Life & Culture - The Times Of Central Asia

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Silk Roads Exhibition: Beating Heart of the Ancient World

On a gloomy winter’s day, The Times of Central Asia visited the Silk Roads Exhibition at the British Museum. The sight of a significant queue wrapped around the museum for entry was startling. Once inside, the exhibit thronged with visitors snaking their way to peruse artifacts arranged by region and era. Concerned about blocking display views as you read descriptions? No need to worry — thick guidebooks with full narratives greeted you at the entrance to borrow during your visit. The exhibition envisions the Silk Road as the beating heart of the ancient world, with arteries stretching across seas, mountains, and deserts. With over 300 artifacts spread across five geographical zones, it can be hard to know where to start. I observed a nearby gentleman in tweed who offered a simple tip: start with a place that interests you and go from there. Then I overheard that he was going to Cairo. New partnerships with Uzbekistan’s Art and Culture Development Foundation (ACDF) and Tajikistan’s museums had seen fresh items loaned to the exhibit. These collaborations highlight Central Asia's important role in this sweeping narrative, helping to connect the dots in this continent-spanning story. Immersed in the culture and history, I couldn’t help but wonder — what did the audience think? After a few unsuccessful attempts, I spoke with an English visitor named Georgie Bennett. [caption id="attachment_27908" align="aligncenter" width="2029"] Georgie Bennett visiting the Silk Roads Exhibition; image: TCA, Stephen M. Bland[/caption] TCA: What drew you here today? I think the thing for me is I have a really poor knowledge and understanding of this bit of history. So, I heard the exhibition was on and some of my friends already booked tickets, I said yes, I’ll absolutely come along because… I wanted to learn more. TCA: What’s the one item that’s caught your eye the most? I really like the story of the silk princess; it was a very humanizing story about this lady who’s newly married and brings the knowledge of how to make silk to her husband’s kingdom… I feel like I've learned so much. I’m enjoying it, though I almost wish I had a notebook and pen because I'm getting a general impression without knowing any of the details. [caption id="attachment_27909" align="aligncenter" width="2560"] Charred wooden door panel from Kafir Kala, near Samarkand, Uzbekistan, circa AD 500, on loan from the State Museum reserve[/caption] The Times of Central Asia also spoke to one of the curators, Luk Yu-Ping to delve deeper into the Silk Road experience. TCA: Globalism is considered a modern concept of interconnectivity, but looking at the vast connections and influence within the Silk Road Exhibition it’s implied that this concept may have been prevalent in the past along these trade routes. Could you expand on this? This exhibition highlights the movement of people, objects, and ideas across Asia, Africa, and Europe during the period 500 to 1000 CE. The focus is not only on trade but also other ways of contact and exchange. Audiences might be...

Central Asia Uzbekistan Life & Culture Uzbekistan Features Uzbekistan Life & Culture

Uzbekistan Encourages Civil Servants in Tashkent to Wear National Dress

Shavkat Umurzakov, the khokim of Tashkent, has signed a decree launching the National Tashkent project, an initiative aimed at promoting Uzbekistan’s cultural heritage and national traditions within the capital. The project includes a wide range of activities, from redesigning public spaces to reflect traditional Uzbek aesthetics to encouraging civil servants to adopt national attire. Public transportation, markets, parks, and other spaces across Tashkent will be adorned in a national style as part of this effort. Traditional Clothing for Civil Servants As part of the initiative, government employees in Tashkent are encouraged to wear traditional Uzbek clothing during work hours, provided it does not conflict with existing uniform requirements. To further promote this practice, Fridays have been designated as “National Dress Day” for civil servants. Employees of khokimiyats, departments, and other government agencies are being urged to embrace traditional attire on these days. A special working group, led by Shakhnoza Sultanova, deputy khokim and head of the Department for Family and Women's Affairs, has been tasked with overseeing the project. This group has developed an action plan that includes educational programs, public events, and support for local entrepreneurs who specialize in the production of ethnic clothing. Celebrating Uzbek Culture The National Tashkent project emphasizes integrating Uzbek cultural elements into mass events such as holidays, exhibitions, concerts, and sports competitions. Participants at these events will don traditional costumes, while the programs will feature folk games, dances, and songs. Contests and awards will further highlight the richness of Uzbek traditions. Additionally, the initiative envisions creating television programs, publishing articles in both traditional and social media, and launching public challenges such as “National Dress for Everyone.” A contest titled “The Best Promoter of National Traditions” will recognize individuals or organizations that effectively advocate for Uzbek culture. Educational institutions will also participate by hosting lectures on the history of national crafts and clothing. Cultural Zones for Tourists The project includes measures to enhance the cultural experience for tourists visiting Tashkent. Special zones will be created, featuring craft workshops, photo opportunities with national costumes, and curated cultural routes. Hotels and restaurants will host exhibitions and competitions to showcase traditional values, further engaging both residents and visitors. Public transportation will also reflect the project’s goals, with buses and transport cards decorated with national patterns. Similarly, the facades and interiors of shopping centers, markets, and museums will incorporate traditional Uzbek designs. Schools will see the introduction of “National Classrooms” decorated in the spirit of Uzbek culture. Strengthening National Identity The National Tashkent project is a comprehensive effort to preserve Uzbekistan’s cultural heritage, strengthen national identity, and pass down traditions to younger generations. By raising awareness of ethnic customs and promoting national pride, the initiative seeks to enrich the cultural fabric of the capital while fostering a deeper appreciation for Uzbekistan’s historical and artistic legacy.

Central Asia Silk Road Treasures Home Turkmenistan Life & Culture Life & Culture Turkmenistan Features Turkmenistan Lead Story

American Musicians Celebrate the Dutar During Tour of Turkmenistan

The Turkmen dutar, a two-stringed lute, and symbol of the nation’s musical heritage, left a lasting impression on American artists visiting Turkmenistan on a recent tour. Musicians Keith Bass, Aaron Young, and Richard Steighner praised the uniqueness of Turkmenistan’s traditional music during their performances as part of the “Broadway and Beyond” concert series. The tour began with its first concert on January 16 at the Mukam Palace in Ashgabat. The American performers shared the stage with the State Symphony Orchestra of Turkmenistan, led by conductor Rasul Klychev, and soloists from the State Choir. The concert program featured a mix of popular Broadway melodies and innovative interpretations of the works of Makhtumkuli Fraghi, the national Turkmen poet. A standout moment of the evening was the performance of “I Want to Feel the Wind,” a song based on Makhtumkuli’s poetry and composed especially for the tour. Beatboxer Richard Steighner highlighted the creative synthesis of styles that emerged during the collaboration. “Blending my beatboxing with the soft yet rich sound of the dutar was an unforgettable experience,” Steighner said. “The beauty of Turkmen music is astounding, and the dutar was a true revelation for us. We even incorporated it into an original piece, creating a unique fusion of traditional melodies and modern trends.” Keith Bass, another member of the ensemble, emphasized the value of cultural exchange. “Working with Makhtumkuli’s works gave us an opportunity to view music through a new lens. Every concert here has become a platform for creative experimentation,” Bass said. U.S. Ambassador to Turkmenistan Elizabeth Rood, who attended the Ashgabat performance, highlighted the role of cultural events in fostering international understanding. “Music and culture are bridges that unite people. We will continue to support projects that preserve cultural heritage and serve as symbols of friendship and trust,” Rood said. Following the debut in Ashgabat, the “Broadway and Beyond” series will continue with performances in Turkmenbashi, Balkanabad, and Dashoguz.

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Kindergarten in Uzbekistan Stages Dangerous Show with Poisonous Cobras

A kindergarten in Uzbekistan sparked widespread outrage after staging a performance involving poisonous Central Asian cobras, a species listed in the Red Book of Uzbekistan's endangered plant and animals. Footage of the event, which was shared on social media, showed the snakes being handled in close proximity to children, raising serious concerns about safety and animal welfare. In the video, a man can be seen demonstrating two venomous snakes to a group of young children, with no apparent safety measures in place. The cobras were allowed to move freely on the floor near the children. The Uzbek language heard in the recording confirms the location as Uzbekistan, but the exact location of the kindergarten has yet to be identified. The incident has prompted public outcry, with many questioning the judgment of the organizers and the lack of safeguards for the children. So far, the Ministry of Preschool and School Education has refrained from issuing an official statement. The situation has caught the attention of the Children's Ombudsman in Uzbekistan. The Ombudsman’s press service announced that law enforcement agencies are actively working to determine the circumstances and location of the performance, as well as the identities of those responsible. A full investigation is underway, and the organizers’ actions will be subject to legal assessment once the inquiry is complete. This is not the first time unauthorized animal performances have taken place in Uzbekistan. In December of last year, a similar case was reported in the Koshrabad district of the Samarkand region. Two individuals held unauthorized shows at schools and kindergartens, featuring a tiger python. The snake was later confiscated and handed over to the regional department of ecology. These incidents highlight a recurring issue of unregulated animal performance in educational institutions, raising questions about safety, legal oversight, and the ethical treatment of wildlife.

Home Life & Culture Kazakhstan Life & Culture

Kazakhstan Restricts Potato Exports to Non-EAEU Countries Amid Price Surge

Rising potato prices in Kazakhstan have prompted the government to impose a six-month restriction on potato exports to non-Eurasian Economic Union (EAEU) countries, according to Tengrinews. The decision is aimed at stabilizing domestic prices and preventing further spikes. Price Surge Linked to High Export Demand The price increase has been driven by strong demand from neighboring countries, particularly Uzbekistan, and rising export prices. In 2024, Kazakhstan’s potato exports increased by 1.5 times, from 411,000 metric tons to 605,000 tons, according to government data. Export-oriented producers significantly raised their prices, increasing them from 170 KZT ($0.32) to 270 KZT ($0.51) per kilogram. This spike in export demand has directly impacted the domestic market, with retail prices soaring in many regions. For example: In Aktobe, potatoes were sold for no more than 200 KZT per kilogram in early January but doubled within a week. In supermarkets, prices have climbed to 388 KZT ($0.73) per kilogram, with some areas seeing prices as high as 400 KZT ($0.75) per kilogram. Even lower-quality potatoes have become more expensive, as sellers report rising costs with every new shipment. Export Restrictions to Stabilize Prices To address these challenges, the government has restricted potato exports to non-EAEU countries for six months. Exports to EAEU member states will continue but under stricter oversight. As part of these measures, the issuance of phytosanitary certificates for exports has been entirely suspended as of January 16, 2025. Sufficient Reserves to Meet Domestic Needs Despite the export restrictions, the Ministry of Agriculture has assured citizens that domestic reserves are sufficient to meet demand until the early 2025 harvest. As of January 19, reserves (excluding stocks in trade networks) amount to over 850,000 tons. Key figures from 2024 and early 2025 include: Total potato harvest (2024): 2.9 million tons, including 300,000 tons from the early harvest. Imports (2024): 56,000 tons. Consumption (August–December 2024): 844,000 tons. Exports (2024): 620,000 tons. Forecasted consumption (January–April 2025): 675,000 tons. The government’s measures aim to ensure that prices stabilize while maintaining sufficient supplies for domestic consumers until the next harvest. Growth vs. Food Security Kazakhstan’s decision to restrict potato exports to non-EAEU countries highlights the delicate balance between export-driven agricultural growth and ensuring food security at home. While the restrictions are expected to ease price pressures domestically, they underscore the challenges of managing supply chains and export demand in a region with fluctuating agricultural dynamics.

Home Life & Culture Kazakhstan Life & Culture

Spiritual Administration of Muslims of Kazakhstan Issues Statement on Quadroberism

The Spiritual Administration of Muslims of Kazakhstan (DUMK) has expressed concern over the growing spread of "quadroberism" among children and adolescents. This phenomenon involves individuals imitating the habits of animals by wearing masks, tails, and ears, as well as behaving like fictional creatures. The DUMK addressed the issue in a recent statement. In its statement, the DUMK emphasized that Islam places humans above all other creatures, granting them reason and consciousness. To support this position, the administration cited verses from the Holy Quran: “We have honored the descendants of Adam, allowed them to move on land and sea, endowed them with benefits, and granted them a great advantage over the many whom We created.” Another verse states: “We created man in the best possible image.” The DUMK argues that the deliberate imitation of animals - including their habits, sounds, and behaviors - constitutes a distortion of divine creation. It further noted that Islam forbids any form of behavior that undermines the distinct identity of humans. For example, the imitation of one gender by another is prohibited, and, by extension, imitating animals is considered equally inadmissible under Shariah. Cultural Expressions vs. Quadroberism However, the DUMK drew a clear distinction between quadroberism and metaphorical comparisons or cultural expressions. The statement clarified that comparing humans to animals in a metaphorical sense - such as likening bravery to a lion, cunning to a fox, or patience to a camel - does not fall under the definition of quadroberism. Similarly, theater performances, children’s games, and other cultural activities that do not involve a change in personal identity are not condemned. The DUMK underscored that quadroberism, which includes imitating animal sounds, moving on all fours, and adopting animal behaviors, is "strictly prohibited by Shariah." Additionally, it addressed the trend of “quadrobics,” a form of exercise that involves running on all fours to imitate animals. This activity, derived from the combination of the words "quadro" (four) and "aerobics," was described as a concerning trend among youth. Quadroberism in Central Asia and Beyond The quadrober subculture, which involves young people mimicking animal behavior by running on all fours and using animal-themed accessories, has gained traction not only in Kazakhstan, but also in neighboring Uzbekistan and Russia. Authorities in these countries are taking measures to address the phenomenon. In Kazakhstan, deputies have proposed conducting a thorough study of the quadrober phenomenon and, if deemed necessary, developing legislation to combat it. In Uzbekistan, the Ministry of Internal Affairs announced that manifestations of the quadrober subculture among children and adolescents would be treated as a failure of parental responsibility, punishable by a fine of five basic calculation units. In Russia, State Duma deputies are drafting legislation to ban the promotion of destructive ideologies, including quadroberism. Russian lawmakers and psychologists have voiced concerns that the hobby could negatively affect children’s mental health. As the debate continues across the region, the DUMK’s statement adds a spiritual perspective to the growing conversation about the implications of quadroberism.