• KGS/USD = 0.01145 -0%
  • KZT/USD = 0.00194 0%
  • TJS/USD = 0.09479 0.96%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28616 0.14%
  • KGS/USD = 0.01145 -0%
  • KZT/USD = 0.00194 0%
  • TJS/USD = 0.09479 0.96%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28616 0.14%
  • KGS/USD = 0.01145 -0%
  • KZT/USD = 0.00194 0%
  • TJS/USD = 0.09479 0.96%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28616 0.14%
  • KGS/USD = 0.01145 -0%
  • KZT/USD = 0.00194 0%
  • TJS/USD = 0.09479 0.96%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28616 0.14%
  • KGS/USD = 0.01145 -0%
  • KZT/USD = 0.00194 0%
  • TJS/USD = 0.09479 0.96%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28616 0.14%
  • KGS/USD = 0.01145 -0%
  • KZT/USD = 0.00194 0%
  • TJS/USD = 0.09479 0.96%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28616 0.14%
  • KGS/USD = 0.01145 -0%
  • KZT/USD = 0.00194 0%
  • TJS/USD = 0.09479 0.96%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28616 0.14%
  • KGS/USD = 0.01145 -0%
  • KZT/USD = 0.00194 0%
  • TJS/USD = 0.09479 0.96%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28616 0.14%
26 April 2025

Our People > Askar Alimzhanov

Askar Alimzhanov's Avatar

Askar Alimzhanov

Senior Editor

Askar Alimzhanov graduated from the journalism department of the Kazakh State University named after S. Kirov, then worked as a correspondent for the daily republican newspaper Leninskaya Smen. He then moved to the United States to be a reporter for the daily newspaper "Cape Cod Times" in Hayanis, Massachusetts, (USA) under the journalist exchange program between the Union of Journalists of the USSR and the New England Society of News Editors. Since then, he has helped build transparency and understanding of Central Asia region in various executive level positions at esteemed media organizations including "Akbar"(Alma-Ata) international center for journalism, the Khabar News agency, the Television and Radio Corporation "Kazakhstan" JSC, and MIR- Kazakhstan.

Articles

From Enemy Waves to Fading Signals: Radio Liberty’s Journey in Central Asia

I went to school in Almaty, Kazakhstan, in the 1970s. This period in the Soviet Union is now commonly referred to as the "Era of Stagnation." We felt its effects firsthand. We did not know what freedom of speech was. All media belonged to the state, and all were "party-affiliated." Since there was only one party in the USSR, the Communist Party, all information was exclusively communist. Naturally, the media spoke only of the incredible successes of the working class and the over-fulfillment of party and government plans. We found this completely uninteresting, so we searched for alternative sources of information. Radio broadcasting helped. Almost every home had a radio receiver capable of picking up various wave frequencies. That was when I first heard Voice of America, Radio Liberty, and the BBC. My father listened to these stations. Around the age of 14–15, I also began to listen to these "enemy voices," as they were called at the time. I was primarily interested in the news reports about events that the Soviet press did not cover. And, of course, music. Western radio stations were one of the few sources of information about Western music, which was largely ignored in the USSR. Yes, even music was under ideological pressure. Today, not everyone remembers, but back then, popular bands released new albums almost annually. It was an incredible time for the invention of new sounds — Pink Floyd, Deep Purple, Rainbow, Led Zeppelin, The Rolling Stones, The Beatles, Manfred Mann's Earth Band, 10cc, and many other artists who are now largely forgotten. But they were giants of their time. Thanks to musical radio programs, we were aware of what was happening. The first broadcasts of the Russian Service of Radio Liberty, originally called "Radio Liberation," went on air on March 1, 1953. On March 18 of the same year, the Turkestan editorial office was established, broadcasting in several languages, including Kazakh, Uzbek, Kyrgyz, Tajik, Turkmen, Karakalpak, and Uyghur. Initially, broadcasts in Kazakh, known as "Bostandyk Radiosy" (Radio Liberation), aired four times a week for five minutes each. In the 1960s, the volume of Kazakh-language broadcasting increased to one hour per week, with a four-person team working on its production. By the late 1960s, the Turkestan editorial office was reorganized into "Northern" and "Southern" departments, with the Kazakh program included in the "Northern" department. Khasen Oraltai headed the Kazakh service. In 1971, the Turkestan Editorial Office was further divided into three separate editorial teams: "Turkestan-1," "Turkestan-2," and "Turkestan-3," with Kazakh-language broadcasts conducted through "Turkestan-3." By 1975, broadcast time had increased to half an hour in the morning and evening. Broadcasts were transmitted on shortwave from Munich. Radio Liberty had no correspondents within the Kazakh SSR. In the USSR, the station's broadcasts were jammed until 1988. In the foothills of Almaty, towers that housed jamming equipment for these broadcasts still stand today. In 1993, a Radio Liberty bureau was opened in Almaty, followed by a branch in Astana. However, after President Trump signed an...

1 month ago

The First-Ever Audio Recording of Kazakh Music

It was long believed that the world's first audio recording of Kazakh music was made in 1925 during the performance of singer, Amre Kashaubaev, at the Exposition Internationale des Arts Decoratifs et Industriels Modernes in France. However, the Berlin Museum of Visual Anthropology and Ethnology has recordings of Kazakh folk music, voices, and ritual chants, which were made in western Kazakhstan twenty years earlier. These recordings were made during the Acoustic Era, when sound waves were still recorded through analog methods. In 1857, Frenchman, Édouard-Léon Scott de Martinville invented the so-called phonautograph. Three years later, the world's first song was recorded. It was a French folk song, “By the Light of the Moon”. In 1877, Thomas Edison invented the phonograph. This invention could both record and playback audio and marked the start of the Acoustic Era. Later, in 1900, Carl Stumpf, a professor of psychology at the University of Berlin, established a phonogram archive in Berlin, where, at the same time, an orchestra from Thailand was touring. Stumpf recorded the Thai music, which was considered exotic to Europeans at that time. This recording became the first in the rich Ethnomusicology collection of the Ethnological Museum of Berlin. These recordings were originally discovered at the Institute of Russian Literature, also known as Pushkin House, which is part of the network that is affiliated with the Russian Academy of Sciences. Dr. Efim Rezvan, a well-known scholar of Turkology, showed the TCA team the wax rollers - cylindrical wax containers that can be played using Edison's phonograph. The first-ever audio recordings of Kazakh music were made using these devices. The German scientist Richard Karutz recorded them in the early 20th century when he organized an expedition to the steppes of Turkestan. As a result of his expedition, he wrote a book called Among the Kirghiz and Turkmens in Mangyshlak. During his expedition, Karutz took many photos and collected audio recordings of the local peoples' art. In addition to his scientific research, Karutz pursued other goals; for instance, he wrote about the health benefits of tea, which the locals consumed in large quantities. He claimed that drinking tea in large quantities when the air temperature was over 40 degrees Celsius helped them to bear the heat. Karutz wrote that, “It is necessary for our troops to weigh the importance of tea consumption during summer maneuvers and campaigns.” Richard Karutz was born into a mercantile family. In 1886, he went to study medicine at the University of Jena 1891. Completing his studies and receiving his doctorate in 1891, he then worked as a doctor aboard a ship. Whilst on working as a surgeon on a ship, Karutz traveled to South America and West Africa. After these trips, Karutz became interested in ethnography. In 1896, he was appointed head of the ethnographic collection of the Museum of Ethnology in Lübeck. Karutz enriched the museum's collection with artifacts from his travels, and encouraged other merchants and travelers to bring items from other countries for the collection. The...

7 months ago