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Cat Houses Installed at Tashkent Airport

Tashkent International Airport has introduced a heartwarming initiative by installing cat houses in the green space between the departure hall and the main terminal. Designed by students from the Tashkent University of Architecture and Civil Engineering, the structures provide a safe and comfortable habitat for the airport's feline residents. According to the press service of Uzbekistan Airports, cats have long been part of the airport's ecosystem. “Cats are natural inhabitants of the urban environment and play a vital ecological role. Apart from their aesthetic charm, they are skilled hunters, helping control populations of mice and rats,” the service said. The idea to construct cat houses had been under consideration for years but was delayed due to ongoing construction at the airport. With the involvement of the Mushukkent project and university students, the houses were finally completed and installed in locations safe for both the animals and airport operations. Materials used in building the cat houses are durable, resistant to decay, non-combustible, and environmentally friendly. The houses are equipped with heating systems for winter and ventilation for summer, ensuring the cats' comfort year-round. [caption id="attachment_27583" align="aligncenter" width="1151"] Image: Uzbekistan Airports Telegram[/caption] “For Uzbekistan Airports, this is more than just an ecological project - it’s a social initiative that reflects the company’s commitment to animal welfare. It symbolizes Uzbekistan’s hospitality, beginning right at the airport, and highlights the city’s humane values,” the company added. The Mushukkent project, launched in 2019, is supported by various government agencies, the National Guard of Uzbekistan, and non-governmental organizations. Its goals include fostering kindness towards animals, establishing shelters, controlling the stray cat population, and increasing penalties for animal cruelty. This initiative is not unique to Uzbekistan. Two years ago, animal rights activists in Almaty, Kazakhstan, installed wooden shelters for street cats. These huts, raised above the ground, feature a roof, ladder, and feeder, providing a safe and comfortable place for up to nine cats to sleep, eat, and stay protected from the elements.

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In Doha, Central Asian Artists Dismantle Orientalism

Completely covered by a huge textile patchwork piece, softly moved by the wind, the façade of the Mathaf Museum in Doha promises visitors something fascinating and alluring. Coming closer, attendees could read a series of statements in various languages on the fabric. The effect of familiarity and estrangement at once was the purpose of Azerbaijani artist Babi Badalov, who realized the piece. By layering phrases in Arabic, Cyrillic, and Latin with calligraffiti and employing disjointed grammar and syntax, the artist meant to visually disrupt “linguistic imperialism” and show how Europe’s modern civilization owes much to Arab civilization. [caption id="attachment_27513" align="aligncenter" width="2560"] The Mathaf Museum in Doha; image: TCA, Naima Morelli[/caption] This specially commissioned work, called Text Still (2024), is nothing but an appetizer for the show Seeing is Believing: The Art and Influence of Gérôme. Organized by the forthcoming Lusail Museum — an institution under development in northern Doha that will house the largest collection of the so-called Orientalist art — the exhibition features loans from institutions such as the Metropolitan Museum of Art in New York and the Islamic Arts Museum in Malaysia. The main part of the show is dedicated to French artist Jean-Léon Gérôme, who lived and worked in the 19th century and was profoundly influential in his depictions of the Middle East, North Africa, and South Asia. His works shaped Western perceptions of these regions during an era when colonialism and “Oriental Studies” were cementing global power dynamics. The show included a historical and biographical exploration of Gérôme’s life, timed to celebrate the 200th anniversary of his birth, as well as a photographic section curated by Giles Hudson dedicated to visions of the Orient from Gérôme’s time to today. But it is in the third section, centered on contemporary art and called “I Swear I saw That”, that Central Asian artist really enter into a close dialogue with Gérôme’s Orientalism, turning it on its head. Sara Raza, curator of this section, takes Badalov’s textile work as a case in point: “Badalov inverts Edward Said’s mission of examining Western perceptions of the Orient, focusing instead on Eastern perceptions of the Occident, and vice versa,” she told The Times of Central Asia. Edward Said’s concept of Orientalism, as detailed in his groundbreaking 1978 work of the same name, is an institutionalized program of Western knowledge, based mostly on projections, mystification, and imagination - and includes works of art as well as the academy - which is directed to justify a supposed Western superiority and imperialism over Eastern populations. “I Swear I Saw That” interrogates Jean-Leon Gerome’s way of seeing, which Sara Raza recognizes as a “fantastical and highly mythologized vision of the East,” and looks at how artists from both the Middle East, the Arab world and Central Asia fought back. A Central Asia and Caucasus expert who works extensively in the Middle East, Raza has examined the process of the exoticization of Eastern populations for a long time. She coined the term “Punk Orientalism,” which also became the...

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Uzbek Footballer Abdukodir Khusanov to Sign for Manchester City

When the English champions Manchester City suffered a shock run of losses recently, soccer fans began guessing what moves coach Pep Guardiola would make to stop their winter slump. No-one expected him to call for a defender from Uzbekistan. Abdukodir Khusanov, still only 20 but already with 18 appearances for the White Wolves, is set to become Guardiola’s first signing of 2025. On 11 January the tall center-back agreed to join City in a €40 million ($41 million) transfer from the French team RC Lens. Once the move is complete, Khusanov is expected to sign a contract for four and a half years, Manchester City have won five of the last six Premier League titles. They were European club champions in 2023 after winning a first UEFA Champions League. With Europe's giants very rarely looking to Asia for their next young star, Khusanov has taken an unconventional route to the Etihad Stadium. He began his career in the youth team of local side Bunyodkor, before moving to Belarus in 2022, at the age of 18, to play for Energetik-BGU Minsk. In 2023 Khusanov was part of the Uzbekistan youth team that won the AFC Under-20 Asian Cup. There his confident passing and physicality caught the attention of RC Lens. He became a fan favorite in northern France, and the youngest Uzbek to play in the Champions League. Conor Bowers, a British fan of Uzbek soccer, has followed Khusanov’s career closely, and mentions that the €40 million man once struggled even to make teams in his homeland. “Although he is now over six feet tall, his youth coaches thought he would be too small to make it professionally. And that was even as a child, when he played as a striker.” Of his season in France, Bowers adds: “People had high hopes for Khusanov, but no-one expected him to move to a club the size of Manchester City this fast. People feel it will put Uzbekistan in the spotlight of the football world.” It was his strong performances in the French league that put Khusanov on the radar of Europe’s best clubs – Manchester City beat other English teams to his signature – but the defender is also vital to his national team. With the striker Eldor Shomurodov (of Roma in Italy) leading the attack, and Khusanov the team’s rock in defense, Uzbekistan has become Central Asia’s most accomplished side. The senior team is on course to qualify for next year’s men’s FIFA World Cup in North America. Khusanov will be the first footballer from anywhere in Central Asia to play in the English Premier League. However, he is not the first player born in Tashkent to grace the so-called “best league in the world". The Nigerian forward Peter Odemwingie spent his early childhood in Uzbekistan’s capital, before playing in the EPL for West Bromwich Albion and Stoke City. As news of Khusanov’s move to Manchester swept across Uzbek media over the weekend, sports fans were excited by the prospect of...

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Uzbekistan Receives Historic Manuscript Copies from Malaysia

Uzbekistan’s cultural heritage will soon be added to with facsimile copies of ancient manuscripts provided by Malaysia. This initiative is part of a collaboration between the Center for Islamic Civilization in Uzbekistan and Malaysia’s International Institute of Islamic Thought and Civilization. During a recent visit to Malaysia by an Uzbek delegation, the Center’s Director, Firdavs Abdukhalikov, received copies of two invaluable works: Abu Rayhan Beruni's At-Tafhim and Abulkasim Firdavsi's Shahnameh, both transcribed during the Timurid era. Abdukhalikov believes this initiative aligns with broader efforts to promote humanitarian values and preserve Uzbekistan’s historical heritage. “The copies of manuscripts received today will further enrich the exposition of our center,” he stated. Beruni’s At-Tafhim, originally transcribed in 1197, holds immense significance for world science. Meanwhile, the Timurid-era transcription of Firdavsi’s Shahnameh, produced in the 15th century, reflects the traditions of book printing from that period and showcases the distinctive features of Kamoliddin Behzod’s renowned school of miniature painting. These manuscripts will be displayed at the Center for Islamic Civilization, which was established eight years ago to celebrate the contributions of Uzbek scholars to global civilization and to preserve the nation’s rich cultural legacy.

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Art Against All Odds: The State Museum of Karakalpakstan’s Tale of Survival and Defiance

Once a flourishing hub of agriculture, Karakalpakstan has been transformed into one of the most perilous environments on Earth. Rampant health crises, including respiratory diseases, typhoid, tuberculosis, and cancer, plague its population. Birth defects and infant mortality rates are alarmingly high. The root of this devastation lies in the deliberate collapse of the Aral Sea, drained for irrigation, which has triggered toxic dust storms blanketing a 1.5 million square kilometer area. Carrying carcinogens and nitrates, these storms, once rare, now strike ten times per year, spreading sickness and despair. [caption id="attachment_27445" align="aligncenter" width="2560"] The State Museum of Karakalpakstan; image: TCA, Stephen M. Bland[/caption] Amid this harsh and desolate landscape lies a surprising beacon of cultural preservation — the State Art Museum of the Republic of Karakalpakstan, located in its capital, Nukus. Its existence is extraordinary, not least because of how it came to be and how it has endured. Protected by the remoteness of the region, this museum safeguards one of the most remarkable collections of banned avant-garde art, amassed through the daring vision of Igor Savitsky. The Ukrainian-born painter, archaeologist, and art collector defied the Soviet regime, risking being labeled an enemy of the state, to rescue thousands of prohibited works. These pieces, forged by a forgotten generation of artists, now provide an extraordinary glimpse into a turbulent period of history. [caption id="attachment_27446" align="aligncenter" width="972"] Aleksandr Volkov, Chaikhana with a Portrait of Lenin; image: TCA, Stephen M.. Bland[/caption] Among the luminaries memorialized in the museum is Aleksandr Volkov, whose vibrant oil paintings brim with the energy and colors of Central Asian life. Born in Ferghana, his Cubo-Futurist style clashed sharply with Stalin’s Soviet ideals, leading to his ostracism as a bourgeois reactionary. Dismissed from his roles and expelled from Russian galleries, Volkov lived out his final years in isolation, banned from contact with the artistic community. Though he escaped the gulags, he was silenced until his death in 1957 under orders from Moscow. Volkov’s work, a symphony of geometric brilliance, survive today as a testament to his resilience. [caption id="attachment_27447" align="aligncenter" width="500"] Lev Galperin, On His Knees; image: TCA, Stephen M. Bland[/caption] Painted defiance is also seen in Lev Galperin's surviving piece, On His Knees. A unique fusion of Dada and Cubism, it represents his bold challenge to Soviet authority. Galperin, a well-traveled artist from Odessa, returned to the Soviet Union in 1921 only to be ensnared. Arrested on Christmas Day in 1934 for his so-called counter-revolutionary art, his trial marked him as an outspoken critic of the regime. Sentenced to execution, his sole piece saved from oblivion speaks of his courage and the high cost of dissent. [caption id="attachment_27448" align="aligncenter" width="1170"] Nadezhda Borovaya, Sawing Firewood; image: nukus.open-museum.net[/caption] The gallery also hosts haunting sketches by Nadezhda Borovaya, which vividly document life in the Soviet gulags. Borovaya’s tragedy began in 1938 when her husband was executed, after which she was exiled to the Temnikov camp. There, she clandestinely captured the harrowing realities of camp life. Savitsky acquired these pieces by...

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How Orthodox Christmas Is Celebrated in Central Asia

Orthodox Christmas, observed on January 7, holds a significant place in Central Asia, even in predominantly Muslim countries such as Tajikistan and Turkmenistan. This article explores how the holiday is celebrated in Kazakhstan, Uzbekistan, Kyrgyzstan, Tajikistan, and Turkmenistan. Kazakhstan Orthodox Christmas in Kazakhstan is a public holiday, alongside the Muslim celebration of Kurban-Ayt (Eid al-Adha). This recognition stems from the efforts of Kazakhstan's first president, Nursultan Nazarbayev, who proposed in 2005 during the XI session of the Assembly of People of Kazakhstan to declare both holidays as non-working days. Despite opposition from the Constitutional Court, which cited the country's secular constitution, members of the parliamentary faction Asar, led by Nazarbayev's daughter Dariga Nazarbayeva, and the presidential party Otan amended the Labor Code to accommodate these holidays. Since then, Orthodox Christmas and Kurban-Ayt have been official holidays. Celebrations in major cities include festive liturgies. In Almaty, the Ascension Cathedral holds a service beginning at 11pm on January 6, followed by a midnight procession. In Astana, the Assumption Cathedral similarly hosts a midnight service. For those unable to attend, events from the Assumption Cathedral are live-streamed on the YouTube channel “Live Broadcasts of the Orthodox Church of Kazakhstan.” Uzbekistan Orthodox Christians comprise 4-5% of Uzbekistan’s population of over 37.5 million. Uzbekistan is part of the Tashkent and Uzbekistan Diocese under the Russian Orthodox Church. The Cathedral of the Dormition of the Blessed Virgin Mary in Tashkent is the focal point of Christmas celebrations. Services begin at 11.30pm on January 6 and end at 3.30am. To ensure maximum participation, the cathedral holds five separate liturgies. Metropolitan Vikenty of the Tashkent and Uzbekistan Diocese explains, “Traditionally, the liturgy was held at night because the Nativity of Christ took place at night. But not everyone can attend a night service, so we perform several liturgies.” Kyrgyzstan Approximately 350,000 Orthodox Christians live in Kyrgyzstan, according to Bishop Daniel of Bishkek and Kyrgyzstan. The country is part of the Bishkek and Kyrgyzstan Diocese of the Russian Orthodox Church. January 7 is a public holiday in Kyrgyzstan, aligning with the extended New Year vacations, which last from January 1 to 7. Festive services are held at the Resurrection Cathedral and the Church of the Holy Prince Vladimir in Bishkek. Tajikistan In Tajikistan, the Orthodox Christian community numbers around 80,000, or 1.2% of the population, though regular church attendance is much smaller. The country is under the jurisdiction of the Dushanbe Diocese of the Russian Orthodox Church. Christmas services are held at St. Nicholas Cathedral in Dushanbe, beginning at 11pm on January 6 and lasting about three hours. The diocese oversees six churches in Tajikistan, served by five priests. Turkmenistan As of 2019, Turkmenistan’s Orthodox Christian population is about 485,000, or 9% of the total population. All Orthodox parishes are under the Patriarchal Parishes of the Russian Orthodox Church, established in 2007. Services on Christmas Eve and January 6 are conducted in all 12 Orthodox churches in Turkmenistan, adhering strictly to church traditions. According to Archpriest John, dean of...