Film Festival - The Times Of Central Asia

Viewing results 1 - 6 of 12

Film Festival

Kazakh Film Brings History and Culture to the 2nd Golden Panda Awards

Chengdu, famed for its pandas and fiery cuisine, takes the spotlight from September 12–13 as it hosts the 2nd Golden Panda Awards, drawing filmmakers and cinephiles from around the world to celebrate storytelling in all its forms. The Golden Panda Awards use China’s favorite furry ambassador as a symbol of friendship and cross-cultural connection. Around 65 works have been shortlisted, with 27 awards to be presented across four categories: Film, TV Series, Documentary, and Animation. Notably, 54.5% of the finalists are international productions, selected from 5,343 entries submitted from 126 countries and regions. One of the standout contenders this year is Qash (Run), nominated for Best Actor in a Leading Role, Best Actor in a Supporting Role, Best Cinematography, and Best Original Score. Starring Yerkebulan Daiyrov and Ondassyn Bessikbassov, the Kazakh film is set against the backdrop of the mass famine of 1931–1933, which wiped out nearly a third of the population. Directed by Aisultan Seitov, the film follows Isatai, a gravedigger tasked by his village head with delivering a message to the nearest city in hopes of saving the starving villagers. Crossing the vast steppe, Isatai faces harrowing trials, including surreal hallucinations driven by hunger and despair. Also known as Asharshylyk, the tragedy was the result of forced collectivization and sedentarization imposed by the Soviet regime. In his drive for rapid industrialization, Stalin ordered the transformation of Kazakhstan’s traditional nomadic, clan-based society into collective farms, where individuals were compelled to meet strict state quotas for meat and grain. The abrupt policy shift, coupled with reckless implementation, led many herders to slaughter their livestock either for immediate food or to sell in hopes of meeting grain requirements. Ultimately, this devastated the pastoral economy and fueled mass famine. [caption id="attachment_36103" align="aligncenter" width="1024"] Director Aisultan Seitov (center) meets fans of Qash in Shanghai, June 14, 2023; image: VCG[/caption] Qash marks the feature-film debut of director Aisultan Seitov, who first gained recognition as a music video producer. Inspired by the growing presence of culturally distinctive films on international screens, Seitov was drawn to make a full-length film. The narrative took shape after a close friend shared a childhood story of his grandfather fleeing his village with his older brother. In interviews, Seitov has said he hopes to showcase Kazakh culture to the world while crafting a story that resonates universally. That aligns neatly with the festival’s own motto: celebrate diversity, spark dialogue, and remind us that stories, whether about pandas, people, or epic journeys, are what bring civilizations together. Beyond celebrating award winners, the Golden Panda Awards serve as a dynamic hub for international film professionals to exchange ideas and explore potential collaborations. Judges, creators of nominated works, and influential directors, producers, actors, and experts from home and abroad come together for in-depth discussions on topics ranging from digital-intelligence empowerment to the art of light and shadow. Collaborative dialogues, exhibitions, and new project launches further expand opportunities for creative partnerships. This September, Sichuan Province transforms into a cinematic playground with events called “Let’s...

Film Festival

Kyrgyzstan: Film Festival Showcases Central Asian Talent, New and Old

An international film festival in Kyrgyzstan this week is celebrating the past, present, and future of Central Asian cinema. The Bishkek International Film Festival features a retrospective of the work of Kyrgyz director Tolomush Okeev, whose films include The Ferocious One, The Red Apple, and The Descendant of the Snow Leopard; a presentation of ten film projects by emerging directors in Central Asia; and a competition among nine films whose directors are from Kyrgyzstan, Kazakhstan, Uzbekistan, and Tajikistan. The June 11-15 festival also has master classes for those who really want to dig into the craft of making films. Hosts of some of the classes include actor and educator Olesya Gribok, who will talk about working with emotions, self-presentation, and other core actor values; designer Alex Rosno, who will discuss using AI tools to create scenes and build storyboards; and Andrzej Bartkowiak, a cinematographer and director with decades of experience with lighting, movement, and composition. Films from India, Mongolia, Germany and other countries will vie for an international prize. A separate contest involves nine films from Central Asia, seeking to highlight the region’s movie-making talent. There’s also “KyrgyzBox” - a competition just for movies, including box office standouts, from Kyrgyzstan. In another contest, film project contenders are “accepted only from citizens from Central Asian countries – Kyrgyzstan, Kazakhstan, Uzbekistan, Turkmenistan and Tajikistan - with strong potential for international distribution,” according to the film festival. The project must be a feature film that is at least 75 minutes long and filming must be planned in Central Asia or have a “close connection” to the region. The retrospective of Okeev, who died in 2001 at age 66, showcases a screenwriter and director who made films over several decades of the Soviet era and was known for filming in the majestic mountains and deserts of Kyrgyzstan. The Bishkek festival, the third edition of the event, will screen several of Okeev’s films, including The Descendant of the Snow Leopard, a 1984 film that draws inspiration from Kyrgyz tales about hunters who follow ancient laws. “When a young chief, Kojozhash, breaks a sacred ancestral taboo, it leads to tragic consequences for the entire tribe,” the festival says in a description of the film. The snow leopard is a national symbol of Kyrgyzstan, which is taking steps to protect the vulnerable species.

Film Festival

Film About Turkmen Poet Wins International Award in London

The film Magtymguly Pyragy, a collaborative production by filmmakers from Uzbekistan and Turkmenistan, has won the “Audience Recognition” award at the Eurasian Creative Guild (ECG) Film Festival 2025 in London. The movie tells the story of Magtymguly Pyragy, an 18th-century Turkmen poet and philosopher, focusing on his ideals of peace, love for the homeland, and aspirations for national awakening. The project was jointly produced by directors, actors, and creative teams from both countries. This collaboration has been widely praised as a powerful symbol of cultural dialogue and brotherhood. Viewers and jury members commended the film for its compelling visuals, immersive historical atmosphere, and the strong performances delivered by its cast. Organizers of the festival noted that the film goes beyond artistic achievement, serving as a cultural bridge that fosters mutual understanding and promotes universal values such as freedom, dignity, and humanity. The ECG Film Festival annually gathers filmmakers from over 20 countries to celebrate and promote cinema from the Eurasian region. In related celebrations, Turkmenistan hosted a summit of heads of government in October and a conference of culture ministers in May 2024 to commemorate the 300th anniversary of Magtymguly Pyragy’s birth.

Eurasian Creative Guild

Where East Meets West: Seventh Eurasian Film Festival Celebrates Cinema in London

From May 22 to 27, the seventh Eurasian Film Festival brought a celebration of Eurasian cinema to London. Organized by Silk Road Media and the Eurasian Creative Guild (ECG), the event, held in partnership with the Romford Film Festival, showcased a range of artistic talents while fostering cultural and industry connections. This year’s festival featured submissions from 23 countries, providing a diverse line-up of feature films, shorts, documentaries, animation, music videos, screenplays, and more. The event provided a platform for filmmakers to share stories rooted in Eurasia's cultural heritage. Prize-Winning Films This year’s awards spanned a range of categories, honoring creativity and technical excellence. Highlights included Sirin’s Song by Elena Turova (Belarus) for Best Animation and The Master of the Altai Mountains by Vadim Vitovtsev and Ilya Tsyganov (Russia) as for Best Documentary. The Audience Award in this category went to Baltic Radiation by Aldona Grupas (UK). In the feature film category, Where The White Cranes Dance (Russia) and Aydillar (Uzbekistan) shared the top honor, with Magtymguly Pyragy (Turkmenistan/Uzbekistan) taking the Audience Award. Kazakhstan made a strong showing in the Short Films category, with Poncha by Kaisha Rakhimova taking first place and Call by Asem Kuanishbayeva winning the Audience Award. Several screenplays and productions also received special jury mentions, including Daddy Arrived by Almaz Kossobaev (Kyrgyzstan), emphasizing the festival’s role in highlighting emerging talent. Literature Meets Film A notable theme this year was the dialogue between literature and cinema. Presentations included The Legends of the Great Silk Road: Adventures of the Spirit of Time a children’s book series by Gulchekhra-begim Makhmudova, exploring its adaptation into film. Ukrainian poet Serhii Bely also unveiled a project based on his novel The Maestro and the Muse. Special Recognitions and Events The festival also celebrated cultural contributions, with the Poezija Londyn Foundation presenting honorary medals to individuals such as Zhazira Zhanabayeva (Kazakhstan), whose art exhibition ran concurrently with the festival. A crowdfunding event led by actress Francesca Mepham generated significant interest in new projects, showcasing the event’s collaborative spirit. Submissions are now open for the 2026 season, as the festival continues to spotlight Eurasian cinema on the global stage.

Culture

Turkmenistan to take part in Turkic World Documentary Film Festival

Turkmenistan has been announced as a participant in the 9th Turkic World Documentary Film Festival, which will be held in Ankara in October this year. The festival received 300 applications from nine countries, including Turkmenistan, Kazakhstan, Kyrgyzstan, Azerbaijan, Uzbekistan, the Turkish Republic of Northern Cyprus, Hungary, and Northern Macedonia. The festival is organized by the Federation of Journalists of the Turkic World with the support of the Ministry of Culture and Tourism of Turkey, the International Turkic Culture Organization (TURKSOY), and other partners. Out of 300 submitted works, 147 films passed preliminary consideration by the jury. The festival’s grand opening is scheduled for October 11 at TURKSOY's headquarters. The competition will include works in the “feature-length documentary,” “short documentary,” and “student documentary” categories. A jury consisting of documentary filmmakers and scholars of the Turkic world will choose the winners. The festival will end on November 15 with a closing ceremony and announcement of the final results.

Art and Culture Film Festival Eurasian Creative Guild

VI ECG Film Festival Goes Beyond the Moving Image

The VI ECG Film Festival staged in London from 24-28 May, in partnership with the eighth UK Romford Film Festival at Premier Cinemas Romford, attracted over 100 entries from 22 countries. The Eurasian Creative Guild (ECG) is the sole platform promoting Eurasian cinema in the UK and this year’s festival featured work by directors from Poland, the UK, Kyrgyzstan, Spain, Russia, Iran, Uzbekistan, China, Armenia, and Kuwait. The non-profit organization was founded by Marat Ahmedjanov in London in 2015 to unite and promote Eurasian cultural and artistic practices to English-speakers, and as befits its mission, the festival went far beyond the ‘moving image’ to showcase work by visual artists, authors, poets, and musicians. In film, the competition attracted over 100 competition entries from 22 countries and with support from SIFFA film festival organiser Lubov Balagova-Kandur, included screenings of several Russian films such as the comedy ‘Aul's Challenge;’ the war drama ‘Maria. Save Moscow;’ a documentary on the poet ‘3723 Voznesensky’, and a Jordanian love story ‘Cherkes’. Central Asian films took several awards, including Best Eurasian Short film: ‘Happy Independence Day’ by Camila Sagyntkan (Kazakhstan); Best Eurasian Documentary Film: Sailing Seven Seas by Tatania Borsh (Russia-Kyrgyzstan); Audience Choice Award: ‘Sharaf Rashidov- Inspirer for the Development of Mirzachul’ by Shukhrat Khaitov (Uzbekistan); and the Honorary Achievement Certificate for Documentary Drama: ‘Behtarin’ by Mohsen Rahimi (Kuwait-Tajikistan). Visual artists from Kyrgyzstan took centre stage in the exhibition ‘‘Nomadic Narratives’, which also highlighted work by Dungan artist Rahima Arli, created during her ECG Horizons Rugby residency near London. ECG has a long and ongoing tradition of publishing works by Central Asian writers which would otherwise remain inaccessible to English readers, under Hertfordshire Press. Editor John Farndon took pleasure in presenting three new stories under the collective title ‘Akhriman, Lord of Darkness’ by highly renowned Tajik author Gulsifat Shahidi, as well as ‘Is It Necessary to Worship at Notre Dame?’ by Kazakh author Alikhan Zhaksylyk. Lovers of literature also enjoyed the opportunity to view the Kazat Akmatov Memorial in Romford, which both honours the esteemed Kyrgyz writer and serves as a beacon of strength for all Central Asian artists living and visiting London. The well-established Azerbaijani poet Sahib Mamedov read poems which he dedicated to the festival participants. Music too, featured highly at the event. In addition to a concert, medals of appreciation from Marta Brassart, ECG Chair, were presented to the musical duo Sherkhon, alongside artist Rahima Arli and young film director Timur Akhmedjanov, and recitals given by the duo from Uzbekistan Sherxon and the director of the Kazakh Cultural Centre in London, Kamshat Kumysbai. Now in its sixth season, the festival continues to gather momentum and this year, attracted audiences from Italy, Kazakhstan, Poland, USA, Russia, Kyrgyzstan, Austria, and Uzbekistan, and welcomed as guests of honour, the Mayor of Romford, Gerry O'Sullivan with MPs from the London Borough of Havering, and representatives from the embassies of Kyrgyzstan, Uzbekistan, Tajikistan, Russia and Belarus. As testimony to ECG’s unique promotion of Eurasian film, cinema audiences were...