• KGS/USD = 0.01144 0%
  • KZT/USD = 0.00211 0%
  • TJS/USD = 0.10515 0.48%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28530 0%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00211 0%
  • TJS/USD = 0.10515 0.48%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28530 0%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00211 0%
  • TJS/USD = 0.10515 0.48%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28530 0%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00211 0%
  • TJS/USD = 0.10515 0.48%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28530 0%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00211 0%
  • TJS/USD = 0.10515 0.48%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28530 0%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00211 0%
  • TJS/USD = 0.10515 0.48%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28530 0%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00211 0%
  • TJS/USD = 0.10515 0.48%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28530 0%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00211 0%
  • TJS/USD = 0.10515 0.48%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28530 0%

Viewing results 1 - 6 of 50

How Kazakhstan’s Southern Cities Celebrated Nauryz

Across southern Kazakhstan, cities welcomed the arrival of spring with vibrant Nauryz celebrations that combined centuries-old traditions with modern cultural elements. Public squares, parks, and pedestrian areas were transformed into festive spaces filled with concerts, exhibitions, national games, and family activities. Almaty Kazakhstan's biggest city is one of the main venues for celebrating Nauryz. In 2026, the city marked the spring holiday on a particularly large scale, hosting more than 200 events across various locations. The main festivities unfolded in central squares, where concerts, exhibitions, craft fairs, and interactive cultural zones were organized. One distinctive feature of the celebrations was the concept of blending traditional rituals with modern technologies. Themed yurts were installed in public spaces, each dedicated to different aspects of Great Steppe culture, from musical heritage and archaeological reconstructions to contemporary ethno-design. [caption id="attachment_45770" align="aligncenter" width="2560"] Image: TCA[/caption] Pedestrian streets were decorated with light installations, LED displays, and interactive digital projects. In the evening, there were concerts by Kazakhstani performers and light shows. Residents attended the celebrations with their families, many wearing national costumes. Ethno-villages were also set up in several districts of Almaty, where sports competitions and children’s programs took place. Shymkent Nauryz was also celebrated on a large scale in Shymkent. Ethno-villages were organized throughout the city, allowing visitors to learn about Kazakh traditions, sample national dishes, and watch performances by local artists. A distinctive feature of the celebrations in Shymkent was the balanced combination of traditional festivities with modern cultural initiatives. Alongside folk performances, guests could explore digital exhibitions, interactive spaces, and educational programs dedicated to Kazakhstan’s history and heritage. [caption id="attachment_45769" align="aligncenter" width="2560"] Image: TCA[/caption] Concerts and theatrical performances featuring well-known national performers became a central part of the program, blending traditional motifs with modern stage production. Craft fairs, entertainment areas, playgrounds, and creative workshops were organized for children and families in the city’s main public spaces. Taraz In Taraz, Nauryz was celebrated with lively public festivities reflecting both tradition and contemporary creativity. Central squares were transformed into festive ethno-villages, with yurts installed, folk craft exhibitions arranged, and traditional dishes offered to guests. Residents and visitors watched theatrical performances dedicated to the history of the Kazakh people and the arrival of spring. Folklore groups, dance ensembles, musicians, and young performers took to the stage throughout the day. [caption id="attachment_45772" align="aligncenter" width="2560"] Image: TCA[/caption] The celebrations also incorporated modern elements. Visitors could see robots dressed in national costumes, an unusual symbol of the connection between cultural heritage and technological progress. Playgrounds, swings, and various entertainment activities were organized, while many residents took photographs against the backdrop of yurts, traditional decorations, and spring floral displays. The holiday concluded with a large open-air concert and mass public celebrations, reinforcing the sense of unity, joy, and renewal that accompanies Nauryz each year in Kazakhstan.

How Nauryz Was Celebrated in Astana: Traditions, Sports, and the Spirit of Spring

Spring in Astana traditionally begins with one of the country’s most beloved holidays, Nauryz. In 2026, citywide celebrations once again brought together thousands of residents and visitors to open-air venues, where ancient traditions, national games, crafts, and family activities combined to create a vibrant festive atmosphere. In recent years, Nauryz has also taken on a broader role in Kazakhstan’s public life, reflecting efforts to reinforce national identity and cultural continuity in a rapidly modernizing society. In Astana, where public space and national imagery are carefully curated, the holiday takes on a particularly structured and representative form. This year, the city’s central squares were transformed into a large ethno-village. Traditional yurts were set up throughout the area, decorated with national carpets, ornaments, and objects reflecting nomadic culture. Inside, visitors could explore elements of the traditional Kazakh way of life. Wooden tableware, textiles with ornamental patterns, fur decorations, and historical weapons created a strong sense of cultural heritage. The air carried the sounds of traditional music and the smell of freshly prepared dishes, adding to the immersive atmosphere. Craft exhibitions attracted particular attention. Artists and artisans presented paintings and decorative panels inspired by Kazakh ornaments and steppe symbolism. Bright compositions, created using techniques ranging from textured painting to decorative ceramics, showed how these patterns continue to find expression in contemporary art. [caption id="attachment_45761" align="aligncenter" width="1920"] Image: TCA[/caption] [caption id="attachment_45762" align="aligncenter" width="2365"] Image: TCA[/caption] Traditional games are an integral part of Nauryz. One of the most notable competitions was asyk atu, an ancient Kazakh game in which players use skill and precision to knock down asyks (sheep knucklebones) from a distance. Spectators gathered around the playing area, watching the precise throws of experienced participants. Strength contests were also a major draw. On stages and sports grounds, athletes demonstrated their power and endurance in kettlebell lifting, attracting large crowds. Such competitions have long symbolized the resilience and physical strength associated with steppe traditions. As Nauryz is a family-centered holiday, special attention was given to activities for children. In designated play zones, young visitors could learn about folk customs, take part in workshops, and try on national costumes, alongside more modern раstimes, including digital games and interactive exhibits. Many residents attended with their extended families. Across the festival grounds, elderly people in traditional headwear, parents with children, and groups of young people gathered together, creating a sense of unity tied to the arrival of spring. [caption id="attachment_45763" align="aligncenter" width="1920"] Image: TCA[/caption] [caption id="attachment_45764" align="aligncenter" width="1920"] Image: TCA[/caption] Nauryz celebrations in Astana in 2026 showed that the holiday is more than a date on the calendar. It remains a marker of renewal and continuity, with traditions passed down through generations still visible in the modern capital, where people of different ages and backgrounds come together to celebrate. In Astana, Nauryz continues to evolve without losing its core meaning, balancing carefully staged tradition with everyday participation. In a city defined by its future-facing architecture, the holiday offers a reminder that renewal is rooted as much in continuity...

The History of Nauryz: An Ancient Festival That Continues to Unite Central Asia

Ahead of the Nauryz holiday, The Times of Central Asia looks at the origins and enduring significance of one of the region’s oldest celebrations. More than a seasonal festival, Nauryz reflects a deep connection between people, nature, and cultural identity, a tradition that has evolved over thousands of years and remains central to life across Central Asia. Origins and Meaning Nauryz, also known as Nowruz, is one of the world’s oldest holidays, marking the arrival of spring and the beginning of a new year. It is celebrated on the day of the spring equinox, when day and night are approximately equal and nature appears to begin a new cycle. For many communities, the holiday symbolizes renewal, hope for prosperity, and the start of a new stage in life. The name “Nowruz” derives from ancient Iranian words meaning “new day.” This concept lies at the heart of the celebration: the renewal of life and the symbolic rebirth of nature after winter. With a history spanning more than 3,000 years, the holiday spread across Eurasia along the Silk Roads and became embedded in the cultural traditions of Central Asia, the Middle East, and the Caucasus. [caption id="attachment_45687" align="alignnone" width="300"] @depositphotos[/caption] Today, Nowruz is recognized not only as a calendar event but also as a cultural tradition that promotes values such as peace, mutual respect, and harmony with nature. Connection to the Spring Equinox Nauryz is traditionally celebrated during the spring equinox, which usually falls on March 20 or 21, when the Sun crosses the celestial equator and daylight and nighttime hours are nearly equal. Since ancient times, this moment has symbolized the awakening of nature and the beginning of a new agricultural year. Historical sources indicate that different communities once observed various dates in March, often guided by natural signs. Over time, however, the astronomical equinox, commonly observed on March 21, became the most widely accepted date. Medieval scholars paid close attention to this phenomenon. In the 11th and 12th centuries, astronomers such as Omar Khayyam refined calendar calculations to align the start of the year more precisely with the equinox. Alongside scientific knowledge, traditional methods were also used to forecast harvests and weather conditions, including observing seed germination or measuring the length of shadows before the holiday. Today, Nauryz is officially celebrated on March 21 in countries such as Kazakhstan and Uzbekistan, while UNESCO also recognizes Nowruz as marking the first day of spring. Rituals and Traditions For centuries, Nauryz has been marked by rituals symbolizing renewal, fertility, and prosperity. Among both nomadic and settled communities, it has traditionally been celebrated with public festivities, games, and family gatherings. Common customs include ritual cleansing with water, exchanging gifts, and offering food to neighbors and guests. The altybakan swing is widely regarded as a symbol of spring and joy. In some regions, the ancient practice of jumping over fire has been preserved as a purification ritual. Food plays a central role in the celebration. Although culinary traditions vary by country, they share a...

TCA Interview: Musician Merey Otan on the Reinvention of Kazakh Musical Instruments

Until recently, Kazakh national instruments were largely associated with school concerts, folk ensembles, and official ceremonies. The dombra (a long-necked, two-stringed plucked instrument), kobyz (a bowed string instrument with two horsehair strings), and sybyzgy (a wooden end-blown flute traditionally made from apricot wood) seemed to occupy a separate cultural space: symbolically important, yet detached from everyday life. “Before, the dombra was for me only part of school concerts,” recalls Sanzhar Uvashev, 24, a sales specialist from Almaty. “It was brought out on holidays, people dressed in national costumes, played a couple of obligatory songs, and that was it. I never thought this instrument could sound different, or be part of contemporary music.” Today, that distance is steadily narrowing. The sound of the dombra is increasingly featured in contemporary original music, electronic compositions, film scores, and social media. Young musicians are not abandoning tradition, but they are no longer treating it as something frozen in time. To understand how this rethinking is taking place, and why tradition need not remain 'untouched', The Times of Central Asia spoke with Merey Otan, a researcher and musician who works with Kazakh instruments in a modern cultural context. ТCA: Merey, how did your study of national instruments begin? Was it a deliberate decision? MO: It started during my master’s studies, when I was writing a thesis on contemporary music in Kazakhstan. As part of that research, I interviewed the ethno-rock band Aldaspan and kobyz player Almat Saizhan. I was especially interested in how the dombra and kobyz were being transformed and modernized and eventually devoted a whole chapter of my work to this topic. So yes, it was a conscious choice. TCA: People often argue that tradition should be preserved in its original form. What’s your take on that? MO: I’ve heard that view often, especially from traditional musicians. Some believe, for example, that an electronic dombra desecrates the instrument. Given the sacred meaning of the dombra and kobyz, I understand that stance. In sociology, these people are sometimes called purists. But I disagree. The world is changing, and some traditions from the nomadic era have lost their relevance or even become barriers. I believe traditions can, and sometimes should, evolve. If modifying an instrument helps engage younger generations, why not? TCA: Where do you personally draw the line between respect for heritage and experimentation? MO: I see nothing wrong with experimentation. On the contrary, bands like Steppe Sons show deep respect for heritage. Their members have formal musical education and a strong grounding in tradition. However, it's important to consider the concept of cultural appropriation from postcolonial theory. This occurs when privileged groups use the culture of marginalized communities for personal gain. In music, this might look like a Western artist profiting from Kazakh instruments without acknowledging Kazakh musicians. That, in my view, is disrespectful. TCA: Is there still criticism about the “incorrect” use of traditional instruments? MO: Yes, certainly. When Aldaspan introduced the electronic dombra, public figures like Bekbolat Tleukhan were highly critical....

Epiphany in Central Asia: Orthodox Traditions and Regional Unity

On the night of January 18-19, Orthodox Christians across Central Asia gather at frozen rivers and lakes to celebrate the feast of Epiphany by plunging into icy waters, three times each, in line with tradition. Though rooted in the Christian faith, this ritual has evolved into a broader cultural event, drawing participation from people of many backgrounds. A Test of Faith and Endurance In Central Asia, Epiphany coincides with some of the coldest days of the year, often referred to as the "Epiphany frosts." Despite subzero temperatures, participation in ice bathing continues to grow. According to Orthodox tradition, Epiphany commemorates the baptism of Jesus in the River Jordan. While the climate in Israel was mild, believers in the region embrace the symbolic cleansing despite the extreme cold. The Orthodox Church does not consider ice bathing a requirement for the faithful. Instead, the central ritual of the holiday is the Great Blessing of Water, performed both on Epiphany and the evening before. Priests encourage believers to collect holy water from churches, sprinkle it throughout their homes, and drink it in small amounts on an empty stomach. Many believe this brings health and protection for the year ahead. Nevertheless, in the main Orthodox churches of Central Asia, fonts and pools are prepared for those who wish to immerse themselves. Designated ice holes are also opened in lakes and rivers for traditional bathing. Strict Safety Measures in Kazakhstan In Kazakhstan, authorities take extensive precautions to ensure public safety during Epiphany bathing. In Astana, the celebration began with a religious procession from the Constantine and Helen Cathedral to the embankment of the Ishim River, where the water was consecrated despite temperatures dipping to minus 30 degrees Celsius. Warm changing rooms were provided, and teams from the Ministry of Emergency Situations, along with paramedics and rescue personnel, were on hand throughout the night. In Almaty, where temperatures hovered around minus 15 degrees, Epiphany fonts were set up at 10 churches. Authorities reminded residents that swimming in non-designated natural bodies of water is prohibited due to the risk of slipping or falling through the ice. However, safety teams and patrols were stationed at approved bathing sites, including the Bolshaya Almatinka, Malaya Almatinka, Butakovka, Goryachiy Istochnik, and Gorenik rivers. Officials advised those with cardiovascular or endocrine conditions to avoid the ritual and warned against participating while intoxicated. A Cultural Tradition Embraced by Many Over time, Epiphany bathing in Central Asia has grown beyond a strictly religious practice. In Kazakhstan, many ethnic Kazakhs and other non-Christian residents eagerly take part, viewing the ritual as a source of health and vitality. It has become a powerful symbol of interethnic and interfaith unity in the region. While Muslim clerics typically do not encourage participation, they generally refrain from direct criticism, recognizing the tradition's broader cultural significance. Orthodox priests also emphasize that the ritual is more custom than doctrine, open to anyone. Some compare Epiphany bathing to the festive atmosphere of Kurban Ait, when Muslims share food in public spaces. Likewise,...

Beshbarmak, Pilaf, and Olivier Salad: What Will Be Served on New Year’s Eve Tables in Central Asia

New Year remains one of the most significant holidays in Central Asia. While its scale and prominence have gradually declined due to rising religiosity, many residents still regard it as the foremost secular and ideology-free celebration of the year. Across the region, households prepare their most beloved dishes to ring in the occasion. No New Year Without Olivier Salad For many families, traditional fare is an essential part of New Year’s Eve. Olivier salad has long been a staple of the holiday table. Originally created in the 1860s by a French chef in Russia, the dish once featured ingredients such as hazel grouse and seafood. Over time, particularly during the Soviet era of shortages, the recipe evolved. Today, Olivier salad typically includes beef, chicken (or boiled sausage), potatoes, green peas, pickled cucumbers, and mayonnaise. It is usually prepared in large batches to ensure there is enough for all guests. Other popular salads include herring under a fur coat, vinaigrette, and “Tenderness”, hearty dishes that can leave guests too full for main courses. Even in modest households, red caviar often finds its way to the table, adding a touch of festivity and indulgence. Kazakhstan: Beshbarmak with a Twist In Kazakhstan, beshbarmak remains the centerpiece of the New Year’s feast, as it is for most major celebrations. Traditionally, the dish combines three cuts of horse meat, kazy, karta, and zhay, served with flat noodles and onions. However, some families are adapting their menus in line with the Chinese zodiac. As the Year of the Red Horse approaches, online advice has suggested avoiding horse meat out of respect for the symbolic animal. A vegan version of beshbarmak, featuring mushrooms and pumpkin, is gaining traction. Baked koktal fish is another showpiece dish, while kuydak (lamb with potatoes and onions) and khan syrbaz (a rich stew of lamb, vegetables, barley, and broth) are popular additions. Desserts often include traditional fermented milk products such as zhent, katyk, and irimshik, and the table is rarely without kumys, a fermented mare’s milk beverage. Uzbekistan: Pilaf Reigns Supreme In Uzbekistan, New Year is celebrated with great enthusiasm. According to folklore, Korbobo, a local version of Santa Claus, arrives on a donkey with his granddaughter Korgyz to distribute gifts to well-behaved children. Pilaf, or plov, is the dominant holiday dish. Made with rice, carrots, onions, meat, and spices, regional variations might include raisins or quince for added sweetness. Each area boasts its own version of the national favorite. Samsas, meat-filled pastries baked in a tandoor, are also served, as are manti, large, steamed dumplings filled with lamb, beef, or pumpkin. Other popular dishes include kazan-kabob (fried meat and potatoes). For dessert, chak-chak (fried dough with honey) and halva (made from sesame, semolina, or nuts) are perennial favorites. Kyrgyzstan: Boorsoki and Beshbarmak In Kyrgyzstan, beshbarmak, prepared with either horse meat or lamb, is also a central dish. Families commonly serve manti, baked chicken, and boorsoki (known in Kazakhstan as baursaki), fried dough balls that are a holiday staple. Other meat-based specialties...