Uzbekistan Life & Culture - The Times Of Central Asia

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Uzbekistan Football

Uzbekistan National Team Set for Youth Overhaul After World Cup, Says Cannavaro

Uzbekistan head coach Fabio Cannavaro has outlined plans to reshape the national team following its historic debut at the 2026 FIFA World Cup, saying the next phase will focus on refreshing the squad ahead of the AFC Asian Cup, promoting younger players and restoring the tactical approach he believes best suits the team. Speaking at a press briefing, the Italian coach dismissed reports that he had left the national team immediately after the World Cup, saying he remained with the squad until the last player departed. Cannavaro also rejected speculation about his salary and said he was prepared to take responsibility for the team's results, while defending his players against criticism, insisting they had "given everything" on the pitch. The central announcement of the briefing was confirmation that Uzbekistan is entering a new cycle. Cannavaro said several players had been included in the World Cup squad in recognition of their contribution to securing the country's first-ever qualification for the tournament, but added that the time had come to refresh the team. "I gave some players a kind of bonus for what they had done before. That bonus is over. Now we need to change some players," Cannavaro said. He added that younger footballers would be given greater opportunities during preparations for the Asian Cup. Cannavaro also acknowledged that not every decision made by the coaching staff had been successful. In particular, he admitted he may have made a mistake by changing the first-choice goalkeeper shortly before the World Cup began. At the same time, he stressed that he remained committed to rejuvenating the squad and creating stronger competition for places. Looking beyond the immediate future, Cannavaro argued that Uzbekistan's next step as a football nation depends on more players establishing themselves in Europe's top leagues. He pointed to Japan and Morocco as examples of national teams that have benefited from players gaining experience in elite European competitions before bringing that experience back to the international stage. As part of preparations for the AFC Asian Cup, Cannavaro said he wants Uzbekistan to arrange a series of friendlies against stronger opponents, including South Korea and Iran. He also plans to gradually return the team to a 4-3-3 formation and strengthen cooperation with the country's youth national teams. According to Cannavaro, the objective is not simply to build on Uzbekistan's first World Cup appearance, but to establish the national team as a regular participant at the world's biggest international tournaments.

Opinion

Uzbekistan’s Heritage Did Not Stop With the Silk Road

When people think of Uzbekistan’s architectural heritage, the images are familiar: the turquoise domes of Samarkand, the madrasas of Bukhara, Khiva’s walled city, and the monuments of Shakhrisabz. But Uzbekistan’s history did not stop with the Silk Road. At its 48th session in July, UNESCO inscribed “Tashkent Modernist Architecture. Modernity and Tradition in Central Asia” on the World Heritage List. The new site brings together ten buildings and urban complexes constructed between the 1960s and the early 1990s, during the period in which Tashkent was dramatically rebuilt following the 1966 earthquake. The inscription deserves to be celebrated. More importantly, it expands the definition of what Uzbek heritage can be. [caption id="attachment_52926" align="aligncenter" width="1774"] Kosmonavtlar Metro Station, Tashkent; photo: Mathieu Lemoine[/caption] These buildings do not belong to the world of caravanserais and Timurid courts. They represent another layer of the country’s history: the ambitious and highly creative transformation of Soviet-era Tashkent. For decades, Central Asian heritage has often been viewed through a chronological hierarchy. The older a monument, the easier it is to recognize as heritage. Timurid architecture is obviously precious. A concrete building from the 1970s can appear more expendable. Tashkent shows why that distinction is too simple. UNESCO notes that the architecture developed after the earthquake combined industrialized construction and seismic engineering with local climatic, cultural and material conditions. The result was not simply Soviet modernism transplanted to Central Asia, but a distinct architectural language adapted to Tashkent. This broader understanding of heritage comes at an important moment. Uzbekistan is modernizing rapidly. Its cities are growing, tourism is expanding, infrastructure is improving and redevelopment is transforming urban space. Much of this change is necessary and welcome. Historic neighborhoods cannot be expected to function as open-air museums. Residents need reliable drinking water, sewage systems, heating, electricity, internet access, waste collection, accessibility, safe streets and comfortable housing. A leaking pipe is not “authenticity.” The more difficult question is how modernization takes place. [caption id="attachment_52925" align="aligncenter" width="1774"] Tashkent Modernist State Museum of History; photo: Mathieu Lemoine[/caption] Uzbekistan has already experienced how delicate that balance can be. In Shakhrisabz, large-scale redevelopment substantially altered the historic urban fabric. The historic center was placed on UNESCO’s List of World Heritage in Danger in 2016 and remains there today. The experience offers an important lesson: preserving monuments is not necessarily the same as preserving a city. A city can retain its most famous madrasa, mosque or mausoleum while losing part of its heritage if the streets, neighborhoods, businesses and communities surrounding them disappear. The pressure is not only architectural. As tourism grows and historic centers become more desirable, economic incentives change. Houses can become hotels and restaurants. Businesses serving residents can give way to businesses serving visitors. Traditional workshops can struggle with higher costs. Redevelopment can create pressure on residents to relocate. Bukhara illustrates why this is important. Its identity rests not only on monumental architecture but on a living economy of craftsmanship. Gold embroidery, ceramics, jewelry, woodwork and other trades remain sources of employment as well as cultural identity....

FIFA World Cup

Uzbekistan’s Shomurodov Shortlisted for World Cup Goal Award

Uzbekistan captain Eldor Shomurodov’s goal against the Democratic Republic of the Congo has been shortlisted for the Hyundai Goal of the Tournament award at the 2026 FIFA World Cup. The Uzbek forward is among 12 finalists selected by FIFA. The winner will be decided by a public vote on FIFA’s official platform. Shomurodov scored in Uzbekistan’s final group-stage match, lifting the ball over goalkeeper Lionel Mpasi from a tight angle to give his team an early lead. DR Congo recovered to win the match 3-1, ending Uzbekistan’s first World Cup campaign with three defeats. The goal had already won the vote for the best strike of the group stage. Shomurodov received 36% of the ballots, finishing ahead of Haiti’s Wilson Isidor and Bosnia and Herzegovina’s Kerim Alajbegovic. Lionel Messi and Vinicius Junior were also among the players he beat in the opening round of voting. The final shortlist brings together goals scored at different stages of the tournament. Shomurodov is competing with some of world football’s biggest names, including Messi and Kylian Mbappe. Jude Bellingham is also among the finalists. Voting is due to remain open until July 27. The 31-year-old striker plays for İstanbul Başakşehir. He moved to Turkey from AS Roma in the summer of 2025, and his contract with the club runs until June 30, 2028. Shomurodov finished the 2025/26 Turkish Süper Lig season as joint top scorer with Trabzonspor forward Paul Onuachu. Both scored 22 goals. Transfermarkt currently values the Uzbek forward at €7 million. Uzbekistan was the only Central Asian country to qualify for the 2026 World Cup and the first from the region to reach the final tournament. Although the team failed to advance from its group, Shomurodov’s goal gave the country one of the most widely recognized moments of the competition. At club level, Kairat Almaty became only the second Kazakhstan club to reach the UEFA Champions League league phase in 2025, after Astana in 2015. The league-phase draw paired Kairat with Real Madrid and Inter Milan. Arsenal was also among its opponents. The achievement matched the deepest run by a Central Asian club in Europe’s premier club competition.

Astronomy

Two Asteroids Named After Uzbek Astronomers

Two Uzbek astronomers have received an unusual form of international recognition: their names have been assigned to minor planets orbiting the Sun. The International Astronomical Union’s Working Group for Small Bodies Nomenclature approved (121339) Otabekburkhonov and (131358) Kamolergashev in its July 9 bulletin. The names will now be used in scientific catalogues and research. Both asteroids were discovered at the Ondřejov Observatory in the Czech Republic by astronomers Petr Pravec and Peter Kušnirák. Otabekburkhonov, first known as 1999 TO15, was found on October 13, 1999. Kamolergashev, previously 2001 KA2, was discovered on May 19, 2001. Otabek Burkhonov, born in 1975, joined the Ulugh Beg Astronomical Institute in 2000 and received his PhD in 2005. He heads the institute’s Laboratory of Galactic Astronomy. His work covers optical photometry, including asteroid light curves, variable stars, gravitationally lensed quasars, and follow-up observations of gamma-ray bursts at Maidanak Observatory. Kamoliddin Ergashev, born in 1988, joined the institute’s Asteroid Group in 2007 and completed his PhD in 2024. His research examines asteroid brightness and rotation, physical characteristics, and the behavior of asteroid pairs, clusters, and binary systems. The two scientists also contributed to NASA’s Double Asteroid Redirection Test (DART), the first mission to demonstrate asteroid deflection through a deliberate spacecraft impact. Their observations from Maidanak helped measure changes in the Didymos-Dimorphos system before and after the September 2022 collision. In February, both received a NASA Group Achievement Award for their role in the international observing campaign. DART shortened Dimorphos’s orbit around Didymos by about 33 minutes, showing that a kinetic impact could alter an asteroid’s motion.

Marriage Age

Average Marriage Age Rises in Kazakhstan, Kyrgyzstan, and Uzbekistan

Twenty years ago, women in Kazakhstan first married at an average age of about 24. Today, the figure is about 25. Kyrgyzstan and Uzbekistan show the same gradual increase, although the pace varies from one country to another. Marriage Ages Rise Gradually in Kazakhstan According to Kazakhstan’s Bureau of National Statistics, the average age at first marriage in 2025 was 27.9 for men and 25.3 for women. In 2014, the averages were lower at 27.1 and 24.6, respectively. The gradual rise follows a global pattern. The average age of newlyweds is rising as the number of registered marriages declines. Kazakhstan registered 139,500 marriages in 2019. By 2024, the total had fallen 11.4% to 123,600. Seasonal patterns have remained steady. Most marriages in 2025 were registered during the summer, including nearly 13,000 in July. The bureau tracks both figures each year, and later reports will show whether these trends continue. Urban and Rural Marriage Ages Diverge in Kyrgyzstan In Kyrgyzstan, women first married at an average age of 23.7 in 2024, up from 22.4 in 2000. The nationwide increase was just over a year. Bishkek recorded a much larger change. The average age for first-time brides in the capital rose from 23 in 2001 to 27 two decades later. The increase was nearly four years, compared with just over one year nationwide. Regional differences remain substantial. Women in Batken Region first marry at an average age of 22.7, compared with 25.9 in Bishkek. The gap exceeds three years, showing how the national average combines sharply different local patterns. Men in Kyrgyzstan first married at an average age of 27.6 in 2024. The national average for men was almost four years higher than the figure for women. Annual statistics continue to show wide differences between regions. Marriage Age Is Rising Faster for Uzbekistani Men According to Uzbekistan’s State Committee on Statistics, men first married at an average age of 26.2 in 2024, compared with 21.8 for women. In 2000, the averages were 24.2 for men and 21.4 for women. Over those two decades, the figure for men rose by two years. The increase for women was less than half a year, a much smaller change than in neighboring countries. As a result, the gap between the average ages of men and women at first marriage widened from 2.8 years in 2000 to 4.4 years in 2024. Men are delaying marriage far more than women, and the difference has become a consistent feature of Uzbekistan’s marriage statistics. The trend is unfolding in a country with a young and growing population. As The Times of Central Asia recently reported, Uzbekistan’s 2026 census revealed a larger and younger population than previous estimates had indicated. How Central Asia Compares Internationally People in Central Asia still marry earlier than those in many European and North American countries. In the United States, the average age at first marriage is 30.8 for women and 32 for men. In Norway, it is 36.8 for women and 38.4 for men. Within...

Bukhara Biennial

Bukhara Biennial Sets 2027 Dates and Names New Artistic Director

Organizers of the Bukhara Biennial have announced key details of its second edition: the event will run from September 3 to November 21, 2027, with architect and designer Kulapat Yantrasast appointed artistic director. The announcement was made at the Fondation Beyeler during Art Basel in Basel, Switzerland, placing the Uzbek cultural project before an international art and museum audience. What Is Known About the 2027 Concept Yantrasast will succeed Diana Campbell, who curated the first edition in 2025. The biennial’s organizer remains Gayane Umerova, chairwoman of the Art and Culture Development Foundation of Uzbekistan (ACDF). In 2025, artists were paired with Uzbek master craftsmen. The 2027 format will expand that model by involving local ecologists, scientists, and economists. The central theme will be the connection between art, urban space, and sustainable development. Bukhara as Venue Biennial projects will be housed in restored caravanserais, madrasas, hammams, city squares, and other historic sites, some of which are expected to open to the public for the first time. The aim is to place contemporary art within Bukhara’s historic urban fabric. The city holds UNESCO Creative City status in crafts and folk art, giving the biennial a venue with international cultural recognition. [caption id="attachment_51635" align="aligncenter" width="1280"] Image: bukharabiennial.uz[/caption] Who the New Artistic Director Is Kulapat Yantrasast studied architecture under Tadao Ando and founded the studio WHY Architecture in 2004. His recent projects include the reconstruction of the Michael C. Rockefeller Wing at New York’s Metropolitan Museum of Art, the ILMI Science and Innovation Center in Riyadh, and the Dib art museum in Bangkok. His studio is also working on the Department of Byzantine and Eastern Christian Art at the Louvre in Paris and the National Museum of India, which is expected to become the largest museum in the world. Yantrasast has previously worked with ACDF on When Apricots Blossom, shown at Milan Design Week in 2026. The First Edition The first Bukhara Biennial ran from September 5 to November 23, 2025, under the theme Recipes for Broken Hearts, curated by Diana Campbell. It drew 1.8 million visitors, more than half of them from Bukhara and other regions of Uzbekistan. Participating artists included Antony Gormley, Marina Perez Simão, Erika Verzutti, Subodh Gupta, Delcy Morelos, and Dana Awartani. [caption id="attachment_51636" align="aligncenter" width="1280"] Image: bukharabiennial.uz[/caption] Part of a Wider Cultural Strategy The Bukhara Biennial forms part of a wider ACDF program to expand Uzbekistan’s cultural infrastructure. The foundation is overseeing the Center for Contemporary Art in Tashkent, due to open on September 6, 2026, and the National Museum of Uzbekistan, designed by Tadao Ando. ACDF has also formed an international advisory board for the biennial, with members including Chris Dercon and Michael Govan. [caption id="attachment_51637" align="aligncenter" width="1024"] Image: bukharabiennial.uz[/caption] The Art Basel announcement suggests that Uzbekistan is positioning the biennial as a recurring international platform, while keeping Bukhara’s historic sites and local audiences at its center. In 2025, nearly two million people attended the event in the city’s restored historic spaces. For the 2027 edition, the challenge...