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Arts and Culture Russia's War

Tajikistan-Born Singer, Criticized in Russia, Prepares to Release an Anti-War Song

In 2023, Tajik-Russian singer Manizha Sanghin, harshly criticized in Russia for her public comments on sensitive issues, travelled to the picturesque “Valley of the Forty Girls” in southern Tajikistan to record an anti-war song to be released on Friday. The mountainous location, known to Tajiks as Childukhtaron, derives its name from ancient lore about a group of girls who turned into towering rock formations when an invading force swept through their homeland. Whether the girls-turned-rocks were meant to block the invaders, or simply bear silent witness, depends on the telling. Tajikistan-born Sanghin said she felt an affinity for the girls as standing at the foot of the rock, she recorded ‘Gun’. Written a decade ago, the song was originally about the devastating civil war in Tajikistan in the 1990s but had been put to rest after being abandoned by music producers in Britain. Following Russia’s full-scale invasion of Ukraine in 2022, they talked about the song again and the singer, a goodwill ambassador for UNHCR, the U.N. refugee agency, said in YouTube video, "I thought, I have to release it. Because now, it's not just a song about war in Tajikistan. It's a song about war in Ukraine, in Gaza, and all wars around the globe." Music producer Liz Horsman who described Sanghin as" brave in the face of ongoing investigations into her anti-war stance,” readily agreed to record the song and since the war made travel between Britain and Russia impossible, the pair arranged to meet in Tajikistan. Seven months pregnant with her daughter, Sanghin described her return to her homeland as “very poetic”. Over the years, the singer has sparked a fair share of controversy. In 2021, when she represented Russia at the Eurovision contest with a song called “Russian Woman,” she was condemned for advocating women’s and LGBT rights. She was then denounced online and Russian promoters cancelled many of her concerts after she criticized the invasion of Ukraine. She was further alienated following her comments about the brutal treatment of several Tajik suspects in a terrorist attack that killed 144 people at a Moscow music venue in March. Sanghin condemned the attack but described the abuse of the suspects as “public torture.” “I am a systemic victim of cyberattacks and cyberbullying. Sometimes I have to block thousands of bots a week and sometimes daily... They follow, mass unfollow and report my profile,” Sanghin said on Instagram in May. “Instagram’s algorithm then thinks that I am breaking community rules and doesn’t show my posts to most of my followers. (Sometimes it can last for months).” Sanghin asked followers on the social media platform to leave a comment or just a heart emoji as a possible way to help her “get out of this ‘shadow ban.’”

Arts and Culture

Danish Actor Mads Mikkelsen to Headline Comic Con in Kazakhstan

Mads Mikkelsen has confirmed he will attend Comic Con Astana on July 27-28. “I’ll be there to chat, sign some autographs, share some stories,” the Danish actor said on Instagram. Mikkelsen was a prominent actor in Denmark before achieving international success as a villain in the James Bond film “Casino Royale” (2006). He has received many accolades, including a 2012 best actor award at the Cannes Film Festival for the Danish psychological drama “The Hunt.” He won acclaim for his performance as Hannibal Lecter in the series “Hannibal” (2013-2015) and also had roles in “Doctor Strange” (2016) and “Fantastic Beasts: The Secrets of Dumbledore” (2022). Comic Con Astana, which runs from July 25 to 28, is a magnet for enthusiasts of fantasy, video games, anime, cinema and other forms of popular entertainment. It will be held at the International Exhibition Center in Kazakhstan’s capital. Kazakh graphic novelists are among those expected to present their work. Participants in a cosplay contest will compete for prize money worth 12 million tenge ($25,000).

Arts and Culture

Eurasian Creative Week Held in Uzbekistan

From 22 to 29 June, Uzbekistan hosted the first international World Coaching Championship, as part of the 8th international festival, Eurasian Creative Week. The festival events spanned three cities: Tashkent, Khiva, and Nukus, marking an expansion in scope from previous editions. The festival program commenced in grand fashion at TEAM University in Tashkent with a charity ball hosted by Silk Road Media Ltd. Over a hundred guests from various countries attended, highlighting the festival's role in fostering international connections. The charity ball began with a warm welcome from Andrew Wachtel, Chairman of the Board of Directors of TEAM University, and continued with insights from Marat Akhmedjanov, founder of Silk Road Media Ltd. The event celebrated the festival's 20th anniversary and showcased the charitable projects of the holding. Noteworthy figures such as artist, Alinur Rashidov, and composer, Tolibkhon Shahidi were part of the guest list, demonstrating strong support for promoting creative endeavors in the Eurasian region. The festival also saw the inauguration of the World Coaching Championship, a unique competition organized by Silk Road Media in collaboration with the Elena Bezrukova Center. The championships culminated in an awards ceremony where the winners were recognized for their excellence and innovation in coaching. As the festival unfolded, attendees were immersed in cultural experiences, from poetry lessons to animated video presentations on ecology. The journey through Tashkent, Khiva, and Nukus showcased the artistic talents of the region and underscored the importance of fostering international dialogue and cooperation in the creative industries. Overall, the Eurasian Creative Week served as a testament to the power of art and collaboration in bridging cultural divides and nurturing a sense of unity among diverse communities. Through initiatives like the World Coaching Championship and the immersive exhibitions at the Savitsky Museum, participants were able to exchange ideas, showcase their talents, and celebrate the vibrant heritage of Eurasia.

Obituary Arts and Culture

Kazakhstan Mourns Murat Auezov – Intellectual, Diplomat, Activist and Patriot

Murat Auezov was a champion of Kazakh identity and culture under Soviet rule and threw himself into Kazakhstan’s transformation after independence in 1991. He wore many hats over a long career: writer, the new country’s first ambassador to China, opposition figure, head of the national library, chief editor of the state Kazakhfilm studio. He expanded on the legacy of his father, Mukhtar Auezov, a playwright and novelist who translated literary classics into the Kazakh language and is celebrated today as an early contributor to an emerging national identity. His mother was Fatima Gabitova, a teacher with her own story of persecution during the Soviet era. Murat Auezov, 81, died on June 14 after an illness, prompting tributes from President Kassym-Jomart Tokayev and many others. In Almaty, family, friends, politicians and government officials were among hundreds of people who attended a funeral service at the National Drama Theater, which is named after Auezov’s father. Murat Auezov was “an orator, a philosopher, a historian, a culturologist, a literary scientist, an educator, and a diplomat,” said Bigeldy Gabdullin, president of the Kazakh PEN Club, a branch of the international group that promotes freedom of expression. Auezov, who was a PEN Club member, promoted Kazakh identity even as a student in Moscow during Soviet times and “awakened Kazakh writers,” Gabdullin said on Facebook. In the 1960s, Auezov was a member of the Zhas Tulpar movement, a loose-knit group of Kazakh youths who studied in Russian universities but whose devotion to Kazakh art, literature and culture often collided with Soviet ideology. “I hope his diaries will be published in English to reflect on the depth of Soviet colonialism and how it crushed people,” Diana Kudaibergen, a political sociologist whose books include Rewriting the Nation in Modern Kazakh Literature, said on the X platform. Auezov, who was pressured and monitored by Soviet authorities, was among the first Kazakh intellectuals to talk openly about collectivization, famine and the destruction of the intelligentsia in Kazakhstan in the first half of the 20th century. “In 1974, in his speech at the plenum of the Writers' Union, he stated: ‘Without covering the topic of hunger, we cannot say that we have national literature,’” read one tribute after his death. In the 1990s, Auezov was a leader of the Azamat opposition movement and sparred with the government of President Nursultan Nazarbayev, who cracked down on dissent. He then worked as head of the Kazakh branch of the foundation created by financier and philanthropist George Soros to promote democratic and social reforms around the world. As ambassador, Auezov promoted economic and cultural ties with China. Years later, though, he increasingly voiced alarm at Chinese economic inroads in Kazakhstan, which he viewed as a threat to the country’s sovereignty. In an interview, he said, “we should not forget our Turkish ancestry. No matter how difficult it is for the brotherly countries of Central Asia, it is better to achieve cooperation, even if it is necessary to make sacrifices. If we cannot achieve this, it is quite...

Arts and Culture International Relations Humanitarian

Kazakhstan’s Goodwill Ambassadors

A Goodwill Ambassadors of Kazakhstan project has been newly launched by Kazakhstan’s Ministry of Foreign Affairs. Initiated by President Kassym-Jomart Tokayev, the project aims to increase the country’s visibility and promote its achievements abroad. Under the scheme, Kazakhs excelling in art, sports, science, medicine, and other fields are enlisted to expand cultural and humanitarian communications by serving as conduits of peace, friendship, and international solidarity. Addressing the ‘ambassadors’ at the launch ceremony on June 6, Deputy Prime Minister–Minister of Foreign Affairs of Kazakhstan Murat Nurtleu announced: “In an unprecedented geopolitical environment, public and cultural-humanitarian diplomacy is becoming increasingly in demand. Thanks to your victories and outstanding performances on world stages, arenas, and conferences, our turquoise flag is raised across the globe, and our national anthem resounds with pride.” The profile of participants, publicly recognized for their contribution in shaping a positive image of the country internationally, is wide-ranging and to date, includes: Violin virtuoso, conductor, and director of the Alliance of Orchestras of the Asia-Pacific region Marat Bisengaliev; Olympic champion cyclist Alexander Vinokurov; artist and anti-nuclear activist Karikbek Kuyukov; pop singer Mirhidai Mirfarukh, known globally by his stage name Adam; Chairman of the Executive Board of the University Medical Center Corporate Fund and cardiac surgeon Yuri Pya; political scientist and historical map researcher Mukhit-Ardager Sydyknazarov; chief conductor of the State Academic Folklore and Ethnographic Orchestra named after Tlendiyev “Otyrar Sazy” Dinara Tlendiyeva; and powerlifting world record holder and Guinness Book record holder Sergey Tsyrulnikov.

museum Uzbekistan POWs Arts and Culture Japan

Uzbekistan Opens New Museum Commemorating WW2 Japanese POWs

On 30 April, Uzbekistan Minister of Ecology, Environmental Protection and Climate Change Aziz Abdukhakimov joined by Ambassador of Japan to Uzbekistan Hatori Takashi, founder and director of the museum, Jalil Sultanov, and representatives of the Japan Society in Uzbekistan to celebrate the opening of a new museum in Tashkent commemorating Japanese prisoners of war. Over 20,000 Japanese POWs captured by the Soviet Union during the second world war, were interned in Uzbekistan between 1945-1950. During this period, the prisoners were dispersed across the country to construct buildings, dams, and roads in regions including Angren, Bekabad, and Kokand, and in Tashkent, built the Alisher Navoi Opera Theatre, the Mukini Theatre, the Central Telegraph and Ministry of Culture, as well as barracks still in use today. According to estimates, 817 died in the process. The new premises, under construction since 2023, replace the original museum founded in May 1998. Housing photographs, documents, and artefacts, such as prisoners’ workwear and a wooden crib made for the local market, the collections testify to the lives of Japanese POWs in Uzbekistan, and given a new lease of life, are expected to become a major draw for Japanese tourists visiting the country.