• KGS/USD = 0.01144 0%
  • KZT/USD = 0.00197 0%
  • TJS/USD = 0.09154 -0.11%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28571 0%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00197 0%
  • TJS/USD = 0.09154 -0.11%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28571 0%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00197 0%
  • TJS/USD = 0.09154 -0.11%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28571 0%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00197 0%
  • TJS/USD = 0.09154 -0.11%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28571 0%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00197 0%
  • TJS/USD = 0.09154 -0.11%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28571 0%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00197 0%
  • TJS/USD = 0.09154 -0.11%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28571 0%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00197 0%
  • TJS/USD = 0.09154 -0.11%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28571 0%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00197 0%
  • TJS/USD = 0.09154 -0.11%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28571 0%
11 February 2025

Viewing results 7 - 12 of 191

CNN Report on Ibn Sina Sparks Central Asian Nationality Debate

A recent CNN report referring to the scholar Ibn Sina as an Uzbek scientist has ignited controversy in Central Asia, particularly in Tajikistan. Tajikistan’s Minister of Culture, Matlubakhon Sattoriyon, strongly criticized the report, calling it a “distortion of reality.” Ibn Sina, known as Avicenna in the West, was a polymath who made groundbreaking contributions to medicine, logic, physics, mathematics, and other sciences. Born in 980 in the village of Afshona near Bukhara, an area now part of Uzbekistan, he died in 1037. Over his lifetime, he authored more than 450 works, with about 240 surviving to this day. His most renowned book, The Canon of Medicine (Tib qonunlari), served as a standard medical text in Europe and the Islamic world for centuries. While the Ibn Sina segment was actually created not by CNN itself but by the Center of Islamic Civilization in Uzbekistan, Sattoriyon accused CNN of disregarding historical facts and described the report as another example of what she called the “appropriation” of Tajik's scientific and literary heritage. “This is an insult not only to the Tajik people but also to the history and culture of Persian literature worldwide,” she said. The minister urged Tajik scientists and intellectuals to counter such claims with evidence, though she also dismissed CNN’s report as “just a TV channel’s material with no historical basis,” pointing out that it does not reflect Uzbekistan’s official stance. In Uzbekistan, reactions to the controversy varied. Sherzodkhon Kudratkhuja, Rector of the University of Journalism and Mass Communications, acknowledged the shared history of Uzbekistan and Tajikistan and called for moderation. “At a time when Central Asia is strengthening its unity, we must all approach such issues carefully,” Kudratkhuja said. He emphasized that Ibn Sina is commonly described as a scholar born in Bukhara, a region now within Uzbekistan’s borders, but suggested that he should be seen as a figure representing the entire Central Asian region. Bobur Bekmurodov, Chairman of Uzbekistan’s “Yuksalish” movement, expressed disappointment with Tajikistan’s criticism. “The legacy of figures like Ibn Sina belongs to the entire region and the world,” Bekmurodov said. He urged Central Asian nations to focus on shared challenges such as climate change, economic growth, and security rather than divisive historical disputes. Azamat Ziyo, Director of the Institute of History at Uzbekistan’s Academy of Sciences, echoed calls for regional unity. “There is no written evidence about the nationality of many historical figures in Central Asia, including Ibn Sina. What matters is their contribution to science and humanity, not their nationality,” he stated. Ziyo also appealed to politicians to avoid interfering in historical scholarship. “The science of history is the business of historians. We should rely on objective, source-based research rather than political interpretations,” he said. He emphasized the importance of collaboration among historians from Uzbekistan, Tajikistan, Kazakhstan, Kyrgyzstan, and Turkmenistan to address shared historical legacies. Drawing on his 40 years of research into the history of Central Asian statehood, Ziyo explained the complexity of national identities in the region. “During the reign of the...

Silk Roads Exhibition: Beating Heart of the Ancient World

On a gloomy winter’s day, The Times of Central Asia visited the Silk Roads Exhibition at the British Museum. The sight of a significant queue wrapped around the museum for entry was startling. Once inside, the exhibit thronged with visitors snaking their way to peruse artifacts arranged by region and era. Concerned about blocking display views as you read descriptions? No need to worry — thick guidebooks with full narratives greeted you at the entrance to borrow during your visit. The exhibition envisions the Silk Road as the beating heart of the ancient world, with arteries stretching across seas, mountains, and deserts. With over 300 artifacts spread across five geographical zones, it can be hard to know where to start. I observed a nearby gentleman in tweed who offered a simple tip: start with a place that interests you and go from there. Then I overheard that he was going to Cairo. New partnerships with Uzbekistan’s Art and Culture Development Foundation (ACDF) and Tajikistan’s museums had seen fresh items loaned to the exhibit. These collaborations highlight Central Asia's important role in this sweeping narrative, helping to connect the dots in this continent-spanning story. Immersed in the culture and history, I couldn’t help but wonder — what did the audience think? After a few unsuccessful attempts, I spoke with an English visitor named Georgie Bennett. [caption id="attachment_27908" align="aligncenter" width="2029"] Georgie Bennett visiting the Silk Roads Exhibition; image: TCA, Stephen M. Bland[/caption] TCA: What drew you here today? I think the thing for me is I have a really poor knowledge and understanding of this bit of history. So, I heard the exhibition was on and some of my friends already booked tickets, I said yes, I’ll absolutely come along because… I wanted to learn more. TCA: What’s the one item that’s caught your eye the most? I really like the story of the silk princess; it was a very humanizing story about this lady who’s newly married and brings the knowledge of how to make silk to her husband’s kingdom… I feel like I've learned so much. I’m enjoying it, though I almost wish I had a notebook and pen because I'm getting a general impression without knowing any of the details. [caption id="attachment_27909" align="aligncenter" width="2560"] Charred wooden door panel from Kafir Kala, near Samarkand, Uzbekistan, circa AD 500, on loan from the State Museum reserve[/caption] The Times of Central Asia also spoke to one of the curators, Luk Yu-Ping to delve deeper into the Silk Road experience. TCA: Globalism is considered a modern concept of interconnectivity, but looking at the vast connections and influence within the Silk Road Exhibition it’s implied that this concept may have been prevalent in the past along these trade routes. Could you expand on this? This exhibition highlights the movement of people, objects, and ideas across Asia, Africa, and Europe during the period 500 to 1000 CE. The focus is not only on trade but also other ways of contact and exchange. Audiences might be...

Uzbekistan Encourages Civil Servants in Tashkent to Wear National Dress

Shavkat Umurzakov, the khokim of Tashkent, has signed a decree launching the National Tashkent project, an initiative aimed at promoting Uzbekistan’s cultural heritage and national traditions within the capital. The project includes a wide range of activities, from redesigning public spaces to reflect traditional Uzbek aesthetics to encouraging civil servants to adopt national attire. Public transportation, markets, parks, and other spaces across Tashkent will be adorned in a national style as part of this effort. Traditional Clothing for Civil Servants As part of the initiative, government employees in Tashkent are encouraged to wear traditional Uzbek clothing during work hours, provided it does not conflict with existing uniform requirements. To further promote this practice, Fridays have been designated as “National Dress Day” for civil servants. Employees of khokimiyats, departments, and other government agencies are being urged to embrace traditional attire on these days. A special working group, led by Shakhnoza Sultanova, deputy khokim and head of the Department for Family and Women's Affairs, has been tasked with overseeing the project. This group has developed an action plan that includes educational programs, public events, and support for local entrepreneurs who specialize in the production of ethnic clothing. Celebrating Uzbek Culture The National Tashkent project emphasizes integrating Uzbek cultural elements into mass events such as holidays, exhibitions, concerts, and sports competitions. Participants at these events will don traditional costumes, while the programs will feature folk games, dances, and songs. Contests and awards will further highlight the richness of Uzbek traditions. Additionally, the initiative envisions creating television programs, publishing articles in both traditional and social media, and launching public challenges such as “National Dress for Everyone.” A contest titled “The Best Promoter of National Traditions” will recognize individuals or organizations that effectively advocate for Uzbek culture. Educational institutions will also participate by hosting lectures on the history of national crafts and clothing. Cultural Zones for Tourists The project includes measures to enhance the cultural experience for tourists visiting Tashkent. Special zones will be created, featuring craft workshops, photo opportunities with national costumes, and curated cultural routes. Hotels and restaurants will host exhibitions and competitions to showcase traditional values, further engaging both residents and visitors. Public transportation will also reflect the project’s goals, with buses and transport cards decorated with national patterns. Similarly, the facades and interiors of shopping centers, markets, and museums will incorporate traditional Uzbek designs. Schools will see the introduction of “National Classrooms” decorated in the spirit of Uzbek culture. Strengthening National Identity The National Tashkent project is a comprehensive effort to preserve Uzbekistan’s cultural heritage, strengthen national identity, and pass down traditions to younger generations. By raising awareness of ethnic customs and promoting national pride, the initiative seeks to enrich the cultural fabric of the capital while fostering a deeper appreciation for Uzbekistan’s historical and artistic legacy.

Kindergarten in Uzbekistan Stages Dangerous Show with Poisonous Cobras

A kindergarten in Uzbekistan sparked widespread outrage after staging a performance involving poisonous Central Asian cobras, a species listed in the Red Book of Uzbekistan's endangered plant and animals. Footage of the event, which was shared on social media, showed the snakes being handled in close proximity to children, raising serious concerns about safety and animal welfare. In the video, a man can be seen demonstrating two venomous snakes to a group of young children, with no apparent safety measures in place. The cobras were allowed to move freely on the floor near the children. The Uzbek language heard in the recording confirms the location as Uzbekistan, but the exact location of the kindergarten has yet to be identified. The incident has prompted public outcry, with many questioning the judgment of the organizers and the lack of safeguards for the children. So far, the Ministry of Preschool and School Education has refrained from issuing an official statement. The situation has caught the attention of the Children's Ombudsman in Uzbekistan. The Ombudsman’s press service announced that law enforcement agencies are actively working to determine the circumstances and location of the performance, as well as the identities of those responsible. A full investigation is underway, and the organizers’ actions will be subject to legal assessment once the inquiry is complete. This is not the first time unauthorized animal performances have taken place in Uzbekistan. In December of last year, a similar case was reported in the Koshrabad district of the Samarkand region. Two individuals held unauthorized shows at schools and kindergartens, featuring a tiger python. The snake was later confiscated and handed over to the regional department of ecology. These incidents highlight a recurring issue of unregulated animal performance in educational institutions, raising questions about safety, legal oversight, and the ethical treatment of wildlife.

Cat Houses Installed at Tashkent Airport

Tashkent International Airport has introduced a heartwarming initiative by installing cat houses in the green space between the departure hall and the main terminal. Designed by students from the Tashkent University of Architecture and Civil Engineering, the structures provide a safe and comfortable habitat for the airport's feline residents. According to the press service of Uzbekistan Airports, cats have long been part of the airport's ecosystem. “Cats are natural inhabitants of the urban environment and play a vital ecological role. Apart from their aesthetic charm, they are skilled hunters, helping control populations of mice and rats,” the service said. The idea to construct cat houses had been under consideration for years but was delayed due to ongoing construction at the airport. With the involvement of the Mushukkent project and university students, the houses were finally completed and installed in locations safe for both the animals and airport operations. Materials used in building the cat houses are durable, resistant to decay, non-combustible, and environmentally friendly. The houses are equipped with heating systems for winter and ventilation for summer, ensuring the cats' comfort year-round. [caption id="attachment_27583" align="aligncenter" width="1151"] Image: Uzbekistan Airports Telegram[/caption] “For Uzbekistan Airports, this is more than just an ecological project - it’s a social initiative that reflects the company’s commitment to animal welfare. It symbolizes Uzbekistan’s hospitality, beginning right at the airport, and highlights the city’s humane values,” the company added. The Mushukkent project, launched in 2019, is supported by various government agencies, the National Guard of Uzbekistan, and non-governmental organizations. Its goals include fostering kindness towards animals, establishing shelters, controlling the stray cat population, and increasing penalties for animal cruelty. This initiative is not unique to Uzbekistan. Two years ago, animal rights activists in Almaty, Kazakhstan, installed wooden shelters for street cats. These huts, raised above the ground, feature a roof, ladder, and feeder, providing a safe and comfortable place for up to nine cats to sleep, eat, and stay protected from the elements.

In Doha, Central Asian Artists Dismantle Orientalism

Completely covered by a huge textile patchwork piece, softly moved by the wind, the façade of the Mathaf Museum in Doha promises visitors something fascinating and alluring. Coming closer, attendees could read a series of statements in various languages on the fabric. The effect of familiarity and estrangement at once was the purpose of Azerbaijani artist Babi Badalov, who realized the piece. By layering phrases in Arabic, Cyrillic, and Latin with calligraffiti and employing disjointed grammar and syntax, the artist meant to visually disrupt “linguistic imperialism” and show how Europe’s modern civilization owes much to Arab civilization. [caption id="attachment_27513" align="aligncenter" width="2560"] The Mathaf Museum in Doha; image: TCA, Naima Morelli[/caption] This specially commissioned work, called Text Still (2024), is nothing but an appetizer for the show Seeing is Believing: The Art and Influence of Gérôme. Organized by the forthcoming Lusail Museum — an institution under development in northern Doha that will house the largest collection of the so-called Orientalist art — the exhibition features loans from institutions such as the Metropolitan Museum of Art in New York and the Islamic Arts Museum in Malaysia. The main part of the show is dedicated to French artist Jean-Léon Gérôme, who lived and worked in the 19th century and was profoundly influential in his depictions of the Middle East, North Africa, and South Asia. His works shaped Western perceptions of these regions during an era when colonialism and “Oriental Studies” were cementing global power dynamics. The show included a historical and biographical exploration of Gérôme’s life, timed to celebrate the 200th anniversary of his birth, as well as a photographic section curated by Giles Hudson dedicated to visions of the Orient from Gérôme’s time to today. But it is in the third section, centered on contemporary art and called “I Swear I saw That”, that Central Asian artist really enter into a close dialogue with Gérôme’s Orientalism, turning it on its head. Sara Raza, curator of this section, takes Badalov’s textile work as a case in point: “Badalov inverts Edward Said’s mission of examining Western perceptions of the Orient, focusing instead on Eastern perceptions of the Occident, and vice versa,” she told The Times of Central Asia. Edward Said’s concept of Orientalism, as detailed in his groundbreaking 1978 work of the same name, is an institutionalized program of Western knowledge, based mostly on projections, mystification, and imagination - and includes works of art as well as the academy - which is directed to justify a supposed Western superiority and imperialism over Eastern populations. “I Swear I Saw That” interrogates Jean-Leon Gerome’s way of seeing, which Sara Raza recognizes as a “fantastical and highly mythologized vision of the East,” and looks at how artists from both the Middle East, the Arab world and Central Asia fought back. A Central Asia and Caucasus expert who works extensively in the Middle East, Raza has examined the process of the exoticization of Eastern populations for a long time. She coined the term “Punk Orientalism,” which also became the...