• KGS/USD = 0.01144 0%
  • KZT/USD = 0.00213 0%
  • TJS/USD = 0.10818 0%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28490 0%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00213 0%
  • TJS/USD = 0.10818 0%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28490 0%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00213 0%
  • TJS/USD = 0.10818 0%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28490 0%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00213 0%
  • TJS/USD = 0.10818 0%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28490 0%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00213 0%
  • TJS/USD = 0.10818 0%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28490 0%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00213 0%
  • TJS/USD = 0.10818 0%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28490 0%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00213 0%
  • TJS/USD = 0.10818 0%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28490 0%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00213 0%
  • TJS/USD = 0.10818 0%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28490 0%

Our People > Tamila Olzhbaekova

Tamila Olzhbaekova's Avatar

Tamila Olzhbaekova

Journalist

Tamila Olzhabekova is a journalist, award-winning illustrator, and a volunteer, curator and event organizer in the DOSTAR diaspora of Kazakhstan organization.
Prior to working for The Times of Central Asia, she has written for Peter Tv, First Line, Five Corners, Sport.Kz, and numerous other publications. A campaigner for interethnic harmony and the protection of stray animals, she studied at St. Petersburg State University.

Articles

Bukhara Biennial Sets 2027 Dates and Names New Artistic Director

Organizers of the Bukhara Biennial have announced key details of its second edition: the event will run from September 3 to November 21, 2027, with architect and designer Kulapat Yantrasast appointed artistic director. The announcement was made at the Fondation Beyeler during Art Basel in Basel, Switzerland, placing the Uzbek cultural project before an international art and museum audience. What Is Known About the 2027 Concept Yantrasast will succeed Diana Campbell, who curated the first edition in 2025. The biennial’s organizer remains Gayane Umerova, chairwoman of the Art and Culture Development Foundation of Uzbekistan (ACDF). In 2025, artists were paired with Uzbek master craftsmen. The 2027 format will expand that model by involving local ecologists, scientists, and economists. The central theme will be the connection between art, urban space, and sustainable development. Bukhara as Venue Biennial projects will be housed in restored caravanserais, madrasas, hammams, city squares, and other historic sites, some of which are expected to open to the public for the first time. The aim is to place contemporary art within Bukhara’s historic urban fabric. The city holds UNESCO Creative City status in crafts and folk art, giving the biennial a venue with international cultural recognition. [caption id="attachment_51635" align="aligncenter" width="1280"] Image: bukharabiennial.uz[/caption] Who the New Artistic Director Is Kulapat Yantrasast studied architecture under Tadao Ando and founded the studio WHY Architecture in 2004. His recent projects include the reconstruction of the Michael C. Rockefeller Wing at New York’s Metropolitan Museum of Art, the ILMI Science and Innovation Center in Riyadh, and the Dib art museum in Bangkok. His studio is also working on the Department of Byzantine and Eastern Christian Art at the Louvre in Paris and the National Museum of India, which is expected to become the largest museum in the world. Yantrasast has previously worked with ACDF on When Apricots Blossom, shown at Milan Design Week in 2026. The First Edition The first Bukhara Biennial ran from September 5 to November 23, 2025, under the theme Recipes for Broken Hearts, curated by Diana Campbell. It drew 1.8 million visitors, more than half of them from Bukhara and other regions of Uzbekistan. Participating artists included Antony Gormley, Marina Perez Simão, Erika Verzutti, Subodh Gupta, Delcy Morelos, and Dana Awartani. [caption id="attachment_51636" align="aligncenter" width="1280"] Image: bukharabiennial.uz[/caption] Part of a Wider Cultural Strategy The Bukhara Biennial forms part of a wider ACDF program to expand Uzbekistan’s cultural infrastructure. The foundation is overseeing the Center for Contemporary Art in Tashkent, due to open on September 6, 2026, and the National Museum of Uzbekistan, designed by Tadao Ando. ACDF has also formed an international advisory board for the biennial, with members including Chris Dercon and Michael Govan. [caption id="attachment_51637" align="aligncenter" width="1024"] Image: bukharabiennial.uz[/caption] The Art Basel announcement suggests that Uzbekistan is positioning the biennial as a recurring international platform, while keeping Bukhara’s historic sites and local audiences at its center. In 2025, nearly two million people attended the event in the city’s restored historic spaces. For the 2027 edition, the challenge...

10 hours ago

Uzbekistan Signs Contract for New Tashkent Airport, Construction to Run Through 2030

On June 17, 2026, on the sidelines of the 5th Tashkent International Investment Forum, Uzbekistan Airports and a consortium of investors led by Saudi Arabia’s Vision Invest signed a public-private partnership agreement to build and operate a new international airport in the Tashkent region. The project began with a ceremonial groundbreaking in October 2025, attended by President Shavkat Mirziyoyev. The June agreement is a practical next step: the project now has a signed contract, defined investor shares, and an approved construction schedule. The international consortium will handle construction and operation of the airport. Vision Invest holds 45%. Japan’s Sojitz Corporation holds 30%, and South Korea’s Incheon International Airport Corporation holds 15%. The remaining 10% belongs to state-owned Uzbekistan Airports. Under the agreement, the private partner will manage the airport for 35 years, until around 2065. The private investors are responsible for the passenger terminal and forecourt area. The state remains responsible for building and operating the airfield infrastructure, including runways and taxiways. Construction was formally authorized by Presidential Resolution No. 353, dated November 25, 2025. The new airport will be located in the Urtachirchik and Kuyichirchik districts of the Tashkent region, on a 1,310-hectare site. The first phase includes two 4-kilometer runways and a 208,000-square-meter passenger terminal. It also includes 98 aircraft parking stands, a fuel complex, and a modern air traffic control tower. Construction is scheduled from 2026 to 2030, with commissioning planned for late 2030. At full capacity, the airport will be able to handle up to 20 million passengers and process 129,000 tons of cargo per year. It will support up to 30 takeoffs and landings per hour and accommodate 62 aircraft at once. In the longer term, the terminal will be four times larger than Tashkent’s current airport and able to serve up to 46 million passengers a year. It will be supported by more than 40 jet bridges and 160 aircraft stands. The project is driven by passenger growth that the current airport can no longer accommodate. Over the past eight years, passenger traffic in Tashkent has tripled to 9 million a year and is expected to reach 24 million by 2040. The existing airport is designed for just 11 million passengers and sits within city limits, making expansion impossible. The current airport is projected to reach full capacity by 2029, after which it is expected to close once the new facility opens. The new airport will form part of a larger transport hub. The complex will connect directly to the Tashkent-Samarkand toll highway and to routes serving Andijan and Bostanliq. A dedicated high-speed rail station will be built on site, and shuttle services will link Tashkent with the new location. The first phase is estimated at $2.5 billion and is expected to attract about $3 billion in foreign direct investment. The airport has also been presented as the first in Central Asia built according to “green” construction principles. Preparatory work before the signing included environmental and social impact assessments in line with the requirements...

11 hours ago

Kazakhstan’s New Kurultai Elections: What the 30% Quota Could Mean for Women in Parliament

Kazakhstan’s new Constitution entered into force on July 1. On August 23, voters will elect the country’s first unicameral Kurultai, a 145-member legislature that replaces the former Mazhilis and Senate. Political parties are already submitting their lists, with nominations open from July 2 to July 13. Those lists must meet an inclusion requirement that has taken on new significance under the new electoral system: at least 30% of candidates must come from three combined categories, women, young people, and people with disabilities. How many women will actually enter the new parliament will become clear only after the votes are counted. But it is already possible to assess what the rule can achieve, and where its weaknesses lie. What the Law Requires The quota is less straightforward in practice. It does not guarantee that 30% of seats will go to women. The rule sets a combined 30% target that includes women alongside young people and people with disabilities. A party could comply with the rule while doing relatively little to increase women’s representation, if enough candidates from the other eligible categories are included. The rule carries added weight because Kazakhstan’s new Kurultai will be elected through a nationwide proportional party-list system. Under this model, placement on party lists can count as much as the overall number of women nominated. Kazakhstan has also lowered the threshold for registering political parties from 40,000 to 20,000 members, a change intended to make it easier for new political forces to participate. Seven parties have been cleared to compete in the August 23 election. Kazakhstan’s Starting Point Before the transition to the new unicameral legislature, women’s representation in Kazakhstan’s parliament remained limited. By the end of 2025, women held 17 seats in the Mazhilis, or 17.3% of the chamber. As of July 2025, women held 10 of 50 seats in the Senate, or 20%. By comparison, the global average for women’s representation in national parliaments stood at 27.5% at the end of 2025, after rising by just 0.3 percentage points over the year. Kazakhstan enters its first Kurultai election from a position below the global average. How Neighboring Countries Have Addressed the Issue The region already offers examples of how differently gender quotas can work. In Uzbekistan, the quota for women candidates in elections to the Legislative Chamber was raised from 30% to 40% and applied for the first time in the 2024 elections. Unlike Kazakhstan’s rule, Uzbekistan’s quota applies specifically to women rather than to a combined group. The result was noticeable: the number of women MPs rose from 48, or 32%, to 57, or 38%, out of 150 seats. As of July 2025, women also held 16 of 65 Senate seats in Uzbekistan, or 24.6%. An even sharper increase took place in Kyrgyzstan. In the 2025 parliamentary elections, women’s share of seats rose by 12.9 percentage points, the largest increase among countries that renewed their parliaments that year. The change came from a redesign of the electoral system rather than from a symbolic quota....

4 days ago

Emre Erdur Interview: Central Asia’s Visual Language

For Emre Erdur, Central Asia’s visual language begins with the vast horizons of the steppe, the horse, the yurt, felt patterns – symbols that have carried memory across generations. The Istanbul-born artist, designer, and author spoke with The Times of Central Asia about Kazakhstan, cultural codes, and why artists need to understand the meanings behind the images they use. The Language of Visual Storytelling TCA: How would you introduce yourself to readers who are encountering your work for the first time? Emre Erdur: I was born in Istanbul, and since childhood, I have had a strong interest in drawing, visual design, and storytelling. Over time, this interest evolved beyond simply creating illustrations and developed into a multidisciplinary practice that combines visual communication, illustration, concept design, and narrative development. Throughout my career, I have worked on a wide range of projects across different fields of visual design and communication. From illustration and architectural projects to product and game design, comic books, documentaries, and film productions. I have been involved in many areas where ideas require a strong visual language to be understood and communicated effectively. TCA: You are an artist, designer, and author working with visual storytelling. How would you define the main focus of your practice today? Emre Erdur: Today, I can no longer define myself simply as an illustrator or a designer. In reality, such definitions are often shaped less by the artist’s own description and more by the body of work they create and the way they work. At the center of my work is visual storytelling. Whether through comics, film development, or cultural projects, my main objective is to make ideas related to history, culture, and collective memory visible through contemporary forms of expression. For me, design is not an end in itself; it is a powerful tool for conveying stories, ideas, and emotions. In recent years, I have focused particularly on cultural memory, identity, historical narratives, and the shared cultural heritage of the Eurasian region. The challenge is not only to interpret the past. It is also about building a new language for the future by understanding the memories and experiences that come from the past. Kazakhstan as a Living Archive TCA: In our previous conversation, we discussed your work, The Legend of Ergenekon, and the influence Kazakhstan has had on your creative practice. How has your understanding of this subject evolved since then? Emre Erdur: Perhaps my core idea has not changed, but it has certainly deepened. At first, I viewed Kazakhstan’s influence primarily as a historical and visual source of inspiration. Over time, I came to realize that it represents something much deeper: a matter of cultural memory and, to some extent, a shared perspective on the future. Anatolia is an extraordinarily rich and multi-layered cultural geography. For centuries, it has been home to different civilizations, empires, and cultures, creating a landscape where many historical layers coexist. This richness also shapes the way we view the past; it can sometimes lead us to romanticize certain...

1 week ago

Kyrgyzstan Begins Updating Red Book as Scientists Survey Rare Species Nationwide

Kyrgyzstan has begun preparing its first comprehensive update of the national Red Book in nearly two decades. On June 3, 2026, the Ministry of Natural Resources, Ecology and Technical Supervision and the National Academy of Sciences signed a cooperation agreement to collect updated data on rare and endangered species of flora and fauna. The project is scheduled to last two years and is estimated to cost about 21 million soms. What Has Been Decided Under the agreement, scientists from the National Academy of Sciences will carry out field and desk-based research across the country to obtain current, reliable information on rare and threatened species. The studies are intended to clarify population sizes, habitat ranges, and extinction risks. At the end of the 24-month project, the scientists will submit a scientific database to the ministry, which will serve as the basis for a new edition of the Red Book. The ministry said updating this information will make it possible to protect vulnerable species more effectively and preserve the country’s biodiversity. A Book Reissued Only Twice in 40 Years A full edition of Kyrgyzstan’s Red Book has been published only twice. The first appeared in 1985, when it was still called the Red Book of the Kirghiz SSR. The second was released in 2006-2007 in two volumes: Animals and Plants and Fungi. Since then, the protected list has been adjusted without a new full edition. In 2019, officials said the list had increased by 22 animal and plant species, but no complete printed edition followed. This is the gap the new revision is intended to close. Since the last edition, both the condition of wildlife populations and monitoring methods have changed. New field data is therefore needed to ensure that the document reflects the current situation. Which Species Are Protected Today The current Red Book of Kyrgyzstan includes 57 bird species, 23 mammal species, two amphibian species, eight reptile species, seven fish species, and 18 arthropod species. In addition to animals, 89 species of higher plants and fungi are protected. These figures will be the starting point for the review. Researchers will need to determine which species are still found in their former habitats, which populations have declined, and which species may need to be added to the list for the first time. Snow Leopard: A National Symbol and a Rare Example of Recovery The best-known inhabitant of Kyrgyzstan’s mountains on the list is the snow leopard. On December 30, 2023, it was officially recognized as a national symbol of the country by presidential decree. The species is listed as vulnerable on the International Union for Conservation of Nature’s Red List and has rare or endangered status in all 12 countries across its range. Kyrgyzstan is also one of the few countries where official figures indicate that the snow leopard population is growing. According to the 2024 count, the country had about 511 individuals, compared with 282 in 2013. Penalties for the illegal capture and export of the animal were also increased...

2 weeks ago

Designer Madina Tompiyeva: Kazakhstan’s Fashion Is Becoming a Language of Identity

Kazakhstani fashion is increasingly moving beyond style alone, with designers using clothing to explore heritage and contemporary identity. Anima, an Almaty-based brand, describes itself as an ethno-urban concept made in Kazakhstan. Its collections combine urban fashion with local aesthetics and motifs drawn from nomadic culture. The Times of Central Asia spoke with Anima founder Madina Tompiyeva about clothing as a language for the soul and freedom. She also discussed how Kazakhstani culture appears in contemporary silhouettes and why younger consumers are turning to fashion with stronger local references. TCA: Please tell us a little about yourself. How did you come to create the Anima brand, and what has this project become for you today? Madina: Since childhood, I dreamed of creating clothes and having my own fashion house. But the path to this was not straightforward. I studied economics, lived in different countries, worked in international companies, and spent a long time looking for answers to questions about what truly makes a person happy. At some point, my path led me to yoga, psychology, retreats, and a deeper acquaintance with myself. That is when the idea of Anima appeared. At first, I simply wanted to create clothes for myself comfortable, free, and honest. But very quickly I realized that through clothing, one can convey not only aesthetics, but also a state of being. Today, Anima is much more than a clothing brand for me. It is a way to speak about freedom, identity, beauty, and a person’s connection with their inner nature. TCA: What idea did you want to put into Anima from the very beginning? Madina: The word Anima itself translates as “soul.” From the very beginning, I wanted to create pieces that help a person feel like themselves, rather than play a role or conform to expectations. The foundation of the brand has always been the idea of returning to one’s essence: through comfort, natural fabrics, freedom of movement, and pieces that do not shout about themselves, but allow the person to come through. TCA: How do you define the brand’s visual language? Madina: I would describe it as a combination of cultural codes from around the world, natural forms, and a contemporary urban silhouette. We are inspired by the traditions of different peoples, but we do not reproduce them literally. We are more interested in reinterpreting cultural heritage through a contemporary form. That is why in our collections, you can see minimalism, ethnic motifs, Asian silhouettes, and modern functionality at the same time. TCA: The description of Anima includes the phrase “ethno-urban concept made in Kazakhstan.” What does this mean for you in practice? Madina: For us, it means a dialogue between tradition and modernity. We live in a global world, but at the same time, every nation has its own memory, culture, and meanings. Anima explores how these cultural roots can exist in a contemporary urban environment. Our pieces should look equally organic in Almaty, Berlin, and Tokyo, while still preserving their unique identity. TCA: How important is it...

2 weeks ago

Turkmenistan’s Digital Push Gains Ground Despite Tight Internet Controls

Turkmenistan remains one of the world's most tightly controlled online environments. Yet its state services portal now advertises more than 500 services, the country has more than 100,000 registered mobile-banking users, and the flagship city of Arkadag has launched a 5G network. The figures are official or state-linked and difficult to verify, and the scale remains modest by regional standards. Taken together, however, they point to a shift: digitalization is beginning to move beyond government rhetoric and into everyday administrative and financial life. A Shift That Is Hard to Measure Turkmenistan's digital transition is difficult to quantify. Official statistics are incomplete and independent checks are rare. That makes smaller, observable indicators - portal use, mobile-banking registrations, network launches, and infrastructure projects - especially useful. According to DataReportal, Turkmenistan had 3.53 million internet users in October 2025, equivalent to 46.1% of the population. Using the same source, internet access stood at 93.4% in Kazakhstan and 89.0% in Uzbekistan. Other estimates put Turkmenistan's rate lower, underscoring the uncertainty around even basic connectivity data. DataReportal also counted 5.24 million active cellular connections, representing 68.5% of the population, although a connection does not necessarily include mobile internet access. Social media use remains far more limited: the same report estimated 388,000 social media user identities in October 2025, or 5.1% of the population. Those figures coexist with severe controls. Human Rights Watch said in its World Report 2026 that internet access remains tightly controlled. The authorities have also seized and dismantled Starlink equipment and intensified internet blocking. However, targeted infrastructure projects are moving ahead. The 5G network launched in Arkadag in 2025 was implemented with Huawei and the Ministry of Communications and, according to official accounts, is intended mainly to support smart-city systems. The ministry says it is also developing a fiber-optic route toward Herat and a submarine cable with Azerbaijan to add international links and transit capacity. E-Government Moves Beyond the Legal Framework Turkmenistan launched its unified public services portal, e.gov.tm, in 2019. The Law 'On Electronic Government' came into force in July 2022, formally setting out how public bodies could provide services through information and communication technologies and exchange data electronically. The portal is available through a website and Android and iOS apps. It allows users to pay utility, communications, and education fees, book tickets, join the electronic queue for migration services, and submit applications to government agencies. Published service counts vary sharply. In April 2025, Orient referred to 46 services; in March 2026, the same publication said the portal offered more than 500. The reports do not explain the rise, but the larger figure appears to use a broader definition that includes informational pages and other functions, not only fully interactive services. In October 2025, President Serdar Berdimuhamedov approved the Concept for the Development of the Digital Economy for 2026-2028. A state program and implementation plan followed in January 2026. The documents call for wider use of digital systems across government and the economy, while separate work with the United Nations Development...

3 weeks ago

Kazakhstan’s Party System Faces Its First Kurultai Test

Kazakhstan’s shift to a unicameral, party-list Kurultai is meant to strengthen political parties. But the ruling Amanat party’s June 12 vote to join the newly created Adilet party, followed by Adilet delegates’ approval on June 14, shows the first test of the new system will show whether the new party-list model broadens competition or mainly reorganizes the pro-presidential camp before the vote. Why Parties Matter Now On July 1, 2026, Kazakhstan’s new Constitution enters into force, abolishing the bicameral parliament and replacing it with a unicameral Kurultai of 145 deputies elected exclusively through party lists for a five-year term. The new basic law was approved in a referendum on March 15, 2026. According to the Central Election Commission, it was supported by 87.15% of voters, with turnout at 73.12%. More than 80% of the text of the 1995 Constitution was rewritten. President Kassym-Jomart Tokayev has said elections to the new Kurultai will take place in August 2026. That makes Kazakhstan’s political parties especially important to watch: for the first time since 2004, key parliamentary players could change substantially. But the early signal is mixed: formal rules strengthen parties as electoral institutions, while the merger of pro-presidential forces consolidates the dominant camp’s organizational advantages. How the Party System Works Kazakhstan is a presidential republic in which parties operate under the Law “On Political Parties.” Until 2022, registering a party required at least 1,000 initiators and at least 20,000 members. After political reforms announced by Tokayev on March 16, 2022, the minimum number of initiators was reduced to 700, while the membership threshold was lowered to 5,000. The minimum size of regional branches was also reduced from 600 to 200 people, and the period allowed for forming branches was extended from six months to one year. In 2023, 98 deputies were elected to the Mazhilis, the lower house of parliament: 69 through party lists and 29 in single-mandate constituencies. The threshold for party lists was lowered from 7% to 5%. Under the new Constitution, single-mandate constituencies are abolished at the national level, and all 145 deputies of the Kurultai will be elected through party lists. Without single-mandate districts, independent political figures will need party access to enter national politics. Parties also take part in elections to maslikhats, local representative bodies at district, city, and regional levels. Those elections were held simultaneously with parliamentary elections on March 19, 2023. Eight Parties: The Current Landscape As of June 2026, before the Amanat-Adilet merger process is completed, Kazakhstan has eight officially registered political parties, the highest number in two decades. Six are represented in the current Mazhilis: Amanat, Auyl, Respublica, Ak Zhol, the People’s Party of Kazakhstan, and the Nationwide Social Democratic Party. The seventh, the environmental party Baitaq, was registered on November 30, 2022, as Kazakhstan’s first “green” party. It failed to clear the 5% threshold in the 2023 elections, receiving 2.30% of the vote. The eighth, Adilet, was registered by the Ministry of Justice on June 1, 2026. It is headed by Aibek...

3 weeks ago

Almaty Turns to Gault&Millau to Boost Food Tourism

Almaty is trying to turn its restaurant scene into part of its international tourism brand. The city administration has announced cooperation with Gault&Millau, the French restaurant guide that evaluates restaurants, chefs, hotels, and hospitality culture in multiple countries. The partnership gives the city a new external platform, while also raising a public-spending question. The Almaty authorities described the cooperation as the first time a guide of this level had entered the Central Asian market. The tourism department said the partnership would open Almaty to a global audience of gastronomic tourists and strengthen the city's position on the international tourism map. “For Almaty, this is a landmark event of international scale,” the department said. The public-spending side emerged in the contract details cited by local media. The project was identified as a 234 million tenge (about $478,000) contract between the city's tourism department and SA GAULTMILLAU for services to promote Almaty's tourism and gastronomic potential on the Gault&Millau platform. The terms cited by local media said the guide would inspect 150 restaurants and 25 hotels in Almaty. At least 100 restaurants are to receive ratings, while hotels would be published or recommended on Gault&Millau platforms and in printed materials. The agreement also provides for an English-language guide and a gala event for the restaurant industry. Gault&Millau's arrival gives Almaty a recognized international format for measuring restaurants and hotels. The value of the project will depend less on the gala and more on whether the ratings are seen as credible, whether restaurants use the process to improve service and consistency, and whether tourists respond. Gault&Millau describes itself as an international gastronomy guide and media brand covering restaurants, chefs, hotels, and culinary culture across multiple countries. In fine dining, it is often mentioned alongside the Michelin Guide and The World’s 50 Best Restaurants, though each system works differently and carries different weight in different markets. For Almaty, the appeal is clear. The city already sells itself through mountains, parks, Soviet-era modernist landmarks, coffee shops, nightlife, and food. Its official tourism website says Almaty has more than 3,810 restaurants, cafes, coffee shops, snack bars, and street-food outlets. It also highlights national cuisine, fine dining, bars, wine venues, street food, restaurants with a view, and vegetarian options. The city has been building this pitch for more than a year. In 2025, the Almaty Tourism Bureau presented an official gastronomic guide with more than 140 venues and themed routes, including traditional Kazakh cuisine, multicultural dining, street food, bars, Art&Eat, and a “Mountains and Gastronomy” route. The idea was to show food as part of a wider Almaty experience, rather than as a narrow list of premium restaurants. The international audience was already starting to notice. In 2024, The Times of Central Asia reported that The New York Times had placed Almaty 25th on its list of 52 places to visit, citing its nature, urban life, coffee culture, markets, and growing interest in gastro-tourism. The Gault&Millau project also places Almaty in competition with Astana. The capital signed...

4 weeks ago

How Digital Public Services Are Changing Daily Life in Central Asia

Kazakhstan, Uzbekistan, and Kyrgyzstan have moved from queues at public service centers to passports in mobile apps in just a few years, compressing a transition that took many countries decades. Behind the impressive figures, however, are questions the region is still trying to answer. Not so long ago, obtaining a certificate in Central Asia meant a trip to a government office, a queue, and a stack of papers. Today, a resident of Almaty can renew a driver’s license by phone, an entrepreneur in Tashkent can register a company without leaving the office, and a doctor in Bishkek can issue an electronic sick leave certificate. The digitalization of public services has moved beyond strategic documents and become part of everyday life for tens of millions of people. The scale of change is reflected in international assessments. In the United Nations E-Government Development Index (EGDI) for 2024, Asia showed the fastest growth of any region. Kazakhstan, Uzbekistan, and Kyrgyzstan all improved their positions, each at its own pace, and each with its own model. Kazakhstan: From eGov to a Platform State Kazakhstan remains one of the region’s leaders in digital governance. In the 2024 EGDI ranking, the country rose to 24th place globally, ahead of a number of developed economies. Today, around 90% of more than 1,300 public services are available online, while the eGov.kz portal and eGov Mobile app offer access to a growing range of services. The figures speak for themselves. According to Kazakhstan’s e-government portal, citizens received more than 25.7 million services through eGov.kz in 2025, while the eGov Mobile audience exceeded 11.7 million users. The “Digital Documents” section is especially popular: the app provides access to 39 types of documents, from identity cards to driver’s licenses and student IDs. The expansion has continued. In 2025, Kazakhstan launched eGovBusiness, a single-window service for entrepreneurs that allows them to register companies, apply for subsidies, and check risks. The authorities have also moved to consolidate fragmented government apps into the unified eGov and Aitu platforms. The next frontier is artificial intelligence. In 2025, Kazakhstan established the Ministry of Artificial Intelligence and Digital Development. Through the National AI Platform, the country is developing sovereign infrastructure intended to support the use of generative AI in government and keep citizens’ data within national systems. Uzbekistan: The Fastest Leap Forward If Kazakhstan sets the regional benchmark, Uzbekistan has shown some of the fastest momentum. Over six years, the country climbed 24 positions in the EGDI ranking, from 87th place in 2018 to 63rd in 2024, and entered the category of countries with a “very high” level of e-government development for the first time. At the center of this transformation is the unified portal my.gov.uz, through which citizens and businesses access public services. More than 760 services are available on the platform, while the mobile app offers more than 540. In the first half of 2025 alone, more than 16 million services were provided through the system. The direction is set by the Digital Uzbekistan 2030...

4 weeks ago