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How Women in Central Asia Celebrate International Women’s Day

March 8, International Women’s Day, holds a special place in Central Asia. Over the years, the holiday has evolved from its Soviet-era roots into a modern celebration that blends tradition with contemporary interpretations. The Soviet Past: March 8 as a Day for Working Women During the Soviet Union, March 8 was more than a celebration of spring and femininity, it symbolized the struggle for women’s rights and equality. The day honored working women, with official ceremonies highlighting their achievements. State-run enterprises and organizations staged formal events and presented flowers and gifts to female employees, and media outlets published articles about the country’s outstanding women. The Transition Period: The 1990s Following the collapse of the Soviet Union, Central Asian countries began redefining their identities, which was reflected in how they marked March 8. The holiday took on a more personal and familial character, with less ideological emphasis. While state celebrations continued, they became more subdued. Men still gifted flowers and presents to women, but the political significance of the day gradually faded into the background. Modern Celebrations: Balancing Tradition and New Trends Today, March 8 in Central Asia is primarily a day to recognize women’s contributions and express gratitude. The holiday remains widely celebrated across Kazakhstan, Kyrgyzstan, Uzbekistan, Tajikistan, and Turkmenistan, though each country has developed its distinct traditions. Kazakhstan: Major cities host flash mobs, charity events, and cultural programs. In recent years, feminist activism has gained momentum, with some using the holiday to highlight gender inequality. “For me, March 8 is not just about receiving flowers, it’s a reminder that equality is not a privilege but a necessity,” Ainur, 24, from Almaty told TCA. Uzbekistan: The holiday remains warm and family-oriented. Women receive flowers, sweets, and gifts from colleagues and relatives, while government agencies organize concerts and celebrations. “My friends and I always celebrate March 8. It’s wonderful to receive gifts from my brothers, friends, and husband, but I wish there was more year-round appreciation for women,” Madina, 27, from Tashkent told TCA. Kyrgyzstan: Alongside traditional celebrations, women's organizations and activists hold marches and discussions on gender rights, reflecting a shift toward reinterpreting the holiday. “I participate in the women’s rights march every year because this day is not just about flowers; it’s about our opportunities and freedoms,” Gulzat, 23, from Bishkek told TCA. Tajikistan and Turkmenistan: March 8 remains an official holiday, but without any strong political agenda. “For me, this day is a time to gather with family, but I see that younger women are giving it a new meaning,” Zarina, 40, from Dushanbe told TCA. Changing Values and Perspectives Each year, debates over the significance of March 8 grow stronger. Some argue that it should remain a celebration of spring and femininity, while others emphasize its role in promoting gender equality. Regardless of interpretation, International Women’s Day remains an important occasion that unites different generations of women and reinforces the need for respect and support. Over time, the holiday in Central Asia has evolved from a Soviet...

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Central Asia Ranks Among Least Free in Freedom House’s 2025 Report

Freedom House has released its 2025 Freedom in the World report, which evaluates political rights and civil liberties in 195 countries and 13 territories worldwide. Covering events from January 1 to December 31, 2024, the report is based on the principles of the Universal Declaration of Human Rights, emphasizing that freedom is best safeguarded in democratic societies. Countries are assessed on a 100-point scale, with higher scores reflecting greater political and civil freedoms. Finland topped the ranking with 100 points, followed by New Zealand and Sweden with 99 points each. At the bottom were Tibet (0 points), Syria, and South Sudan (1 point each). Central Asia: All Countries Remain 'Not Free' Despite variations in scores, all five Central Asian states remain near the bottom of the global ranking, reflecting ongoing restrictions on political participation, press freedom, and civil liberties. All of the countries of Central Asia remain classified as “Not Free”: Kazakhstan - 23 points (5 in political rights, 18 in civil liberties) Kyrgyzstan - 26 points (4 in political rights, 22 in civil liberties) Tajikistan - 5 points (0 in political rights, 5 in civil liberties) Turkmenistan - 1 point (0 in political rights, 1 in civil liberties) Uzbekistan - 12 points (2 in political rights, 10 in civil liberties)

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Japanese Musician Yutaka Kikuchi Captivated by the Turkmen Dutar

Japanese musician and shamisen performer Yutaka Kikuchi visited Ashgabat recently as part of a cultural exchange program, and shared his admiration for Turkmen musical traditions. According to Kikuchi, the richness and diversity of Turkmenistan’s musical instruments left a strong impression on him. “I consider it my duty to emphasize that during the master classes, I gained invaluable knowledge about Turkmenistan’s unique culture and feel deeply grateful for this experience,” he said. Kikuchi noted striking similarities between Turkmen and Japanese musical instruments, particularly in their design and construction. He observed parallels between Turkmen instruments and the Japanese Koto and Biwa. However, what astonished him the most was the Dutar, which he compared to the shamisen, an instrument he has mastered. With two decades of experience teaching music, Kikuchi was especially pleased to engage with students and faculty at the Turkmen National Conservatory. He praised the enthusiasm and dedication of Turkmen students. “It is a great honor for me to hold a master class for talented Turkmen youth and introduce them to the traditions of Japanese culture,” he said. Alongside Japanese folk dance master Ueda Chiho, Kikuchi conducted a series of master classes at specialized secondary and higher educational institutions in Ashgabat. The visit concluded with a performance at a reception celebrating the birthday of Emperor Naruhito of Japan, a vibrant display of the strengthening cultural ties between the two nations.

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Simurgh Self-Help: Slavs and Tatars’ New Show Rethinks National Symbolism

“It’s interesting that in Western symbolism you never see a delicate female eagle,” notes Payam, one-half of the artist collective Slavs and Tatars, from his studio in Berlin. “But the central-Asian Simurgh is gender-fluid, metaphysical. It doesn’t belong to this world.” The mythological figure of the Simurgh is the focus of Slavs and Tatars’ latest show at the gallery The Third Line in Dubai called “Simurgh Self-Help”. The show speaks of the importance of reclaiming and reframing cultural memories in a fractured world, and an invitation to think beyond the artificial, top-down confines of nationalism, to find cultural unity. [caption id="attachment_28951" align="aligncenter" width="2560"] Slavs and Tatars Samovar Vacuum-formed plastic, acrylic paint; Image: Courtesy of the artist and The Third Line, Dubai[/caption] The exhibition extends a lineage of conceptual inquiry, drawing upon the mystical bird Simurgh, ever-present in Persian and Central Asia mythologies, as a counterpoint to the ubiquitous, secularized eagle of Western heraldry. A constant companion of Zeus in Greek mythology, the eagle is a recurring symbol in the Western world: “Everywhere you look in the West, you find eagles,” notes Payam. “It’s on the German flag, on American football teams, on the Albanian flag. It’s a tired, secularized symbol, heavy with the weight of imperial history.” In contrast, the Simurgh exists on a different plane, one that rejects hierarchies in favor of collective transformation. [caption id="attachment_28952" align="aligncenter" width="1874"] Slavs and Tatars Samovar Vacuum-formed plastic, acrylic paint; Image: Courtesy of the artist and The Third Line, Dubai[/caption] Today the Simurgh is going through a similar secularization to the Western eagle, with Turkish SIM cards and Azerbaijani soccer teams called Simurgh. "It's easy, in some sense, for as an artist to take something which is very high and important, let's say spiritual or religious, and make it make fun of it, bring it down in a caricatural way,” says Payam. “What's very hard as an artist is to take something which has been debased and make it high again." In the show, we see works that go in either direction, presenting an alternative mythology, one that shows that cultures are fluid and interconnected. “Simurgh Self-Help,” which had previous iterations in Warsaw, Athens, and Baden-Baden, was originally started two years ago as a conceptual echo of Marcel Broodthaers’ Musée d'Art Moderne: Département des Aigles. This was a conceptual museum/artistic project created by the Belgian artist in 1968, full of artworks referenced by Slavs and Tatars in their show. [caption id="attachment_28953" align="aligncenter" width="2500"] Slavs and Tatars, Soft Power_2023, Woolen Yarn; Image: Courtesy of the artist and The Third Line, Dubai[/caption] The Simurgh, Payam explains, traverses territories from Kazakhstan to Ukraine, yet remains absent in Poland. “It’s a question of defining a region not through imposed political structures but through the myths that bubble from the ground up,” remarks Payam. The Simurgh becomes a cipher for alternative cartographies, a challenge to the top-down imposition of nationhood. If the eagle stands for conquest and dominance, the Simurgh stands for the dissolution of categories and unity...

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Central Asia’s Growing Domestic Drug Problem

It’s in the headlines every few days now in Central Asian countries. February 1 – Uzbekistan’s law enforcement agencies report raiding a laboratory producing synthetic drugs, and seizing narcotics worth more than $800,000. February 3 – Uzbek law enforcement announces that their latest counter-narcotics operation has resulted in the seizure of 111 kilograms of illegal drugs. February 10 – police in Kyrgyzstan’s northern Chuy region seize 1.5 kilograms of hashish and 1 kilogram of marijuana. February 11 – Kazakhstan’s Committee for National Security (KNB) announces it had uncovered a laboratory in Almaty region that was producing synthetic drugs. More than 15 kilograms of these synthetic drugs were seized and 200 liters of precursor materials. In the first decade after the five countries of Central Asia became independent in 1991, many of the reports from foreign media were about Central Asia being a major transit route for narcotics coming out of Afghanistan that were for buyers in Russia and Europe. Thirty years later, drugs are still coming into Central Asia from Afghanistan, but it is no longer just opium and heroin. And now it seems a good portion of these illicit narcotics are being consumed in Central Asia. Made in Central Asia Drug-producing laboratories are multiplying, and while there are no precise figures for the number of addicts, it is clear an increasing number of young people in Central Asia are using drugs. Ashita Mittal, the regional representative of the UN Office on Drugs and Crime in Central Asia, said in January 2025 that during the “last several years in just Kazakhstan, law enforcement agencies have uncovered and destroyed 87 laboratories producing synthetic drugs, and in Kyrgyzstan about 11-12.” Law enforcement agencies in Kazakhstan said earlier in January that they had destroyed 63 laboratories producing illegal narcotics just in 2024. Tajikistan’s Agency for Narcotics Control said at the end of its Kuknor-2024 counter-narcotics campaign in December 2024 that it had confiscated more than 1 ton of synthetic drugs. The synthetic drugs most often mentioned in these seizures are mephedrone, a type of amphetamine and stimulant that causes euphoria, and a-PvP, another stimulant. However, there are many types of synthetic drugs now available in Central Asia. Batum Estebesova, director of Kyrgyzstan’s Sotsium drug rehabilitation center, said the variety of synthetic drugs is increasing quickly. “We can’t keep up with all the new drugs to add them to the list of prohibited substances,” Estebesova said. UN Office on Drugs and Crime representative Mittal said part of the problem comes from Afghanistan. Mittal noted in 2023, there was a 95 percent reduction in heroin production in Afghanistan, but at the same time there was an “exponential growth” in the production of methamphetamines crossing into the bordering Central Asian countries – Tajikistan, Turkmenistan, and Uzbekistan. In May 2023, Uzbek border guards noticed some strange marking on several boxes of pomegranate juice coming from Afghanistan. Testing showed bottles of juice in those boxes contained methamphetamine. Apparently, the buyers intended to evaporate the liquid and then collect...

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American Musicians Celebrate the Dutar During Tour of Turkmenistan

The Turkmen dutar, a two-stringed lute, and symbol of the nation’s musical heritage, left a lasting impression on American artists visiting Turkmenistan on a recent tour. Musicians Keith Bass, Aaron Young, and Richard Steighner praised the uniqueness of Turkmenistan’s traditional music during their performances as part of the “Broadway and Beyond” concert series. The tour began with its first concert on January 16 at the Mukam Palace in Ashgabat. The American performers shared the stage with the State Symphony Orchestra of Turkmenistan, led by conductor Rasul Klychev, and soloists from the State Choir. The concert program featured a mix of popular Broadway melodies and innovative interpretations of the works of Makhtumkuli Fraghi, the national Turkmen poet. A standout moment of the evening was the performance of “I Want to Feel the Wind,” a song based on Makhtumkuli’s poetry and composed especially for the tour. Beatboxer Richard Steighner highlighted the creative synthesis of styles that emerged during the collaboration. “Blending my beatboxing with the soft yet rich sound of the dutar was an unforgettable experience,” Steighner said. “The beauty of Turkmen music is astounding, and the dutar was a true revelation for us. We even incorporated it into an original piece, creating a unique fusion of traditional melodies and modern trends.” Keith Bass, another member of the ensemble, emphasized the value of cultural exchange. “Working with Makhtumkuli’s works gave us an opportunity to view music through a new lens. Every concert here has become a platform for creative experimentation,” Bass said. U.S. Ambassador to Turkmenistan Elizabeth Rood, who attended the Ashgabat performance, highlighted the role of cultural events in fostering international understanding. “Music and culture are bridges that unite people. We will continue to support projects that preserve cultural heritage and serve as symbols of friendship and trust,” Rood said. Following the debut in Ashgabat, the “Broadway and Beyond” series will continue with performances in Turkmenbashi, Balkanabad, and Dashoguz.