Kazakhstan Life & Culture - The Times Of Central Asia

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Sports

Nani Transfer to FC Aktobe Signals Kazakhstan Football Clubs’ Bet on Aging Stars

The Kazakhstan Premier League (KPL) is emerging as a destination for veteran European footballers in the twilight of their careers, as local clubs invest in high-profile transfers to boost visibility, attract sponsorships, and reignite fan interest. The most notable example comes from western Kazakhstan, where FC Aktobe was transferred to private ownership less than a month ago. On January 8, the regional government sold the club to businessman Nurlan Artikbayev, owner of the construction firm Qazaq Stroy, for $730,000. Artikbayev pledged to modernize the stadium, develop youth football, and rebuild the squad after the club’s failure to win the championship or qualify for European competitions. Aktobe’s first move was signing Kazakhstan national team goalkeeper Alexander Zarutsky, formerly of Almaty’s FC Kairat and a key figure in their historic UEFA Champions League appearance. However, the headline transfer was the acquisition of 39-year-old Luís Nani, the former Portuguese international and ex-midfielder for Manchester United, Fenerbahçe, Lazio, and Sporting. The club announced Nani’s signing on January 25, highlighting the move as a symbol of its renewed ambitions. Nani most recently played for Portuguese side Estrela, appearing in 10 matches and scoring once. In a statement, he expressed enthusiasm for helping to develop both the club and Kazakh football more broadly. Earlier negotiations between Aktobe and Thomas Müller fell through, with the 36-year-old German reportedly turning down a proposed loan from MLS club Vancouver. Rumors of interest in Brazilian forward Hulk were denied by his agent, while talks with 35-year-old Miralem Pjanić, formerly of Barcelona and Juventus, collapsed over financial terms. The Kazakh transfer window remains open until April 3, leaving open the possibility of further signings. Elsewhere in the league, FC Kaisar of Kyzylorda announced the signing of 35-year-old Victor Moses, the former Chelsea and Inter Milan midfielder. These moves signal a clear strategy: use marquee names to elevate the league’s status and attract new audiences. This new approach coincides with a major policy shift. As of 2025, Kazakhstan has implemented a legislative ban on the use of public funds to pay foreign athletes, meaning that such transfers must now be financed entirely through private investment. Whether this strategy pays off on the pitch remains to be seen. But one thing is clear: Kazakhstani football is pivoting toward a market-driven model, where fan engagement and media visibility are becoming as valuable as tournament points.

Cinema

Kazakh Producer Yulia Kim: “We Are Closing the Gap Between Central Asia and World Cinema”

Central Asia is increasingly being recognized as a bright new spot on the global cinema map. Films by regional directors are now regularly featured in major festival programs, and international curators are paying closer attention to the area’s filmmaking talent. One of the key platforms fostering these connections is the Post Space film camp in Kyrgyzstan, a space where emerging directors present their work directly to global festival decision-makers. The Times of Central Asia spoke with Post Space co-founder and Kazakh producer Yulia Kim about how this format works, why bridging the gap between the region and the global film industry is vital, and how campfire songs can forge creative collaborations. [caption id="attachment_42621" align="aligncenter" width="1060"] @PostSpace[/caption] TCA: Yulia, you’re one of the founders of Post Space, widely considered the most influential film camp in Central Asia. You’ve been organizing it for four years now. Has it yielded results? Yulia: Many. In 2024, the Locarno Film Festival invited two Kazakh directors, including Aruan Anartay, a Post Space participant. Last year, we had another Kazakh participant. The Lisbon Film Festival even curated a program specifically dedicated to Central Asian cinema. Its director, Portuguese producer Paulo Branco, visited Post Space for the first time in 2024 and fell in love with our filmmakers. I believe that for the festival curators we invited, Central Asia has opened up in new ways. They now approach our films with a deeper understanding and, hopefully, greater interest. TCA: Would you say international interest is growing? Yulia: Yes, but Post Space aims for more than just professional development. We also strive to create a friendly, supportive atmosphere. The connections formed here often become lasting collaborations. For instance, we ran a screenwriting lab, and soon several films developed during that project will be released. One participant, Diaz Bertis, refined his script with the help of an international mentor we brought in. These are vital steps for our industry. TCA: Many local initiatives fizzle out quickly. Are you planning for the long term? Yulia: Absolutely. Our project is just gaining momentum. But we’re working with a minimal budget and little external support, which limits what we can do. We'd like to offer more grants and long-term support to the projects emerging from Post Space, but for now, it’s mostly moral support. Still, we’re pushing forward, and young filmmakers are eager to grow with us. We focus on giving a voice to emerging artists who aren’t even recognized at local festivals, let alone international ones. TCA: So Post Space is a launchpad for debut filmmakers? Yulia: For many, yes. There’s so much talent in the region, but a lot of it has no connection to the film industry. We want to be the space where they gain confidence, present their work, and receive feedback. Many participants hadn’t shown their films anywhere before Post Space, often due to fear or inexperience. They were thrilled to screen their work here. TCA: What stood out about Post Space 2025? Yulia: Each year has its...

Education and Culture

The Battle to Keep Kazakhstan Reading

Mika’s Books and Pencils was a hole-in-the-wall bookstore in Almaty, but in December 2025, it was forced to vacate its former premises in the center of the city. “The rent was simply too high,” the store’s owner, Elmira Kireyeva, told The Times of Central Asia. Mika’s is not Kazakhstan’s only struggling bookseller. Kireyeva describes the situation for bookstores across the country as “extremely difficult,” even for the large chains. Physical bookstores are firstly threatened by the growth of e-commerce. In 2024, Kazakhstanis purchased over 2.3 million books on Wildberries, a Russian site similar to Amazon. This represented a 52% increase from 2023. But the economic situation is also having an effect. “Taxes have increased, including VAT on books. At the same time, people’s incomes are shrinking, so books are becoming a luxury,” Kireyeva said, noting that books are often printed abroad, which has seen them become a victim of the falling purchasing power of the national currency, the tenge. More worryingly for booksellers is that people are reading less than they once did. This is part of a global phenomenon, particularly among the young. A large share of undergraduate students in the United States claim to have never read a book. British historian Sir Niall Ferguson has recently argued that this decline is evident across the West, while the number of Russians who read at least once a week fell from 49% to 28% between 1994 and 2019. Many believe technology is to blame. “In the age of social media, human attention faces unprecedented competition,” Shyngys Muqan, founder of Mazmundama, a Kazakh-language publisher, told TCA. “Platforms built around short-form video are especially effective because they exploit a basic neurological tendency: the pursuit of dopamine with minimal cognitive effort. Compared to reading, scrolling requires little concentration, imagination, or sustained mental work, yet it delivers immediate emotional reward.” Kireyeva agrees that screens have certainly had an effect. “It’s not just phones; it’s also information overload. People can’t read long texts anymore – social media has trained us to read only short fragments,” she said. [caption id="attachment_42613" align="aligncenter" width="1600"] The classic literature section in Meloman, one of Kazakhstan's largest book chains; image: Joe Luc Barnes[/caption] Kazakhstan has been affected worse than most. According to CEOWorld’s Book Reading Index 2024, Kazakhstanis read less than almost every country in the world. Of the 102 countries surveyed, Kazakhstan ranked 95th, with the average Kazakhstani reading just 2.77 books a year. This was behind every other Central Asian country surveyed (Kyrgyzstan – 3.96; Turkmenistan – 3.18; Tajikistan – 4.01), and far behind Russia (11). The results led one local newspaper to quip that, at this rate, it would take the average Kazakhstani 2.5 years to read the entire Harry Potter series. There are various structural factors which make Kazakhstan a particularly barren zone for readers. The first is geography – people in rural areas are very poorly served, and library collections are small. While Almaty residents spend an average of 2,300 tenge ($4.50) per family per quarter...

Winter Olympic Games

Kazakhstan to Send More Athletes Than Expected to Winter Olympics

At least 36 Kazakh athletes have secured spots at the upcoming Winter Olympics in Italy this February, exceeding initial expectations. The number could still increase if the International Olympic Committee (IOC) allocates additional quota places. The XXV Winter Olympic Games will take place in Milan and Cortina d'Ampezzo from February 6 to 22. More than 3,500 athletes from 93 countries will compete for 116 sets of medals across 16 sports. Qualification for all disciplines concluded on January 20. Kazakhstan had originally aimed to secure 35 Olympic licenses for the Games. However, according to the Ministry of Tourism and Sports, the final count has reached 36. “The Kazakh national team will include 36 athletes at the Olympics,” the ministry’s press service stated. Half of these licenses are named, meaning they are tied to specific athletes. The remaining half are open slots, with final athlete selection to be determined by the coaching staff of the respective national teams. Kazakh athletes currently hold 18 named licenses across five sports. Named license holders include figure skaters Mikhail Shaydorov and Sofya Samodelkina (men’s and women’s singles), alpine skiers Rostislav Khokhlov and Alexandra Skorokhodova, and short track speed skaters Abzal Azhgaliyev, Denis Nikisha, Olga Tikhonova, and Yana Khan. Freestyle aerialists Dinmukhammed Raimkulov, Sherzod Khashirbaev, Roman Ivanov, Asan Asylkhan, and Ayana Zholdas have also secured confirmed slots. Kazakhstan’s speed skating team has been finalized and will feature Evgeny Koshkin, Kristina Silaeva, Elizaveta Golubeva, Nadezhda Morozova, and Arina Ilyashchenko. As for the remaining, non-named spots, Kazakh athletes will also compete in freestyle moguls (four athletes), biathlon (two men and two women), Nordic combined (one athlete), ski jumping (two athletes), and cross-country skiing (three men and four women). “These figures reflect the results of the licensing stages from the 2025-2026 season. Additional quotas may still be allocated by the IOC. Final information on Olympic licenses will be available at the end of January,” the sports ministry noted. As previously reported by The Times of Central Asia, Kazakhstani athletes achieved a strong showing at the 2025 Asian Winter Games, placing fourth overall in the medal standings among 34 participating countries.

Education

Kazakhstan Joins OpenAI’s Education for Countries Initiative

Kazakhstan has joined OpenAI’s Education for Countries program, becoming one of the first nations selected for the global initiative aimed at integrating artificial intelligence into national education systems. The program, launched by U.S.-based AI research and deployment company OpenAI, developer of ChatGPT, is part of the broader OpenAI for Countries framework. Kazakhstan joins the inaugural cohort alongside Estonia, Greece, Italy’s Conference of University Rectors, Jordan, Slovakia, Trinidad & Tobago, and the United Arab Emirates. Kazakhstan’s participation marks the beginning of a nationwide rollout of ChatGPT Edu, OpenAI’s education-focused AI platform. According to the Ministry of Science and Higher Education, the initiative is considered strategically important for Kazakhstan’s long-term education policy. Amid global debates over AI’s role in education, Kazakh officials stress that artificial intelligence is not intended to replace teachers, but to support them by reducing administrative burdens, enhancing teaching capacity, and enabling personalized instruction. The introduction of ChatGPT Edu is expected to streamline lesson planning, improve assessment processes, and support individualized learning. The project is being implemented under agreements reached during President Kassym-Jomart Tokayev’s official visit to the United States in November 2025. The key agreement was signed by OpenAI, Inc., Freedom Holding Corp., and Bilim Group. Crucially, the initiative is fully financed through private funding, with no allocations from the state budget or international grants. Minister of Artificial Intelligence and Digital Development Zhaslan Madiyev noted that Kazakhstan’s inclusion in the first cohort coincides with the country declaring 2026 the Year of Artificial Intelligence and Digitalization. “We view ChatGPT Edu as a practical tool to support educators and strengthen the research environment,” Madiyev said, adding that the initiative reflects the government’s systematic approach to AI deployment in priority sectors. As part of the national rollout, 165,000 free ChatGPT Edu licenses will be distributed, including: 100,000 licenses for teachers in preschool, secondary, technical, and vocational education 62,800 licenses for university faculty and administrative staff 2,200 licenses for participants in the Astana Hub technology ecosystem ChatGPT Edu will enable educators to prepare materials, tests, and assignments in Kazakh, Russian, and English, with content tailored to students’ academic levels. Beginning in January 2026, nationwide training programs will be launched in cooperation with OpenAI specialists, focusing on the practical use of AI in teaching, administration, and research. Minister of Science and Higher Education Sayasat Nurbek called the partnership with OpenAI a foundational step in shaping the future of Kazakhstan’s education system. “Artificial intelligence is not a replacement for humans. When used critically and responsibly, it enhances thinking,” Nurbek said. “In education and science, AI accelerates material preparation, improves feedback quality, and opens new research opportunities. Kazakhstan is not training users of artificial intelligence we are training its creators.” Kazakhstan currently leads Central Asia in AI adoption. According to Microsoft’s AI Economy Institute report Global AI Adoption in 2025 - A Widening Digital Divide, Kazakhstan ranked 72nd out of 147 countries, with 13.7% of its working-age population using AI tools by the end of 2025. By comparison: Kyrgyzstan ranked 117th (8.2%) Uzbekistan 141st (6.3%)...

Art and Culture

A Breakout Year for Contemporary Art in Kazakhstan

The year 2025 marked not only a busy period for contemporary art in Kazakhstan but also a decisive acceleration. Art moved beyond professional circles, claimed urban spaces, entered international agendas, and ceased to be a conversation “for insiders only.” The Kazakhstani art scene spoke with growing confidence both at home and abroad. New institutions, landmark exhibitions, festivals, and global collaborations signaled a pivotal shift: contemporary art has become a visible and integral component of the country’s cultural fabric. New Museums and Art Spaces in Kazakhstan Geographically, Almaty emerged as the epicenter of contemporary art activity in 2025. The city saw the opening of key institutions that became new focal points for artists, curators, and audiences. Opening of the Almaty Museum of Arts (ALMA) On September 12, 2025, the Almaty Museum of Arts (ALMA) opened its doors in Almaty, becoming one of the largest contemporary art museums in Central Asia. From the outset, ALMA signaled serious institutional ambitions, with a mission to support and study contemporary art processes and situate them within a global cultural context. The museum’s collection includes around 700 works, more than 70% of which are by notable Kazakhstani artists of the 20th century, such as Zhanatai Shardenov, Tokbolat Togyzbayev, Makym Kisameddinov, and Shaimardan Sariyev. Contemporary artists like Rustem Khalfin, Saule Suleimenova, and Said Atabekov are also prominently featured. Designed by the British architectural bureau Chapman Taylor, the 10,000-square-meter museum includes expansive exhibition halls (“The Great Steppe,” “Saryarka”), an Art Street atrium, storage and restoration facilities, and a creative workshop, setting a new standard for museum infrastructure in the region. [caption id="attachment_42431" align="aligncenter" width="1200"] Installation view of "I Understand Everything" – Almagul Menlibayeva (12 September 2025 - May 2026), Almaty Museum of Arts; image: Alexey Naroditsky[/caption] Tselinny Center of Contemporary Culture: Reclaiming a Building and Its Meaning Just days earlier, on September 5, 2025, the Tselinny Center of Contemporary Culture was inaugurated in Almaty. Housed in a restored 1964 Soviet-era cinema, the building underwent nearly seven years of renovation led by British architect Asif Khan. Notably, the facade’s unique sgraffito by artist Evgeny Sidorkin was preserved. The transformed space now features an exhibition hall, library, cafe, and workshop areas. Its opening was marked by the performance BARSAKELMES, with initial public access free of charge. Tselinny now operates three days a week and serves as a vital platform for exhibitions, education, and creative dialogue. [caption id="attachment_42433" align="aligncenter" width="2400"] The Tselinny Center of Contemporary Culture; image: SAPARLAS/Zhanarbek Amankulov[/caption] A. Kasteev State Museum of Arts: A New Status and Contemporary Focus Kazakhstan’s primary national art institution also redefined its role in 2025. Celebrating its 90th anniversary, the A. Kasteev State Museum of Arts was granted National Museum status. In conjunction with this milestone, a new gallery dedicated to contemporary Kazakhstani art from the independence period was unveiled. The exhibition Memory. Space. Progress brought together works from leading artists, charting the development of artistic practice from the 1990s to the present. Contributors included members of the Shymkent-based Red Tractor group, Almaty conceptualists,...