Art and Culture - The Times Of Central Asia

Viewing results 1 - 6 of 117

Cultural Heritage Art and Culture

Samarkand to Host International Music Festival “Sharq Taronalari”

The XIII International Music Festival “Sharq Taronalari” will be held in Samarkand from August 26 to 30 under the auspices of UNESCO, the Ministry of Culture in Uzbekistan reported. “‘Sharq Taronalari’ is considered one of the largest festivals in Central Asia. The main objectives of the festival are to promote achievements in national musical art to the wider public, to preserve and develop the cultures and traditions of nations, to support talented youth in the fields of music and singing, and to expand international creative ties while promoting the ideals of peace, friendship, and mutual tolerance,” according to the festival's press release. More than 300 delegates from 70 countries are expected to participate in the festival this year. As of August 1, delegates from 62 countries have expressed their desire to participate, and applications for the festival are still being accepted. The festival’s opening ceremony will be held on August 26. On August 27-28, an international scientific and practical conference on “Music Culture of Eastern Peoples: Principles of Creative Convergence in the Processes of Globalization” is scheduled. On August 27-29, a competition will be held, and an international jury will evaluate the participants' performances. The closing ceremony will be held on August 30, and the winners will be announced. The “Grand Prix” of $10,000 will not be awarded, however, if a worthy candidate is not found according to the decision of jury.

Russia's War Art and Culture

Tajikistan-Born Singer, Criticized in Russia, Prepares to Release an Anti-War Song

In 2023, Tajik-Russian singer Manizha Sanghin, harshly criticized in Russia for her public comments on sensitive issues, travelled to the picturesque “Valley of the Forty Girls” in southern Tajikistan to record an anti-war song to be released on Friday. The mountainous location, known to Tajiks as Childukhtaron, derives its name from ancient lore about a group of girls who turned into towering rock formations when an invading force swept through their homeland. Whether the girls-turned-rocks were meant to block the invaders, or simply bear silent witness, depends on the telling. Tajikistan-born Sanghin said she felt an affinity for the girls as standing at the foot of the rock, she recorded ‘Gun’. Written a decade ago, the song was originally about the devastating civil war in Tajikistan in the 1990s but had been put to rest after being abandoned by music producers in Britain. Following Russia’s full-scale invasion of Ukraine in 2022, they talked about the song again and the singer, a goodwill ambassador for UNHCR, the U.N. refugee agency, said in YouTube video, "I thought, I have to release it. Because now, it's not just a song about war in Tajikistan. It's a song about war in Ukraine, in Gaza, and all wars around the globe." Music producer Liz Horsman who described Sanghin as" brave in the face of ongoing investigations into her anti-war stance,” readily agreed to record the song and since the war made travel between Britain and Russia impossible, the pair arranged to meet in Tajikistan. Seven months pregnant with her daughter, Sanghin described her return to her homeland as “very poetic”. Over the years, the singer has sparked a fair share of controversy. In 2021, when she represented Russia at the Eurovision contest with a song called “Russian Woman,” she was condemned for advocating women’s and LGBT rights. She was then denounced online and Russian promoters cancelled many of her concerts after she criticized the invasion of Ukraine. She was further alienated following her comments about the brutal treatment of several Tajik suspects in a terrorist attack that killed 144 people at a Moscow music venue in March. Sanghin condemned the attack but described the abuse of the suspects as “public torture.” “I am a systemic victim of cyberattacks and cyberbullying. Sometimes I have to block thousands of bots a week and sometimes daily... They follow, mass unfollow and report my profile,” Sanghin said on Instagram in May. “Instagram’s algorithm then thinks that I am breaking community rules and doesn’t show my posts to most of my followers. (Sometimes it can last for months).” Sanghin asked followers on the social media platform to leave a comment or just a heart emoji as a possible way to help her “get out of this ‘shadow ban.’”

Social Art and Culture UK Culture Education

British Publisher Promotes Kyrgyz Artists

The second issue of 'The Great Steppe Treasury', released in July by British publisher Hertfordshire Press, includes the addition of work by three artists from Kyrgyzstan: Seid Atambaev, Larisa Pak, and Gulmira Ayipova. The art catalogue which promotes the diversity of Eurasia's contemporary art, culture, and creativity, represents 24 artists from the UK, Kyrgyzstan, Lithuania, Belarus, Kazakhstan, Russia, Germany, and Crimea. Regarding the second edition, publisher Marat Akhmedjanov commented, “We are glad to be able to give artists from Kyrgyzstan the opportunity to share their creativity with an international audience through our unique project. And we especially admire how Seid Atambaev, as a deputy, combines his political activities with promoting his country through creativity, demonstrating the variety of ways to support the growth and representation of Kyrgyzstan." Copies of the catalogue will be sent to significant galleries in the UK and plans are in place for participants to present their work in Glasgow, London, Almaty, Minsk, St. Petersburg, and Batumi.

Art and Culture

Danish Actor Mads Mikkelsen to Headline Comic Con in Kazakhstan

Mads Mikkelsen has confirmed he will attend Comic Con Astana on July 27-28. “I’ll be there to chat, sign some autographs, share some stories,” the Danish actor said on Instagram. Mikkelsen was a prominent actor in Denmark before achieving international success as a villain in the James Bond film “Casino Royale” (2006). He has received many accolades, including a 2012 best actor award at the Cannes Film Festival for the Danish psychological drama “The Hunt.” He won acclaim for his performance as Hannibal Lecter in the series “Hannibal” (2013-2015) and also had roles in “Doctor Strange” (2016) and “Fantastic Beasts: The Secrets of Dumbledore” (2022). Comic Con Astana, which runs from July 25 to 28, is a magnet for enthusiasts of fantasy, video games, anime, cinema and other forms of popular entertainment. It will be held at the International Exhibition Center in Kazakhstan’s capital. Kazakh graphic novelists are among those expected to present their work. Participants in a cosplay contest will compete for prize money worth 12 million tenge ($25,000).

Comics Art and Culture

An Overview of Kazakhstan’s Comic Industry by Oraskhan Zhakup, CEO Khan Comics

TCA: What inspired you to create comics and get involved in the industry? My entry into the comic book industry was intuitive as opposed to a conscious decision. I just followed my passion. It all started when aged 10-12 years old, my friends and I drew comic strips in school notebooks and sketchpads and then stapled them together to create homemade comic books. Over time, this childhood hobby became more serious and we formed a club with several members. In 2003, Pavel Shein, Stas Misyurin and I decided to launch a newspaper titled ‘Comics’ which included three comic strips, each spanning around eight pages. The newspaper was black and white, with a circulation of about a thousand copies. Several issues were printed, providing our entry point into the industry. We then started a comic book magazine. After a long hiatus, we organized a comic book exhibition in 2010, and with work amassed from the show, published our first anthology in 2011. Named ‘KZ Comics’ the 112-page publication, again in black and white, had a print run of 500 copies. It was in this magazine that the Khan Comics logo first appeared. TCA: Tell us more about the Khan Comics Art Studio. The Khan Comics Art Studio in Almaty was originally a place where a few people gathered to create comics and then, a couple of years ago, we extended our practice to include cartoons and animation. Over the last 5-6 years, I have also been experimenting with making toys based on our comics. All of this naturally requires considerable financial and human resources as well as time. But we keep working, making comics and everything related to them. TCA: How has the comics culture developed in Kazakhstan since you entered the industry? Unfortunately, there is no market for Kazakh comics in our country. Regular players are needed for such a market to exist, but there are none. Our studio has been publishing 5-6 books annually for 13 years. Occasionally new players enter the field, but after a year or two, disappear. The popularity of comics in Kazakhstan is not related to the local market, but to global trends spurred by the release of Hollywood movies based on comics, such as ‘The Avengers’ and ‘Spider-Man.’ The popularity of comic books in post-Soviet countries (CIS) is now in its third wave and we are its pioneers. The first began in the early 2000s with the arrival of comics from IDK Publishing, and the second, was associated with manga. TCA: What key events or projects would you single out as the most significant for the development of Kazakh comics? I would cite the ‘Erketay’ and ‘Jetysu’ comic series as our studio’s key projects. ‘Erketay,’ currently being adapted, is an ethno-fantasy based on Kazakh mythology, whilst ‘Jetysu’ is an urban fantasy. Both of these projects are important for us. Although I love 90% of what we produce, ‘Erketay’ stands out as number one. [caption id="attachment_20321" align="aligncenter" width="589"] Jetysu[/caption] [caption id="attachment_20319" align="aligncenter" width="568"]...

Art and Culture

Eurasian Creative Week Held in Uzbekistan

From 22 to 29 June, Uzbekistan hosted the first international World Coaching Championship, as part of the 8th international festival, Eurasian Creative Week. The festival events spanned three cities: Tashkent, Khiva, and Nukus, marking an expansion in scope from previous editions. The festival program commenced in grand fashion at TEAM University in Tashkent with a charity ball hosted by Silk Road Media Ltd. Over a hundred guests from various countries attended, highlighting the festival's role in fostering international connections. The charity ball began with a warm welcome from Andrew Wachtel, Chairman of the Board of Directors of TEAM University, and continued with insights from Marat Akhmedjanov, founder of Silk Road Media Ltd. The event celebrated the festival's 20th anniversary and showcased the charitable projects of the holding. Noteworthy figures such as artist, Alinur Rashidov, and composer, Tolibkhon Shahidi were part of the guest list, demonstrating strong support for promoting creative endeavors in the Eurasian region. The festival also saw the inauguration of the World Coaching Championship, a unique competition organized by Silk Road Media in collaboration with the Elena Bezrukova Center. The championships culminated in an awards ceremony where the winners were recognized for their excellence and innovation in coaching. As the festival unfolded, attendees were immersed in cultural experiences, from poetry lessons to animated video presentations on ecology. The journey through Tashkent, Khiva, and Nukus showcased the artistic talents of the region and underscored the importance of fostering international dialogue and cooperation in the creative industries. Overall, the Eurasian Creative Week served as a testament to the power of art and collaboration in bridging cultural divides and nurturing a sense of unity among diverse communities. Through initiatives like the World Coaching Championship and the immersive exhibitions at the Savitsky Museum, participants were able to exchange ideas, showcase their talents, and celebrate the vibrant heritage of Eurasia.