• KGS/USD = 0.01144 0%
  • KZT/USD = 0.00216 0%
  • TJS/USD = 0.10562 0%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28530 0%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00216 0%
  • TJS/USD = 0.10562 0%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28530 0%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00216 0%
  • TJS/USD = 0.10562 0%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28530 0%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00216 0%
  • TJS/USD = 0.10562 0%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28530 0%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00216 0%
  • TJS/USD = 0.10562 0%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28530 0%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00216 0%
  • TJS/USD = 0.10562 0%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28530 0%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00216 0%
  • TJS/USD = 0.10562 0%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28530 0%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00216 0%
  • TJS/USD = 0.10562 0%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28530 0%

Viewing results 1 - 6 of 1017

Animal Euthanasia in Kazakhstan: Cruelty or Necessity?

In early April 2026, Kazakhstan's lower house of parliament, the Mazhilis, approved in the first reading amendments to the law “On Responsible Treatment of Animals.” The key proposed change is a shift away from the policy of returning vaccinated and sterilized dogs to their habitats, toward the legalization of euthanasia. The decision has triggered a sharp public divide: supporters cite safety concerns, particularly for children, while critics view the amendments as a rollback of the humane principles enshrined in the 2021 law and an attempt to compensate for institutional shortcomings through the mass culling of stray animals. Background: From Reform to Reversal In 2021, Kazakhstan sought to overhaul its approach to managing stray animal populations, aligning it with international practices. This led to the adoption of a dedicated law, which formalized a transition from culling to the CNVR model (capture, neuter, vaccinate, and return). The reform was presented as a compromise between humane treatment and public safety. The shift was driven by both civic activism and political momentum. In 2020, President Kassym-Jomart Tokayev described attitudes toward animals as a benchmark of societal development, acknowledging systemic shortcomings in the country. He later emphasized that state protection should extend to both people and animals. The initiative received support both domestically and internationally. Authorities pledged a systemic approach, including the creation of a national animal registry, mandatory microchipping, expansion of shelters, and tighter regulation of pet ownership. The expectation was that these measures would gradually reduce the stray population in a humane and sustainable manner. The Case for the Amendments: Safety and Cost The amendments, introduced in 2024, propose a transition to a no-return capture model. Despite criticism from animal welfare groups, the bill passed its first reading on April 8, 2026, and was forwarded to the Senate eight days later. Lawmakers, including Mazhilis committee chairman Yedil Zhanbyrshin, argue that the CNVR model has failed to deliver results under Kazakhstan’s conditions. They cite an increase in the stray dog population from 207,000 in 2022 to 247,000 in 2023. Another factor highlighted is the unintended consequence of mandatory microchipping introduced in 2023. According to lawmakers, the cost of registration and sterilization, averaging around 27,000 KZT (approximately $54), led some owners to abandon their pets. This, they argue, is reflected in the sharp decline in registered dogs, from 28,000 in 2022 to just 961 in 2024. Public safety remains the central argument. According to the Ministry of Health, Kazakhstan records an average of 105 animal attacks per day. Fiscal considerations are also significant. A full CNVR program is estimated to require annual spending of 14-15 billion KZT (approximately $28-30 million). Against the backdrop of competing budget priorities, including education and healthcare, lawmakers consider such expenditures excessive. They also point to practices in countries such as the United States and Japan, where euthanasia is used as a population control measure. Under the proposed model, captured animals would be held for a limited period, 15 days for unchipped dogs and 60 days for those with identified owners....

Pannier and Hillard’s Spotlight on Central Asia: New Episode Out Now

As Managing Editor of The Times of Central Asia, I’m delighted that, in partnership with the Oxus Society for Central Asian Affairs, from October 19, we are the home of the Spotlight on Central Asia podcast. Chaired by seasoned broadcasters Bruce Pannier of RFE/RL’s long-running Majlis podcast and Michael Hillard of The Red Line, each fortnightly instalment will take you on a deep dive into the latest news, developments, security issues, and social trends across an increasingly pivotal region. This week, the team will be covering the arrest of 19 anti-China protesters in Kazakhstan, the announcement of the date for Kazakhstan's upcoming parliamentary elections, major diplomatic moves unfolding between Central Asia and the United States in Washington, and some very quiet diplomacy taking place in Florida between presidents' daughters. We'll also be looking at Uzbek workers finally being granted the right to strike, major expansions at two of Central Asia's biggest gas projects, a mystery disease spreading through the region that has already claimed more than 90,000 animal lives, and the continued expansion of the regional railway network, which could finally see Kyrgyzstan better connected to its largest trading partner.   Special guest, Almaty-based journalist for Radio Free Europe/Radio Liberty (RFE/RL), Chris Rickleton.

Rybakina Wins on Clay in Stuttgart, in Run-up to Roland Garros

World number two Elena Rybakina defeated Karolina Muchova to win the WTA title in Stuttgart, Germany on Sunday, elevating her to the top spot in the points race to qualify for the season-ending championship in Riyadh, Saudi Arabia in November. Rybakina’s 7-5, 6-1 victory over Muchova was the Kazakhstani player’s 13th title - and the first repeat title of her career after winning 12 titles in 12 different tournaments. She won in Stuttgart in 2024. In the Stuttgart quarterfinals this year, Rybakina saved two match points against Leylah Fernandez in a three-hour battle. The title on clay in Stuttgart gives the Russia-born player momentum ahead of the French Open, which begins next month. Rybakina won the Australian Open this year and is also the 2022 Wimbledon champion.

From From Global Streaming to International Productions: Kazakhstan Filmmakers Go International

Makpal Kursabayeva is a sound engineer whose work has increasingly extended beyond Kazakhstan’s local film industry. Over the years, she has contributed to projects with international teams, from working alongside The Matrix cinematographer Bill Pope to taking part in series produced for global streaming platforms. Her career highlights the expanding role of Kazakhstani professionals in international production and shows that local crews can compete with their Western counterparts. Her work includes on-set recording, post-production, and sound capture in environments ranging from military airbases and nighttime steppes to urban locations. In an interview with The Times of Central Asia, she discusses how the industry works and why crews from Kazakhstan are competitive in international productions. TCA: You are a highly experienced sound engineer, but most of your work has been on local projects. Do you think Kazakhstani specialists are competitive in the global market? Makpal: I have no doubt about it, however confident that may sound. Recently, we worked on an international series filmed in Kazakhstan by Turkish filmmakers. Many department heads were Turkish, but I led the sound department. We worked and communicated seamlessly; there were no barriers at all. And that’s always the case. I also worked on a commercial project for Chevron, where the cinematographer was Bill Pope, who shot the legendary film The Matrix, the Ant-Man films, Shang-Chi, and more. TCA: Was the entire crew international as well? Makpal: The second director was American. Playback equipment was brought from Moscow. It was a mix, bringing together the best. The Russian team even said that such sound equipment isn’t available in Moscow. Technically, we are not lagging behind at all. We also have plenty of talented and highly skilled professionals. TCA: Were they at all arrogant? Makpal: Not at all. Bill Pope was great to work with. He’s like a rock star, very open, loves music. We talked about ethnic music; I let him listen to the band Turan. He even asked me to play the dombra. I was a bit nervous because the executive producer was very strict, and I thought she might say I was disrupting the workflow. But he went to her himself and asked, and then she was the one chasing me to make it happen, so the question isn’t whether we can work at a Western level; we already do. TCA: You’ve also worked with German teams on Emir Baigazin’s films, and with French teams on projects by Yermek Shinarbayev and Akan Satayev’s epic Myn Bala: Warriors of the Steppe? Makpal: Yes. There was an interesting experience with one Western specialist, I won’t say from which country. I thought they had a different school and that I could learn from him. But while he was good on set, he wasn’t very strong in post-production. It even got to the point where I was teaching him, explaining how to properly edit sound and the technology behind it. Sometimes I would suggest something, and the next day those ideas would be presented as his own....

How Young Professionals from Central Asia Are Building Global Careers

Beyond opportunity, a new generation of Central Asians is learning how to compete, adapt, and fit into global work environments. “I felt like I would understand what real work is much faster by living in the U.S.,” Ruzana Ileuova says. Many people view building a career abroad as an opportunity. However, for Central Asian professionals, it also entails constantly adapting to new identities and expectations. While logging in to work every day from a location that feels both familiar and unfamiliar, Ruzana learns to trust her abilities and adapt to unspoken expectations. She says that pressure increases when working remotely, as it requires a high level of self-discipline. “I always feel like I have to do more to prove myself,” she says. Despite strong language skills and academic preparation, she describes an ongoing sense of self-doubt, particularly in high-performance environments. “Even the language barrier still gives me imposter syndrome,” she adds. “And I’m the youngest on my team.” Her narrative highlights a crucial aspect of this generation: success overseas requires constant negotiation of confidence, identity, and location, in addition to opportunity. Reinventing the Path For others, the path to an international career begins not with a plan, but with chance. Originally from Bishkek, Kyrgyzstan, Aman Arykbaev did not imagine a global career. His journey began when he was unexpectedly selected for the green card lottery. “I used to think the green card was not a real thing until I saw that I was selected,” he says. His early years were characterized by uncertainty, as he arrived in the United States with little money and no guidance. “I worked almost two years installing heating, ventilation, and air conditioning. At that time, my English was very weak,” Arykbaev recalls. After attending a six-month IT boot camp, he was able to enter a new field and land his first tech job in a matter of weeks. “I had several interview stages, and by the end of the week, I got an offer.” Arykbaev, who is currently a senior quality engineer, exemplifies a characteristic of this generation: the ability to change course. Careers are now rebuilt, sometimes from the ground up, rather than fixed. Breaking Into Global Systems The route was more regimented, but no less difficult, for Aldiyar Bekturganov, an Amazon software engineer. He followed a well-known path of internships, networking, and applications after relocating to the U.S. for college. However, the process was anything but easy. “I failed my first interview completely,” he says. That setback accelerated his learning curve. Even after landing a job, entering the workforce was not without its challenges. The shift from university to professional life, he explains, was immediate. “You suddenly realize the work actually matters,” he says. “If something is delayed, people are waiting on you.” Unlike academic settings, where mistakes are part of the process, professional environments demand results that affect teams and timelines. While Bekturganov represents a more traditional corporate trajectory, Dameli Bozzhanova offers a contrasting perspective shaped by entrepreneurship and flexibility. Working in...

Kazakh Violinist Dinara Bazarbayeva-Sakhaman on Sound, Identity, and the Demands of the Stage

Dinara Bazarbayeva-Sakhaman, a soloist at the Zhambyl Kazakh State Philharmonic, spends much of her time moving between countries and concert halls, performing with international orchestras and collaborating with musicians from different traditions. Behind these appearances lies not only a demanding touring schedule, but also rigorous discipline: long hours of rehearsal, complete dedication on stage, and a constant search for the right sound. Speaking to The Times of Central Asia, she reflects on the Kazakh violin school, the nature of talent, and the enduring pull of her instrument. TCA: Dinara, your career has taken you to many countries. What has that experience been like? Dinara: Not the entire world, of course, but I’ve visited many countries thanks to my profession. The only time I traveled without my violin was when I went to Thailand, and throughout the trip, I felt as if something was missing. It was unusual, waking up on the plane and thinking, “Where is my violin?” TCA: Do you usually travel with an orchestra? Dinara: It varies, but more often I travel alone. There are projects where orchestras are assembled from musicians from different countries. For example, the renowned violinist and now conductor Marat Bisengaliev does this in India. For the Symphony Orchestra of India, he invites musicians from around the world. I have been collaborating with this orchestra for quite some time; it is an excellent ensemble. Working in such groups, sharing cultures, performing for diverse audiences, and collaborating with musicians from different parts of the world is one of the most fascinating aspects of our profession. TCA: Are there any distinctive features of the Indian violin school? Dinara: I performed in Mumbai, where there are several schools. One was founded by Marat Bisengaliev at the National Centre for the Performing Arts, and another by Mehli Mehta. In Bisengaliev’s school, classical violin is taught based on our educational system while incorporating elements of Indian tradition. What surprised me most was the number of self-taught violinists. TCA: And how do they play? Dinara: Surprisingly well. Their path is very different, yet the results are impressive. In our system, if you don’t start learning the violin at the age of five or six, seven at the latest, it is believed that you will not catch up and will likely remain an amateur. However, I know someone who began playing at 33 and now performs in a professional orchestra, knowing first violin parts almost by heart. He has a beautiful tone and excellent intonation. For me, this is a unique case. TCA: At what age did you start playing? Dinara: At five. That means I’ve spent 36 years with the violin and cannot remember life without it. I often joke that it is my lifelong implant—an inseparable part of me, with only its size changing as I grew. TCA: How would you describe the Kazakh violin school? Dinara: The foundation of our school lies in the Russian-Soviet tradition. During World War II, many teachers were evacuated to Kazakhstan and remained...