• KZT/USD = 0.00215
  • TJS/USD = 0.10810
  • UZS/USD = 0.00009
  • TMT/USD = 0.29760
  • KZT/USD = 0.00215
  • TJS/USD = 0.10810
  • UZS/USD = 0.00009
  • TMT/USD = 0.29760
  • KZT/USD = 0.00215
  • TJS/USD = 0.10810
  • UZS/USD = 0.00009
  • TMT/USD = 0.29760
  • KZT/USD = 0.00215
  • TJS/USD = 0.10810
  • UZS/USD = 0.00009
  • TMT/USD = 0.29760
  • KZT/USD = 0.00215
  • TJS/USD = 0.10810
  • UZS/USD = 0.00009
  • TMT/USD = 0.29760
  • KZT/USD = 0.00215
  • TJS/USD = 0.10810
  • UZS/USD = 0.00009
  • TMT/USD = 0.29760
  • KZT/USD = 0.00215
  • TJS/USD = 0.10810
  • UZS/USD = 0.00009
  • TMT/USD = 0.29760
  • KZT/USD = 0.00215
  • TJS/USD = 0.10810
  • UZS/USD = 0.00009
  • TMT/USD = 0.29760
27 August 2026

Viewing results 43 - 48 of 151

“Ergenekon Is Not Just a Myth, It’s a Cultural Bridge”: An Interview with Artist and Designer Emre Erdur

Today, comics and visual storytelling are increasingly going beyond entertainment. They are becoming part of a cultural dialogue, helping audiences reconnect with their roots. One such project is the graphic novel series The Legend of Ergenekon (Ergenekon Destanı), created by Turkish artist and designer Emre Erdur. The Legend of Ergenekon is a Turkic origin myth that tells of a people driven into a remote valley after defeat in battle, where they lived in isolation for centuries until a blacksmith forged a path through the surrounding mountains. Guided by a gray wolf, they emerged to reclaim their strength and expand across the steppe. In Central Asia, the story symbolizes resilience, unity, and renewal, often invoked as a metaphor for nations overcoming hardship to reassert independence and identity on the Eurasian crossroads. It resonates strongly in Kazakhstan, Kyrgyzstan, Turkmenistan, and Uzbekistan, where Turkic identity, language, and heritage are foundational. Born in Istanbul and trained as an architect at Mimar Sinan Fine Arts University, Emre Erdur worked for many years in the entertainment and design industries. Since 2019, however, he has dedicated himself to developing a multi-volume graphic novel series inspired by ancient Turkic history and mythology. His work was first presented at a festival in Taldykorgan. As part of his research, he visited the National Museum of Kazakhstan in Astana and collaborated with historian Assoc. Prof. Dr. Talgat Moldabay to ensure historical accuracy. [caption id="attachment_35647" align="aligncenter" width="1824"] Image: Emre Erdur[/caption] For Central Asia, Ergenekon Destanı is more than a creative project; it represents an effort to connect a shared heritage through the language of comics and popular culture. In an interview with The Times of Central Asia, Emre Erdur spoke about his inspiration, research, the role Kazakhstan plays in his work, and his plans for expanding this unique visual universe. TCA: You were born and educated in Turkey, yet you chose to dedicate yourself to wider ancient legends and Turkic history. When did you first feel drawn to this theme? Erdur: Yes, I was born in the westernmost corner of Turkic geography, but every individual in this world has cultural roots that reach out and nourish them. Naturally, as an artist, the desire to draw from and explore my own roots is an inner force. Although I was born and raised in Istanbul, you can find traces of our roots as far as Yakutia in Russia, Buryatia, Mongolia, the Altai, further south in East Turkestan, in the Gobi Desert, and even in Korea. None of these places feels separate from us; you can sense the connection. Of course, as a human being, every part of this world is valuable and fascinating; each region holds its own beauty and heritage. But there is also something called “national identity,” which is different from our individual identity. Our soul cannot be confined to this world; it knows no geography or race, it belongs beyond time and space. Yet during our lifetime on Earth, we do carry both national and individual identities, and defining them correctly...

Knowledge Day in Central Asia: What’s Changing in Schools This Academic Year?

Secondary schools across Central Asia are embracing modern teaching methods and aiming to elevate the status of teachers, as the new academic year begins with a wave of reforms. Kazakhstan: AI in Classrooms and Teacher Protections In Kazakhstan, the academic year begins on September 2, as Constitution Day on the 1st is a national holiday. Over 370,000 first-graders are expected to enter school this year. As previously reported by The Times of Central Asia, significant reforms are underway in the country’s education system. Amendments to the Law “On the Status of Teachers” will shield educators from non-teaching duties and protect them from undue legal responsibility. President Kassym-Jomart Tokayev has emphasized that educators should not be held accountable for incidents involving children that occur outside school or due to parental negligence. New “personal safety” lessons will also be introduced across all educational levels, from kindergartens to colleges. These age-appropriate classes will cover topics ranging from water safety and interaction with strangers to cyberbullying, financial literacy, and legal awareness. Schools and colleges are also rolling out DosbolLIKE, an anti-bullying initiative piloted in 50 schools last year, designed to curb bullying in student communities. Artificial intelligence will be introduced into the curriculum via “Digital Literacy” and “Computer Science” classes. AI-focused online courses called Day of AI are now available for grades 1-11, with training programs also developed for teachers. Despite the construction of 1,200 new schools accommodating over a million students in recent years, the high birth rate continues to strain infrastructure. In Almaty alone, the shortage exceeds 34,000 school places. Uzbekistan: Ivy League Aspirations and Civic Values In Uzbekistan, school also starts on September 2, a customary date. The first lesson will be conducted under the motto: “In the name of the Motherland, in the name of the nation, in the name of the people!” According to the Ministry of Preschool and School Education, 738,000 first-graders will receive gifts from President Shavkat Mirziyoyev. An international school is set to open this September, initially enrolling 60 top-performing graduates of the 8th grade. The curriculum will include leadership and social activism training, with a focus on preparing students for admission to Ivy League universities. A nationwide talent identification and development program is also in development. The weekly Kelazhak Soati (“Hour of the Future”) class will debut this year, aiming to strengthen students’ moral values and encourage reflection on their future roles in society. Kyrgyzstan: Transition to 12-Year Education This academic year marks Kyrgyzstan’s official transition to a 12-year education system. The reform affects lesson structures, curricula, and textbooks. The transition, to be completed by 2028, includes the redistribution of students across grade levels. For example, third graders born in 2015 will skip to fifth grade, and sixth graders born in 2012 will advance to eighth grade. Further shifts are scheduled for the next two academic years. While the extended education model is expected to allow deeper learning and skills development, the transition period may cause confusion among students, parents, and educators. Adapting to new...

Bold Pavilions, Big Statements: Central Asia at Osaka Expo 2025

On a sweltering August day, The Times of Central Asia arrived at the Osaka Expo 2025. The theme, "Designing Future Society for Our Lives," set the stage for a carnival of new ideas and technology. Pavilions buzzed with invention, each one a world of its own. Central Asia turned heads - with all five countries represented - with vibrant stalls, bustling booths, and grand castle-like showpieces that drew crowds from every corner. [caption id="attachment_35420" align="aligncenter" width="2560"] Kazakhstan Pavilion; image: TCA, Stephen M. Bland[/caption] Kazakhstan’s pavilion presents the theme “Born Bold” in the “Connecting Lives” zone, alongside South Korea, Germany, Luxembourg, Nepal, Azerbaijan, Iran, Monaco, and Türkiye. At its heart rises the shanyrak, the sacred crown of the yurt, once a symbol of roots and now a beacon of unity, mirroring the Expo’s spirit of innovation and shared horizons. The story begins with the essence of the Kazakh people. Generations, history, culture, and traditions unfold from the Kazakh Khanate and the vast steppe to Abai’s poetry and the nation’s sporting heroes. It is a narrative of memory and strength, where the past is not closed, but carried forward as a living value. [video width="1280" height="720" mp4="https://timesca.com/wp-content/uploads/2025/08/KZ1-REMOVE-AUDIO-Videobolt.net_.mp4"][/video] From history, the focus shifts to unity. Every guest becomes part of the experience as their face is woven into a digital mosaic, a vivid symbol of belonging. Interactive technologies present Kazakhstan as a country where diversity does not divide but connects. From past to present, the spotlight then falls on a Kazakhstan that is inventive and future-ready. Visitors explore the country’s energy transition, green initiatives, digitalization, and work in artificial intelligence, alongside its rise as an investment hub. [caption id="attachment_35413" align="aligncenter" width="2560"] Prolonging life - ALEM at the EXPO; image: TCA, Stephen M. Bland[/caption] The final chapter places pride and place on the groundbreaking ALEM (Astana Life Ex-situ Machine) developed by Kazakh scientists. Created by the Heart Center Foundation, it is already redefining the possibilities of transplantation. The window for organ transplants is short, from just a few hours for a heart or lungs to more than a day for a kidney. ALEM changes the game. By replicating the body’s internal conditions, it can keep a donor heart alive for 24 hours, opening new possibilities. Only a few models currently exist, including the one on display in the pavilion. [caption id="attachment_35414" align="aligncenter" width="2560"] The Turkmenistan Pavilion; image: TCA, Stephen M. Bland[/caption] The Turkmenistan Pavilion dazzles with three lavish floors beneath an iconic, rounded-triangular ceiling that symbolizes circulation, sustainability, and the flow of life. On the ground level, an epic immersive video left the Japanese audience gasping as it honored Turkmenistan’s great men, legendary horses, and loyal dogs, while women appeared only in fleeting roles. [video width="1280" height="720" mp4="https://timesca.com/wp-content/uploads/2025/08/TK1.mp4"][/video] The second-floor shifts to the present, celebrating modern achievements, from the smart city of Arkadag to advances in industry, finance, and science. The space unfolds as an eclectic mix of books, jewelry, rugs, and even everyday objects like bottles of oil. At its center, a glowing...

Central Asia Cuts Hunger Fivefold in Two Decades, FAO Reports

The number of people facing hunger in Central Asia has fallen sharply over the past two decades, according to a new report from the UN Food and Agriculture Organization (FAO). The share of the population suffering from undernourishment dropped from 13.1% in 2005 to just 2.8% in 2024, equivalent to a decline from 7.8 million people to 2.3 million. Much of this progress was achieved before 2019. The COVID-19 pandemic temporarily disrupted that trend: between 2020 and 2021, undernourishment rose to 2.5 million. However, with the introduction of stronger food security policies and an economic rebound, the region has since regained positive momentum. The FAO report notes that a healthy diet in Central Asia now costs an average of $3.78 per person per day. While this is below the global average of $4.46, it remains unaffordable for many low-income households, particularly in rural Tajikistan. In 2024, FAO estimates that approximately 14% of the region’s population, roughly 11.5 million people, still could not afford a balanced diet. Child health indicators have also improved. The prevalence of stunting among children under five has halved since 2012, falling from 14.8% to 7.4%. Rates of acute malnutrition have also declined, and childhood obesity rates have decreased slightly. Nonetheless, persistent challenges remain: anemia affects about one-third of women of reproductive age, and adult obesity is on the rise, increasing from 18.8% to 25.1% over the past decade. In 2024, Tajikistan remained the most food-insecure country in the former Soviet Union. According to the Global Hunger Index published by the International Food Policy Research Institute, 8.7% of its population faces food shortages, placing the country 65th out of 127 worldwide. In a sign of regional engagement, Uzbekistan officially joined the Global Alliance to Combat Hunger and Poverty in December 2024, reinforcing its commitment to the Sustainable Development Goals and to global cooperation on food security.

Jessica Lynn’s Concerts in Ashgabat: A New Chapter in Turkmenistan’s Cultural Landscape

Ashgabat, Turkmenistan, July 2025 – American country-rock artist Jessica Lynn will perform in Turkmenistan’s capital, Ashgabat, on July 5 and July 6, marking a rare cultural exchange between the country and the West. This event offers a glimpse into Turkmenistan’s gradual shift towards engaging with global culture, even as the country remains cautious in its diplomatic and cultural openness. For the residents of Ashgabat, Jessica Lynn’s performance presents an opportunity to experience live music from a genre not often seen in this part of the world—a blend of American country, rock, and pop influences that are popular across the United States but less familiar in Turkmenistan. As noted by the U.S. Embassy in Turkmenistan, these concerts symbolize a key moment in strengthening cultural diplomacy. A Milestone for Turkmenistan’s Cultural Diplomacy Jessica Lynn’s two concerts will take place at two significant venues in Ashgabat: the Turkmenistan Cinema Concert Hall and the Arkaç Shopping and Entertainment Center, both emblematic of the country’s urban modernization. The concerts, open to the public on a first-come, first-served basis, come at a time when Turkmenistan is slowly embracing a more open stance towards foreign cultural influence. While the country has long been known for its cultural isolation, recent leadership under President Serdar Berdimuhamedov has shown a willingness to engage selectively with the outside world, particularly in the fields of art and entertainment. These concerts serve as a cultural milestone, not just because of Jessica Lynn’s genre-defying music, but also as part of Turkmenistan’s broader strategy to position itself as a more modern and internationally engaged country. By inviting a Western artist like Jessica Lynn, the government is signaling its intent to introduce international music into a society where such influences were once heavily restricted. According to the Turkmenistan State News Agency, the government’s outreach is part of its gradual integration into global culture. Why Country-Rock? The Shared Themes Between Turkmen and American Music The choice of country-rock for this cultural exchange might seem unexpected, but there are surprising similarities between Turkmen folk music and American country music. Both musical traditions place a strong emphasis on storytelling, with lyrics often centered around love, hardship, national pride, and life in rural communities. Turkmen folk music, which has been passed down through generations, is known for its rich oral traditions and its focus on personal and communal narratives. The dutar, a two-stringed instrument, plays a key role in many of these traditional songs, but the central theme—narrating stories of daily life and personal experiences—echoes the storytelling style that defines much of American country music. This connection between storytelling traditions is explored in a Nomads Life article about the influence of Western music on Turkmen artists, highlighting how both cultures value narrative as a central element of their music. Much like the country ballads of artists like Johnny Cash and Dolly Parton, Turkmen folk songs depict struggles, resilience, and deep connections to the land. For example, Turkmen songs often tell tales of life on the steppe, which resonates with country...

The Hearth of Hospitality: The Importance of the Chaikhana in Central Asia

“Every meal begins with tea and ends with tea. Every guest is welcomed with tea. Every festival and every ceremony – from the celebration of birth to wedding to funeral – must feature tea” - Ketan Desai. Across Central Asia, the chaikhana, or teahouse, holds a cherished place in the region’s social and cultural fabric. Beyond serving cups of steaming tea, it represents history, hospitality, and a space where the rhythms of daily life unfold. For Central Asians, tea isn’t just a drink; it’s a way of life. Every pour, sup, and serving is steeped in tradition. Green tea is considered supreme in the east, while black tea holds court in the west. The offering of tea isn’t just polite, it’s a heartfelt symbol of welcoming and friendship, and to turn it down is practically a cultural crime. Tea is always poured into a piala, a small ceramic or porcelain bowl similar to the Chinese gaiwan or the Japanese chaiwan, but with its own unique steeped allure. A Link to History [caption id="attachment_33095" align="aligncenter" width="1024"] Chaikhana, Samarkand, 1905; image: Prokudin-Gorskiĭ[/caption] The chaikhana has roots stretching back centuries, intertwined with the history of the Silk Road. These teahouses sprang up along trade routes as places where merchants, travelers, and locals could rest and exchange goods, ideas, and stories. Over time, chaikhanas became hubs of cultural exchange, bearing silent witness to the blending of a rich tapestry of traditions. Central Asia is a region shaped by the collapse of the Soviet Union and subsequent episodes of democratization, political coercion, and repression. Throughout history, the chaikhana also played a role in the region’s intellectual life. Much like coffeehouses in Europe, these spaces often served as platforms for debate, poetry readings, and the airing of progressive ideas. These venues often feature private rooms with enclosed spaces or pull-down shades and outdoor spots with canopies or yurt-like structures, ensuring discretion for guests. Unlike typical restaurants or cafes, which rarely offer such private arrangements, teahouses allow organizations to hold meetings comfortably and confidentially. Teahouses serve a dual purpose by balancing privacy with public engagement, making them invaluable to those seeking both discretion and societal visibility. [caption id="attachment_33096" align="aligncenter" width="1019"] Bukhara Chaikhana; image: Joepyrek[/caption] Teahouses serve as neutral spaces where the general public and government can freely interact. They offer a safe space for open discussions, even for government employees, highlighting their unique role in fostering dialogue. The subversive potential of teahouses cannot be overlooked, as debates frequently occurred outside formal governmental frameworks. They have quietly allowed people to organize and challenge institutional power in subtle yet meaningful ways. Tradition and Architecture Chaikhanas are more than just teahouses; they’re cultural treasures enriched by stunning architecture. From simple wooden benches in rural areas to urban teahouses adorned with intricate carvings, colorful tiles, and ornate patterns, these spaces are as much about artistry as they are about tea. The interiors feature low tables and cushions, encouraging leisurely conversations and fostering a warm, communal atmosphere. Whether beside a flowing stream...