Kazakhstan Life & Culture - The Times Of Central Asia

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TCA Interviews

Designer Madina Tompiyeva: Kazakhstan’s Fashion Is Becoming a Language of Identity

Kazakhstani fashion is increasingly moving beyond style alone, with designers using clothing to explore heritage and contemporary identity. Anima, an Almaty-based brand, describes itself as an ethno-urban concept made in Kazakhstan. Its collections combine urban fashion with local aesthetics and motifs drawn from nomadic culture. The Times of Central Asia spoke with Anima founder Madina Tompiyeva about clothing as a language for the soul and freedom. She also discussed how Kazakhstani culture appears in contemporary silhouettes and why younger consumers are turning to fashion with stronger local references. TCA: Please tell us a little about yourself. How did you come to create the Anima brand, and what has this project become for you today? Madina: Since childhood, I dreamed of creating clothes and having my own fashion house. But the path to this was not straightforward. I studied economics, lived in different countries, worked in international companies, and spent a long time looking for answers to questions about what truly makes a person happy. At some point, my path led me to yoga, psychology, retreats, and a deeper acquaintance with myself. That is when the idea of Anima appeared. At first, I simply wanted to create clothes for myself comfortable, free, and honest. But very quickly I realized that through clothing, one can convey not only aesthetics, but also a state of being. Today, Anima is much more than a clothing brand for me. It is a way to speak about freedom, identity, beauty, and a person’s connection with their inner nature. TCA: What idea did you want to put into Anima from the very beginning? Madina: The word Anima itself translates as “soul.” From the very beginning, I wanted to create pieces that help a person feel like themselves, rather than play a role or conform to expectations. The foundation of the brand has always been the idea of returning to one’s essence: through comfort, natural fabrics, freedom of movement, and pieces that do not shout about themselves, but allow the person to come through. TCA: How do you define the brand’s visual language? Madina: I would describe it as a combination of cultural codes from around the world, natural forms, and a contemporary urban silhouette. We are inspired by the traditions of different peoples, but we do not reproduce them literally. We are more interested in reinterpreting cultural heritage through a contemporary form. That is why in our collections, you can see minimalism, ethnic motifs, Asian silhouettes, and modern functionality at the same time. TCA: The description of Anima includes the phrase “ethno-urban concept made in Kazakhstan.” What does this mean for you in practice? Madina: For us, it means a dialogue between tradition and modernity. We live in a global world, but at the same time, every nation has its own memory, culture, and meanings. Anima explores how these cultural roots can exist in a contemporary urban environment. Our pieces should look equally organic in Almaty, Berlin, and Tokyo, while still preserving their unique identity. TCA: How important is it...

Figure Skating

Astana to Host Four Continents Figure Skating Championships in 2027

Kazakhstan’s capital, Astana, will host the ISU Four Continents Figure Skating Championships in 2027, one of figure skating’s major international competitions and the main ISU championship for skaters from Asia, the Americas, Africa, and Oceania. The International Skating Union announced that the event will take place from February 9-14, 2027. It will be the first ISU Figure Skating Championship held in Kazakhstan, and the first Four Continents Championships staged in Central Asia. The competition traditionally includes men’s singles, women’s singles, pairs, and ice dance. The ISU said the event would bring “the world’s best Figure Skaters” from the four regions to the Kazakh capital. The governing body said the decision builds on rising interest in the sport after Mikhail Shaidorov won men’s singles Olympic gold at the Milano Cortina 2026 Winter Olympics. The championship is expected to be the largest figure skating event ever held in Kazakhstan. The country has previously hosted major multisport competitions that included figure skating, including the 2011 Asian Winter Games and the 2017 Winter Universiade. ISU President Jae Youl Kim said the event would give figure skating fans across Central Asia a chance to see “world-class competition firsthand” and their “heroes and role models” on the ice. He said Astana would provide an “outstanding stage” for athletes, fans, and stakeholders. The Kazakhstan Figure Skating Union said it was “very pleased and honored” to host the championship and would work to ensure it was held “at the highest level.” Shaidorov welcomed the decision, saying he had long dreamed of an ISU championship being held in Kazakhstan. “This is a huge victory for me and for all of Kazakhstan,” he said in the ISU announcement. He added that figure skating’s popularity in Kazakhstan had grown since his Olympic victory and said he hoped the Astana championship would give fans “unforgettable moments.” Shaidorov also won the ISU Four Continents Figure Skating Championships in Seoul in February 2025, becoming the second Kazakh skater to win the men’s singles title at the event. Denis Ten won the same title in Seoul in 2015. Ten later became an important figure in Kazakhstan’s sporting history after winning bronze at the 2014 Sochi Winter Olympics, the country’s first Olympic figure skating medal.

Cultural Heritage

Mikhail Borisoglebsky’s Dzhangyr-Bai: Kazakh Steppe Culture and a Society in Transition

Among the overlooked literary works of the early Soviet period, Mikhail Borisoglebsky’s Dzhangyr-Bai stands as a fascinating cultural and historical artifact. Published in Moscow and Leningrad in 1926, the illustrated book follows Dzhangyr-Bai, a Kazakh figure of the old steppe order, as he confronts a changing world. It is also a vivid ethnographic portrait of the Kazakh steppe, with close attention to its music, clothing, traditions, and spiritual atmosphere. The surviving illustrated edition shows how literature once acted as a bridge between cultures, documenting a way of life being rapidly reshaped by modernization and Soviet reform. The opening pages immediately immerse the reader in the vastness of the steppe, described as boundless and almost eternal in its quiet. Borisoglebsky presents the Kazakh landscape poetically, comparing it to a calm sea beneath the sky. The rhythm of the seasons defines life there: harsh winters bury the earth beneath snow, while spring brings birdsong, grasslands, and nomadic movement. This introduction is not decorative. The steppe itself becomes a living presence in the story, shaping the mentality and fate of the people who inhabit it. At the center of the narrative is Dzhangyr-Bai, a representative of the old order. Through his character, Borisoglebsky explores the tension between tradition and the “new time” that emerged after the Russian Revolution. The story reflects a historical moment when nomadic customs and clan authority came under pressure from Soviet visions of modernization and social change. Dzhangyr-Bai symbolizes a generation struggling to understand whether change is a threat or an opportunity. One of the book’s most striking aspects is its ethnographic richness. The illustrations included in the edition are valuable visual records of Kazakh culture in the 1920s. Traditional clothing and wedding attire are carefully depicted, along with ornaments and everyday objects. These images reveal the elegance and practicality of steppe life. Headdresses and layered garments, many of them embroidered, show how identity and status were expressed visually in nomadic society. The illustrations of musical instruments are equally important. The dombra and kobyz shown in the book appear as central elements of cultural memory rather than exotic curiosities. Other traditional instruments also appear as part of the same artistic world. In Kazakh culture, music has long carried history and lineage, giving emotional form to memory. Through songs and oral storytelling, generations preserved their worldview long before widespread literacy. By including these instruments, the publication acknowledges the deep intellectual and artistic traditions of the Kazakh people. Another memorable section depicts children’s toys and household objects. These seemingly simple details offer insight into everyday life in the steppe. They remind modern readers that history is carried by ordinary habits as well as political upheaval. Such details transform the book into a historical archive as much as a literary work. Today, Dzhangyr-Bai has value far beyond its original political context. For contemporary readers in Kazakhstan and Central Asia, the book captures a transitional era when ancient nomadic civilization encountered industrial modernity. It records material life while also showing how people understood...

World Nomad Games

Tea, Tug-of-War, and Team GB at the World Nomad Games

A British tug-of-war athlete preparing for a nomadic sports festival in Kyrgyzstan sounds like the start of a strange travel documentary. It is also part of the appeal of the World Nomad Games, which return to Kyrgyzstan from August 31 to September 6, 2026, with The Times of Central Asia once again reporting from the ground. Since their launch in 2014, the Games have grown far beyond their roots, turning traditional sports into an international meeting point for athletes, spectators, and cultures that rarely share the same arena. What began as a Kyrgyz initiative has become one of the world’s more unusual sporting gatherings, mixing horseback combat, archery, wrestling, eagle hunting, strength contests, board games, food, music, and craft traditions in a format closer to a living festival than a conventional tournament. For visiting teams, the challenge is not only athletic. It is cultural, physical, and occasionally bewildering in the best possible way, as The Times of Central Asia explored in an interview with Sam Pollard from Team Great Britain. TCA: How did you first become involved with the World Nomad Games, and what drew you to competing there? Sam Pollard: I read Sovietistan: A Journey Through Turkmenistan, Kazakhstan, Tajikistan, Kyrgyzstan, and Uzbekistan by Erika Fatland in my second year at university, in 2023. I already knew I wanted to travel to Central Asia after university because it was completely unknown to me. I like going to places where no one I know has been, and I was excited to experience it for myself and see whether it was a hidden gem. It absolutely turned out to be just that. The book mentioned Kok Boru, or Kokpar, as one of Central Asia’s traditional games. I searched for it on YouTube and found a video of it being played at the World Nomad Games. I thought, what on earth are the World Nomad Games? I did more research, looked at some of the sports, and saw that the Games lined up perfectly with when I was hoping to travel to Central Asia. Initially, we planned to go as spectators, but then I saw that you could apply to participate. Because my friends and I had a tug-of-war background at university, we thought we’d apply, see what happened, and hope for the best. What drew us to competing was the chance to learn about and embrace nomadic culture, which we didn’t really know much about. We are quite open-minded people, so we were excited to learn from different cultures and see what we could take from them. Each “Stan” is completely different, which made the region even more attractive to us. Kyrgyzstan has its beautiful mountains, Uzbekistan has its amazing mosques, Kazakhstan has the great steppes - Mangistau is incredible - and Tajikistan has the Pamir Highway. There was a real draw for us in the unknown. TCA: What was it like being the flagbearer for the UK team at the Kazakhstan Nomad Games in 2024? Sam Pollard: It was undoubtedly the...

Archaeology

Kazakhstan’s Ancient Karakabak Reveals New Silk Road Links

Archaeologists studying the ancient settlement of Karakabak in Kazakhstan’s Mangistau Region say new findings show the site was part of ancient trade routes linking East and West. The archaeological site is located in Tupkaragan District on the Caspian Sea coast and dates to the 1st to 6th centuries AD. It was first discovered in 2006 during the compilation of Mangistau’s official register of historical monuments by the Mangistau State Historical and Cultural Reserve. Since 2022, excavations and research at Karakabak have been carried out by the Margulan Institute of Archaeology. Researchers have published 24 academic works based on materials from the site, including three monographs and nine articles indexed in the Scopus database. The site was recently visited by scientists and archaeologists working on projects to develop Mangistau’s tourism potential. During the field visit, participants reviewed excavation results and discussed additional research, as well as possible inclusion of Karakabak in regional tourism routes. According to researchers, Karakabak served for several centuries as a center of craft production and trade. Finds point to metallurgy, jewelry-making, glassmaking, and ceramic production. Archaeologists have uncovered locally produced goods as well as imported materials from across Eurasia. [caption id="attachment_50477" align="aligncenter" width="1087"] @gov.kz[/caption] “Of particular scientific interest is a collection of more than 150 coins dating from the 1st century to the first half of the 6th century AD,” archaeologist Andrey Astafyev said. “Among them are issues from Parthia, Ancient Khorezm, Bukhara Sogd, Sasanian Iran, the Kushano-Sasanian state, the Byzantine Empire and China. These finds confirm Karakabak’s active participation in the international trade and economic networks of its time.” Scholars now regard Karakabak as a major ancient trade and transport hub. Researchers believe one branch of the Silk Road may have passed through Mangistau, connecting Central Asia, the Caspian region, and Eastern Europe. Researchers are also studying a possible Azov-Caspian trade corridor that was previously unknown. Based on the findings, Karakabak may have been one of the centers in this network. Evidence points to contacts with the North Caucasus, the Azov region, the Lower and Middle Volga, the Southern Urals, as well as states in Central Asia and the Middle East. “Karakabak allows us to look at the history of Mangistau and Kazakhstan’s place in ancient international communications from a new perspective,” Astafyev said. “The archaeological evidence confirms that this region served for centuries as an important link in trade routes connecting East and West.” The recent discovery of an ancient jug, preliminarily dated to the 6th century AD, has drawn additional attention to the site. Specialists hope its study will provide new insights into the daily life and craft traditions of the settlement’s inhabitants. Researchers are also exploring a possible connection between Karakabak and the ancient city of Aspabota, which was marked on the maps of Greek geographer Claudius Ptolemy as a settlement on the eastern Caspian coast. [caption id="attachment_50478" align="aligncenter" width="720"] @gov.kz[/caption] Scholars say discoveries in recent years have expanded understanding of Mangistau’s historical importance. They confirm that the region was part of trade...

Robotics

Kazakh Robotics Team Wins Top Judged Award at U.S. Tech Event

SHYMKENT — A school robotics team from southern Kazakhstan has won the Inspire Award in its division at a FIRST Tech Challenge Premier Event in the United States, giving Kazakhstan another international youth technology success. Atomic Heart, Team #33680 from NIS Shymkent Abai, won the Inspire Award at the Run for the Robots Premier Event - Man o' War Division, held May 28-30 at the Alltech Arena at the Kentucky Horse Park in Lexington, Kentucky. FIRST's official results list Atomic Heart as the division's Inspire Award winner, ahead of U.S. teams from Missouri and Pennsylvania. [video width="832" height="464" mp4="https://timesca.com/wp-content/uploads/2026/06/first_13_seconds_no_watermark.mp4"][/video] The Inspire Award is a judged prize rather than a match result. It recognizes a team that performs strongly across robot design, engineering documentation, presentation, outreach, and teamwork. For Atomic Heart, the result was notable because FIRST lists the team as a 2025 rookie team. "The first INSPIRE on Premier Event in KZ history," Asylbek Myrzakhmet, founder of Asylbek Robotics, said, describing the scale of the result for Kazakhstan's robotics community. Atomic Heart's route to Kentucky followed a difficult first season. The team competed in official events in Kazakhstan before reaching the U.S. event. Its early tournaments included technical failures and defeats, but those setbacks helped the students improve their robot and engineering process before the Premier Event. [caption id="attachment_50379" align="aligncenter" width="1774"] The robot ATOM[/caption] The competition also required the students to present their work in English to international judges, adding a public-speaking and project-defense challenge to the engineering task. Team member Alisultan Otan said the trip to Kentucky also brought an unexpected cultural connection. "When we arrived in Kentucky, I was surprised by how strong the horse culture is here," he said. "It immediately reminded me of Kazakhstan, where the horse is an integral part of our history and lifestyle. Despite the distance, it made us feel deeply connected to the place." FIRST Tech Challenge is a youth robotics program for students aged 12-18, in which teams design, build, and program robots for an annual game. FIRST says the program combines engineering, STEM skills, community outreach, and teamwork. Kazakhstan has placed growing emphasis on technical and digital skills in schools, including reforms focused on vocational education and digital technologies. Atomic Heart's result points to the value of school-level robotics programs that give students early exposure to engineering, programming, and international competition.