Life & Culture - The Times Of Central Asia

Viewing results 25 - 30 of 1264

Book Presentation

The Angel of Karaul in Frankfurt: Leyla’s Story as a Call for a World Without Nuclear Testing

The story of a girl from the Kazakh village of Karaul whose life was shaped by Soviet nuclear testing has reached one of the world's largest book events. Roza Mukanova's The Angel of Karaul was presented at the Frankfurt Book Fair, held from October 7 to 11. Originally written in Kazakh as Mäñgilik Bala Beine (The Eternal Child), the work has been reissued in Kazakh and English by publisher Arman-PV. The launch comes in the year marking the 35th anniversary of the closure of the Semipalatinsk nuclear test site, which was officially shut down on August 29, 1991. Between 1949 and 1989, 456 nuclear tests were conducted there, affecting human health and the environment. For residents of nearby communities, that history did not end when the explosions stopped. This is precisely what Mukanova's work explores. Its protagonist, Leyla, lives in the village of Karaul, near the former test site. The consequences of nuclear testing have shaped her fate: although she is a young woman, she has the appearance of a child. Rejected and misunderstood by those around her, Leyla seeks compassion but often finds comfort only in conversations with the Moon, which she associates with her deceased mother. Through Leyla's story, the writer portrays the tragedy of those whose lives were altered by the Soviet nuclear program. The protagonist's loneliness and her desire to be accepted and loved turn the history of Semipalatinsk into a conversation about human dignity and society's responsibility toward its most vulnerable members. Mukanova attended the presentation at Kazakhstan's national stand, where the new edition was introduced to international publishers and readers. One of Kazakhstan's best-known contemporary writers, Mukanova is an Honored Worker of Kazakhstan and a recipient of the Abai State Prize and the Alash International Literary Prize. Her writing frequently explores complex human relationships, women's lives, and moral conflicts, themes that are central to The Angel of Karaul. Mukanova's story has long been familiar to audiences in Kazakhstan, where it has been adapted for the stage and continues to appear in theater repertoires. Astana's State Puppet Theater is among the venues to have staged the work, using Leyla's relationship with the Moon to explore her isolation and longing for acceptance. The new Arman-PV edition offers a different way to experience the work. Presented in a book-as-performance format, it draws on the story's theatrical history while bringing it to English-speaking readers. Leyla's story is particularly resonant in this anniversary year marking the closure of the test site. The last nuclear test at Semipalatinsk took place in 1989, but the environmental and humanitarian consequences of decades of explosions continue to be studied. In 2009, the United Nations General Assembly designated August 29 as the International Day against Nuclear Tests. For international readers, The Angel of Karaul offers an opportunity to see this history through the eyes of someone whose life was changed by events beyond her control. Thirty-five years after the closure of the test site, Leyla continues to pose a question addressed not only to...

Book Launch

Farewell to Russia: An Interview with Joe Luc Barnes on Central Asia’s Changing Role

In Moscow, before Russia’s full-scale invasion of Ukraine, Joe Luc Barnes met residents who distrusted their government but believed its assurances that war was not coming. The shock that followed opens his book, Farewell to Russia: A Journey Through the Former USSR. Barnes, a journalist, editor and contributor to The Times of Central Asia, has visited all 15 former Soviet republics since February 2022. His book explores how people have built their lives since independence, and how deeply Russia remains woven into them. Speaking to TCA, Barnes recalls meeting rural residents in Central Asia who were more supportive of Russia than their urban, Russian-speaking counterparts. He also reflects on why Russia remains a destination for young people seeking opportunities, despite the discrimination many face there. TCA: At the start of the book, you describe Muscovites’ conviction that Russia would not invade Ukraine. What sustained that certainty, and how did people respond when events shattered it? Joe Luc Barnes: I think it was mainly down to people not wanting to believe it. The amazing thing is that Muscovites (and Russians at large, in my experience) are fully aware that their government is full of crooks whom they wouldn’t trust with anything, but simultaneously most of them are in lockstep with the Kremlin’s foreign policy position. The war started just as Russia was trying to get the country vaccinated against Covid. In the end, the government struggled to persuade even 50% of people to have a single dose of the vaccine, but meanwhile those same people were sure the Kremlin was telling the truth when it said that its soldiers were massing on Ukraine’s borders as part of “routine exercises”. When the war did begin and that illusion collapsed, the main reaction was shock. For the first few days, there was a kind of numbness over the city. Many people had friends or relatives in Ukraine; others were stunned that something they had been denying had actually come to pass. Many in their 20s or 30s were disgusted with their government and began to look for a way out of the country. But people were generally focused on looking after themselves – worrying about things like finances, getting money out of their bank accounts, things like that. I think there was also a belief among many that it would be a short war. When I left Russia in March 2022, I don’t think I, or anyone around me, expected the war to still be raging four and a half years later. [caption id="attachment_58058" align="aligncenter" width="1774"] Lenin still stands in Bishkek, though not on his original plinth. Image: Joe Luc Barnes[/caption] TCA: Your title suggests a departure from Russia. Where in Central Asia did that feel most real, and where did everyday life complicate the idea? Joe Luc Barnes: I think in urban Central Asia, you can often feel like you’re in a Russian city. People speak Russian, you get around using Yandex Taxi, your mobile provider is Beeline, and architecturally you still...

Language Dispute

Uzbekistan’s Centrum Air Apologizes After Uzbek-Language Dispute

Uzbekistan's Centrum Air has apologized to a passenger removed from a flight after a dispute over his request to be addressed in Uzbek. The airline initially accused the man of aggressive behavior but later acknowledged that the flight attendant had been at fault. The incident occurred on October 5 during boarding for flight C6468 from Samara to Tashkent. Daryo reported that a passenger named Komiljon had asked a flight attendant to speak to him in Uzbek after she requested his boarding pass in Russian. According to Komiljon, an argument followed, and the captain refused to allow him to travel. In an October 5 statement, Centrum Air disputed his account, alleging that he had behaved aggressively and insulted the flight attendant. It said he had disrupted boarding and defended the captain's decision on safety grounds. The airline also said it was considering contacting law enforcement. Komiljon denied insulting the employee. Centrum Air said its flight attendants speak Uzbek, Russian, and English and can communicate with passengers in their preferred language. Komiljon traveled from Samara to Moscow before taking another flight to Tashkent, incurring additional expenses. Following a review, senior airline executive Ma'murjon Mamadaliyev acknowledged that the flight attendant had been wrong and had admitted her mistake. He said the airline would cover the passenger's additional travel costs. In a later video, the flight attendant apologized to Komiljon in Uzbek, according to Batafsil.uz. Komiljon accepted the apology and said that he had received compensation. The airline's later statement did not clarify whether it had withdrawn its original allegations about the passenger's behavior.

TCA Interviews

Goethe-Institut Director on Kazakhstan’s Cultural Ties with Germany

What does genuine intercultural dialogue look like in an interconnected yet polarized world? The Times of Central Asia spoke with Friederike van Stephaudt, director and head of cultural programs at the Goethe-Institut in Kazakhstan, about cultural relations between Germany and Kazakhstan. She discussed literary translation and how young people’s interest in studying or working in Germany can develop into lasting cultural connections. TCA: When you came to lead the Goethe-Institut in Kazakhstan, what aspects of the country’s culture and society particularly interested you? Friederike van Stephaudt: What fascinated me from the very beginning was Kazakhstan’s unique position at the intersection of tradition and modernity. The country combines a rich nomadic heritage with rapid urban development and a strong orientation toward the future. I was also struck by the diversity of cultural influences that have shaped Kazakhstan throughout its complex and multidimensional history. Different communities, languages, memories, and traditions coexist and interact here, creating a cultural landscape that is both dynamic and deeply layered. For me, Kazakhstan is a place where questions about identity, belonging, and cultural transformation are constantly being negotiated, which makes it an incredibly interesting environment to live and work in. TCA: How would you assess the current state of cultural relations between Germany and Kazakhstan? What changes have you observed in these relations in recent years? Friederike van Stephaudt: I would describe the cultural relations between Germany and Kazakhstan as lively, productive, and based on genuine mutual interest. What I particularly appreciate is that cultural exchange today is no longer understood as a one-way transfer of knowledge or artistic practices. There is a strong desire on both sides to learn from one another. While Germany and Kazakhstan often approach cultural, social, or artistic questions from different perspectives, we also discover many similarities and shared concerns. Topics such as social transformation, memory, sustainability, inclusion, and digitalization are relevant in both countries. Over recent years, I have observed a growing openness toward collaborative formats that allow artists, cultural professionals, and institutions to work together as equal partners. TCA: The Goethe-Institut’s mission is not limited to promoting the German language; it also aims to foster dialogue between cultures. In Kazakhstan, which of these two areas are you currently prioritizing? Friederike van Stephaudt: For us, these two areas cannot really be separated. We do not prioritize one over the other because language and cultural dialogue are closely interconnected and mutually reinforcing. Learning a language always means engaging with another culture. It offers access to different perspectives, ways of thinking, and forms of expression. At the same time, meaningful cultural exchange becomes much richer when people can communicate directly with one another. This is why we see language promotion and intercultural dialogue as two sides of the same coin, and our work aims to strengthen both equally. TCA: How strong is the interest in learning German in Kazakhstan? Have the motivations and aspirations of young people who want to learn German changed in recent years? Friederike van Stephaudt: Interest in learning German...

ITF World Tennis Tour

Almaty to Host Central Asia’s First World Tennis General Assembly

From October 10 to 13, Almaty will host events for the annual General Assembly of World Tennis, formerly the International Tennis Federation (ITF). The meeting of national tennis federation leaders will be held in Central Asia for the first time. More than 262 delegates from 137 countries are expected to attend. Founded in 1913, World Tennis is tennis’s global governing body. It sets the rules of the game and oversees the Davis Cup, Billie Jean King Cup, and junior competitions. In June 2026, the federation changed its name from ITF to World Tennis. Its leadership also announced plans to increase the number of people playing tennis worldwide from 106 million to 140 million by 2035. The federation's Board of Directors will meet in Almaty on October 10–11, followed by the General Assembly and voting on October 13. The announced topics include support for national federations, the development of children's tennis, training for coaches and officials, and the organization of international competitions. The Kazakhstan Tennis Federation is headed by Bulat Utemuratov, who also serves as vice president of World Tennis. In recent years, Kazakhstan has regularly hosted international tournaments, including the ATP 250 Almaty Open. The next tournament will take place later that month, from October 17 to 25. The meeting will take place shortly after Elena Rybakina's victory at the U.S. Open, her third Grand Slam title. Rybakina has now risen to the top of the Women's Tennis Association (WTA) rankings for the first time.

Tourism Promotion

MrBeast to Meet Fans in Tashkent on First Central Asia Trip

American YouTuber Jimmy Donaldson, better known as MrBeast, will visit Tashkent on October 9 on his first trip to Central Asia, Uzbekistan’s Art and Culture Development Foundation announced. The visit is being organized by the foundation in cooperation with the country’s Tourism Committee. Donaldson has a combined audience of more than half a billion subscribers across his YouTube channels. His main channel alone has around 520 million subscribers. He is known for big-budget videos built around elaborate challenges, competitions, and large cash prizes. In Tashkent, 200 fans over the age of 18 will be selected at random to attend a public event with Donaldson. The program will include interactive games and a trivia competition, with prizes for the winners. The foundation has warned fans about fake links and accounts seeking to exploit the visit. It advised them to register only through the official portal, which does not require payment, bank card details, or account passwords. MrBeast’s arrival gives Uzbekistan a rare appearance on the itinerary of one of the world’s biggest digital entertainers. Tashkent has increasingly sought international cultural and entertainment events as part of its push to build the country’s creative economy and attract younger foreign audiences.