Our People > Tamila Olzhbaekova

Tamila Olzhbaekova

Journalist

Tamila Olzhabekova is a journalist, award-winning illustrator, and a volunteer, curator and event organizer in the DOSTAR diaspora of Kazakhstan organization.
Prior to working for The Times of Central Asia, she has written for Peter Tv, First Line, Five Corners, Sport.Kz, and numerous other publications. A campaigner for interethnic harmony and the protection of stray animals, she studied at St. Petersburg State University.

Articles

TCA Interviews

Uzbekistan’s New Visual Language: How OZBE Reimagines Culture Through Streetwear

Uzbekistani fashion is increasingly moving beyond traditional interpretations of national motifs. A new generation of local brands is engaging with cultural heritage through streetwear, using the visual language of youth culture and contemporary identity to resonate in Uzbekistan and internationally. The Times of Central Asia spoke with Raupjon Eshtemirov, a representative of the Uzbekistani streetwear brand OZBE, about how Uzbek ornaments, symbols, and cultural references are being transformed into modern fashion, why young people are rediscovering their cultural roots, and whether Uzbekistan’s fashion scene can gain greater international visibility. TCA: Please tell us a little about the OZBE brand. How did it begin, and what idea did it grow from? Raupjon: OZBE emerged as a local streetwear brand based on the idea of expressing the modern perspective of a new generation through clothing. We started with small drops, and gradually a community formed around the brand. TCA: How would you describe the philosophy of OZBE? Is it more about fashion, culture, self-expression, or a new interpretation of Uzbek identity? Raupjon: For us, OZBE is a combination of all these things. We use fashion as a tool for self-expression and for a contemporary reinterpretation of local culture and identity. TCA: OZBE is often seen as a brand that speaks to young people in a modern visual language. How do you see your audience? Raupjon: Our audience consists mainly of teenagers and young people for whom self-expression through style, visual culture, and clothing is important. At the same time, our audience also includes tourists and people who want to represent modern Uzbekistan through a local brand and its aesthetic. [caption id="attachment_49659" align="aligncenter" width="1200"] @OZBE[/caption] TCA: Why did you choose streetwear as the main form for working with culture and local identity? Raupjon: Streetwear is a modern form of fashion that remains timeless and extremely popular among young people and tourists. It is one of the easiest ways to combine style, culture, and a contemporary view of Uzbekistan. TCA: Uzbekistan has a strong visual tradition, including ornaments, architecture, crafts, and patterns. How do you work with this heritage in your collections? Raupjon: We draw inspiration from local aesthetics, but we try to adapt them to a modern visual context through forms, graphics, details, and presentation. TCA: For you, it is important not simply to use national motifs, but to reinterpret them. What does that process involve? Raupjon: Traditional patterns, ornaments, and cultural elements always remain recognizable and popular. For us, it is important not just to copy them, but to adapt them to modern styles and make them relevant for a new generation and for global streetwear culture. TCA: How can Uzbek patterns, symbols, and cultural references be made to look modern and organic for younger audiences? Raupjon: Through reworked design, modern presentation, and the use of bright, memorable phrases that attract the attention of young people and bring cultural elements closer to contemporary streetwear aesthetics. TCA: Which aspects of Uzbek culture inspire you most: ornaments, language, urban life, music, history, or everyday...

2 hours ago

Kazakh Language

How Social Media Is Turning Kazakh Language Into A Form Of Self-Expression for Gen Z

Not long ago, for many of Kazakhstan's urban teenagers, the Kazakh language sounded like something between a school subject, a family obligation, and an official norm. They studied it, took tests in it, heard it in classrooms, in the news, and in the speech of older generations. But on TikTok, Instagram, and Threads, Kazakh is increasingly living a different life: as the language of memes, stories, self-irony, flirting, debates, local humor, and personal expression. It is no longer only a question of: “Do you know Kazakh?” For Generation Z, another question is becoming more important: “Can you be yourself in Kazakh?” Social media, fast, visual, and sometimes chaotic, has become the space where the Kazakh language stops being merely a symbol of “correctness” and turns into a tool for self-expression. According to DataReportal’s Digital 2026: Kazakhstan report, Instagram in Kazakhstan had an advertising reach of 13.1 million users in late 2025, while TikTok reached 16.9 million users aged 18 and older. TikTok’s ad reach was equivalent to 86.5% of the local internet audience. These figures do not equal the exact number of active users, but they show the scale of the platforms where young people today see, hear, and produce language. From “I have to know it” to “I want to speak it” The Kazakh language in Kazakhstan has long been growing both demographically and symbolically. According to the 2021 census, more than 13 million people, or around 80% of the population over the age of five, know the state language, while almost half of the population uses it daily. But there is a large gap between “knowing a language” and using it in one’s personal digital life. Social media is helping to close that gap. On Instagram, a teenager can follow a page with memes about grammar. On Threads, they can write a post about feeling shy speaking Kazakh in Almaty, and suddenly see hundreds of similar stories. This is where the shift lies. In the digital environment, Kazakh is no longer only a language of assessment. It is becoming a language of process: living, not always perfect, but personal. Instagram: grammar as visual style One of the most visible examples is Qazaq Grammar. The project grew around Instagram and has done something that once seemed almost impossible: turning linguistic rules and nuances into visual, meme-like content. Its Instagram page has quickly amassed more than 89,900 followers. Qazaq Grammar matters precisely because of its digital format. It does not try to replace a textbook, but it makes the language part of the everyday feed. A user may not sit down specifically to “study Kazakh,” but they may come across a post about a common mistake, send it to a friend, or remember the rule while texting. In this way, grammar stops feeling like a chore and becomes a small fragment of daily content. The project’s feed includes explanations of common mistakes, word usage, Kazakh orthography, humorous observations about mixed speech, and posts about how the language is changing in...

3 days ago

TCA Interviews

From a Student Initiative to a Youth Movement: How Volunteering Is Developing in Kyrgyzstan

In 2023, Kyrgyzstan adopted a law establishing the legal basis for volunteer activity, while the Ministry of Culture, Information and Youth Policy has been named Kyrgyzstan’s focal point for the International Year of Volunteers 2026. UN Volunteers has also reported that nearly 100 youth and volunteer organizations are active across the country, with major public events expected to rely heavily on trained volunteers. The Times of Central Asia spoke with Aruuke Karmyshakova, executive director of Active Volunteers, about why more young people in Kyrgyzstan are entering volunteer work, how the organization cooperates with state bodies, international partners, and educational institutions, and why sustainable funding remains a central challenge for the sector. TCA: What gap did Active Volunteers set out to fill when it was founded, and how did the organization develop from there? Aruuke: Active Volunteers was founded in 2017 through the initiative of Bekbolot Stalbekov. Bekbolot wanted to create a platform where students could develop not only academically, but also beyond the classroom, to try themselves in real projects, gain practical experience, and show initiative. At first, it was a small student group of like-minded people. But it very quickly became clear that there were many active and versatile young people like this. With each new project, the number of participants grew, the team expanded, and the initiatives became increasingly large-scale. That is how, from a small student idea, we gradually grew into a full-fledged youth foundation with many different areas of work. TCA: How has the organization’s mission evolved as its work has expanded into different areas? Aruuke: Today, we define our mission as the comprehensive, multi-sphere development of young people and society as a whole. It is not one single direction, but a complex approach: we are involved in charitable assistance, educational projects, cultural initiatives, and support for civic activity. We help young people develop in science, art, media, leadership, ecology, and many other fields. The main idea is that every participant should be able to unlock their potential while also bringing real benefit to the country. Members of our team, Malika Baibolotova, Nurzhigit Kazygulov, Sofya Khurshudova, and Elaman Zhusupov, are already participating in international projects such as the “Strong Youth - Strong Country” program from the Civic Participation Foundation, funded by the European Union and UNICEF. They are undergoing regular training, which will continue until 2027-2028, and they will then be ready to establish and implement their own initiatives and projects. TCA: Has the profile of volunteers in Kyrgyzstan changed in recent years? Aruuke: Previously, most volunteers were university and college students, but since 2023 the picture has changed noticeably. Today, the age range has become much wider: school students starting from the age of 13-14, university students, young specialists, and also middle-aged people come to us. Everyone finds their own niche, some help in education, some in cultural events, and others in social projects. But what unites everyone is one thing: a sincere desire to contribute to the development of Kyrgyzstan. [caption id="attachment_49262" align="aligncenter" width="2560"] @Active...

6 days ago

Animal Rights

Kazakhstan Renews Debate Over Stray Animals After Parliament Approves Euthanasia Amendments

Kazakhstan has once again found itself at the center of a heated public debate over how the state should address the country’s growing stray animal problem. Recently approved parliamentary amendments allowing the euthanasia of dogs after a short holding period have triggered strong criticism from animal rights activists, volunteers, and private shelter owners, who argue that the new measures fail to address the root causes of the crisis and instead merely conceal its consequences temporarily. For many involved in the debate, the issue goes beyond animal welfare and points to deeper problems in state governance. For years, responsibility for stray animals in Kazakhstan has effectively been left to private initiatives, including small shelters and volunteer networks that operate largely on personal funds and donations. One such initiative is the Amigo shelter near Almaty, which currently houses around 200 dogs and 80 cats. The shelter did not begin as a business or long-term charitable project, but rather as a spontaneous effort to rescue several animals from capture facilities and the streets. Over time, the number of animals grew, and temporary assistance evolved into a permanent struggle for survival. [caption id="attachment_48766" align="aligncenter" width="1774"] Image: TCA[/caption] “We never planned to create a shelter. It all started with a few rescued animals, and then it became impossible to stop because they were completely dependent on us,” Amigo representatives told The Times of Central Asia. That dependency has become one of the defining features of Kazakhstan’s private shelter system. Unlike many Western countries, where large numbers of animals are adopted through well-developed adoption programs, animals in Kazakhstan often remain in shelters for years; sometimes for the rest of their lives. According to Amigo’s owners, society still approaches shelter animals with caution, while a culture of responsible adoption is only beginning to emerge. The financial burden on such organizations is enormous. In addition to food and veterinary care, shelter owners must independently pay for land, kennel construction, transport, fuel, generators, heating, water supply, sterilization, vaccination, and staff salaries. In many cases, infrastructure must be built entirely from scratch. Amigo’s own history reflects this instability. The shelter was initially located on a small property in Baiserke, but the growing number of animals and expanding residential development made continued operations impossible. The owners took out loans to purchase land near the village of Zhetygen, where they personally built enclosures and installed utilities. Later, after Zhetygen was incorporated into the new city of Alatau, they faced the threat of land seizure for state needs and were once again forced to search for a new location and finance another relocation through debt. [caption id="attachment_48767" align="aligncenter" width="1774"] Image: TCA[/caption] According to shelter representatives, Kazakhstan still lacks a clear legal status for such facilities. Agricultural land is formally designated for livestock rather than cats and dogs, meaning that even privately purchased plots do not guarantee long-term security. For shelters, relocation means far more than changing addresses, it requires transporting hundreds of animals, rebuilding infrastructure, and effectively starting over. Against this backdrop, discussions...

2 weeks ago

TCA Interviews

Identity and a New National Canon: Interview with Kazakhstan Historian Zhaxylyk Sabitov

Interest in Kazakhstan’s history is increasingly moving beyond academic circles. For many people, it has become a way to understand the country’s modern identity as well as its past. The Times of Central Asia spoke with historian Zhaxylyk Sabitov, director of the Institute for the Study of the Ulus of Jochi, about why many chapters of Kazakhstan’s history remain insufficiently studied. The Ulus of Jochi, also known as the Golden Horde, was one of the largest medieval states in Eurasia and is closely tied to debates over Kazakhstan’s statehood and historical memory. The interview also explored which topics resonate most strongly with society today and how a new understanding of national memory is taking shape. TCA: To begin, please tell us a little about yourself. How did you become interested in history, and why did you decide to work in this field? Zhaxylyk: I am the director of the Research Institute for the Study of the Jochi Ulus. My interest in history began in childhood. The problem was that in the 1980s and 1990s, history in Kazakhstan was taught rather poorly. There were few textbooks and teaching materials, and schoolchildren generally knew little about the subject. That is why I was always interested in trying to understand the past for myself. In addition, I inherited a library of history books from my grandfather. I read those books, and in the 1990s my mother helped me buy new publications. All of this gradually shaped my interest in the history of Kazakhstan. You could say I became interested in history while still at school and later continued to study it professionally. TCA: For readers who may not know much about you, how would you describe your research work and the main topics you focus on? Zhaxylyk: I have several main areas of work. The first is the history of the Golden Horde. This was the state that preceded the Kazakh Khanate and occupied a vast territory stretching from the Altai to the Danube. The second area is the history of the Kazakh Khanate. This also remains insufficiently studied. In the history of both the Golden Horde and the Kazakh Khanate, there were more than 100 khans. It is interesting to study how they interacted, where and how they ruled, and under what circumstances their rule took place. The third area is genetics, or the genetic history of Kazakh tribes and clans, as well as those of other Turkic peoples, including Kyrgyz, Karakalpaks, Nogais, and Bashkirs. This topic allows us to address questions that have been debated for two centuries. For example, there are many theories regarding the origins of certain Kazakh tribes. With the help of genetics, we are trying to understand which of these theories is closer to the truth and, more broadly, to better understand the ethnogenesis of the Kazakhs and other Turkic peoples. The fourth topic is nation-building policy and historical memory. I am interested in how the state constructs the canon of national history and how this influences...

2 weeks ago