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Ola Fiedorczuk

Journalist and Social Media Manager

Ola Fiedorczuk is a freelance journalist, radio personality, presenter, podcaster, musicologist, and social media manager.

Articles

Uzbek Literature

From Tashkent to Tennessee: Uzbek Stories Bridge Worlds in Nashville Debut

Uzbekistan's literary luminaries will make their first appearance at the Southern Festival of Books in Nashville, Tennessee. Now in its 37th year, this iconic event is one of the biggest and most celebrated literary festivals in the U.S., and this year, attendees will get a taste of Uzbek storytelling. Avid readers will dive into the vibrant and poetic world of Uzbek literature, where Southern hospitality meets Central Asian artistry. “Nashville is a publishing powerhouse — we love our books here,” Mark Reese, the organizer behind the showcase, told The Times of Central Asia. “I’m proud that my city has come together to support this exciting cultural exchange and open the door to new literary voices.” Reese partnered with Akbar Toshtemurov, founder of Booktopia in Tashkent, to bring the vision to life. “Booktopia is a natural ally in the effort to spread awareness of Uzbek literature abroad through professional translation,” Reese said. “Akbar Toshtemurov has sponsored the translation of over fifty English-language titles into Uzbek and brings deep expertise to the table.” [caption id="attachment_34419" align="aligncenter" width="1152"] Mark Reese - image courtesy of the subject[/caption] Among the featured writers is Abdulla Qodiriy, one of Uzbekistan’s most revered authors. His novel Oʻtkan Kunlar (Bygone Days) — a cornerstone of Uzbekistan’s literary heritage — will be central to the presentation. “Qodiriy will certainly be a focal point,” Reese said, “but I expect other authors, both past and contemporary, to have a seat at my table.” Reese has spent over 30 years bridging cultures. He has created education programs across Central Asia and the U.S., spearheaded eLearning, curriculum reform, and translation projects. As the founding director of the Center for Regional Studies at the U.S. Naval Academy, he crafted top-tier academic content, cementing his legacy in cultural diplomacy. His efforts to promote the Uzbek language and culture, including his English translation of Oʻtkan Kunlar, earned him Uzbekistan’s Presidential Order of Doʻstlik. “My career in Uzbekistan started with the Peace Corps in 1994,” Reese told TCA. “I served in Kokand as one of the first volunteers in the city as an English teacher. “What has always fascinated me and that I’ve admired are the layers of culture that inform each other - Uzbekistan’s rich ecumenical heritage — it has everything from petroglyphs, Zoroastrianism, Buddhism, Christianity, and Islam. Being able to witness the birth of a republic is an extremely rare experience as well. I’ve been a student of Uzbekistan ever since.” TCA: How did you come across Uzbek literature, and what universal themes might appeal to a U.S. audience? “Kokand is known as the center of literary Uzbek, which is mainly attributed to Umar Khon and Nodira. So, I learned the Kokand dialect of Uzbek. The University of Washington’s graduate program in Near Eastern Languages and Civilizations, as well as Tashkent’s Sharqshunoslik University, underpinned my academic knowledge.” TCA: What inspired you to feature Abdulla Qodiriy’s work at the festival? “Uzbekistan suffers from a structured soft power presence abroad. Thirty-plus years of independence, and their narrative still...

9 months ago

Traditions

The Hearth of Hospitality: The Importance of the Chaikhana in Central Asia

“Every meal begins with tea and ends with tea. Every guest is welcomed with tea. Every festival and every ceremony – from the celebration of birth to wedding to funeral – must feature tea” - Ketan Desai. Across Central Asia, the chaikhana, or teahouse, holds a cherished place in the region’s social and cultural fabric. Beyond serving cups of steaming tea, it represents history, hospitality, and a space where the rhythms of daily life unfold. For Central Asians, tea isn’t just a drink; it’s a way of life. Every pour, sup, and serving is steeped in tradition. Green tea is considered supreme in the east, while black tea holds court in the west. The offering of tea isn’t just polite, it’s a heartfelt symbol of welcoming and friendship, and to turn it down is practically a cultural crime. Tea is always poured into a piala, a small ceramic or porcelain bowl similar to the Chinese gaiwan or the Japanese chaiwan, but with its own unique steeped allure. A Link to History [caption id="attachment_33095" align="aligncenter" width="1024"] Chaikhana, Samarkand, 1905; image: Prokudin-Gorskiĭ[/caption] The chaikhana has roots stretching back centuries, intertwined with the history of the Silk Road. These teahouses sprang up along trade routes as places where merchants, travelers, and locals could rest and exchange goods, ideas, and stories. Over time, chaikhanas became hubs of cultural exchange, bearing silent witness to the blending of a rich tapestry of traditions. Central Asia is a region shaped by the collapse of the Soviet Union and subsequent episodes of democratization, political coercion, and repression. Throughout history, the chaikhana also played a role in the region’s intellectual life. Much like coffeehouses in Europe, these spaces often served as platforms for debate, poetry readings, and the airing of progressive ideas. These venues often feature private rooms with enclosed spaces or pull-down shades and outdoor spots with canopies or yurt-like structures, ensuring discretion for guests. Unlike typical restaurants or cafes, which rarely offer such private arrangements, teahouses allow organizations to hold meetings comfortably and confidentially. Teahouses serve a dual purpose by balancing privacy with public engagement, making them invaluable to those seeking both discretion and societal visibility. [caption id="attachment_33096" align="aligncenter" width="1019"] Bukhara Chaikhana; image: Joepyrek[/caption] Teahouses serve as neutral spaces where the general public and government can freely interact. They offer a safe space for open discussions, even for government employees, highlighting their unique role in fostering dialogue. The subversive potential of teahouses cannot be overlooked, as debates frequently occurred outside formal governmental frameworks. They have quietly allowed people to organize and challenge institutional power in subtle yet meaningful ways. Tradition and Architecture Chaikhanas are more than just teahouses; they’re cultural treasures enriched by stunning architecture. From simple wooden benches in rural areas to urban teahouses adorned with intricate carvings, colorful tiles, and ornate patterns, these spaces are as much about artistry as they are about tea. The interiors feature low tables and cushions, encouraging leisurely conversations and fostering a warm, communal atmosphere. Whether beside a flowing stream...

11 months ago

History

The Ruthless History of the Great Game in Central Asia

In the so-called New Great Game, Central Asia is no longer a mere backdrop; with its strategic location, massive oil and gas reserves, and newfound deposits of critical raw materials, it’s a key player. In stark contrast to events in the 19th century, this time, Central Asia finds itself courted by four great powers - China, the EU, the U.S., and Russia - instead of caught in the crosshairs of conquest. The region finds itself with agency. However, the original Great Game was anything but fair play. Comprising vast steppes, nomadic horsemen, descendants of Genghis Khan’s Great Horde, and a lone nation of Persians, during the 19th century, the once-thriving Silk Road states became entangled in a high-stakes battle of expansion and espionage between Britain and Russia. Afghanistan became the buffer zone, while the rest of the region fell under Russian control, vanishing behind what became known as the “Iron Curtain” for almost a century. The term “Great Game” was first coined by British intelligence officer Arthur Conolly in the 19th century, during his travels through the fiercely contested region between the Caucasus and the Khyber. He used it in a letter to describe the geopolitical chessboard unfolding before him. While Conolly introduced the idea, it was Rudyard Kipling who made it famous in his 1904 novel Kim, depicting the contest as the epic power clash between Tsarist Russia and the British Empire over India. Conolly’s reports impressed both Calcutta and London, highlighting Afghanistan’s strategic importance. Britain pledged to win over Afghan leaders — through diplomacy, if possible, and by force, if necessary. The Afghan rulers found themselves caught in a barrage of imperial ambition, as the British and Russian Empires played on their vulnerabilities to serve their own strategic goals. Former Ambassador Sergio Romano summed it up perfectly in I Luoghi della Storia: "The Afghans spent much of the 19th century locked in a diplomatic and military chess match with the great powers — the infamous 'Great Game,' where the key move was turning the Russians against the Brits and the Brits against the Russians." The Great Game can be said to have been initiated on January 12, 1830, when Lord Ellenborough, President of the Board of Control for India, instructed Lord William Bentinck, the Governor-General, to create a new trade route to the Emirate of Bukhara. Britain aimed to dominate Afghanistan, turning it into a protectorate, while using the Ottoman Empire, Persian Empire, Khanate of Khiva, and Emirate of Bukhara as buffer states. This strategy was designed to safeguard India and key British sea trade routes, blocking Russia from accessing the Persian Gulf or the Indian Ocean. Russia countered by proposing Afghanistan as a neutral zone. The ensuing conflicts included the disastrous First Anglo-Afghan War (1838), the First Anglo-Sikh War (1845), the Second Anglo-Sikh War (1848), the Second Anglo-Afghan War (1878), and Russia’s annexation of Kokand. At the start of the Central Asian power struggle, both Britain and Russia had scant knowledge of the region's people, terrain, or...

1 year ago

Kazakh Films

Segiz: Exploring Kazakhstan’s Beauty on the Road Less Traveled

The Times of Central Asia’s cinematographer for the World Nomad Games, Ilyas Otan, is on a mission to put Kazakhstan's tourism on the map. An independent film producer and fixer, Otan took a bold step to showcase his vision, producing Segiz with director Almas Maksut, a captivating short documentary that brings together eight international travelers to uncover the secrets of a mysterious mountain lake in Central Asia. The film premiered at the 2021 Eurasian Film Festival and snagged the Best Documentary award at Czechia's International Road Movie Festival. Now, it is available to stream. A Werner Herzog quote opens the film, setting the tone for a brooding, atmospheric nod to late sixties and early seventies indie cinema. It’s not about the plot or commercial tourism — it’s all about ambiance, feelings, and the road less traveled. The narrator paints Kazakhstan as a land steeped in epic history, from Genghis Khan's sweeping conquests to the first nuclear test. Then the adventurers are introduced, and lured by the wild unknown they share what drove them to wander off the beaten path. A vivid taste of Kazakhstan’s rich culture and rugged beauty, this film dives headlong into an existence deeply connected to nature. Sampling the charms of nomadic life such as camel milk, majestic falcons, galloping horses, and cozying up in yurts. It’s a meat lover's paradise — not exactly a menu for vegans, vegetarians, or the fainthearted. The soundtrack amplifies the sixties' folky vibe, layering guitars, ukuleles, kalimbas, lutes, shakers, drums, harmonicas, and flutes for immersive incidental music. Two of the travelers, both talented singers and musicians, perform 20th-century ballads on the move, transporting listeners to long-lost worlds and forgotten eras. It’s rare to see a short documentary road movie about Kazakhstan hit streaming platforms. You can now catch this unique short film on TV+, Megogo and venture into the pioneer tourism of Kazakhstan today. [video width="1920" height="1080" mp4="https://timesca.com/wp-content/uploads/2025/03/Trailer-SEGIZ.mp4"][/video]

1 year ago

Cultural Heritage

Eagles, Heritage, and History: A Glimpse into Kazakhstan’s Ancient Art of Falconry

Inspired by TCA’s coverage of the 2024 World Nomad Games and the incredible showcase of falconry events, I reflected on a visit to the Sunkar Entertainment Complex near Almaty, Kazakhstan. Established during the Soviet era, the complex was originally designed as a mountain retreat for workers, featuring saunas, horseback riding, skiing, and other snow sports. However, its defining feature today is the bird sanctuary founded in the 1990s to conserve the region's dwindling population of birds of prey. The sanctuary serves as both a conservation effort and an entertainment venue, highlighting the delicate balance between preserving natural heritage and creating an engaging visitor experience. A practice the beginnings of which are shrouded in mystery, many experts trace the origins of falconry back to the steppes of Mongolia, dating between 4000 and 6000 BCE. Bronze Age cave paintings suggest falconry was already established, and a third millennium BCE pottery shard from Tell Chuera, modern-day Syria, depicts a bird of prey. The oldest visuals of falcons, however, are etched into rocks from the Altai Mountains, spanning Central and East Asia, circa 1000 BCE. Finding information on falconry in Europe and the Middle East is easy, but uncovering its ties to Kazakhstan's nomadic traditions proves more challenging. A podcast featuring two generations of a Kazakh family from the Altai Mountains sheds light through oral traditions. This narrative highlights falconry as more than a sport – it's a historical bond between humans and birds of prey, offering profound insights into nomadic heritage. [caption id="attachment_29223" align="aligncenter" width="1600"] Hunting with birds at the World Nomad Games, Astana, 2024; image: TCA, Stephen M. Bland[/caption] The Golden Eagle, often called the "Empress of the Sky," holds a divine status in falconry. Renowned for its ability to stare directly at the sun without harm, it's a symbol of freedom and pride for the Kazakh people. The Kazakh language boasts a staggering vocabulary for falconry, exceeding 1,500 unique terms. Its importance is also immortalized on Kazakhstan's national flag, echoing the legacy of Genghis Khan, whose banner also featured an eagle at its center. This speaks to his passion for falconry, a tradition vividly documented by Marco Polo, who described eagle hunting with Khan's grandson as early as the 1100s. The bond between humans and birds was so blurred that in ancient times, a nursing mother could share her milk with golden eagle chicks, even when her own child faced food scarcity. The Siberian golden eagle, or burgut, is among the largest of its kind. The formidable females, favored for hunting, boast wingspans of two meters and talons stretching up to six centimeters. Weighing over six kilograms, these birds demand not just expertise but also exceptional strength and courage from their handlers. Female eagles are traditionally captured before they learn to fly – old enough to survive outside the nest, but still nest-bound. They’re considered larger and more reliable hunters once tamed compared to their smaller, less-predictable male counterparts. Breaking eagles is a foundational skill in falconry, requiring meticulous preparation and...

1 year ago