, a historic hub along the ancient Silk Road, the ruins of Kuva cover an area of approximately 110,000 square meters. Xinhua noted that the valley has maintained close ties with China for over 2,000 years. Preliminary findings indicate that the city’s fortifications were rebuilt multiple times and remained in use across several historical eras from the Parthian Kingdom and the states of Dayuan and Sogdiana to the Samanid dynasty. Liu Bin, head of the Chinese delegation to the joint expedition, said the evolving construction techniques used in the walls provide valuable insights into the architectural practices, building materials, and cultural influences of different periods. He added that such features help trace the diffusion of cultural traditions along major trade routes. The Luoyang-Ferghana team was established in 2023 as a collaboration between the Luoyang Archaeological Institute in China’s Henan Province and Ferghana State University in Uzbekistan. Since then, archaeologists have identified palaces, city gates, fortifications, residential structures, streets, and craft workshops at the site. Liu Bin noted that systematic excavations of the palace areas are planned for next year, which will further clarify the city’s layout and functional zones. As previously reported by The Times of Central Asia, similar Chinese-Uzbek archaeological partnerships are underway in Surkhandarya, Samarkand, Ferghana, and Khorezm. These projects have led to discoveries of ancient settlements, urban infrastructure, and even an Iron Age city-state, underscoring the growing scope of bilateral archaeological cooperation in Uzbekistan.

Cultural Heritage

Kazakhstan’s Tazy: The Ancient Hunting Dog of the Steppe

For centuries, nomadic tribes across the steppe that now forms modern Kazakhstan absorbed outside influences and adapted them to local conditions, creating something uniquely Kazakh. This adaptability is evident in many aspects of steppe life, including the development of the Tazy, the Kazakh greyhound. Bred over generations to protect what nomads valued most, their livestock, the Tazy is now considered one of the seven national treasures of Kazakhstan. “If we look at history, we can say that the progenitor of the Kazakh breed, the Tazy, was the Arabian greyhound saluki,” said breeder Abzal Dosyman in an interview with The Times of Central Asia. “Arab missionaries brought it to our lands. The Tazy and the saluki are similar, but over time, given the needs of the nomads and the harsh climate of the steppe, the breed adapted and transformed. Here, their descendants were trained to guard livestock and protect people from wolves.” Dosyman described the unique methods traditionally used to raise Tazys for such a role. As soon as puppies were born, wolf skin was placed nearby so they would learn the predator’s scent. At four or five months, the young dogs were taken on hunts, but only after a brief starvation period. They were then fed wolf meat, which, after the fast, was considered a delicacy. “Some may see this as cruel,” he acknowledged. “But this is how hunters were raised who dared to face wolves on the steppe. For centuries, Tazys helped Kazakhs protect their herds, which were their livelihood.” Though known for their gentle nature, Tazys transform during a hunt, becoming fast, fearless, and relentless. “They are friendly toward people and non-aggressive with other animals, but they are implacable toward the grey predator,” Dosyman said. He noted that many countries have their own hunting greyhounds. Russia has the Borzoi, Kyrgyzstan the Taigan, meaning “graceful,” and Spain the Galgo. All descend, like the Tazy, from the ancient Arabian saluki. But it was in Kazakhstan that the Tazy acquired its distinct characteristics, shaped by the local way of life. In 2024, the General Committee of the Fédération Cynologique Internationale granted provisional recognition to the Kazakh Tazy as an official breed, confirming Kazakhstan as the holder of its breed standard. The FCI currently recognizes 350 breeds worldwide. Tazy Diplomacy Following independence, Kazakh enthusiasts began reviving the Tazy and promoting national traditions. In 2019, Dosyman presented a Tazy puppy to President Kassym-Jomart Tokayev, who named it Ronnie. He later received Nancy, and another dog named Nauryz was gifted by breeder Anna Zakharova. These steps helped draw state-level support for efforts to preserve and expand the Tazy population. A photograph of the grown Tazys at a reception hosted by the French president for the King of Denmark even appeared in international media, symbolizing what Dosyman calls “Tazy diplomacy.” “This is the moment the Kazakh greyhound becomes a national brand,” he said. “The French have the rooster, the Chinese the panda. Remember when China gifted a panda to another country and it later died...