• KGS/USD = 0.01144 0%
  • KZT/USD = 0.00203 0%
  • TJS/USD = 0.10731 0%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28490 0%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00203 0%
  • TJS/USD = 0.10731 0%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28490 0%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00203 0%
  • TJS/USD = 0.10731 0%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28490 0%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00203 0%
  • TJS/USD = 0.10731 0%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28490 0%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00203 0%
  • TJS/USD = 0.10731 0%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28490 0%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00203 0%
  • TJS/USD = 0.10731 0%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28490 0%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00203 0%
  • TJS/USD = 0.10731 0%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28490 0%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00203 0%
  • TJS/USD = 0.10731 0%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28490 0%

Viewing results 1 - 6 of 81

Screenwriter Yefrat Sharipov on AI and the Future of Kazakhstani Cinema

Screenwriter Yefrat Sharipov is a graduate of Kazakhstan’s Academy of Civil Aviation and the New York Film Academy (NYFA), and one of the country’s most sought-after screenwriters in recent years. He worked on the box office hit Dos-Mukasan, a film about the legendary Kazakhstani musical group often described as the local equivalent of The Beatles. He now reflects on the future of global cinema, the role of artificial intelligence, and why Kazakhstani stories can resonate far beyond the country’s borders. In an interview with The Times of Central Asia, Sharipov discusses how engineering thinking shapes his approach to storytelling, why screenwriters must understand the inner workings of the film industry, and how technology may soon erase language barriers. TCA: You’re a screenwriter with an engineering background who graduated from the Academy of Civil Aviation. How did that happen? Sharipov: Honestly, it’s difficult for me to explain myself. The desire to write stories has been with me since childhood; I always knew I would never stop doing it. The need to express myself through writing appeared very early. Back in school, I was already trying to write short stories, novellas, poetry, even songs. But when it came time to choose a profession, I decided to pursue a technical field, although I never stopped writing “for the drawer.” Later, when I entered the film industry and worked on projects in other roles, I remembered this passion and realized there was a way to apply it professionally. There was a huge demand for screenwriters. At first, it was mostly curiosity, I wanted to see whether anyone besides me would actually find my stories interesting. Gradually, things started to work out, and here I am. TCA: What did you write about as a child? Sharipov: About whatever fascinated me at the time. At one point, I became obsessed with Tolkien and started inventing fantasy stories with imaginary creatures. I mostly wrote for myself, though sometimes I let friends, parents, and relatives read my work. I remember my mother always praising me, and I usually got good grades for essays at school. My friends and I even kept what we called “school chronicles,” where we humorously wrote about everything happening around us. Honestly, if I were a better speaker, maybe I would have become a stand-up comedian. TCA: Does your technical education help you in your current work? Sharipov: It does. Technical disciplines probably influenced the way I approach storytelling. I look at stories almost like an engineer, everything has to be structured and logical. Before starting a film, I research the subject deeply. I don’t just read materials casually. I use an approach similar to scientific research. I gather facts, critically analyze the material, and repeatedly verify information. TCA: So, every film becomes almost like a dissertation. But cinema is always about people. Can human beings really be approached scientifically? Sharipov: When I worked on the Dos-Mukasan biopic, I didn’t just rely on archival material, I tried to meet personally with everyone who had...

Ukraine’s Foreign Minister on Kazakhstan, Trade, and War

As Kyiv works to rebuild ties across Central Asia, Kazakhstan has become one of Ukraine’s most important regional interlocutors. The relationship has been shaped by war, trade disruption, humanitarian support, and the search for new transport routes linking Asia and Europe. The Times of Central Asia has previously reported on Ukraine’s efforts to deepen engagement with Central Asia and on Astana and Kyiv’s attempts to restore trade ties. In an interview with TCA, Ukraine’s Foreign Minister Andrii Sybiha discussed Kazakhstan’s role in this changing landscape, the prospects for economic cooperation, the Middle Corridor, post-war reconstruction, and the humanitarian and cultural ties connecting the two countries. TCA: Against the backdrop of shifts in global politics and Central Asia’s growing role, Ukraine has been deepening its dialogue with the region. How are these relations being translated into practical cooperation in politics, economics, and the humanitarian sphere? Foreign Minister Sybiha: Ukraine and Kazakhstan share a long-standing, traditionally friendly relationship, not only at a governmental level, but also between our peoples. My own family history is directly connected with Kazakhstan. My father worked in your wonderful country, in Kostanay. Many of his friends still live there. He often told me that he dreams of returning one day to see them again. Personally, I associate Kazakhstan with many warm memories, including your unique cuisine. I love qazy; it is an incredibly delicious dish. Kazakhstan possesses a rich and distinctive culture, language, and national identity. I greatly admire how all of this continues to develop in modern Kazakhstan, especially how young people are embracing traditions and striving to preserve and enrich them. This is a sign of a strong nation that knows its roots and therefore has a future. Kostanay is also linked to the story of our outstanding writer, Mykola Khvylovy, who lived and worked there for a period of time. You see how much connects our countries, even if we take just one city as an example. Unfortunately, there are tragic chapters as well. It was in Kostanay that our world-renowned orientalist, Slavic scholar, and one of the founders of the Ukrainian Academy of Sciences, Ahatanhel Krymsky, died in imprisonment. Those were terrible times, a painful past from which we must draw the right conclusions for the present and the future. Turning to politics and global issues, I would emphasize the following: all our efforts are aimed at achieving peace. This war cannot be ended solely on the battlefield; Ukraine understands this very realistically. The question is whether Moscow is finally prepared to understand it as well. It is time to end the war and move toward diplomacy. Today, Ukrainians are defending their homes and their children with weapons in their hands against unprovoked aggression. This is an existential struggle for the future of the next generations and for the right to remain Ukrainian. This struggle did not begin four and a half or even twelve years ago. Russia’s strategic objective is to complete what the Russian Empire began and what the Soviet Union...

Identity and a New National Canon: Interview with Kazakhstan Historian Zhaxylyk Sabitov

Interest in Kazakhstan’s history is increasingly moving beyond academic circles. For many people, it has become a way to understand the country’s modern identity as well as its past. The Times of Central Asia spoke with historian Zhaxylyk Sabitov, director of the Institute for the Study of the Ulus of Jochi, about why many chapters of Kazakhstan’s history remain insufficiently studied. The Ulus of Jochi, also known as the Golden Horde, was one of the largest medieval states in Eurasia and is closely tied to debates over Kazakhstan’s statehood and historical memory. The interview also explored which topics resonate most strongly with society today and how a new understanding of national memory is taking shape. TCA: To begin, please tell us a little about yourself. How did you become interested in history, and why did you decide to work in this field? Zhaxylyk: I am the director of the Research Institute for the Study of the Jochi Ulus. My interest in history began in childhood. The problem was that in the 1980s and 1990s, history in Kazakhstan was taught rather poorly. There were few textbooks and teaching materials, and schoolchildren generally knew little about the subject. That is why I was always interested in trying to understand the past for myself. In addition, I inherited a library of history books from my grandfather. I read those books, and in the 1990s my mother helped me buy new publications. All of this gradually shaped my interest in the history of Kazakhstan. You could say I became interested in history while still at school and later continued to study it professionally. TCA: For readers who may not know much about you, how would you describe your research work and the main topics you focus on? Zhaxylyk: I have several main areas of work. The first is the history of the Golden Horde. This was the state that preceded the Kazakh Khanate and occupied a vast territory stretching from the Altai to the Danube. The second area is the history of the Kazakh Khanate. This also remains insufficiently studied. In the history of both the Golden Horde and the Kazakh Khanate, there were more than 100 khans. It is interesting to study how they interacted, where and how they ruled, and under what circumstances their rule took place. The third area is genetics, or the genetic history of Kazakh tribes and clans, as well as those of other Turkic peoples, including Kyrgyz, Karakalpaks, Nogais, and Bashkirs. This topic allows us to address questions that have been debated for two centuries. For example, there are many theories regarding the origins of certain Kazakh tribes. With the help of genetics, we are trying to understand which of these theories is closer to the truth and, more broadly, to better understand the ethnogenesis of the Kazakhs and other Turkic peoples. The fourth topic is nation-building policy and historical memory. I am interested in how the state constructs the canon of national history and how this influences...

Kazakh Writer Aigul Klinovskaya on Memory, Identity, and the Rise of Contemporary Literature

In recent years, interest in contemporary literature has grown noticeably in Kazakhstan. Authors are increasingly reaching readers directly, taking part in public events, promoting their books through social media, and speaking about local experiences as part of a broader cultural landscape. The Times of Central Asia spoke with Kazakhstani writer Aigul Klinovskaya about her path into literature, the role of memory and place in her prose, and what contemporary authors need today to gain greater visibility both within the country and abroad. TCA: To begin with, please tell us a little about yourself. How did you become a writer? Aigul: I came to literature from IT, that is a well-known fact, and something I often mention in interviews. I worked at a large telecommunications company and headed a department, but at a certain point, I completely changed my field of activity. Now I write my own books and also help other authors shape their manuscripts as a literary editor and mentor. People work with me to finish and refine their manuscripts, increasing their chances of publication or success in literary competitions. TCA: When did you first feel that writing was not just an interest for you, but an important part of your life? Aigul: I tried writing as a child. I had a science fiction novella with an interesting story behind it: I sent it to a children’s magazine, and they replied that the work was good but still needed improvement. I was offended and, in the heat of the moment, destroyed the manuscript. I regret that now because it would have been interesting to reread it. As a child, I wrote poems and short stories; many people go through that stage. But I began writing prose seriously about five years ago. At that time, I took part in a writing marathon, wrote a short story, and it was immediately included in an anthology. That inspired me: I realized that I could and wanted to write fiction. The transition from short stories to longer forms was not easy. I wondered whether I could do it and whether I would manage. But now two of my books have already been published, and a third is coming out in June, so something must be working. Many people are surprised to learn that, for most of my life, I was not involved in literature professionally but worked in a completely different field. Now, however, I feel that I am in the right place. TCA: Your texts often pay close attention to a person’s inner life, to memory, and to the warmth of everyday relationships. Why are these themes close to you? Aigul: I am interested in people in general, their relationships and emotions. As an author, I want readers, when they immerse themselves in my books, to feel something: to cry at some moments, laugh at others, smile, and reflect. I believe that every person’s fate is worthy of a book because many remarkable things happen in life. If they are described well,...

From Almaty to Bali: Two Cyclists from Kazakhstan on Their Bicycle Journey

Alina and Maksim Pak, a young married couple from Almaty, have spent several months cycling from Kazakhstan to the Indonesian island of Bali, a journey of more than 8,000 kilometers across multiple borders. Their daily updates on Instagram have drawn widespread attention, turning them into social media personalities. The Times of Central Asia spoke with them about how they embarked on the journey, the challenges they faced, and how the experience has changed them. TCA: Cycling from Almaty to Bali sounds bold. Do you remember the moment when the idea became a plan? Who initiated it? Maksim: It’s been my dream since childhood back when I used to ride a BMX bike. I thought about it a lot, but it always seemed impossible. Then one day I realized: if not now, then when? Alina initially thought it was a joke, but eventually I convinced her. We mapped out the route in just three or four days, and preparation took 45 days. We found sponsors, posted videos every day, learned blogging along the way, and gradually gained support from people. [caption id="attachment_48398" align="aligncenter" width="225"] @instagram.com/alina_pakk[/caption] TCA: Were you scared at all? Alina: Very much so. But not on the road, at the beginning, during preparation. We had almost nothing, no proper gear, no clear plan, no certainty that it would work. It felt like we physically wouldn’t even be able to start, too many “buts” and too few resources. But every day we sat down and visualized how we would travel, what we would eat, who we would meet. The fear was there, yes. That’s exactly why we went. If it’s not scary, then the goal isn’t big enough. TCA: What does a typical day on the road look like? Are all days different? Maksim: Our routine formed quite quickly. We wake up around 7 a.m., nature doesn’t let you sleep longer, especially when the tent is in the sun. We have breakfast, pack up, and by 9 a.m., we’re already cycling. The first stretch is about three hours, then we take a mandatory lunch break and rest for an hour or so, otherwise the body doesn’t recover. After that, we ride again until 5 or 6 p.m., depending on how we feel and the road conditions. When we find a place to stop, we set up the tent, and then the second shift begins: we work, editing videos and replying to messages. The day ends around 10 p.m. And yet every day is completely different, new cities, new people, new landscapes. It never gets boring. TCA: You’ve already cycled through China, Vietnam, Thailand, and are now in Malaysia. Which country surprised you the most? Are people the same everywhere? Maksim: Honestly, every country surprised us in its own way. It’s impossible to single one out. In some places it’s the nature, in others the food, in others the way people treat strangers. Overall, people are very similar everywhere, despite different languages and cultures. Everyone has the same concerns, work, family,...

UNEP Interview: From Space, Central Asia’s Methane Challenge Comes Into Focus

Satellites are changing the way the world sees methane. What was once an invisible leak from a well, flare, pipeline, landfill, or coal mine can now be detected from space, traced to a specific site, and sent to governments and companies for action. A new analysis by the United Nations Environment Programme’s International Methane Emissions Observatory puts that system to the test. Its Methane Alert and Response System, known as MARS, uses 35 satellite instruments to identify major human-caused methane “super-emitters” and notify those responsible. UNEP says the system has already enabled 41 mitigation cases in 11 countries, covering sources estimated to have released 1.2 million tonnes of methane. For Central Asia, the findings are especially relevant. UNEP’s new data includes a rolling list of the world’s 50 largest satellite-detected methane sources, covering oil and gas, coal, and waste, and shows where rapid action may be possible. Several of those sources are linked to Turkmenistan’s oil and gas sector, placing the region firmly inside a global debate over methane transparency, climate responsibility, and whether satellite alerts can lead to action on the ground. Of the 50 sources featured in the latest UNEP/IMEO snapshot, China has the largest number, while Turkmenistan stands out sharply for Central Asia, with the second-largest individual source and four of the top ten. Methane is shorter-lived than carbon dioxide, but far more powerful in the near term. That makes cutting large leaks one of the fastest ways to slow global warming. The harder question, as UNEP’s latest data makes clear, is no longer only where the leaks are, but who responds when they are found. On April 30, UNEP/IMEO presented the new MARS findings, highlighting the growing role of satellite-based monitoring in identifying major methane sources and pressing governments and companies to act. The Times of Central Asia spoke with Meghan Demeter, MARS Programme Manager, International Methane Emissions Observatory, UNEP. TCA: What does the new MARS data reveal about Central Asia specifically that may surprise readers? Demeter: The latest MARS data products depict the region as one with growing engagement and significant mitigation potential. Responses to MARS notifications are increasing, supported in particular by designated national focal points who play a key role in coordinating follow-up with operators. Based on the published 2025 data alone, the response rate across Central Asia currently stands at 22%. Managing a high volume of alerts requires more effort to achieve very high response rates compared to countries that receive only a handful of notifications. Encouragingly, the region has already recorded nearly 20 mitigation cases, underscoring the strong potential for emissions reductions when large methane sources are identified and addressed. TCA: Why does Central Asia matter in the global methane debate, even if it is not the world’s largest methane-emitting region? Demeter: Across Central Asia, looking at the 2025 data alone, UNEP’s International Methane Emissions Observatory, through the Methane Alert and Response System (MARS), detected and notified 298 emission sources from the oil and gas sector. While satellites detect only a fraction of global methane emissions, satellites are highly effective at identifying so-called “super-emitters,” methane emission events so large they can be detected from space. These represent opportunities where action can deliver the greatest and fastest climate wins, while also catalyzing broader change. Regarding the “top 50” list of emission events, 11 of these sources are located in Central Asia, all from...