World Music - The Times Of Central Asia

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Culture

Kyrgyzstan Hosts Inaugural World Festival of Traditional Culture and Music “Rukh Sanat”

From August 1-3, the cultural and ethnographic complex Rukh Ordo, on the shores of Lake Issyk-Kul, hosted Kyrgyzstan’s first World Festival of Traditional Culture and Music, Rukh Sanat. The event brought together more than 130 performers, researchers, and artisans from 37 countries. The festival opened with a parade of participants and a theatrical ceremony celebrating nomadic traditions and harmony with nature. Kyrgyz Minister of Culture, Information and Youth Policy Mirbek Mambetaliev described Rukh Sanat as “a new cultural doctrine” where tradition “sounds, lives, and interacts.” [caption id="attachment_34893" align="aligncenter" width="2560"] Image: TCA/Maria Malinovskaya[/caption] [caption id="attachment_34892" align="aligncenter" width="2560"] Image: TCA/Maria Malinovskaya[/caption] The program included an International Competition of Oral-Professional Musical Art, featuring 82 soloists and ensembles from 14 countries. The Grand Prix was awarded to the Kyrgyz ensemble Akak, while laureates included performers from Kazakhstan, Uzbekistan, Russia, South Korea, and India. [caption id="attachment_34895" align="aligncenter" width="2560"] Image: TCA/Maria Malinovskaya[/caption] [caption id="attachment_34896" align="aligncenter" width="2560"] Image: TCA/Maria Malinovskaya[/caption] Alongside the performances, the International Council for Traditional Music and Dance (ICTMD) held a symposium attended by more than 100 scholars from 40 countries, addressing the preservation and transformation of intangible cultural heritage. The festival concluded on August 3 with a gala concert of laureates. Deputy Chairman of the Cabinet of Ministers Edil Baisalov announced that the next Rukh Sanat will be held in Kyrgyzstan’s Jalal-Abad region in 2027. [caption id="attachment_34897" align="aligncenter" width="2560"] Image: TCA/Maria Malinovskaya[/caption] [caption id="attachment_34898" align="aligncenter" width="2560"] Image: TCA/Maria Malinovskaya[/caption] Organizers see the festival as an important step toward strengthening Central Asia’s cultural presence on the global stage.

Culture

Japanese Musician Yutaka Kikuchi Captivated by the Turkmen Dutar

Japanese musician and shamisen performer Yutaka Kikuchi visited Ashgabat recently as part of a cultural exchange program, and shared his admiration for Turkmen musical traditions. According to Kikuchi, the richness and diversity of Turkmenistan’s musical instruments left a strong impression on him. “I consider it my duty to emphasize that during the master classes, I gained invaluable knowledge about Turkmenistan’s unique culture and feel deeply grateful for this experience,” he said. Kikuchi noted striking similarities between Turkmen and Japanese musical instruments, particularly in their design and construction. He observed parallels between Turkmen instruments and the Japanese Koto and Biwa. However, what astonished him the most was the Dutar, which he compared to the shamisen, an instrument he has mastered. With two decades of experience teaching music, Kikuchi was especially pleased to engage with students and faculty at the Turkmen National Conservatory. He praised the enthusiasm and dedication of Turkmen students. “It is a great honor for me to hold a master class for talented Turkmen youth and introduce them to the traditions of Japanese culture,” he said. Alongside Japanese folk dance master Ueda Chiho, Kikuchi conducted a series of master classes at specialized secondary and higher educational institutions in Ashgabat. The visit concluded with a performance at a reception celebrating the birthday of Emperor Naruhito of Japan, a vibrant display of the strengthening cultural ties between the two nations.

Art and Culture

Kazakh Singer Dimash Kudaibergen Climbs U.S. Charts with “Smoke”

Kazakhstani singer Dimash Kudaibergen has achieved significant success on the U.S. charts with his song Smoke, ranking highly on both Amazon and iTunes. Throughout January 2025, international media outlets, including publications in Argentina, the United Kingdom, and the United States, featured stories on the singer. Reports highlighted his exceptional vocal range, creative independence, and dedication to Kazakh national culture - qualities that have earned him a global fan base. “Dimash Kudaibergen is rapidly becoming one of Asia's best-known artists, captivating audiences worldwide with his unique fusion of neo-classical, pop, Kazakh folk, and contemporary trends. His independence allows him to experiment freely, combining traditional Kazakh motifs with global musical influences. For him, music is not just entertainment but an opportunity to present Kazakhstan's rich culture on the world stage,” Haute Living wrote. [embed]https://www.youtube.com/shorts/zKBUihALTH0[/embed] Released on April 26, 2024, Smoke is one of Dimash’s latest tracks. The music of the composition was written by the singer, with lyrics by Candice Kelly and Dimash Gordon. The song quickly gained traction, and by January 30, 2025, it had risen in the U.S. charts. It reached No. 32 on the iTunes Top 100, entered the Top 10 of Amazon’s Best Sellers in Songs, and claimed No. 1 in Amazon’s Best Sellers in Pop. This success underscores Dimash Kudaibergen’s growing influence beyond Kazakhstan and rising prominence in the international music industry. Dimash Kudaibergen is a Kazakh singer renowned for his extraordinary six-octave vocal range. He first gained international recognition after winning Slavic Bazaar (2015) and later became a finalist on the Chinese talent show Singer (2017). His musical style blends elements of neoclassical, pop, and traditional Kazakh folk. He has performed on prestigious stages worldwide, including the Kremlin Palace, Barclays Center, and Meridian Hall in Toronto. In 2019, he won the MTV Global Chinese Music Awards, and in 2021, he was named Asian Musician of the Year by the Top Chinese Music Awards. Kudaibergen also took part in the opening and closing ceremonies of the Beijing Olympics.

Music

A Synthesis of Sounds: How the Silk Road Became the Melting Pot of Music in the Soviet Empire

As a DJ, radio podcaster and music enthusiast, I love discovering hidden retro gems like Nuggets-style compilations. There is an unspoken agreement on an era’s sounds depending on the artist’s breaking into the mainstream at the time. Then there are the obscure cuts and one hit wonders that for some reason didn’t make it big upon release, but dated well or were ahead of their time and found an audience at a later date. On other occasions, it’s about geography; if it had been premiered in a different part of the world, it would have been successful or far more celebrated than it was. In my search for such sounds, I feel it shouldn’t be limited by location; good music has no boundaries. [caption id="attachment_25764" align="aligncenter" width="950"] Yalla band, commemorative stamp, Uzbekistan, 2021 [/caption] There are many compilations touching upon niche genres and moments in time which can transport one to sonically experience a particular era. As a Westerner trying to peek behind the Iron Curtain to gauge the music and arts scene of the 1970’s and 80’s, what flickered across the Cold War barriers seemed controlled, state-approved, and mostly a mystery. It was a delight to learn that under this supposed monochromic blanket, a dynamic underground music scene was flourishing in regions that had a long history of cultural fusion. SYNTHESIZING THE SILK ROADS: Uzbek Disco, Tajik Folktronica, Uyghur Rock & Crimean Tatar Jazz from 1980s Soviet Central Asia features musicians from countries such as Uzbekistan, Tajikistan, and Kazakhstan, who were creating a unique sound that stood apart from anything else being produced in the USSR. TCA spoke to Ostinato record label boss Vik Sohonie about the release. TCA: How does this statement by Peter Frankopan quoted in your liner notes - “The bridge between east and west is the very crossroads of civilization” - relate to or define the music you chose? The music itself is the greatest evidence we have to this argument, because you can hear the cultures of Europe, South Asia, East Asia, West Asia - the Middle East - all mixed into it. Indeed, Central Asia was influenced by all of these regions musically given its unique geography, but it has also influenced the cultures of so many of those parts of the world. During the era of the Silk Roads and the "golden age" of the region, its musical theory, as stated in the liner notes, influenced the music of Europe. [caption id="attachment_25766" align="aligncenter" width="2172"] Natalia Nurumkhamedova album cover[/caption] TCA: How did World War II and Stalin create the circumstances behind the Tashkent and Uzbekistan scene? When the Nazis invaded the Soviet Union, Stalin put the best and brightest minds on trains bound for Soviet Central Asia, mainly Uzbekistan and its capital, Tashkent. There were recording engineers on board who went on to set up one of the biggest press plants in the Soviet Union that produced millions of records. A little-known story of World War II - the evacuation from the Eastern...