• KZT/USD = 0.00223
  • TJS/USD = 0.10810
  • UZS/USD = 0.00009
  • TMT/USD = 0.29850
  • KZT/USD = 0.00223
  • TJS/USD = 0.10810
  • UZS/USD = 0.00009
  • TMT/USD = 0.29850
  • KZT/USD = 0.00223
  • TJS/USD = 0.10810
  • UZS/USD = 0.00009
  • TMT/USD = 0.29850
  • KZT/USD = 0.00223
  • TJS/USD = 0.10810
  • UZS/USD = 0.00009
  • TMT/USD = 0.29850
  • KZT/USD = 0.00223
  • TJS/USD = 0.10810
  • UZS/USD = 0.00009
  • TMT/USD = 0.29850
  • KZT/USD = 0.00223
  • TJS/USD = 0.10810
  • UZS/USD = 0.00009
  • TMT/USD = 0.29850
  • KZT/USD = 0.00223
  • TJS/USD = 0.10810
  • UZS/USD = 0.00009
  • TMT/USD = 0.29850
  • KZT/USD = 0.00223
  • TJS/USD = 0.10810
  • UZS/USD = 0.00009
  • TMT/USD = 0.29850
23 September 2026

Viewing results 43 - 48 of 755

Opinion: Christian Missions in Central Asia: Religious Freedom and Social Tensions

Central Asia has long been a crossroads of civilizations, cultures, and religions. For more than two millennia, the region has connected East and West, with Zoroastrianism, Buddhism, Judaism, Christianity, Islam, and indigenous belief systems coexisting, interacting, and, at times, competing. Christianity flourished here centuries ago through Nestorian and other Eastern Christian communities, while Russian Orthodoxy endured throughout the Soviet period. Under Soviet rule, religion was heavily suppressed, yet Christianity survived among Russians, Germans, Poles, Ukrainians, and other communities that had been deported or resettled across the region. Following the collapse of the Soviet Union, decades of official atheism gave way to a religious revival, creating space for a new wave of missionary activity. The principles of Christian missionary work are similar across denominations, with preaching, charity, education, medical assistance, and moral renewal at their core. In practice, however, missionary efforts in the newly independent Central Asian states evolved far beyond religious services. Amid the economic hardship that followed the collapse of the Soviet system, many churches combined evangelism with humanitarian assistance, language courses, youth programs, computer training, sports clubs, and cultural activities. These initiatives proved particularly attractive to young people, students, socially vulnerable groups, and urban residents seeking new educational and social opportunities. Among the five Central Asian republics, Kazakhstan emerged as one of the most favorable environments for Christian missions. During the 1990s, its relatively liberal religious climate, large urban centers, multiethnic society, sizeable Korean diaspora, Russian-speaking environment, and comparatively open legal framework enabled numerous foreign churches to establish seminaries, schools, charitable foundations, and places of worship. South Korean Protestant organizations became especially active. Presbyterian, Baptist, Methodist, and Pentecostal churches initially found a natural base within the Koryo-saram community, but their activities gradually expanded well beyond ethnic Koreans. It is at this point that a more sensitive issue emerges. Missionary churches generally regard religious conversion as a legitimate expression of freedom of conscience. Many Muslim families, however, particularly in rural and traditionally conservative communities, view the conversion of their children as a rupture with family heritage, ancestral traditions, and communal identity. Across much of Central Asia, religion is not merely a matter of personal belief. It is closely intertwined with kinship, ethnic identity, marriage, burial customs, and family authority. As a result, active proselytizing among indigenous youth can provoke strong opposition from relatives and local Muslim communities. The issue reflects the interaction between missionary strategies and social pressures such as limited interfaith dialogue, economic hardship, youth vulnerability, foreign funding, government suspicion, and concerns over cultural continuity. When religious conversion becomes associated with financial assistance, educational opportunities, foreign sponsorship, or improved social mobility, critics may portray it as an attempt to “buy souls,” even when churches describe such activities as humanitarian or charitable work. One of the most serious examples occurred in Tajikistan on October 1, 2000, when bombs exploded during a Sunday service at Sonmin Grace Church, a Korean Protestant church in Dushanbe associated with South Korean missionaries. The congregation had attracted local converts. Several people were killed and dozens...

Kazakhstan’s Al-Farabi University Joins Central Asia’s First Flying Hospital Project

Al-Farabi Kazakh National University (KazNU) has joined a project to create what Kazakhstan’s Ministry of Science and Higher Education described as Central Asia’s first flying hospital, a specialized medical aircraft intended to provide healthcare in remote parts of the region. A launch ceremony was held in Almaty last week for the Central Asian Flying Hospital Mission for Ophthalmology and ENT Care. The project uses a C909 aircraft and is being implemented under the global Air Silk Road of Health initiative. The initiative involves KazNU, the Eye and ENT Hospital of Fudan University, and the Commercial Aircraft Corporation of China (COMAC). COMAC has developed a specialized medical aircraft using the C909 regional jet platform. Passenger versions of the aircraft can carry between 78 and 97 passengers, depending on configuration, while extended-range versions can fly up to 3,700 kilometers. The medical version has a flexible cabin that can be reconfigured for medical teams and emergency care in remote areas. It can also be used for patient evacuation. The aircraft presented in Almaty will provide ophthalmology and ear, nose, and throat services. It is equipped with an operating room and telemedicine systems. It also uses artificial intelligence technology to diagnose eye diseases. The platform is intended to support care from screening and diagnosis through surgery and rehabilitation. Kazakhstan’s Ministry of Science and Higher Education said the project is being implemented for the first time in Kazakhstan and Central Asia. During the presentation, KazNU and the Eye and ENT Hospital of Fudan University signed a cooperation agreement to develop medical education and research, as well as professional training. A multilateral agreement was also signed to expand cooperation in ophthalmology between China and Central Asian countries. “The C909 flying hospital mission will give new momentum to cooperation between Kazakhstan and China in medicine, science, and higher education, expanding opportunities for academic mobility, research, and the introduction of innovative medical technologies,” said Bakytzhan Omarov, a board member at Al-Farabi Kazakh National University. The Air Silk Road of Health project is expected to help introduce advanced medical technologies and support joint research. It is also intended to expand access to high-tech healthcare in Central Asia. The initiative comes as Kazakhstan seeks to expand its scientific and medical research infrastructure. The Times of Central Asia previously reported that Kazakhstan opened Central Asia’s first brain research institute this summer.

Kazakhstan’s Astana Ballet Stages a Dance of Gold and Steppe Wind

The Astana Ballet hosted the premiere of Altyn Gul - The Secret of the Golden Tulip, a production that has drawn attention in the art community. In the new performance, archaeology and national mythology meet contemporary choreography in a single stage narrative. The theater’s chief choreographer, Abubakhrieva Mukaram Saidakimovna, known professionally as Mukaram Avakhri, an Honored Worker of Kazakhstan, turned to one of the most recognizable symbols of the Kazakh steppe, the wild tulip, transforming it into a metaphor for memory, continuity, and the search for identity. From the first minutes, the audience was captivated by the beauty of the music, costumes, and dance. A spectacle unfolded on stage, with warriors in red and gold armor marching into battle, followed by beautiful beings of the steppe whose forms seemed to shift between nymphs and flowers. The starting point for the performance was a real archaeological artifact, a gold plaque from the 3rd-2nd centuries BCE depicting a tulip, found in the Tenlik burial mounds. This small object of ancient jewelry became more than a museum discovery. It offered a way to reflect on how natural symbols survive through the ages and remain preserved in a people’s cultural memory. At the center of the story is a master jeweler, a young man named Zerger, who is inspired by the beauty of the steppe flower. The image of the tulip he creates gradually becomes a symbol of beauty, harmony, and the creative power of nature. Yet Altyn Gul is less a historical reconstruction than a philosophical parable. The protagonist’s path unfolds as an inner journey filled with symbolic trials and discoveries, while the tulip accompanying him gradually reveals itself as a sign of renewal, continuity, and the bond between human beings and the world around them. For Avakhri, turning to nature and historical memory was a logical continuation of her artistic direction. In her previous productions, Jusan, Ot Qyz, and The Silk Road, the choreographer had already explored the relationship between cultural heritage and contemporary movement language. Avakhri has said the central image of the steppe tulip symbolizes the fragility and strength of life. She also said the combination of national traditions with classical ballet and contemporary dance was intended to make the performance accessible and meaningful to today’s audience. According to theater director Tair Karatayev, the new production has taken a special place in the Astana Ballet repertoire. Altyn Gul has become an example of how national artistic images can receive a contemporary stage interpretation while preserving their connection to history and cultural heritage. The music for the production was written by Renat Gaissin, Honored Worker of Kazakhstan and one of the country’s leading contemporary composers. The libretto was created by Bakhyt Kairbekov, also an Honored Worker of Kazakhstan, and the costumes were designed by Aigerim Altybasarova. The premiere performances were accompanied by the theater’s symphony orchestra under chief conductor Arman Urazgaliyev. Altyn Gul closed the Astana Ballet theater season with an attempt to reinterpret one of the oldest cultural images of...

Kurchatov: Kazakhstan’s Atomic City Finds New Life After Nuclear Tests

Strong winds, scorching sun, abandoned five-story apartment blocks standing next to occupied homes, crows and horses wandering the streets: this is how Kurchatov appears to visitors today. Once closed to outsiders, the city was the heart of Soviet nuclear science and military power. More than three decades after the closure of the Semipalatinsk Nuclear Test Site, how does this unique corner of Kazakhstan live now? Construction of the test site began on August 21, 1947. It covered 18,500 square kilometers at the intersection of what are now the Abai, Pavlodar, and Karaganda regions. Two years later, on August 29, 1949, the Soviet Union conducted its first nuclear test here. Soviet nuclear scientists helped create the country’s “nuclear shield,” but it was Kazakhstan that decades later brought the tests to an end. On August 29, 1991, by decree of President Nursultan Nazarbayev, the Semipalatinsk test site was officially closed. Over 42 years, at least 456 nuclear tests were carried out at the site, affecting more than 1.5 million people. The history of Kurchatov began as a military garrison. Because of its secrecy, the city changed names several times, including “Moscow-400,” “Nadezhda,” and “Bereg.” It later became known as Kurchatov, after Soviet physicist Igor Kurchatov, although for many years it remained better known by its code name: Semipalatinsk-21. The first builders and military personnel lived in extremely harsh conditions. “At first, many lived in dugouts, and the walls froze through completely,” older residents recall. “In winter, hair froze to the beds, and fingers were often frostbitten.” “I came to serve here from Moldova and thought I was going to a regional center. Instead, they sent us into the steppe, to the dugouts. No electricity, no heating, no gas. Cold, mud, wind. But I stayed anyway. I got married and later brought my parents here,” Viktor Bordei, who has lived in Kurchatov for 47 years, told The Times of Central Asia. [caption id="attachment_51250" align="aligncenter" width="1600"] Viktor Bordei, a resident of Kurchatov; image: TCA[/caption] For many who served at the test site, their work felt like a matter of honor. “We didn’t think about the consequences,” Bordei admits. “We believed we were strengthening the Soviet Union’s nuclear shield. Nobody spoke about the harm until Nazarbayev announced the damage done to nature and people. Of course, it’s painful to realize we were kept in the dark.” Over time, memories of that period have become intertwined with nostalgia. Former residents recall developed infrastructure, well-stocked stores, and strict order. After the military left, Kurchatov took years to recover, losing both people and housing while preserving the spirit of its unusual past. “I remember how the walls shook during the explosions. I also remember the day the military left. It was frightening, and nobody knew what would happen next. Now it hurts to see abandoned buildings and horses wandering the streets, but I don’t want to leave. The city is changing, and I believe in it,” says local resident Elena Kazachuk, who was born in Kurchatov. Zoya Lapshina...

Designer Madina Tompiyeva: Kazakhstan’s Fashion Is Becoming a Language of Identity

Kazakhstani fashion is increasingly moving beyond style alone, with designers using clothing to explore heritage and contemporary identity. Anima, an Almaty-based brand, describes itself as an ethno-urban concept made in Kazakhstan. Its collections combine urban fashion with local aesthetics and motifs drawn from nomadic culture. The Times of Central Asia spoke with Anima founder Madina Tompiyeva about clothing as a language for the soul and freedom. She also discussed how Kazakhstani culture appears in contemporary silhouettes and why younger consumers are turning to fashion with stronger local references. TCA: Please tell us a little about yourself. How did you come to create the Anima brand, and what has this project become for you today? Madina: Since childhood, I dreamed of creating clothes and having my own fashion house. But the path to this was not straightforward. I studied economics, lived in different countries, worked in international companies, and spent a long time looking for answers to questions about what truly makes a person happy. At some point, my path led me to yoga, psychology, retreats, and a deeper acquaintance with myself. That is when the idea of Anima appeared. At first, I simply wanted to create clothes for myself comfortable, free, and honest. But very quickly I realized that through clothing, one can convey not only aesthetics, but also a state of being. Today, Anima is much more than a clothing brand for me. It is a way to speak about freedom, identity, beauty, and a person’s connection with their inner nature. TCA: What idea did you want to put into Anima from the very beginning? Madina: The word Anima itself translates as “soul.” From the very beginning, I wanted to create pieces that help a person feel like themselves, rather than play a role or conform to expectations. The foundation of the brand has always been the idea of returning to one’s essence: through comfort, natural fabrics, freedom of movement, and pieces that do not shout about themselves, but allow the person to come through. TCA: How do you define the brand’s visual language? Madina: I would describe it as a combination of cultural codes from around the world, natural forms, and a contemporary urban silhouette. We are inspired by the traditions of different peoples, but we do not reproduce them literally. We are more interested in reinterpreting cultural heritage through a contemporary form. That is why in our collections, you can see minimalism, ethnic motifs, Asian silhouettes, and modern functionality at the same time. TCA: The description of Anima includes the phrase “ethno-urban concept made in Kazakhstan.” What does this mean for you in practice? Madina: For us, it means a dialogue between tradition and modernity. We live in a global world, but at the same time, every nation has its own memory, culture, and meanings. Anima explores how these cultural roots can exist in a contemporary urban environment. Our pieces should look equally organic in Almaty, Berlin, and Tokyo, while still preserving their unique identity. TCA: How important is it...

Astana to Host Four Continents Figure Skating Championships in 2027

Kazakhstan’s capital, Astana, will host the ISU Four Continents Figure Skating Championships in 2027, one of figure skating’s major international competitions and the main ISU championship for skaters from Asia, the Americas, Africa, and Oceania. The International Skating Union announced that the event will take place from February 9-14, 2027. It will be the first ISU Figure Skating Championship held in Kazakhstan, and the first Four Continents Championships staged in Central Asia. The competition traditionally includes men’s singles, women’s singles, pairs, and ice dance. The ISU said the event would bring “the world’s best Figure Skaters” from the four regions to the Kazakh capital. The governing body said the decision builds on rising interest in the sport after Mikhail Shaidorov won men’s singles Olympic gold at the Milano Cortina 2026 Winter Olympics. The championship is expected to be the largest figure skating event ever held in Kazakhstan. The country has previously hosted major multisport competitions that included figure skating, including the 2011 Asian Winter Games and the 2017 Winter Universiade. ISU President Jae Youl Kim said the event would give figure skating fans across Central Asia a chance to see “world-class competition firsthand” and their “heroes and role models” on the ice. He said Astana would provide an “outstanding stage” for athletes, fans, and stakeholders. The Kazakhstan Figure Skating Union said it was “very pleased and honored” to host the championship and would work to ensure it was held “at the highest level.” Shaidorov welcomed the decision, saying he had long dreamed of an ISU championship being held in Kazakhstan. “This is a huge victory for me and for all of Kazakhstan,” he said in the ISU announcement. He added that figure skating’s popularity in Kazakhstan had grown since his Olympic victory and said he hoped the Astana championship would give fans “unforgettable moments.” Shaidorov also won the ISU Four Continents Figure Skating Championships in Seoul in February 2025, becoming the second Kazakh skater to win the men’s singles title at the event. Denis Ten won the same title in Seoul in 2015. Ten later became an important figure in Kazakhstan’s sporting history after winning bronze at the 2014 Sochi Winter Olympics, the country’s first Olympic figure skating medal.