Cultural Heritage - The Times Of Central Asia

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Archaeology

East Kazakhstan’s Akbaur Stones: An Ancient Site Shrouded in Mystery

East Kazakhstan is home to one of Central Asia’s most enigmatic archaeological sites, the Akbaur complex. Often dubbed the “Kazakh Stonehenge,” it has been linked to ancient rituals, astronomical observations, and even cosmological legends. Despite decades of study, Akbaur continues to raise more questions than it answers. The Mysteries of Akbaur Archaeologists regard Akbaur as a unique cultural monument, though its true purpose remains debated. Some view it as an open-air temple, others as an ancient observatory or a major cult center for early civilizations of the region. More than a tourist attraction, Akbaur is a symbol of East Kazakhstan’s deep and still-unrevealed history. The site is not just a scattering of stones. It is a vast historical and architectural complex covering some 70,000 hectares, long surrounded by legends. Today, this area is protected by the state, and special permission is required to visit it, but just a few decades ago, both tourists and livestock roamed freely here. [caption id="attachment_36128" align="aligncenter" width="352"] @Yulia Chernyavskaya[/caption] For local residents, Akbaur holds sacred meaning. A tradition of leaving offerings has persisted through the centuries: small pieces of meat or fat are placed in shallow man-made depressions in stone slabs. A stone staircase, also human-made, leads to a grotto carved into the rock, and is believed to have carried symbolic as well as functional significance. Even the name “Akbaur” is contested. Possible Kazakh translations include “white liver,” “close relative,” and “mountain slope.” Though varied, each carries symbolic resonance with the site’s layered history. A Portal Between Worlds? The Akbaur complex is located near the village of Besterek, about 38 kilometers from Ust-Kamenogorsk. At first glance, the arrangement of boulders and slabs might appear natural. Archaeologists, however, identify the site as a Bronze Age monument. A conical grotto sits six meters above the mountain base, decorated with petroglyphs dating to the early 3rd millennium BCE. Around 80 images have been recorded, depicting humans, animals, dwellings, and tools, alongside more mysterious symbols. Interpretations range from cosmological signs to religious symbols, with fringe theories suggesting messages for descendants or even references to extraterrestrials. [caption id="attachment_36130" align="aligncenter" width="350"] @Yulia Chernyavskaya[/caption] [caption id="attachment_36131" align="aligncenter" width="350"] @Yulia Chernyavskaya[/caption] What makes the petroglyphs unique is their use of red ochre, a rare pigment in the region’s rock art. Some scholars speculate blood may have been mixed into the paint, adding a ritual dimension. The site’s natural features are equally intriguing. Above the grotto lies a massive slab with a heart-shaped hole, believed by some to have functioned as a “sky window” for astronomical observations. Elsewhere, stone “bowls” reveal remarkable precision: during the spring equinox, sunlight reflecting on water in one cavity aligns exactly with another, suggesting their use as a solar calendar. Other theories propose more practical functions. The depressions could have been used in sacrifices or metallurgy, given the discovery of nearby ingots matching their shapes. What Does Akbaur Hide? Systematic study of Akbaur began in the 1970s under archaeologist Zainolla Samashev, a native of East Kazakhstan. Since 2019, excavations...

Cultural Heritage

UK Gifts Kazakhstan a Copy of Rare 11th-Century Map

Kazakhstan’s National Center for Manuscripts and Rare Books has received a valuable addition to its historical archive, a facsimile of a unique medieval map of Central Asia, gifted by the British Embassy. The original is held at the Bodleian Library at Oxford University. The map is a reproduction of the only known copy of Kitab al-Garib al-Funun wa Mulakh al-Uyun (The Book of Wonderful Sciences and Delights of the Eye), an anonymous 11th-century manuscript. Scholars believe the original work was produced in Egypt between the late 12th and early 13th centuries. Among the notable features of the map is the depiction of the ancient city of Zhankent, referred to in Arabic sources as “Al-Karia al-Hadisa” (Zhana Qala), located in modern-day Zhetysu, Kazakhstan. Between the 8th and 11th centuries, Zhankent served as the capital of the Oghuz state, a confederation of 24 Turkic tribes. Several other historic cities in southern Kazakhstan are also identified on the map. Digitized in full after its arrival at the Bodleian Library in 2002, the manuscript is now recognized as a valuable resource in the study of Islamic geography and medieval manuscript art. Founded in the 14th century, the Bodleian Library is one of Europe’s oldest and largest academic libraries. It is named after Sir Thomas Bodley (1545-1613), an English diplomat and noted collector of manuscripts. Kazakhstan’s own National Center for Manuscripts and Rare Books continues to expand its holdings. A recent expedition to the Abai region uncovered nearly 1,000 manuscripts from the 19th and 20th centuries, with 27 of those works, ranging from religious texts to early printed books, now integrated into the national collection. Notable additions include a work by Abdullah Rumi in Old Turkic, collections of hadiths, and publications printed in Kazan, Orenburg, and Ufa during the late imperial period. In related cultural developments, The Times of Central Asia previously reported that, in late 2024, the British Library and the John Rylands Library in Manchester transferred more than 100 digitized manuscripts to Central Asian scholars. The collection includes rare works by Eastern luminaries such as Makhtumkuli Fargi, Alisher Navoi, and Fizuli.

Culture

“Recipes for Broken Hearts”: Bukhara Launches First Art Biennale

This autumn, the ancient Silk Road city of Bukhara is poised to reemerge as a global cultural destination, hosting its first-ever international art biennale, Recipes for Broken Hearts. Running from September 5 to November 20, the ten-week festival will transform Bukhara, a UNESCO Creative City, into a vibrant arena for contemporary art, community rituals, and culinary experiences. The initiative is spearheaded by Gayane Umerova, chair of the Uzbekistan Arts and Culture Development Foundation (ACDF), with renowned curator Diana Campbell at the helm. More than 70 new works, created in Uzbekistan, will be displayed in historic madrasas and caravanserais, reimagined as immersive exhibition spaces. The event promises to be among the region’s largest cultural gatherings, aiming to reclaim Bukhara’s place on the global cultural map. Not Just an Exhibition, A Sensory Ritual Recipes for Broken Hearts is not a traditional exhibition. Designed as a “ritual for the senses,” it invites audiences to engage with art not just visually but through touch, scent, sound, and taste. Sculptures, textiles, music, and food converge into an experimental space for “emotional healing.” Visitors become participants rather than spectators. At the opening ceremony, instead of a red carpet, guests will be welcomed by the scent of fermentation. Korean Buddhist nun and chef Jeon Kwan will prepare kimchi, place it in a clay pot, and bury it. Ten weeks later, the fermented dish will be unearthed and shared with the public, symbolizing transformation and healing through time. A Dialogue Between Cultures The biennale’s installations span a wide geographic and cultural range. Egyptian-American artist Laila Gohar will craft navata, a crystal made from grape juice and saffron. Colombian artist Delcy Morelos will construct a dome of clay, sand, and spices to symbolize human connection to the earth. Uzbek artist Oizhon Khairullaeva and ceramist Abdurauf Tahirov will create “organs of the city,” including a beating ceramic heart and a “stomach” integrated into historic architecture. Indian sculptor Subodh Gupta will build a giant dome from enamel teapots and bowls, shaped like a yurt, where guests will be served fusion cuisine. Central to the project is the in situ approach: every piece is created in Bukhara with the support of local artisans, potters, weavers, and carpet makers, infusing contemporary works with traditional skills. “This isn’t an art fair,” explained the curators. “Each piece speaks from this land, even if the whole world sees it.” [caption id="attachment_21936" align="aligncenter" width="2560"] The Kalon Mosque, Bukhara; image: TCA, Stephen M. Bland[/caption] Bukhara as a Living Gallery Festival venues are dispersed throughout Bukhara’s historic core, effectively turning the city into an open-air gallery. Four restored caravanserais symbolize the emotional journey from grief to hope. The 16th-century Gavkushon madrasa, repurposed as the “House of Softness,” will host workshops, public readings, and a symposium titled The Craft of Mending. There, artists and scholars will explore the “culture of repair”, from object restoration to the preservation of historical memory. “Erasing history is also a form of pain. Restoration is resistance to oblivion,” notes Harvard-based art historian Aziza Izamova. Concurrently,...

Osaka Expo 2025

Bold Pavilions, Big Statements: Central Asia at Osaka Expo 2025

On a sweltering August day, The Times of Central Asia arrived at the Osaka Expo 2025. The theme, "Designing Future Society for Our Lives," set the stage for a carnival of new ideas and technology. Pavilions buzzed with invention, each one a world of its own. Central Asia turned heads - with all five countries represented - with vibrant stalls, bustling booths, and grand castle-like showpieces that drew crowds from every corner. [caption id="attachment_35420" align="aligncenter" width="2560"] Kazakhstan Pavilion; image: TCA, Stephen M. Bland[/caption] Kazakhstan’s pavilion presents the theme “Born Bold” in the “Connecting Lives” zone, alongside South Korea, Germany, Luxembourg, Nepal, Azerbaijan, Iran, Monaco, and Türkiye. At its heart rises the shanyrak, the sacred crown of the yurt, once a symbol of roots and now a beacon of unity, mirroring the Expo’s spirit of innovation and shared horizons. The story begins with the essence of the Kazakh people. Generations, history, culture, and traditions unfold from the Kazakh Khanate and the vast steppe to Abai’s poetry and the nation’s sporting heroes. It is a narrative of memory and strength, where the past is not closed, but carried forward as a living value. [video width="1280" height="720" mp4="https://timesca.com/wp-content/uploads/2025/08/KZ1-REMOVE-AUDIO-Videobolt.net_.mp4"][/video] From history, the focus shifts to unity. Every guest becomes part of the experience as their face is woven into a digital mosaic, a vivid symbol of belonging. Interactive technologies present Kazakhstan as a country where diversity does not divide but connects. From past to present, the spotlight then falls on a Kazakhstan that is inventive and future-ready. Visitors explore the country’s energy transition, green initiatives, digitalization, and work in artificial intelligence, alongside its rise as an investment hub. [caption id="attachment_35413" align="aligncenter" width="2560"] Prolonging life - ALEM at the EXPO; image: TCA, Stephen M. Bland[/caption] The final chapter places pride and place on the groundbreaking ALEM (Astana Life Ex-situ Machine) developed by Kazakh scientists. Created by the Heart Center Foundation, it is already redefining the possibilities of transplantation. The window for organ transplants is short, from just a few hours for a heart or lungs to more than a day for a kidney. ALEM changes the game. By replicating the body’s internal conditions, it can keep a donor heart alive for 24 hours, opening new possibilities. Only a few models currently exist, including the one on display in the pavilion. [caption id="attachment_35414" align="aligncenter" width="2560"] The Turkmenistan Pavilion; image: TCA, Stephen M. Bland[/caption] The Turkmenistan Pavilion dazzles with three lavish floors beneath an iconic, rounded-triangular ceiling that symbolizes circulation, sustainability, and the flow of life. On the ground level, an epic immersive video left the Japanese audience gasping as it honored Turkmenistan’s great men, legendary horses, and loyal dogs, while women appeared only in fleeting roles. [video width="1280" height="720" mp4="https://timesca.com/wp-content/uploads/2025/08/TK1.mp4"][/video] The second-floor shifts to the present, celebrating modern achievements, from the smart city of Arkadag to advances in industry, finance, and science. The space unfolds as an eclectic mix of books, jewelry, rugs, and even everyday objects like bottles of oil. At its center, a glowing...

History

Henry Wallace’s Journey to Central Asia and Its Connection to Kazakhstan

Central Asia has long held significance for the Western world — both in the past century and today. The region is home to ancient peoples and rich indigenous traditions. As a journalist from Kazakhstan, I became curious about the cultural ties between the United States and my country. In 2023, I studied at George Washington University through the Bolashak scholarship program to explore this subject in depth. My research led me to numerous works written by American travelers and scholars. Among them, I discovered a book authored by former U.S. Vice President Henry Wallace, based on his journey to Central Asia. [caption id="attachment_35215" align="aligncenter" width="351"] Henry WallaceCredit Hudson Institute[/caption] His book, Soviet Asia Mission, was published in New York in 1946 and reflects observations from that trip. During this special mission in 1944, Wallace first traveled through Siberia, where he studied the conditions of the local population, before continuing on to the Kazakh steppe. Wallace describes the social and political realities of Kazakhstan under Soviet rule, as well as the industrial projects that caught his attention. As a senior American politician, he was particularly interested in production and agriculture. “Down to meet us at the airfield was the director, Georg Georgevich Spitsen. In motorcars, we drove at once to the largest of Karaganda's three big open-pit coal mines. With a sweeping gesture, Spitsen said: “We are digging 6,000 tons of coal a day here. Production began a year ago." A proud shovel operator, scooping up tons of run-of-mine coal to load into steel hopper cars, waved to us. The tracks were driven directly into the cut. We looked closely at the shovel's trademark. It was a Bucyrus Erie electric shovel, one of three at work here, and had been shipped in under lend-lease from the United States.” His journey to Kazakhstan in the previous century demonstrates that U.S.–Kazakh political contacts began earlier than is often assumed.. Although Kazakhstan’s place in the Soviet system was highly constrained, Wallace’s account provides valuable insight into the wartime Soviet republics.. “After lunch at Karaganda, we took off, flying southwest over very dry country. Even the streams were dried out, except in deep valleys where clusters of huts could be seen in the midst of green oases. When still a long distance away, we could see a wide expanse of water ahead. It was Lake Balkhash, bright blue in the midst of gray, treeless country. Along the shore rose the smoking stacks of smelters. On landing at the dirt airfield, we were welcomed to the copper-smelting town of Balkhash by its mayor, Anna Stepanovna Piribinus, president of the city Soviet.” His next stop was Semipalatinsk (today’s Semey). There Wallace spoke with Dimitri Chuvakhin of the Soviet Foreign Office, who accompanied him on the trip. “This kind of thing,” he said, referring to the new towns we had seen, “this kind of thing saved Russia. Trotsky was against it; he thought there had to be a world revolution. Stalin had faith in the moral stamina of...

History

How Did Kazakh Poet Abai Qunanbaiuly`s Name Reach the U.S.?

Kazakh literature is filled with towering figures who have shaped the nation’s cultural and spiritual identity. Among them, Abai Qunanbaiuly (1845–1904) remains the most iconic. A poet, philosopher, and intellectual of global stature, Abai left behind a legacy that continues to resonate within world literature. As Kazakhstan celebrates the 180th anniversary of his birth, it is a fitting moment to explore how his influence extended far beyond the steppe, reaching as far as the United States. George Kennan: The American Who Introduced Abai to the World In 1885, American journalist George Kennan visited Semey (then Semipalatinsk) and was deeply impressed by the city’s public library. To his surprise, local Kazakhs actively borrowed and read books, a rare sight for that time and region. In his influential work Siberia and the Exile System, Kennan specifically mentioned Abai, marking one of the earliest references to the Kazakh thinker in Western literature. Kennan’s account stands out for its authenticity. It is based not on secondhand stories but on direct observation. His writings confirm Abai’s presence in Semey’s intellectual life and suggest that the poet had begun to attract attention well beyond the Kazakh steppe. [caption id="attachment_34625" align="alignnone" width="232"] Credit «Siberia and the Exile System», by George Kennan[/caption] From Kennan’s descriptions, we gain insight into what Abai read, who his associates were, and how his worldview aligned with major thinkers of the time. Abai’s intellectual growth was greatly influenced by E. P. Mikhaelis, a Russian political exile and lifelong friend. Under Mikhaelis’s guidance, Abai refined his reading habits and began a new phase of self-education. Through Mikhaelis, he was introduced to other exiled Russian intellectuals such as S. S. Gross, A. A. Leontiev, and N. I. Dolgopolov. These thinkers were struck by Abai’s intellectual depth, civic engagement, and dedication to the betterment of his people. In return, Abai introduced them to Kazakh culture, history, and oral traditions, becoming a cultural bridge between East and West. [caption id="attachment_34627" align="alignnone" width="300"] Аbai and E.P. Mikhaelis[/caption] Kennan also described the library in Semey, where Abai was a frequent visitor and reader. Since the original excerpt is in English, it is often shared as an image in historical archives rather than a transcription. [caption id="attachment_34628" align="alignnone" width="201"] Credit «Siberia and the Exile System», by George Kennan[/caption] [caption id="attachment_34629" align="alignnone" width="300"] The exterior appearance of the library in Semey where Abai was a reader[/caption] Abai’s Songs and Wesleyan University Abai’s influence extended not only through literature but also through music. In 1970, Wesleyan University Press in Connecticut published Music of Central Asia: Essays on the History of Music of the Peoples of the USSR, a groundbreaking volume by V. Belyaev and other scholars. The book includes a chapter titled Kazakh Music: From the 15th Century to the Mid-18th Century, which devotes special attention to Abai’s musical legacy. Belyaev describes Abai as a progressive thinker and a voice for enlightenment, quoting one of his famous verses: "Song opens the doors of the world to you, Song opens the death to...