Kazakhstan Life & Culture - The Times Of Central Asia

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Sports Education

Kazakh National University of Sports Joins Olympic Studies Network

The Kazakh National University of Sports in Astana says it has become the first university in Central Asia to join a global network of academic Olympic studies centers. It announced the recognition on September 17. The Academic Olympic Studies and Research Centres network connects institutions researching the Olympic Games and the Olympic Movement. The university says around 80 such centers operate worldwide. Their work includes teaching, scientific events, and the publication of research. The network is coordinated by the International Olympic Committee’s Olympic Studies Centre in Lausanne and provides a forum for cooperation between academics in different countries. The university trains coaches, physical education teachers, sports managers, and other specialists. Its training also extends to staff for rehabilitation centers and organizers of mass sporting events. It is now developing a Center for Olympic Studies, Education and Legacy, which will focus on research into the history, values, and long-term impact of the Olympic Movement. Membership in the international network will allow the Astana center to work with universities and research centers overseas and exchange research and teaching practices, the university said. The university said support from the National Olympic Committee was an important condition for recognition. It is already working with Kazakhstan’s committee on projects involving Olympic education and research. The new center is intended to bring students and lecturers into discussion with researchers and sports professionals, making Olympic studies part of the university’s sports science and education work.

FIDE Chess Olympiad

Samarkand Chess Olympiad Hosts FIDE Election as Timur Turlov Outlines His Plans

The 46th FIDE Chess Olympiad in Samarkand, Uzbekistan, brings national teams together from September 15 to 27. Alongside the competition, delegates will elect the next leadership of FIDE, the International Chess Federation. Three presidential tickets have been approved for the September 26 election. Entrepreneur Jan Henric Buettner, co-founder of Freestyle Chess with Magnus Carlsen, is running with Malcolm Pein for deputy president. WR Chess founder and WR Group chairman Wadim Rosenstein is standing with Gordon Tang. Freedom Holding Corp. founder and CEO Timur Turlov, who also heads the Kazakhstan Chess Federation, is running with Viswanathan Anand. The Times of Central Asia spoke with Turlov about his experience of chess within his family and his proposals for managing the international federation. TCA: Before we talk about professional chess and FIDE, let’s start at the beginning. What is your personal history with chess? Turlov: I learned to play chess as a kid; my grandfather taught me. He saw it as a parenting tool, and it just became part of the family. Over time I drifted away from the game, but I eventually came back. What brought me back wasn't nostalgia or any urge to win; it was my kids, and the sense that real relationships are built on substance, on actually connecting with and sharing with people. Having six children has been one of the great blessings of my life, and when they started playing and asked me to join them, I had good reason to pick the game back up, this time as a parent, and not as a student. It's a small thing, but it reminded me how much family life keeps you grounded, thinking about someone other than yourself. Chess is one way for people to develop relationships and grow in virtue. TCA: You describe chess as a parenting tool as much as a sport. How does that work in practice? Turlov: With six children, finding one consistent way to connect with all of them isn't easy. They're each unique, of different ages, and with different personalities. Chess turned out to be that common ground for us that could be cultivated year after year. Sitting across the board from your child is different from a conversation at dinner. It's slower, calmer, and it opens the door to talking about things that usually don't come up otherwise. Honestly, some of my favorite moments as a parent have happened over a chessboard, not in spite of the game but because of it. TCA: Can you give an example of what a chess game actually teaches a child that a normal conversation can't? Turlov: Beyond strategic thinking- call it looking ahead- there's something in chess that matters even more: learning how to win, and especially how to lose. Chess is one of the few structured experiences where a child loses clearly, sees exactly why, and has to sit with that calmly, without a tantrum, without blaming anyone else. As a parent, that's also a moment for reflection. You can talk through the...

Almaty Museum of Arts

Almaty Museum of Arts Begins Centre Pompidou Partnership With The Clock

A year after opening, Almaty Museum of Arts (ALMA) has brought one of contemporary art’s best-known works to Kazakhstan: Christian Marclay’s The Clock, a 24-hour artwork assembled from thousands of film and television clips. The installation, jointly owned by Centre Pompidou, Tate, and the Israel Museum, marks the beginning of a long-term partnership between the Almaty museum and its Paris counterpart. The Clock opened to the public on September 12 and will run through October 12. The work is being shown in Central Asia for the first time. Marclay created it in 2010 from thousands of fragments of films and television programs showing clocks or referring to time. Together, they form exactly 24 hours of screen time synchronized with the real world. If a visitor watches The Clock in Almaty at 3:42 p.m., it is also 3:42 p.m. on screen. In 2011, the work won the Golden Lion at the Venice Biennale. A year later, it was jointly acquired by Centre Pompidou, Tate in London, and the Israel Museum in Jerusalem. The Clock has since been shown at major museums around the world. Four 24-hour screenings are scheduled in Almaty, on September 19 and 26, and October 3 and 10. “Cooperation with Centre Pompidou is not a one-off event, but the beginning of a long story,” museum founder Nurlan Smagulov said in the museum’s announcement of the exhibition. ALMA opened on September 12, 2025. At its core is Smagulov’s collection of more than 700 works of modern Kazakh art, assembled over the past three decades. It includes works by Salikhitdin Aitbayev, Sergey Kalmykov, Yerbossyn Meldibekov, and other leading Kazakh and Kazakhstan-based artists. According to the museum, more than 460,000 people visited ALMA during its first year. The museum staged four major exhibition projects, including a solo exhibition by video art pioneer Bill Viola. For its first anniversary, it opened Müsinder, an exhibition spanning seven decades of Kazakh sculpture. More than 110 other events included lectures, discussions, concerts, and film screenings. The museum also published three books. The arrival of The Clock marks a new stage in the young museum’s international ambitions. Centre Pompidou has been expanding its presence beyond Paris for more than a decade. Its Paris building is closed for renovation until 2030, giving added scope to its international exhibition program. Málaga opened in 2015, and a project in Shanghai followed in 2019. Centre Pompidou Hanwha opened in Seoul in June 2026, while KANAL–Centre Pompidou is due to open in Brussels in November. Another site is planned for Foz do Iguaçu, Brazil, in 2028. The model varies between locations, with Centre Pompidou providing works from its collection, expertise, and jointly developed programs rather than simply reproducing its Paris museum abroad. Almaty is pursuing a different model again. There will be no Pompidou branch here: ALMA remains an independent private museum. For now, the partnership can be seen quite literally – in a darkened gallery where Marclay’s screen keeps Almaty time. The museum says its international network will expand again...

Elena Rybakina

Kazakhstan’s Elena Rybakina Wins US Open Ahead of World No. 1 Debut

Kazakhstan’s Elena Rybakina has won the US Open women’s singles title, defeating Aryna Sabalenka 6-4, 5-7, 6-2 in New York to claim the third Grand Slam championship of her career. Rybakina entered the final having already secured the world No. 1 ranking following her quarterfinal victory over Zheng Qinwen. She will officially take the top position when the new WTA rankings are published on Monday, becoming the first player representing Kazakhstan to reach No. 1 in singles. The US Open title adds to her Wimbledon championship in 2022 and Australian Open victory earlier this year. She has now won three of the four Grand Slam tournaments. Sabalenka entered the final as world No. 1 and two-time defending US Open champion. The match was also a rematch of this year’s Australian Open final, which Rybakina won. Rybakina has become one of Kazakhstan’s most prominent international athletes. Her run in New York included victories over Naomi Osaka, Zheng and Coco Gauff before the final. Speaking during the tournament, Rybakina said she was “very proud representing Kazakhstan” and noted growing interest in tennis among children in the country. Her success has marked a series of firsts for Kazakhstan. She became the first player representing the country to win a Grand Slam singles title at Wimbledon and is now the first to reach the top of the world rankings.

Education

New OECD Assessment Reveals Central Asia’s Student Performance

International student assessments help governments identify where students are succeeding, where they are falling behind and how learning outcomes are changing over time. The Programme for International Student Assessment, or PISA, tests how well 15-year-olds can apply what they have learned in science, mathematics and reading to real-world problems. Run by the Organisation for Economic Co-operation and Development (OECD), the assessment is intended to identify weaknesses and track whether learning improves over time. The results released on September 8 show improvement in some areas, declines in others and significant gaps in the regional data. PISA 2025 placed particular emphasis on science and introduced a new assessment of computational problem-solving, part of its broader work on learning in the digital world. What the Results Show Kazakhstan, Kyrgyzstan, and Uzbekistan participated nationally. Tajikistan was represented by Dushanbe rather than a national sample, while Turkmenistan did not participate. Participant Science Math Reading Comp. ProblemSolving Kazakhstan 420 414 385 449 Kyrgyzstan 363 364 344 388 Dushanbe, TJK 334 382 368 — Uzbekistan 438 N/A N/A 402 OECD average 482 463 461 500 Kazakhstan recorded the highest published regional scores in mathematics, reading and computational problem-solving, while Uzbekistan recorded the highest score in science. Uzbekistan’s mathematics and reading results were not published, preventing a complete comparison across the three core subjects. Central Asia remained below OECD averages, but Kazakhstan and Uzbekistan scored higher than several EU member states in some subjects. Across OECD countries, average mathematics and reading performance fell to the lowest levels yet recorded by PISA. Science was comparatively stable. What Changed The latest scores and the longer-term trends do not always point in the same direction. Kazakhstan and Uzbekistan both participated in PISA in 2022, while Kyrgyzstan’s previous participation was in 2009. Country ComparisonPeriod Science Math Reading Kazakhstan 2022–2025 −4 −12 −1 Kyrgyzstan 2009–2025 +33 +33 +30 Uzbekistan 2022–2025 +83 N/A N/A Kazakhstan’s mathematics score fell by about 12 points from 2022, a statistically significant decline for the country. Its smaller declines in science and reading were not statistically significant. Kyrgyzstan improved in mathematics, reading and science compared with its previous participation. The gains cover 16 years rather than a single PISA cycle. Uzbekistan recorded the largest movement in the regional results. Its science score rose from 355 in 2022 to 438 in 2025, an increase of 83 points. That was also the largest science gain among education systems with comparable results worldwide and more than twice the next-largest increase of 38 points. What Other Assessments Show Other international assessments help put the larger changes in context. Kazakhstan and Uzbekistan were the only Central Asian countries to participate in the 2023 Trends in International Mathematics and Science Study, or TIMSS. The assessment tests younger students and uses a different methodology from PISA. Among eighth-graders, Kazakhstan scored 443 in science and Uzbekistan 396. Two years later, PISA recorded science scores of 420 for Kazakhstan and 438 for Uzbekistan. The assessments cover different students and testing methods, so the scores cannot be compared directly....

Cinema

Kazakhstani Director Darkhan Tulegenov: “We Have Long Been Part of the Global Film Industry”

The Cord, the latest feature by Kazakhstani director Darkhan Tulegenov, will have its world premiere in the Vision section of the 31st Busan International Film Festival, held in South Korea from October 6 to 15. Developed from his series Kindik, the film has been described by its creators as a drama about blind maternal love, but further plot details remain under wraps. The Kazakhstani director’s recent television work also includes Mūnai and Khanskaya Okhota. Tulegenov studied acting before moving into directing, making eight short films and earning early recognition on the festival circuit before completing his first feature, Brothers, in 2022. In an interview with The Times of Central Asia, Tulegenov explained why filmmakers from Kazakhstan now have lessons of their own to share with international colleagues, how his acting education helps him on set, and how a director adapts when nature rewrites the plan, from unexpected snow in Aktau to the icy waters of the Caspian Sea. TCA: Your path into international cinema began while you were still a student. Which festival was your first? Tulegenov: Yes, essentially it all started with short films, which I began making while I was still a student. Before making my debut in full-length feature cinema, I made eight short films and several series. My short films won many awards around the world. My first trip abroad with one of my films was, I think, to Bishkek, to a short film festival, where I won the Grand Prix. That was the beginning. After that, I really traveled a lot thanks to cinema. TCA: One of those trips took you to Iran’s Fajr Film Festival. How did that experience influence you as a filmmaker? Tulegenov: In Iran, I participated in the Talent Campus program. It is similar to Berlinale Talents at the Berlin Film Festival, only at the Fajr Film Festival. They organize it for participants from Arab countries, Central Asia, other parts of Asia, and other regions. Well-known Iranian directors serve as mentors there: Majid Majidi was there, for example, and Asghar Farhadi had come the year before me. For a student, it is an amazing experience because you can attend lectures by masters of Iranian cinema while surrounded by people from all over the world. At some point, you realize that filmmakers everywhere actually speak the same language, and where you studied does not matter at all. You can study cinema in Iran, Kazakhstan, or America. The main thing is to speak the language of real cinema. [caption id="attachment_56009" align="aligncenter" width="1200"] All images courtesy of Darkhan Tulegenov[/caption] TCA: You also studied at the New York Film Academy. How different was that experience from studying in Kazakhstan? Tulegenov: Yes, it was what they called an “academic mobility program” at the Zhurgenov Academy, where I graduated. I don’t know whether it still exists, but at the time they sent us to Los Angeles for three months. The academy paid for our tickets, daily expenses, and other costs. For me, above all, it was an...