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Kazakh Chess Player Wins World Junior Title in India

Kazybek Nogerbek of Kazakhstan has become the FIDE world junior chess champion, winning the title in Gandhinagar, India even though he was only the ninth seed. An emotional Nogerbek, 20, briefly rested his head on his forearm on the table on Thursday after the tournament victory. “It feels very good,” said Nogerbek, who won the rapid and blitz titles in the World Youth U18 Championship. The Kazakh player is an international master (IM), which is the second most difficult title to secure after grandmaster (GM). A number of grandmasters were among those participating in the U20 World Junior Chess Championship, which started at the beginning of June. Divya Deshmukh, the 18-year-old top seed from India, won the girls’ section. Nogerbek’s victory was tight. He scored 8.5/11 points, as did grandmaster Emin Ohanyan of Armenia. But Nogerbek did better under a tiebreak system designed to determine a winner in such a scenario. Grandmaster Kuja Budisavljevic of Serbia won bronze with eight points. “Going into the final round, GM Mamikon Gharibyan from Armenia was in sole lead with eight points, half a point ahead of four players, including Nogerbek,” chess.com reported. “The two faced in the final round, with the Armenian making a crucial mistake in time trouble, while trying to defend a difficult ending.” Chess.com said the world junior championship has a prestigious history but fewer top players are participating because “more attractive tournaments” are available. FIDE is the International Chess Federation, which is the translated name of Federation International des Echecs, founded in Paris in 1924.

Pavel Durov’s Visit to Issyk-Kul Sparks Investment Hopes

Pavel Durov, the founder of Telegram and VK, has visited the Issyk-Kul region in Kyrgyzstan, generating significant interest amidst speculations about a potential investment in a large-scale project. The government are currently keen on attracting investment in the Three Peaks ski resort, and local authorities believe that his involvement could substantially enhance the potential of the project. Durov’s presence as an investor is seen as a strategic move that could attract additional capital and provide invaluable advertising support. Durov is traveling with Russian blogger Huseyn Gasanov, whom sources suggest could play a mediating role in the negotiations with the local authorities. The presence of Durov and Gasanov has not gone unnoticed by locals. The pair were recently spotted at the Petroglyphs Park in Cholpon-Ata, sparking rumors and excitement among residents. Many hope that this high-profile visit will lead to concrete investment plans and significantly boost the local economy.

Art and Culture

Decolonial Futurism: A Focus on Kazakhstan’s Pavilion at the 60th Venice Biennale

Kazakh artists have traditionally been marginalized in the global art scene due to political intricacies and a complex cultural identity. With historical influences and colonization by both Russia and China, Kazakh artists are now carving out a unique artistic identity and sharing it with international audiences. The Kazakh pavilion "Jerūiyq: Journey Beyond the Horizon" at the 60th International Art Exhibition of the Venice Biennale, from April 20 to November 24, represents a major milestone in changing perceptions of Kazakh art. Staged in the Naval Historical Museum, the exhibition reinterprets the ancient legend of Jerūiyq, drawing inspiration from Kazakh myths and the visionary journey of the 15th-century philosopher Asan Kaigy. The word "kaigy" means "pain" in Kazakh, symbolizing the nation's traumatic encounters with modernity's darker aspects: the devastating famine of the 1930s, the craters left by nuclear tests in Semey, the shrinking of the Aral Sea, and the wounds inflicted on the Kazakh landscape. The exhibition traces the evolution of Kazakh utopian imagination from the 1970s to today through artists’ visions of ideal worlds, where their utopian imagination merges with the artistic movement of "decolonial futurism." On behalf of TCA, Naima Morelli interviewed curator Anvar Musrepov on the concept and significance of Kazakhstan's participation in the Venice Biennale. TCA: How did the idea for the Kazak pavilion “Jerūiyq: Journey Beyond the Horizon” evolve? A.M: In our curatorial research, we found that the theme of utopia and futuristic imagination has concerned several generations of Kazakhstan's artists since the 1970s. Using this as a starting point, we decided to establish, in chronological order, a collection of works by multiple generations of artists. Divided by decades, the collection manifested a wave of Kazakh futurism, including themes of spirituality, cosmism, nomadism, and utopian ideas. This in turn, will help formulate a term to comprehensively describe and unite all these intuitions that have concerned Kazakh artists in different historical periods. [caption id="attachment_18933" align="aligncenter" width="522"] Sergey Maslov, "Baikonur" at the Venice Biennale [/caption] TCA: The exhibition’s title alludes to the ancient legend of Jerūiyq. What is it about and how have you interpreted it? A.M: Jeruiq is an ancient legend about a utopian land that according to many myths, was sought by Asan Kaigy, advisor to the first Kazakh khans Zhanibek and Kerey. Legend describes it as a land that has fermented, a place where time has stopped, a land full of vividness, devoid of disease or longing. We found in this ancient Kazakh legend, an ideal metaphor to unite all the intuitions presented in the exhibition and manifest the chronology of post-nomadic futuristic imagination. If established, the definition of this unique phenomenon, could become a movement in Kazakh art. TCA: What can you tell us about the philosopher Asan Kaigy? A.M: Asan Kaigy is a quasi-historical character who features in Kazakhstan’s rich oral tradition where history and memory are passed down from mouth to mouth. Every region of Kazakhstan has local legends about miracles performed by Asan Kaigy. One such legend says that he found...

Economy

Uzbekistan Plans to Earn $300 Million a Year From Medical Tourism

Nuz.uz reports that Uzbekistan plans to earn $300 million annually from medical services and tourism. At the meeting chaired by President Mirziyoyev, the program “Medical Hospitality” was announced, under which the budget will cover the costs of private clinics for international certification and participation in foreign exhibitions. Doctors traveling abroad to advertise and provide diagnostic services will be reimbursed for transportation and accommodation expenses. In addition, value-added tax will be refunded to foreign patients visiting clinics. "Last year, more than 60,000 foreign tourists were treated in 86 sanatoriums and medical institutions of the country. Suppose the number of such institutions is increased. In that case, it is possible to attract an additional 100,000 foreign patients, making it possible to earn $300 million a year from medical services,” the publication notes. Zumrad Bekatova, a member of the Legislative Chamber of the Oliy Majlis, said that Uzbekistan is paying special attention to expanding the network of private medical organizations, diversifying their activities, and strengthening their material and technical base. However, despite these efforts, only two private clinics have received international certification, and the share of foreign patients has yet to exceed 12%.

Elite Kyrgyz Climber Gets Warm Homecoming After Himalayan Ascents

A 52-year-old climber from Kyrgyzstan has returned home after scaling two of the worlds’ highest peaks in a 10-day span in May. He said he climbed both Himalayan mountains without supplemental oxygen. Eduard Kubatov, head of Kyrgyzstan’s mountaineering federation, was welcomed with flowers at Manas International Airport in Bishkek on Thursday after climbing the Lhotse and Makalu mountains, which are both more than 8,000 meters above sea level. Kubatov, who ascended Mount Everest three years ago, previously said he wanted to climb K2 in Pakistan this month in his bid to summit the 14 mountains internationally recognized as “eight-thousanders.” Kubatov and climbing sherpa Dawa Chhiring got to the top of Makalu on May 30, 10 days after Kubatov summited Lhotse, said 14 Peaks Expedition, a trekking company based in Nepal that assisted him. The Kyrgyz climber said on Instagram that both ascents were “non-oxygen,” meaning he took on the greater challenge of ascending without bottled oxygen, and that he accomplished “the first major mountaineering double in the history of Kyrgyz mountaineering.” Climbing the world’s highest mountains without supplementary oxygen can be about 40% harder and so few climbers go without it that they are “like an endangered species,” Kubatov said on Facebook. “It is extremely honorable and highly valued in the world mountaineering system!” said Kubatov, adding that he believes stronger Kyrgyz climbers will eclipse his accomplishments in the future. In 1978, Reinhold Messner and Peter Habeler became the first people to climb without supplemental oxygen to the summit of Everest, the world’s highest mountain at 8,849 meters above sea level. Messner was also the first person to climb all 14 so-called “eight-thousanders.” Veteran climber Tim Mosedale has said there will always be a debate about using supplemental oxygen to climb the highest mountains. “Whether or not it is viewed as being ethical, it is undoubtedly sensible,” he wrote. “After all, a client who becomes debilitated puts the lives of other climbers, and the Climbing Sherpas, at risk.” Kubatov returned to Bishkek with other Kyrgyz climbers who also climbed in Nepal. Ilim Karypbekov became the fourth Kyrgyz citizen to summit Everest, and Kadyr Saidilkan, who climbed Everest last year, added Lhotse to his list of accomplishments on this year’s trip. Kyrgyzstan has a strong mountaineering tradition, and several peaks in the Central Asian country are in the 7,000-meter range.

Story of a Statue: Turkmenistan Shapes National Identity

The giant bronze statue of a robed man holding a book stands on the southern outskirts of Turkmenistan’s capital, Ashgabat, and is visible from many parts of the city. Including the granite base, it is more than 80 meters high. The sculptor says the rising sun illuminates the structure at dawn, giving it a hallowed aura. Diplomats and other dignitaries recently assembled for the inauguration of the statue of Magtymguly Pyragy, a revered poet and philosopher who serves today as a state-sponsored symbol of national and cultural identity. Some carried bouquets of flowers as they walked up the steps toward the looming monolith. Later, there were fireworks, a multi-colored light show and a drone display in the sky that formed the image of a quill pen. Led by President Serdar Berdimuhamedov, the ceremony on May 17 marked the 300th anniversary of the official birthday of Pyragy, who is little known outside Central Asia but is vital to a campaign of national cohesion in a country whose brand of personalized state control often seems opaque and eccentric to observers. Pyragy was born in the 18th century in what is today Iran, and is associated with Sufi spiritualism. He wrote about love, family and morality, and also laced his poetry with yearning for Turkmen solidarity at a time of conflict and fragmentation. Today, his image adorns postage stamps and banknotes in Turkmenistan. A theater carries his name. A symphony. A street. A university. People put his verse to songs at festivals. His lines form aphorisms in Turkmen, a Turkic language spoken in parts of Central Asia. Turkmenistan is of interest to foreign powers for its deep energy reserves, but this year its diplomats made an intense push in world capitals to get people interested in something else about the country: Magtymguly Pyragy. They promoted events about the poet in cities including Washington, Paris, Beijing and Seoul. The message was, as the state news agency put it, that Pyragy´s work is “an invaluable asset of all mankind.” Indeed, the park where the giant Pyragy statue stands in Ashgabat also contains much, much smaller statues of writers from other parts of the world, including William Shakespeare, Fyodor Dostoevsky, Johann Wolfgang von Goethe and Rabindranath Tagore. One commentator has even compared Pyragy to German philosopher Immanuel Kant, saying they were born around the same time and had similar ideas. Russian granite was transported in nearly 100 railway cars to Ashgabat for construction of the new Pyragy statue, according to contractor Alexander Petrov. The statue is among the more grandiose monuments in a capital studded with them. Sculptor Saragt Babayev noted that the statue shows Pyragy in a turban, in contrast to an older image of the poet that shows him wearing a peaked Astrakhan hat, which was made of sheep fur and had no religious significance. That image dates to the time when Turkmenistan was part of the Soviet Union and Moscow was cracking down on expressions of Islamic piety. “During the time when the...