Our People > K Krombie

K Krombie

Regional Editor and Contributor

K. Krombie is a freelance journalist, lecturer, editor, and the author of Death in New York (published in 2021), which explores death in the Big Apple from experiments in embalming and capital punishment to the vagaries of the mortuary business. Krombie also owns a tour company called Purefinder New York, which focuses on NYC behind the scenes.

Articles

Kazakh Diaspora

NoMad Nights: Celebrating Kazakh Identity at New Year in New York

There’s no party like a New Year NoMad Kazakh Party. Staged slightly ahead of New Year’s Eve to align with the weekend, the glamorous event marked a welcome to the incoming 2026 as well as a celebration of Kazakh culture in New York City. The Sky Wise Lounge, a fashionable Asian fusion venue with regular live entertainment, is located in Brooklyn’s Sheepshead Bay. The neighborhood has a sizable Central Asian population rooted in the former Soviet diaspora and sustained by post-Soviet migration. Events like this one are part of an expanding series of multi-city gatherings across the United States hosted by ATB Promotions, led by Kazakhstani entrepreneur, Talgat Abdrakhmanov. A rotating group of about half a dozen DJs brings high-energy sets that fuse their own mixes with crowd-favorite Kazakhstani hits. [caption id="attachment_41575" align="aligncenter" width="455"] Talgat Abdrakhmanov (right) at NoMad Nights[/caption] Abdrakhmanov, originally from Karaganda, has achieved the American dream. Like other successful immigrants, he has built a business by adopting, adapting, and commercializing the enterprising customs of the U.S. After arriving in New York City in 2012, Abdrakhmanov worked his way up from a dishwasher and a waiter to a customer service representative. He later worked as an IT quality assurance analyst and in the competitive worlds of Wall Street and Silicon Valley. But it was not all work. While navigating employment and IT studies, Abdrakhmanov also embraced the play element of his American life, particularly nightlife and dance music, where he began to notice an unmet demand within his community. During this time, he developed an idea rooted in his own downtime preferences and a desire to cater to fellow immigrants from Kazakhstan. Initially, he organized small meetups with friends at restaurants and sports bars, as well as group outings to soccer games and boxing matches, including bouts featuring former Kazakhstani middleweight world champion Gennady Golovkin, widely known as GGG. “That was the initial spark that gave me an idea to make parties and events in the future,” Abdrakhmanov told The Times of Central Asia. “That’s how ATB Promotions came up.” The Kazakhstani community in the U.S. was receptive to Abdrakhmanov’s first networking foray, KazCommunity USA. “I started KazCommunity USA back in 2016, because I had held many jobs and gained a lot of experience, and people were often asking me for advice, where to find a job, where to find a place to live, how to do this, how to do that. Based on those questions, I decided to create chats and groups on Facebook, Telegram, and WhatsApp, so they exist across different social media platforms. “KazCommunity USA is really about the community. I never charged any money for it. It’s more like a nonprofit initiative that helps people find work, find a place to live, and connect with each other. That includes organizing meetups and events, some of which I later did through ATB Promotions. But KazCommunity itself is free and focused on helping people and building connections within the community.” Abdrakhmanov’s efforts to connect U.S.-based Kazakhstani...

1 month ago

Turkmen Music

From the Central Asian Steppe to Manhattan: A Turkmen Bard in New York

A halal Chinese Muslim restaurant in New York City is an unlikely setting for a concert by a highly acclaimed bard of the Turkmen tradition. Yet on a Saturday afternoon in Manhattan’s Kips Bay neighborhood, before an audience of attentive listeners and curious onlookers peering through the window, the multi-award-winning Mohammad Geldi Geldi Nejad filled Beef Up Noodle with sustained melodic phrases and guttural embellishments. At times, his dexterous strumming of the dutar, a two-stringed long-necked lute, deliberately mimicked the rhythm of galloping horse hooves central to the Turkmen bardic style. Mohammad was raised in the Turkmen community of Gonbad-e Kavus in northeastern Iran. At age ten, he became only the second musician ever to receive the honorary title Oghlan Bakhshi, meaning Child Bard. His musical education in Turkmen bardic traditions began in early childhood, before more formal training in Turkmenistan’s capital, Ashgabat. Turkmen culture, shaped by a nomadic heritage, extends across Turkmenistan, Iran, Afghanistan, Uzbekistan, and Kazakhstan, with smaller populations in Turkey, Iraq, and the North Caucasus. It draws on nomadic traditions where performance serves as a primary vehicle of cultural expression. Central Asian music and culture, carried by diasporic communities from these regions, has found a growing audience in the United States. Turkmen traditions, however, given the minuscule size of the Turkmen population in the U.S., remain largely unfamiliar to most audiences. [video width="848" height="478" mp4="https://timesca.com/wp-content/uploads/2025/12/WhatsApp-Video-2025-12-17-at-18.16.28.mp4"][/video] Even so, Mohammad has brought his music to audiences beyond Turkmenistan and Iran, performing in parts of Europe and the U.S., including recent concerts at the Lowell Folk Festival in Massachusetts and at Roulette in Brooklyn. At the latter, he offered Western listeners rare access to a musical lineage sustained within a family across generations. Performing under his honorific alias Oghlan Bakhshi, he appeared alongside his father, the gyjak, or spike fiddle, master Abdolghaffar Geldinejad, and his wife and regular musical collaborator, Zyyada Jumayeva, a dutar player who represents the female bardic tradition of Turkmenistan. His album Journey Across the Steppes is the first international release of Turkmen folk music in 30 years. His work has also been documented in a book series, The Music of Central Asia. At Beef Up Noodle, Mohammad’s performance, titled Songs of the Bakhshi: Turkmen Bardic Heritage, formed part of a broader curatorial landscape shaped by ethnomusicologist Mu Qian, whose work spans scholarship, publishing, and community-based music making. From Zayton to New York is the concert series he curates, exploring how music travels through histories of migration and exchange. Mohammad’s appearance opened a Central Asian trilogy within the series, to be followed by programs devoted to Kyrgyz and Kazakh musical traditions in early 2026. This trilogy represents one strand of Mu Qian’s wider mission, developed through the See & Sea Cultural Foundation, to support minority musicians and bring underrepresented musical cultures from across Asia into conversation with audiences beyond their places of origin. [caption id="attachment_41154" align="aligncenter" width="1283"] Mu Qian with Mohammad Geldi Geldi Nejad; image: Paul Adams[/caption] British expat Margaret Murray, an audience member whose chance meeting...

2 months ago

Photography

Grounding the Stars: Andrew McConnell’s Lens on Space and the Steppe

Award-winning photographer and filmmaker Andrew McConnell has dedicated his career to illuminating the world’s overlooked regions and underreported stories. He has a distinctive ability to examine major global issues and events from fresh, often unexpected perspectives. Ordinary people in extraordinary circumstances are the focus of McConnell’s lens. From conflict zones in the Democratic Republic of the Congo to the hidden lives of the Sahrawi people in Western Sahara, his work frequently highlights human endurance in challenging environments. His new book, Some Worlds Have Two Suns, takes a different direction. It explores the vast, remote Kazakh Steppe, where the sparse local population coexists with the high-tech world of space travel. The project began in 2014 after he filmed his documentary Gaza. While decompressing at home in Ireland, he watched a BBC documentary about a Soyuz spacecraft landing in the Kazakh Steppe. The stark contrast between destruction and human achievement struck him. “I turned to my parents and said, ‘I’m gonna go and see that.’” That moment sparked an eight-year journey documenting the Russian ground crews recovering astronauts and the communities living beneath these celestial homecomings. TCA: You visited the Kazakh Steppe multiple times to document the Soyuz landings. How many trips did you make and what were the challenges of reaching such a remote location? Andrew: I probably made a dozen. I would join the ground crew in Karaganda, which is not far from Astana, and from there they head out to the Steppe, and depending on whether it's winter or summer they have different vehicles for either one. In summer, the Steppe is fine to drive on, so they have four by fours and we head out and set up camp the day before the Soyuz arrives. They know the exact time the Soyuz will land, right down to the second, and it always goes to the same location, which is a group of tombs. You can see those in the book, the two horsemen beside these tombs. These are old nomadic burial tombs, maybe 300 years old, so that, initially, was very interesting to me… you know, what are these? The Steppe is this unending boundless void of nothingness, just flat grassland. At first, as a photographer, it was quite underwhelming because visually, how do you make that interesting? But here were these tombs in the middle of nowhere and it was instantly fascinating. That was always the base camp. I don’t know if that’s where Rocosmos aimed Soyuz, but that’s where it came into the atmosphere every time I saw it. It would enter the atmosphere above these tombs. The parachute deploys and then it depends on the wind because they can drift for 20 kilometers. A couple of times it was a windless day, and the Soyuz dropped within sight of these tombs. I had a fantasy that it would drop in the middle of it. [caption id="attachment_28250" align="aligncenter" width="2000"] Nomadic burial tombs, Soyuz landing zone, Kazakhstan, 2018; image: Andrew McConnell[/caption] TCA: What shifted your focus from the...

1 year ago

Art and Culture

Exploring Uzbekistan’s Cultural Tapestry – Trio Fadolín’s From Near and Far in NYC

Earlier this month, the Library for the Performing Arts at Manhattan’s Lincoln Center resonated with the vibrant sounds of From Near and Far, a new musical project by the New York-based ensemble Trio Fadolín. The performance, part of the New York Public Library’s cultural programming, captivated audiences with its rich exploration of Uzbek musical traditions and beyond. Suspense, melancholy, and drama were interwoven with personal stories shared by Ljova (Lev Zhurbin), a member of the ensemble and virtuoso of the fadolín — a one-of-a-kind string instrument custom-made for him — blending the tonal depth of the violin, viola, and cello. The program featured compositions by Ljova, Uzbek composer Dmitry Yanov-Yanovsky, and Ljova’s father, the renowned Soviet-era composer Alexander Zhurbin. Adding a poignant layer to the evening, Alexander Zhurbin attended the concert in person, providing a tangible connection to the ensemble’s exploration of cultural and familial roots. [embed]https://www.youtube.com/watch?v=guMv_IRHstg[/embed] Alexander Zhurbin, 1985 Much of Ljova’s career has been dedicated to uncovering and performing music from underrepresented regions, introducing audiences to sounds often unfamiliar in the West. Born in Moscow, he immigrated to New York in 1990 with his parents, quickly immersing himself in the city’s multicultural and musical landscape. As a composer, arranger, and bandleader for his ensemble, Ljova and the Kontraband, he has collaborated with globally acclaimed groups including the Yo-Yo Ma-founded Silkroad Ensemble (now called Silkroad). Ljova’s work defies boundaries, blending Eastern and Western influences to honor and innovate musical traditions. The trio's members — Ljova, violinist Sabina Torosjan (born in Estonia), and cellist Valeriya Sholokhova (born in Ukraine) — found a shared connection to Uzbekistan through their personal histories, which became the foundation for From Near and Far. TCA spoke with the trio about their musical and familial ties to Uzbekistan. TCA: Can you share how your personal histories connect you to Uzbekistan? Ljova: My father, Alexander Zhurbin, wrote the Soviet Union's first rock opera, Orpheus and Eurydice, in 1975. It played in stadiums and was in the Guinness Book of Records as the longest-running musical in Russia. He was born in Tashkent and lived there until his mid-20s when he moved to Leningrad — now St. Petersburg — to study, and then to Moscow to work as a composer in film, TV, musicals, and the concert stage. Sabina: Just like many people from the former Soviet Union, I have a mixed background. I grew up in Estonia. My mother’s side of the family was Ukrainian Jews and my father’s side was Armenian. The interesting connection to Uzbekistan is that it is where my father was born. His father was sent to work there as a veterinarian at the time, in Biruni, Uzbekistan. But shortly after my father was born, his family returned to Yerevan. Valeriya: My grandfather’s family sought refuge there during World War II and survived those difficult years in Uzbekistan. However, they returned to Ukraine as soon as they were able. There are pictures of my grandfather as a child wearing an Uzbek tyubeteyka, and...

1 year ago

Domestic Violence

#ForSaltanat: The Quest for Justice in Domestic Violence Cases in Kazakhstan

In the spring of 2024, the televised murder trial of Kuandyk Bishimbayev, Kazakhstan’s former Minister of the National Economy, captivated viewers across the country. Bishimbayev was found guilty of the brutal murder of his wife, Saltanat Nukenova, in a restaurant in Astana, and sentenced to 24 years in prison. Comparisons to the O.J. Simpson trial of 1995 were inevitable. Both trials involved a prominent figure — in this case, a politician previously pardoned by President Nursultan Nazarbayev after serving time for corruption — a victim who had endured domestic abuse, and a massive viewership. Bishimbayev's trial underscored public fascination with the case, driven not only by its reality TV appeal but by a growing awareness of deeply ingrained gender inequities, particularly regarding the societal expectations placed on Kazakh women within marriage. The trial’s timing occurred shortly before — and perhaps by no coincidence — new legislation was signed by President Kassym-Jomart Tokayev on April 15, 2024, amending laws to protect the rights and safety of women and children. However, critics noted an omission: a clear, targeted focus on preventing domestic violence. Two Kazakh women, who shared their stories with The Times of Central Asia, revealed the extent to which domestic violence remains embedded in Kazakh society. Rayana, from Astana, and Aliya, a Kazakh student in New York City, have never met, yet their stories echo shared challenges and hopes for change in their home country. Rayana, a beauty industry professional in her mid-twenties, reflected on her brief and tumultuous marriage, which began when she was 23. “I loved my husband, but felt it was too early to marry. We married just four months after meeting, and within a month of living together, I wanted a divorce. He was unfaithful and violent.” When Rayana sought help from her mother-in-law, she was told that her mother-in-law had also been a victim of domestic violence and that she, too, must learn to endure it. “It is worth mentioning that in Kazakhstan the north is very different from the south,” Rayana added. “I'm a northerner, he's a southerner. I had never experienced abuse before, and then for the first time, I felt a panic attack, which I still live with. In the south, people adhere more to traditions and have a negative attitude towards divorce and washing their dirty linen in public. Women keep silent about domestic violence. I can’t say anything about his family’s attitude. I still don’t fully understand.” Having grown up around domestic violence, she believes that one in two families is affected by it. After separating, Rayana’s family offered her support, while her in-laws disapproved, even throwing out her belongings. Rayana’s life since then, however, has vastly improved. “I have been working in the beauty industry for a long time. In our field, at least, climbing the career ladder is not difficult. My first supervisor helped me a lot. He spoke fondly of his wife and cared about his female employees. This gives us faith that there are good men...

1 year ago