Memory Is a Living Matter: An Interview with Artist Gauhar Bisengaliyeva
On July 24, Almaty's Kasteyev Museum of Arts hosted the opening of Gauhar Bisengalieva’s solo exhibition, Matter of Memory. The artist, who works under the name Arukhan, recently returned from Italy, where her solo exhibition, The Spirit of the Steppe, was presented at the historic Palazzo Marchesale, in Italy’s southern Apulia region. Her new project at the Kasteyev Museum continues her exploration of memory. Working with felt, steppe grasses, and other organic materials, Arukhan's work explores the processes of time and the transformation of matter. In an interview with The Times of Central Asia, Gauhar Bisengaliyeva discusses her artistic practice and the ideas behind Matter of Memory. TCA: The title of the exhibition is Matter of Memory. What does the idea of memory as matter mean to you? At what point did memory cease to be an abstract concept for you and become an artistic medium? Gauhar Bisengaliyeva: For me, Matter of Memory is a space that I create, a space for reflection. Felt is the foundation of my artistic language. For me, felt is a material that preserves the memory of the steppe. It embodies the energy of the earth, the wisdom of generations, and humanity’s connection to nature. Through it, I feel my roots. For me, the steppe is not an image of the past, but a living force that nourishes me, allows me to grow, and determines the direction of my creativity. That is why my works are neither a return to the past nor an attempt to preserve it. I am interested in memory as a living substance that continues to act in the present and becomes a source of the future. That is why Matter of Memory is not an exhibition about the past. It is a space where memory becomes a living matter, capable of nourishing a person, bringing them back to their roots, and revealing new meanings. [caption id="attachment_53543" align="aligncenter" width="1024"] Photo: Theo Frost[/caption] TCA: In your works, you use felt, steppe grasses, and other organic materials. Why have these particular materials become your primary means of expression? Gauhar Bisengaliyeva: I work with natural materials, each of which goes through its own life cycle and therefore possesses its own memory. Felt, steppe grasses, wool, plants – they have already lived their lives, absorbing time, light, wind, and earth. Working with time holds a special place in my practice. Using my own innovative methods of processing wool, I explore how time can manifest itself in the material. For me, time cannot be seen directly, but it can be felt through changes in texture, light, structure, and the very state of the felt. [caption id="attachment_53544" align="aligncenter" width="1024"] Photo: Theo Frost[/caption] TCA: You have been collaborating with the State Archive of Film, Photo, and Audio Documents of Kazakhstan for many years. How does working with archives influence your art? Gauhar Bisengaliyeva: It all began with my family archive. Later, this personal story led me to collaborate with the State Archive of Film, Photographic, and Audio Documents...
