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Sports

Astana to Host 2027 UEFA Under-19 Futsal European Championship

Astana has been selected to host the 2027 UEFA Under-19 Futsal European Championship, marking the first time Kazakhstan will stage a youth futsal tournament at this level. The decision was announced during a UEFA Executive Committee meeting in Tirana, Albania. According to the Kazakhstan Football Federation (KFF), the joint bid submitted by the KFF and the Kazakhstan Futsal Association received UEFA’s approval, granting Astana the right to organize the final tournament. The matches are tentatively scheduled to take place from September 26 to October 3, 2027, at the Zhekpe Zhek Sports Palace in the capital. Launched in 2019, the UEFA Under-19 Futsal Championship has been held every two years. The inaugural edition was held in Latvia's capital Riga, followed by tournaments in Spain (Jaén, 2022) and Croatia (2023). The 2025 edition is set to take place in Chișinău, Moldova, from September 28 to October 5. The final tournament features eight teams: the host nation and seven group winners from the qualification rounds. The lineup for Euro 2025 includes Moldova, Ukraine, Slovenia, Czechia, Turkey, Spain, Italy, and Portugal, the defending champions. Spain previously claimed back-to-back titles in 2019 and 2022. For Kazakhstan’s U-19 team, Euro 2027 will mark their debut in the finals, as host nations qualify automatically. While the youth squad has yet to make an international impact, the senior national futsal team has built a strong reputation. Kazakhstan secured bronze at Euro 2016 in Belgrade, reached the semifinals again in Slovenia in 2018, and advanced to the quarterfinals at Euro 2022 in the Netherlands. The senior team is currently competing for a spot in Euro 2026, which will be co-hosted by Latvia, Lithuania, and Slovenia. After missing direct qualification, Kazakhstan will face Italy in play-off matches on September 18 (away) and September 23 (home in Astana). Despite generational changes, naturalized Brazilian players such as Leo Higuita, Douglas Junior, and Edson continue to play key roles. Earlier this year, Kazakhstan introduced a legislative ban on the use of public funds to pay foreign athletes. Hosting Euro 2027 represents a significant milestone in Kazakhstan’s efforts to promote youth sports and strengthen its standing in European futsal. UEFA’s decision highlights the country’s growing role in international sport and provides a platform for the next generation of Kazakh futsal players to compete at the highest level.

History

“A Road Not for the Faint-Hearted”: How Austrian Prisoners of War Built a Tourist Path in East Kazakhstan

A winding mountain road in East Kazakhstan has become a point of fascination not only for tourists but also for historians, filmmakers, and researchers. Known variously as the Old Austrian Road, the Austrian Route, or Irek Zhol (“Winding Road”), this nearly 50-kilometer path connects the Katon-Karagai and Markakol districts, cutting through pristine wilderness in a national park and a state reserve. Today the path is being restored, but the road’s true value lies in a dramatic and little-known past that stretches back over a century. A New Chapter for an Old Road In July 2025, authorities announced the launch of extensive repair work on the Old Austrian Road. With a budget exceeding $1 million from the regional government, the project includes rebuilding a damaged bridge near Katon-Karagai, replacing culverts, reinforcing slopes, and rehabilitating impassable sections. The most challenging terrain lies near Lake Markakol, where the route crosses swampy stretches, sharp switchbacks, and granite outcroppings. Yet these obstacles have not deterred growing numbers of visitors, off-road enthusiasts, cyclists, hikers, and even horse riders, eager to explore the wild beauty of Eastern Kazakhstan. [caption id="attachment_35993" align="aligncenter" width="1280"] Image: TCA/Yulia Chernyavskaya[/caption] The Road’s Origins in War and Captivity Though few know it, this scenic mountain route has deep strategic and historical roots. Long before the 20th century, locals used it as a trail for horses and carts. But by the early 1900s, the Russian Empire decided to formalize the path, partly due to the road’s proximity to the Chinese border. Between 1914 and 1916, the road was reconstructed, largely by Austrian prisoners of war, mainly ethnic Czechs, Slovaks, Hungarians, and Galicians, captured during World War I. According to Vienna-based historian Lana Berndl, who has conducted extensive research on the topic, roughly 800 prisoners were transported from Austria via St. Petersburg and Omsk to the Irtysh River and then forced to march to the village of Altai (now Katon-Karagai). Around 600 reached their destination. Construction began simultaneously from Katon-Karagai and Alekseevka. Despite working only in the warmer months, the prisoners built a road whose difficulty rivals Alpine passes. During the harsh winters, many worked on local farms and integrated into village life. Some even married and remained in Kazakhstan permanently. [caption id="attachment_35994" align="aligncenter" width="1280"] Image: TCA/Yulia Chernyavskaya[/caption] Tragically, several were later repressed during Stalin’s purges. Among them was Ludwig Fritzen, a Hungarian prisoner who stayed, married a local woman, and was executed in 1937 after being accused of espionage. Remnants of this history remain: roughly 30 graves with Gothic-scripted crosses can still be found in old cemeteries throughout the region, silent testimonies to those who built the road under extreme duress. Film Rekindles Forgotten History In 2016, Austrian filmmaker Ruslana Berndl released a documentary titled The Austrian Road, which brought global attention to the forgotten story. She first learned about the road from a brief mention in a German travel guide that described it as “not for the faint-hearted” and built by Austrian POWs. Intrigued, Berndl, then a doctoral student at the University of...

Special Needs

Attitudes Toward Children with Special Needs in Kazakhstan Are Beginning to Shift

An appalling call by an Almaty-based blogger to "kill autistic people" has reignited public debate over attitudes toward children with special needs in Kazakhstan, revealing deep-rooted prejudices that persist in society despite ongoing reforms. Shocking Comments and a Criminal Case “There are too many autistic people, they need to be treated, and if they cannot be cured, they should be killed or autism hospitals should be opened. Children with autism have no feelings!” wrote Almaty blogger Raihan Zhumamuratova in a now-deleted post on social media. Her remarks sparked outrage online and drew swift condemnation from authorities. Zhumamuratova's post followed a disturbing incident on August 23, when a mother posted on Instagram that her two-year-old son was attacked in a courtyard by a teenager who picked him up, threw him in the air, and then fled while covering his ears. The act was captured on video. Initial reports suggested the 13-year-old boy may have a mental health condition, possibly an autism spectrum disorder, though no official diagnosis has been confirmed. The Auezov District Police Department opened a criminal case, and the teenager’s parents were held accountable for failing to properly fulfill their parental duties. Zhumamuratova's comments were widely condemned. The Autism Kazakhstan association filed a formal complaint, prompting Almaty police to launch an investigation. Minister of Labor and Social Protection Svetlana Zhakupova stated, “I think law enforcement agencies will take the right decisions regarding this blogger. The harshest ones.” “You know, we are building an inclusive society together. We do not tolerate discrimination against people with disabilities,” Zhakupova added. “Children with autism are currently under the special supervision of several government agencies, the Ministry of Education, our Ministry of Labor, and the Ministry of Health. We fully support these children.” A Pattern of Neglect and Violence While Zhumamuratova’s statements have drawn near-universal condemnation, this is not the first time a child has been seriously harmed by a teenager with a psychiatric condition. In February 2025, a teenager attacked a five-year-old with a knife inside an elevator in a residential building in Astana. The assault was also recorded and widely circulated online. The attacker, who is registered at a psychoneurological clinic, was later placed in a psychiatric hospital. His legal guardian was held accountable, according to Children’s Rights Commissioner Dinara Zakieva. Parents of children with special needs frequently report being left to cope alone. Rehabilitation services are limited, oversight is weak, and resources are stretched thin. A Long Road to Inclusion Kazakhstan faces systemic challenges in building an inclusive society. For decades, people with psychiatric or developmental diagnoses were kept out of public view. Traditional nomadic culture stigmatized them, and under the Soviet regime, psychiatric diagnoses often carried punitive implications that brought shame upon families. Many citizens today remain uninformed about developmental disorders like autism. As a result, people with such conditions are often met with fear or hostility. Compounding the issue, disability benefits remain low, making private care and quality rehabilitation inaccessible for most families. As of March 1, 2025, Kazakhstan...

Art and Culture

Contemporary Art Center Tselinny Opens in Almaty

Summer in Almaty was rich with music festivals, concerts, and public projects, and this cultural momentum appears set to continue into fall. The grand opening of the Tselinny Center for Contemporary Culture last Friday marked the start of September with a major cultural milestone for the city. A Historic Space Reimagined At a recent press conference, organizers spotlighted the significance of this new cultural landmark within the evolving discourse of Central Asian contemporary art. Director Jamilya Nurkalieva led a short tour ahead of the official opening, sharing insights into the restoration and rethinking of the historic Tselinny cinema. Reinterpreting Almaty’s first panoramic cinema, an iconic piece of Soviet-era modernist architecture, was, in her words, about creating “an architectural pearl.” She described the new space as embodying “inclusivity and acceptance, the ultimate state of tranquility, almost like a hug.” [caption id="attachment_35968" align="aligncenter" width="960"] Image: TCA[/caption] [caption id="attachment_35950" align="aligncenter" width="8605"] Image: Atelier Cauchemar[/caption] The transformation was a deeply local effort. Nurkalieva emphasized the importance of working with Kazakhstani architects, builders, and craftsmen to ensure authenticity throughout the reconstruction process. Among the most unexpected discoveries during renovation were original works by renowned Soviet graphic artist Yevgeniy Sidorkin, long believed lost. His preserved sgraffito now welcomes visitors at the entrance. “Conceptually, we didn’t want the space to become a monument to Sidorkin alone, this is a place for new artists,” said Nurkalieva. “In some areas, craftsmen recreated panels from his sketches. We chose neutral tones so the sgraffito wouldn’t dominate the space.” [caption id="attachment_35983" align="aligncenter" width="782"] Image: tselinny.org[/caption] In just its first three days, Tselinny welcomed more than 12,000 visitors. The public experienced debut exhibitions, the interdisciplinary performance BARSAKELMES, and the launch of an educational program. The former Soviet cinema, now reimagined by British architect Asif Khan, has been reborn as a cultural hub for Almaty and the wider region. Tselinny will gradually extend its hours and programming over the coming months, with full operations set to begin in January 2026. [caption id="attachment_35966" align="aligncenter" width="1280"] Image: TCA[/caption] Asif Khan’s architectural vision reflects a concept of spatial unity rooted in the Kazakh cosmological balance of Tengri (sky) and Umai (earth), representing power and growth. Drawing inspiration from the steppe landscape, Khan has preserved the spirit of the original building while opening a new horizon for each visitor. Launching a New Dialogue Three exhibition projects opened in parallel with the center itself. These include installations by Gulnur Mukazhanova and Daria Temirkhan as part of BARSAKELMES; the architectural showcase From Sky to Earth: “Tselinny” by Asif Khan (curated by Markus Lahtinenmäki); and the archival project Documentation: Imagining Central Asia on the Map of Contemporary Art (curated by Asel Rashidova). These inaugural exhibitions are intended to initiate long-term dialogue between artists, institutions, and the broader public. A full program is available on Tselinny’s official website. The Return of Tselinny Once the largest cinema in Soviet Central Asia, Tselinny has now been transformed into a multifunctional art center. The revamped complex includes exhibition spaces, workshops, a library, a bookstore,...

TCA Interviews

Behind the Scenes in Hollywood: Kyrgyz Screenwriter Guljan Toktogul on the Industry Without the Glamour

Screenwriter Guljan Toktogul spent nearly a decade in Hollywood. She wrote the script for the movie Salam, New York, about a Kyrgyz man adapting to life in America, and also has writing credits for the short films I'll Be A Star and Alexandra. A graduate of the American Film Institute (AFI), she now plans to continue her screenwriting career in her native Kyrgyzstan, having recently returned to Bishkek. The Times of Central Asia spoke with Toktogul about how screenwriters sell scripts in the U.S., how much they earn, what the bidding process entails, and whether it’s all worth it. TCA: What was it like living in Hollywood? Did it ever feel like home? Toktogul: It became comfortable, but not immediately, only after I built some connections. I first arrived in the U.S. in 2016 with my brother, who was there for work. We lived in Washington, D.C. for two years. When he left, I suddenly felt anxious. The thought of being alone so far from family, literally a day’s flight away, was overwhelming. I cried. But when I moved to L.A., completed a semester, and made friends, things improved quickly. I was lucky to be studying screenwriting at film school. TCA: Did the school feel like a second family? Toktogul: Exactly. Writing and working together means sharing deeply personal memories and thoughts, so people bond much faster than in everyday life. The school created a very supportive environment, full of people just as obsessed with film as I was. You live and breathe cinema, nothing else seems to matter. TCA: How are screenwriters treated in the U.S. compared to Central Asia? Toktogul: In the U.S., screenwriters are respected, but still often in the background. Producers and directors are the main creative forces. That’s why many screenwriters eventually try directing, to retain more control. You hand over your script, but what happens next is out of your hands. We don’t just write randomly, there’s meaning in every scene. When a script is mishandled on set, it’s painful. Many screenwriters avoid being on set for that reason. TCA: Are screenwriters usually present during filming? Toktogul: Yes, and rightly so. Unexpected problems always arise, maybe an actor drops out or a location falls through, so changes must be made on the spot. This is especially true for low-budget projects. I once worked on an indie film in Chicago and realized just how crucial a screenwriter’s presence can be. TCA: But aren’t things in the U.S. locked down by contracts before filming begins? Toktogul: Only if you're someone like Aaron Sorkin. He insists on filming scripts exactly as written. He’s known for demanding that actors deliver 10 pages of dialogue in nine minutes with no cuts. And it works, his dialogue has a musical quality. But most writers aren’t in that position. Ideally, scripts would be treated with more care. We’re not trying to take over, we just want the best version of the story to be told. TCA: Were you a member of...

Education

Uzbekistan to Transition to 12-Year School System

Uzbekistan is preparing to transition to a 12-year general education system, Deputy Minister of Preschool and School Education Sardor Radjabov announced in an interview with Uzbekistan-24. The change will incorporate preparatory classes into formal education, extending schooling from the current 11 years to 12. The revised structure will include three stages: One year of school preparation Four years of primary education (grades 1-4) Five years of general secondary education (grades 5-9) Two years of full secondary education (grades 10-11), which may be completed at general schools, academic lyceums, military schools, or technical colleges According to Radjabov, the reform aims to enhance educational quality and eliminate obstacles faced by Uzbek students applying to foreign universities. Currently, graduates are often required to complete a one-year foundation program abroad before qualifying for undergraduate studies. “This means our children lose a year,” he said. “If we implement the 12-year education system, students will no longer need to study foundation courses in several countries and will be able to enter undergraduate programs directly.” He added that aligning Uzbekistan’s education system with international standards would expand opportunities for graduates and narrow the gap between local and global academic systems. The reform builds on earlier changes to Uzbekistan’s school structure. In 2017, President Shavkat Mirziyoyev proposed the reinstatement of an 11-year general education framework, emphasizing its role in improving the connection between schools and colleges. Since then, most schools have operated under the 11-year model.