Our People > K Krombie

K Krombie

Journalist and Editor

K. Krombie is a freelance journalist and the author of two history books. Death in New York (published in 2021), which explores death in the Big Apple from experiments in embalming to capital punishment, to the vagaries of the mortuary business, and The Psychiatric History of New York (scheduled for publication in 2025). Krombie also owns a tour company called Purefinder New York, which focuses on NYC behind the scenes.

Articles

Art and Culture Baikonur Photography Space Exploration International Space Station Steppe

Grounding the Stars: Andrew McConnell’s Lens on Space and the Steppe

Award-winning photographer and filmmaker Andrew McConnell has dedicated his career to illuminating the world’s overlooked regions and underreported stories. He has a distinctive ability to examine major global issues and events from fresh, often unexpected perspectives. Ordinary people in extraordinary circumstances are the focus of McConnell’s lens. From conflict zones in the Democratic Republic of the Congo to the hidden lives of the Sahrawi people in Western Sahara, his work frequently highlights human endurance in challenging environments. His new book, Some Worlds Have Two Suns, takes a different direction. It explores the vast, remote Kazakh Steppe, where the sparse local population coexists with the high-tech world of space travel. The project began in 2014 after he filmed his documentary Gaza. While decompressing at home in Ireland, he watched a BBC documentary about a Soyuz spacecraft landing in the Kazakh Steppe. The stark contrast between destruction and human achievement struck him. “I turned to my parents and said, ‘I’m gonna go and see that.’” That moment sparked an eight-year journey documenting the Russian ground crews recovering astronauts and the communities living beneath these celestial homecomings. TCA: You visited the Kazakh Steppe multiple times to document the Soyuz landings. How many trips did you make and what were the challenges of reaching such a remote location? Andrew: I probably made a dozen. I would join the ground crew in Karaganda, which is not far from Astana, and from there they head out to the Steppe, and depending on whether it's winter or summer they have different vehicles for either one. In summer, the Steppe is fine to drive on, so they have four by fours and we head out and set up camp the day before the Soyuz arrives. They know the exact time the Soyuz will land, right down to the second, and it always goes to the same location, which is a group of tombs. You can see those in the book, the two horsemen beside these tombs. These are old nomadic burial tombs, maybe 300 years old, so that, initially, was very interesting to me… you know, what are these? The Steppe is this unending boundless void of nothingness, just flat grassland. At first, as a photographer, it was quite underwhelming because visually, how do you make that interesting? But here were these tombs in the middle of nowhere and it was instantly fascinating. That was always the base camp. I don’t know if that’s where Rocosmos aimed Soyuz, but that’s where it came into the atmosphere every time I saw it. It would enter the atmosphere above these tombs. The parachute deploys and then it depends on the wind because they can drift for 20 kilometers. A couple of times it was a windless day, and the Soyuz dropped within sight of these tombs. I had a fantasy that it would drop in the middle of it. [caption id="attachment_28250" align="aligncenter" width="2000"] Nomadic burial tombs, Soyuz landing zone, Kazakhstan, 2018; image: Andrew McConnell[/caption] TCA: What shifted your focus from the...

2 months ago

national traditions Art and Culture Music

Exploring Uzbekistan’s Cultural Tapestry – Trio Fadolín’s From Near and Far in NYC

Earlier this month, the Library for the Performing Arts at Manhattan’s Lincoln Center resonated with the vibrant sounds of From Near and Far, a new musical project by the New York-based ensemble Trio Fadolín. The performance, part of the New York Public Library’s cultural programming, captivated audiences with its rich exploration of Uzbek musical traditions and beyond. Suspense, melancholy, and drama were interwoven with personal stories shared by Ljova (Lev Zhurbin), a member of the ensemble and virtuoso of the fadolín — a one-of-a-kind string instrument custom-made for him — blending the tonal depth of the violin, viola, and cello. The program featured compositions by Ljova, Uzbek composer Dmitry Yanov-Yanovsky, and Ljova’s father, the renowned Soviet-era composer Alexander Zhurbin. Adding a poignant layer to the evening, Alexander Zhurbin attended the concert in person, providing a tangible connection to the ensemble’s exploration of cultural and familial roots. [embed]https://www.youtube.com/watch?v=guMv_IRHstg[/embed] Alexander Zhurbin, 1985 Much of Ljova’s career has been dedicated to uncovering and performing music from underrepresented regions, introducing audiences to sounds often unfamiliar in the West. Born in Moscow, he immigrated to New York in 1990 with his parents, quickly immersing himself in the city’s multicultural and musical landscape. As a composer, arranger, and bandleader for his ensemble, Ljova and the Kontraband, he has collaborated with globally acclaimed groups including the Yo-Yo Ma-founded Silkroad Ensemble (now called Silkroad). Ljova’s work defies boundaries, blending Eastern and Western influences to honor and innovate musical traditions. The trio's members — Ljova, violinist Sabina Torosjan (born in Estonia), and cellist Valeriya Sholokhova (born in Ukraine) — found a shared connection to Uzbekistan through their personal histories, which became the foundation for From Near and Far. TCA spoke with the trio about their musical and familial ties to Uzbekistan. TCA: Can you share how your personal histories connect you to Uzbekistan? Ljova: My father, Alexander Zhurbin, wrote the Soviet Union's first rock opera, Orpheus and Eurydice, in 1975. It played in stadiums and was in the Guinness Book of Records as the longest-running musical in Russia. He was born in Tashkent and lived there until his mid-20s when he moved to Leningrad — now St. Petersburg — to study, and then to Moscow to work as a composer in film, TV, musicals, and the concert stage. Sabina: Just like many people from the former Soviet Union, I have a mixed background. I grew up in Estonia. My mother’s side of the family was Ukrainian Jews and my father’s side was Armenian. The interesting connection to Uzbekistan is that it is where my father was born. His father was sent to work there as a veterinarian at the time, in Biruni, Uzbekistan. But shortly after my father was born, his family returned to Yerevan. Valeriya: My grandfather’s family sought refuge there during World War II and survived those difficult years in Uzbekistan. However, they returned to Ukraine as soon as they were able. There are pictures of my grandfather as a child wearing an Uzbek tyubeteyka, and...

3 months ago

Reforms Domestic Violence Legislation

#ForSaltanat: The Quest for Justice in Domestic Violence Cases in Kazakhstan

In the spring of 2024, the televised murder trial of Kuandyk Bishimbayev, Kazakhstan’s former Minister of the National Economy, captivated viewers across the country. Bishimbayev was found guilty of the brutal murder of his wife, Saltanat Nukenova, in a restaurant in Astana, and sentenced to 24 years in prison. Comparisons to the O.J. Simpson trial of 1995 were inevitable. Both trials involved a prominent figure — in this case, a politician previously pardoned by President Nursultan Nazarbayev after serving time for corruption — a victim who had endured domestic abuse, and a massive viewership. Bishimbayev's trial underscored public fascination with the case, driven not only by its reality TV appeal but by a growing awareness of deeply ingrained gender inequities, particularly regarding the societal expectations placed on Kazakh women within marriage. The trial’s timing occurred shortly before — and perhaps by no coincidence — new legislation was signed by President Kassym-Jomart Tokayev on April 15, 2024, amending laws to protect the rights and safety of women and children. However, critics noted an omission: a clear, targeted focus on preventing domestic violence. Two Kazakh women, who shared their stories with The Times of Central Asia, revealed the extent to which domestic violence remains embedded in Kazakh society. Rayana, from Astana, and Aliya, a Kazakh student in New York City, have never met, yet their stories echo shared challenges and hopes for change in their home country. Rayana, a beauty industry professional in her mid-twenties, reflected on her brief and tumultuous marriage, which began when she was 23. “I loved my husband, but felt it was too early to marry. We married just four months after meeting, and within a month of living together, I wanted a divorce. He was unfaithful and violent.” When Rayana sought help from her mother-in-law, she was told that her mother-in-law had also been a victim of domestic violence and that she, too, must learn to endure it. “It is worth mentioning that in Kazakhstan the north is very different from the south,” Rayana added. “I'm a northerner, he's a southerner. I had never experienced abuse before, and then for the first time, I felt a panic attack, which I still live with. In the south, people adhere more to traditions and have a negative attitude towards divorce and washing their dirty linen in public. Women keep silent about domestic violence. I can’t say anything about his family’s attitude. I still don’t fully understand.” Having grown up around domestic violence, she believes that one in two families is affected by it. After separating, Rayana’s family offered her support, while her in-laws disapproved, even throwing out her belongings. Rayana’s life since then, however, has vastly improved. “I have been working in the beauty industry for a long time. In our field, at least, climbing the career ladder is not difficult. My first supervisor helped me a lot. He spoke fondly of his wife and cared about his female employees. This gives us faith that there are good men...

4 months ago

Culture Traditions World Nomad Games

A Yurt Full of Culture: Immersive Theater Meets Nomadic Traditions at the World Nomad Games

In and amongst the many yurts at the 2024 World Nomad Games Ethnoaul (Ethnic Village), the inhabitants of a specific yurt — not only delight and surprise passersby with boisterous renditions of Kazakh music, dance, and comical stage combat — but they energetically beckon people inside to experience the traditional familial rituals of a nomadic Kazakh marriage proposal. Guests are seated on the floor while segments of the ritual are played out and translated into English by the host, Ernur. The experience is immersive to the point where some of the observers from far-off regions were overheard congratulating the bride-to-be on her upcoming nuptials. Inside the yurt, Ernur set the scene by pointing out the players, among them, the fathers of the future bride and groom, the future bride, her future mother-in-law, and a strumming dombra player. After the union was established, the mother-in-law bestowed her daughter-to-be with gifts of jewelry. As the dombra rhythm accelerated, the fathers-in-law embraced, and the two families exchanged gifts of — in this instance — fur-collared cloaks. The wedding, Ernur explained, would occur in March, the month of the traditional Central Asian New Year (Nauryz). Upward-facing palms aided declarations of goodwill and thankfulness, followed by more music, merriment, and horse-related appetizers. A sense of genuine formality and inclusive pomp was fully realized in under ten minutes. [video width="848" height="478" mp4="https://timesca.com/wp-content/uploads/2024/09/WhatsApp-Video-2024-09-13-at-12.10.55.mp4"][/video] The Mukanov Theater, named after Kazakh Soviet writer and poet Sabit Mukanov, is based in Petropavl, approximately 300 miles north of Astana near the border with Russia. Ernur, the aforementioned host and cast member, has been acting with the twenty-one-year-old Mukanov Theater for a year. Back in Petropavl, the company, which has a 200-seat theater building, performs traditional Kazakh plays, modern plays, and Shakespeare, which Ernur described as “so difficult for us!” 2024 marks the first year that they have performed at the WNG with their debut marriage proposal ceremony. Additionally, the theater company has enacted different nomadic traditions in other yurts around Kazakhstan. Ernur, who said he’d enjoyed his time in Astana, added that the Mukanov Theater was “proud that the World Nomad Games are here [in Kazakhstan].” [caption id="attachment_23140" align="aligncenter" width="720"] Left to right: Brandon, Albert and Jan at the World Nomad Games; image: TCA, K. Krombie[/caption] Three Western traveling companions, who met each other only recently on the backpacker trail of Central Asia, were ushered into the Mukanov Theater yurt. They each provided reviews of the immersive theater experience, and also, their individual opinions regarding the wider connotations of the performance, proportionate to Kazakhstan’s post-Soviet cultural heritage. Brandon, an American from San Francisco, has been traveling the world for nine months and thought it would be “really funny” to come to the Stans for a couple of months. “I was in Turkey, and I was like, you know what, where's the weirdest place I can think of to go to that's not too far from where I am right now? Who's ever been to Uzbekistan, right? Kazakhstan is my last stop...

6 months ago

World Nomad Games

Celebrating Female Pioneers at the 2024 World Nomad Games

Like most dominating worldwide sports, the World Nomad Games are top-heavy with male athletes. Yet while women don’t participate in all the categories, in the 2024 WNG, a noteworthy number of them have become the center of attention. Among the packed crowds of the Hippodrome and Ethnoaul venues, one competitor and two ticket holders had a few things to say on the matter of WNG women. Timea Janurik, known as Timi, is a folk musician and a PhD student in folk teaching methods, from Budapest, Hungary. She is competing as a player of the citera, the national stringed instrument of Hungary, at the Ethnoaul. The Hungarian representation at the WNG includes three men and three women, but Timi, who specializes in Turkic folk songs, is the only musician among them. While rehearsing in Astana, Timi chanced upon a Kazakh girl singer and asked her, “Do you want to join me in the concert?” Hence, a female alliance and a makeshift band were formed because Timi only knew how to sing one song in the Kazakh language. According to Timi, her new partner “can sing beautifully.” In Timi’s native Hungary, folk musicianship is an art form split evenly among men and women, but citera playing is dominated by women (and violin playing by men). [video width="848" height="478" mp4="https://timesca.com/wp-content/uploads/2024/09/WhatsApp-Video-2024-09-12-at-00.21.19.mp4"][/video] Timi is also participating in the female Assyk games, a type of traditional Kazakh board game in which players use small animal bones — assyks — to knock out multiple lines of their opponent’s assyks. The game rules differ according to gender. The male version of the game “is more popular,” says Timi, “because it’s more visible and looks so fancy to play.” [caption id="attachment_23070" align="aligncenter" width="1577"] Image: TCA, K. Krombie[/caption] British visitors Naomi Ocean and Andy Myer (an archer), from Wales and Devon, respectively, came all the way from the UK to Astana to watch the horseback archery. Even though they are well-traveled in other regions of Central Asia, this is their first visit to Kazakhstan and the WNG. They remarked that they hadn’t noticed the UK team participating in anything they have witnessed thus far, but what they have seen has been “interesting and exciting.” Having just seen the Turkey team being “trashed in the kok boru,” they were happy to see Turkey’s subsequent victory in the Traditional Turkish Archery, in particular the female team member who performed victory laps before an exhilarated, mostly Kazakh crowd. “We were glad,” said Naomi, “and we loved seeing the female archers.” Naomi was equally, if not more impressed by the “mixed teams” in the horseback archery category. Having watched and enjoyed the 2016 Kazakh language documentary film, The Eagle Huntress, Naomi and Andy look forward to the Kusbegilik games. “We’re expecting to see women handling eagles, which should be good.” [caption id="attachment_23071" align="aligncenter" width="2000"] Image: TCA, K. Krombie[/caption] A Turkish team victor, competing in Traditional Turkish Archery (mixed gender team), and an Uzbek athlete in horseback archery (with no specific male and female categories)...

6 months ago