Life & Culture - The Times Of Central Asia

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Archaeology

Remains of Buddhist Temple Unearthed in Ancient Silk Road City in Kyrgyzstan

The remains of what is believed to be a Buddhist temple dating to the 7th and 8th centuries have been discovered at the medieval Ak-Beshim archaeological site, the ruins of the ancient Silk Road city of Suyab in northern Kyrgyzstan, according to the Ministry of Culture, Information, Sports and Youth Policy of the Kyrgyz Republic. Located seven kilometers southwest of Tokmok, Suyab was a major Silk Road city between the 5th and 8th centuries. It was the capital of the Western Turkic Khaganate and an important center for Sogdian merchants on the Chang’an-Tian Shan route, now part of a UNESCO World Heritage corridor. Chinese historical sources suggest that the celebrated poet Li Bai, born in 701 and believed to have died in 762 or 763, may have been born in Suyab. Suyab declined in the 11th century with the rise of Balasagun, another historic city in the Chui Valley located near the famed Burana Tower. The discovery was made by a Kyrgyz-Japanese archaeological expedition during excavations conducted since early May. Researchers uncovered a platform, ramp, and staircase constructed of baked brick. Experts believe these architectural elements are characteristic of temple architecture from China’s Tang Dynasty. The discovery also supports a hypothesis put forward by renowned Soviet archaeologist Alexander Bernshtam, who in the late 1940s suggested the existence of a Buddhist religious structure in the area. Archaeological work carried out in 2025-2026 has opened new chapters in the history of Buddhism in Suyab. Joint Kyrgyz-Japanese research at the site has been underway since 2012. Efforts are currently underway to reclassify the land where excavations are taking place as protected historical and cultural territory. If approved, authorities plan to establish an open-air museum at the site. It was previously reported that archaeologists had also uncovered what is believed to be the oldest Christian structure found in Kyrgyzstan, a Nestorian church dating to the 7th or 8th century. The Times of Central Asia previously reported that the Ministry of Culture, Information and Youth Policy of Kyrgyzstan and the Dunhuang Research Academy established a joint laboratory for cultural heritage preservation that will oversee conservation work at the Ak-Beshim archaeological site.

TCA Interviews

Kazakh Writer Aigul Klinovskaya on Memory, Identity, and the Rise of Contemporary Literature

In recent years, interest in contemporary literature has grown noticeably in Kazakhstan. Authors are increasingly reaching readers directly, taking part in public events, promoting their books through social media, and speaking about local experiences as part of a broader cultural landscape. The Times of Central Asia spoke with Kazakhstani writer Aigul Klinovskaya about her path into literature, the role of memory and place in her prose, and what contemporary authors need today to gain greater visibility both within the country and abroad. TCA: To begin with, please tell us a little about yourself. How did you become a writer? Aigul: I came to literature from IT, that is a well-known fact, and something I often mention in interviews. I worked at a large telecommunications company and headed a department, but at a certain point, I completely changed my field of activity. Now I write my own books and also help other authors shape their manuscripts as a literary editor and mentor. People work with me to finish and refine their manuscripts, increasing their chances of publication or success in literary competitions. TCA: When did you first feel that writing was not just an interest for you, but an important part of your life? Aigul: I tried writing as a child. I had a science fiction novella with an interesting story behind it: I sent it to a children’s magazine, and they replied that the work was good but still needed improvement. I was offended and, in the heat of the moment, destroyed the manuscript. I regret that now because it would have been interesting to reread it. As a child, I wrote poems and short stories; many people go through that stage. But I began writing prose seriously about five years ago. At that time, I took part in a writing marathon, wrote a short story, and it was immediately included in an anthology. That inspired me: I realized that I could and wanted to write fiction. The transition from short stories to longer forms was not easy. I wondered whether I could do it and whether I would manage. But now two of my books have already been published, and a third is coming out in June, so something must be working. Many people are surprised to learn that, for most of my life, I was not involved in literature professionally but worked in a completely different field. Now, however, I feel that I am in the right place. TCA: Your texts often pay close attention to a person’s inner life, to memory, and to the warmth of everyday relationships. Why are these themes close to you? Aigul: I am interested in people in general, their relationships and emotions. As an author, I want readers, when they immerse themselves in my books, to feel something: to cry at some moments, laugh at others, smile, and reflect. I believe that every person’s fate is worthy of a book because many remarkable things happen in life. If they are described well,...

TCA Interviews

From Almaty to Bali: Two Cyclists from Kazakhstan on Their Bicycle Journey

Alina and Maksim Pak, a young married couple from Almaty, have spent several months cycling from Kazakhstan to the Indonesian island of Bali, a journey of more than 8,000 kilometers across multiple borders. Their daily updates on Instagram have drawn widespread attention, turning them into social media personalities. The Times of Central Asia spoke with them about how they embarked on the journey, the challenges they faced, and how the experience has changed them. TCA: Cycling from Almaty to Bali sounds bold. Do you remember the moment when the idea became a plan? Who initiated it? Maksim: It’s been my dream since childhood back when I used to ride a BMX bike. I thought about it a lot, but it always seemed impossible. Then one day I realized: if not now, then when? Alina initially thought it was a joke, but eventually I convinced her. We mapped out the route in just three or four days, and preparation took 45 days. We found sponsors, posted videos every day, learned blogging along the way, and gradually gained support from people. [caption id="attachment_48398" align="aligncenter" width="225"] @instagram.com/alina_pakk[/caption] TCA: Were you scared at all? Alina: Very much so. But not on the road, at the beginning, during preparation. We had almost nothing, no proper gear, no clear plan, no certainty that it would work. It felt like we physically wouldn’t even be able to start, too many “buts” and too few resources. But every day we sat down and visualized how we would travel, what we would eat, who we would meet. The fear was there, yes. That’s exactly why we went. If it’s not scary, then the goal isn’t big enough. TCA: What does a typical day on the road look like? Are all days different? Maksim: Our routine formed quite quickly. We wake up around 7 a.m., nature doesn’t let you sleep longer, especially when the tent is in the sun. We have breakfast, pack up, and by 9 a.m., we’re already cycling. The first stretch is about three hours, then we take a mandatory lunch break and rest for an hour or so, otherwise the body doesn’t recover. After that, we ride again until 5 or 6 p.m., depending on how we feel and the road conditions. When we find a place to stop, we set up the tent, and then the second shift begins: we work, editing videos and replying to messages. The day ends around 10 p.m. And yet every day is completely different, new cities, new people, new landscapes. It never gets boring. TCA: You’ve already cycled through China, Vietnam, Thailand, and are now in Malaysia. Which country surprised you the most? Are people the same everywhere? Maksim: Honestly, every country surprised us in its own way. It’s impossible to single one out. In some places it’s the nature, in others the food, in others the way people treat strangers. Overall, people are very similar everywhere, despite different languages and cultures. Everyone has the same concerns, work, family,...

Yulduz Usmonova

Campaign Targets New York Concert by Uzbekistan’s Yulduz Usmonova

A campaign has been launched in the United States against a planned concert by singer Yulduz Usmonova from Uzbekistan, according to a report by Brighton Beach News. The controversy is unfolding in Brooklyn, where Usmonova is scheduled to perform on May 9 at the Oceana Theater in the Brighton Beach area. Local politicians have voiced strong criticism and announced plans to hold a press conference calling for the event to be canceled. Among those involved are New York State Assembly members Michael Novakhov and Alec Brook-Krasny, as well as Nassau County Executive Bruce Blakeman. According to statements cited in the report, the officials accuse the singer of having made remarks in the past that they consider offensive toward the Jewish community. The issue has drawn particular attention due to the location and timing of the concert. Brighton Beach is known as a major center for Russian-speaking and Jewish communities in New York, and May 9 is widely observed as a day marking the victory over Nazi Germany in World War II. Organizers of the campaign say they have called on the singer to publicly reject and apologize for the alleged statements but claim that she has declined to do so. They have also reportedly submitted a request to U.S. Secretary of State Marco Rubio asking for the revocation of her visa. This is not the first time a concert by Usmonova in New York has come under pressure. In 2024, another planned performance in the city was canceled after protests over remarks attributed to the singer that critics described as antisemitic.

Sports

Tajikistan Hosts Grand Slam Judo, Wins Three Golds

Tajikistan showcased its world-class judo skills during the Dushanbe Grand Slam over the weekend, picking up three gold medals in a competition that featured 240 judoka, or practitioners of the martial art, from about three-dozen countries. While Russia topped the standings with three golds, three silvers and six bronze medals, Tajikistan’s second-place finish (three golds and one bronze) reflected the high priority of the sport in a country that is also promoting gushtingiri, a traditional form of Tajik wrestling that has some similarities to judo. Mongolia came third with two golds, two silvers and one bronze. Tajikistan’s capital has become a fixture on the international judo circuit in the last few years. The city hosted the 2024 World Junior Championships, and the Dushanbe Grand Slam was upgraded from Grand Prix status, making it a more prestigious tournament that awards a greater number of ranking points. Dushanbe will also host the World Judo Masters tournament on December 18-20, an event that Ismoil Mahmadzoir, president of the Tajikistan Judo Federation, has said will help Tajikistan’s judoka prepare for the Olympic Games in Los Angeles in 2028. Tajikistan’s emergence as a world judo power reflects years of investment and youth training in the sport, setting an example for the development of other sports in a country with relatively limited resources. Rasul Boqiev won Olympic bronze, the country’s first judo medal at the games, in Beijing in 2008. At the Paris Olympics in 2024, judokas Somon Makhmadbekov (in the -81kg weight category) and Temur Rakhimov (+100kg) also won bronze medals in their weight classes. The focus on judo in Tajikistan is sometimes associated with the legacy of gushtingiri, a traditional form of Tajik wrestling that has some similarities. In gushtingiri, a contestant tries to grab the belt of an opponent and execute a throw to the ground. While the sport goes back thousands of years in the wider region and has different names, the International Gushtingiri Federation was registered in 2022 in Switzerland, an international hub of sports associations, to standardize the rules and broaden its appeal. President Emomali Rahmon of Tajikistan is the honorary president of the federation, a sign of support for gushtingiri at the highest political level. At the May 1-3 Grand Slam in Dushanbe, Makhmadbekov – seventh in the world in his weight category - defeated Bernd Fasching of Austria for the gold, saying he was delighted to win in front of a home crowd. Makhmadbekov secured the world junior title in 2019. Tajikistan’s other gold medal winners in Dushanbe were Muhiddin Asadulloev, who is fourth in the world in his -73kg weight category, and Nurali Emomali (-66kg). Emomali is ranked second in the world in his category, and another Tajik athlete, Obid Zhebov, is just behind him in third place. Enthusiastic crowds at the Qasri Tennis area in Dushanbe delighted some of the athletes. Among them was Italian veteran Odette Giuffrida, who won gold in her -52kg category, according to tournament reports. “I wanted to compete in Dushanbe before I retire because...

TCA Interviews

Artist Aigerim Karibayeva on How Kazakhstan Is Searching for Its Visual Identity

Kazakh artist Aigerim Karibayeva is part of a new visual wave that seeks to blend traditional culture and contemporary aesthetics. Her distinctive style – bright, airy, almost spring-like imagery infused with ethnic motifs and scenes from everyday life – has moved beyond social media into major exhibition spaces. Her works are currently on display at the Kasteyev State Museum of Arts, where her solo exhibition My Sky Above Me recently opened. In an interview with The Times of Central Asia, she discusses how she coined the term “ethno-modernism,” why ethnic aesthetics is surging in popularity, and how Kazakhstan is searching for its own visual identity. TCA: Aigerim, you describe your work as “ethno-modernism.” How did you arrive at that concept? Aigerim Karibayeva: I started moving in this direction and sharing my work on Instagram several years ago. I quickly found my audience; there was strong interest from the media and many interviews. To talk about my work, I needed a term that would define it, something verbal. But I didn’t want to call it simply “contemporary art,” because that didn’t reflect the essence of what I do. I thought: why not call it “ethno-modernism”? I consulted the well-known art historian Olga Baturina, and she approved. The term immediately caught on. I now see it used in the press, on social media, and even in the profiles of young designers. Today, “ethno-modernism” is used to describe an entire wave of artists and designers, the boom we’ve been seeing over the past five years. TCA: Why do you think ethno-modernism has become so popular now? Aigerim Karibayeva: I think it’s been building for a long time. I’m trained as a graphic designer, so I have a strong visual awareness. I saw how interest in national style and ethnic elements gradually emerged in the country. First, businesses began using it in branding, then advertising picked it up, and eventually it spread into mass culture. Now, ethnic elements combined with modern aesthetics have become a visible part of everyday life. [caption id="attachment_48156" align="aligncenter" width="2000"] From a personal photo archive[/caption] TCA: That was especially noticeable during recent Nauryz celebrations – everyone seemed to be wearing ethnic-inspired clothing. Aigerim Karibayeva: Exactly. Everyone is searching for a new cultural code right now, artists, musicians, filmmakers, craftspeople. At first, you create something within your own circle, among fellow artists, and then it spreads outward. You start seeing and hearing it everywhere, for example, in new interpretations of Kazakh music. You recognize that mix, and it becomes a kind of key. You try to translate that same cultural fusion into your own work. I’ve had people tell me they were inspired by my work. One woman approached me and said that after seeing a traditional headpiece, a taqiya, in my illustration, she was inspired to start making them herself and launched a successful business. That’s how this wave works, there’s a ripple effect, and everyone picks it up. TCA: There’s clearly strong demand for ethnic aesthetics right now. Aigerim...