Our People > Duisenali Alimakyn

Duisenali Alimakyn is a Kazakh journalist, translator, and researcher covering literature, culture, and science. His research, including at the George Washington University, has a strong focus on Western narratives about Central Asia over the centuries.

Articles

Literature

Kazakhstan Highlights Its Literary Heritage at the 2025 Frankfurt Book Fair

From October 15 to 19, Kazakhstan took part in the 2025 Frankfurter Buchmesse in Germany – one of the world’s most prominent and influential international book fairs. At its national stand, the country presented a diverse selection of new publications from leading Kazakh publishers to a global readership. Celebrating its 77th edition, this year’s Frankfurt Book Fair featured more than 30 delegates from Kazakhstan, from major publishing houses such as Mektep, Almatykitap, Atamura, ARMAN-PV, Steppe & World Publishing, Evero, Kazformoms, and AmalBooks. [caption id="attachment_38141" align="aligncenter" width="351"] @TCA[/caption] The national pavilion became an important hub for expanding international publishing partnerships. Approximately 350 Kazakh titles were showcased, spanning a wide range of genres from literary fiction and scholarly works to educational and children’s books. Book Presentations and Highlights Several notable book launches took place during the fair. Of particular interest was the multilingual edition Abai’s “Words of Wisdom: Legacy for Generations”, translated into seven languages and presented with the participation of German writer Anja Tuckermann. Another major highlight was a creative presentation of Mirzhakyp Dulatov’s timeless novel “Unfortunate Jamal”, regarded as one of the classics of Kazakh literature. [caption id="attachment_38142" align="aligncenter" width="224"] @TCA[/caption] The Consul General of Kazakhstan in Frankfurt am Main, Tauboldy Umbetbayev, visited the national pavilion to show support for the Kazakh delegation and to emphasize literature’s vital role in promoting cultural diplomacy. Throughout the fair, publishers from Canada, China, Turkey, Azerbaijan, Denmark, Germany, Singapore, and several other countries met with Kazakh representatives to discuss potential collaborations.

11 months ago

History

Rediscovering Mustafa Shokay: A Fragment of Kazakh History in an American Bookstore

While studying in the United States, I have spent my free hours chasing traces of home — fragments of Kazakh history scattered across libraries, archives, and private collections. Much of our past lies far from the steppe, carried off by the tides of empire and exile. My purpose has been simple: to return those fragments, in words and images, to our people. One afternoon in Washington, D.C., I wandered into an old bookstore. The two floors seemed to contain the intellectual wealth of the world — every shelf whispering stories of vanished nations and stubborn identities. I made straight for the section on Central Asia, where the spines of a few rare volumes caught my eye. As I turned the pages of one yellowed book, something stopped me cold: a photograph of Mustafa Shokay, the Kazakh statesman and intellectual who devoted his life to the cause of Turkestan’s autonomy. [caption id="attachment_37511" align="aligncenter" width="596"] Mustafa Shokay in his student days[/caption] A Visionary in Exile Born in 1890 in what is now southern Kazakhstan, Mustafa Shokay emerged as one of the most eloquent voices for Central Asian self-determination during the revolutionary upheavals of 1917. When the Russian Empire collapsed, he helped lead the short-lived Kokand (Turkestan) Autonomy, which sought to build a government based on equality and Muslim representation. Within weeks, the Bolsheviks crushed the movement. Forced into exile, Shokay continued his work from abroad — first in Turkey, then in France — editing journals and writing tirelessly about the rights and dignity of Turkic peoples. His story embodies the tragedy of a generation of intellectuals who dreamed of independence decades before it arrived. During World War II, Shokay’s moral integrity was tested once again. Arrested by Nazi forces after the invasion of France, he was asked to lead the “Turkestan Legion” — a military formation of Soviet prisoners of war. Shokay refused, condemning the brutal treatment of the prisoners and rejecting any collaboration with the Nazi regime. He died in captivity in 1941, but his name endures as a symbol of conscience and courage in Kazakhstan. Richard Pipes and the Rediscovery of Forgotten Nations The photograph I found was printed in The Formation of the Soviet Union: Communism and Nationalism, 1917–1923, a classic study by Richard Pipes, the Harvard historian who helped introduce Western audiences to the complexity of the early Soviet era. Pipes’s research explored how the Bolsheviks built a multiethnic empire from the ruins of tsarist Russia, often manipulating national aspirations for political ends. Crucially, he paid special attention to the Muslim and Turkic regions — to the Caucasus, the Volga, and Central Asia — and recognized that their quest for self-determination represented the “Achilles’ heel” of the Soviet system. His work anticipated the eventual collapse of the USSR and the independence of states like Kazakhstan, Uzbekistan, and Azerbaijan. In one recollection, Pipes described visiting Almaty in the 1950s and watching a May Day parade. As Kazakhs marched silently past portraits of Stalin, he turned to a Russian colleague...

11 months ago

Kazakh Culture

How a Kazakh Writer`s Book About American Couch Grass Was Written

During his lifetime, Gabit Musirepov was celebrated as a people’s writer, translator, dramatist, critic, academician, Hero of Socialist Labor, and statesman. Known in Kazakhstan as the “Master of Words,” he became a figure of national pride, and his works continue to be widely read today. What is less known, however, is the story of his very first book. Long before he became famous for his fiction, Musirepov published a small agricultural manual titled Amirkan Bidayygy (American Couch Grass). Released in 1928 by the “Kazakhstan State” publishing house in Kyzylorda with a circulation of 5,000, the booklet sought to answer a pressing question: how could Kazakh farmers improve their fields and livestock fodder? [caption id="attachment_36744" align="aligncenter" width="308"] First page of book Amirkan Bidayygy (American Couch Grass)[/caption] The introduction explained the need for such a work. At the time, Kazakh peasants planted oats, millet, wheat, and barley, but often without proper techniques. Fodder crops were largely unknown, except in limited areas along the Syr Darya River. Previous manuals existed, but they were poorly translated from Russian or intended for experienced Russian farmers, making them inaccessible to Kazakhs. Musirepov’s book, written in plain language and tailored to local conditions, filled that gap. This was Musirepov’s first published book. He wrote it in early 1927, the same year his first prose work, In the Grip of the Sea, appeared later in the autumn. Fellow writer Sabit Mukanov recalled: “After graduating from the Orenburg Workers’ Faculty in 1926, Gabit entered the Agricultural Academy in Omsk. In early 1927, he sent me his booklet Amirkan Bidayygy for publication. We printed it. I still keep his letter where he wrote, ‘The money from this book kept my family fed for half the winter.’” The publisher acknowledged in the foreword that the young author might have overlooked some scientific details, but praised the work as “one of the best guides for improving the lives of Kazakh peasants,” insisting that every farmer should read it. [caption id="attachment_36745" align="aligncenter" width="436"] Musirepov`s introduction[/caption] In his own introduction, Musirepov explained, “I had two goals. First, to show why farming remained unproductive by pointing out poor land conditions. Second, to offer ways of overcoming these problems and raising productivity. I believe I achieved both.” This statement reflects the sincerity and social purpose that would later define his literary career: whatever he wrote, it was always with the hope of benefiting his people. Musirepov also asked a practical question: What kind of grass does the Kazakh land need? His answer was clear - crops that could withstand severe winters, scorching summers, and drought, while producing abundant, nutritious fodder and enriching the soil. After considering various options, he concluded that yellow alfalfa and American couch grass were the most suitable. Of the two, he argued, couch grass was best suited to Kazakhstan’s harsh climate.

12 months ago

Diplomacy

Shared Values, Shared Voices: An Interview With Spain’s Ambassador to Kazakhstan

In recent years, cultural cooperation between Spain and Kazakhstan has gained new momentum. Although the two countries are separated by a vast geographical distance, their cultural ties are growing closer through shared values. The Embassy of Spain in Kazakhstan has implemented a number of major projects in this regard. TCA spoke with the Ambassador of Spain to Kazakhstan, Luis Martínez Montes. TCA: It’s been several months since you became the Ambassador to Kazakhstan. What aspects of our culture do you enjoy? LMM: In fact, this is my second diplomatic posting to Kazakhstan. The first was from 1999 to 2002, when Spain opened its embassy in Almaty before moving to Astana. Twenty-five years later, I’ve returned as Ambassador to a country I consider my second home. There are so many things I love about Kazakhstan, including its nature and its gastronomy, that it’s hard to choose. But if I had to pick one, it would be the people, especially the younger generations. I spend much of my time visiting schools and universities, where I see a tremendous energy and thirst for knowledge among Kazakh students. I organize weekly lectures, debate clubs, and informal lunches at my residence with students and Kazakh intellectuals. Their conversations enrich me and help me better understand the direction this country is taking. TCA: You once mentioned that you visited the Mausoleum of Khoja Ahmed Yasawi. What impression did it leave on you? LMM: I visited Turkistan in 1999, and I have a memorable anecdote from that trip. While visiting the mausoleum, the local guide found out I was from Spain and enthusiastically mentioned Ibn Arabi, the great Sufi poet from Al-Andalus [the name for Spain during its Islamic period]. She spoke of him as a near-contemporary of Ahmed Yasawi. I’m grateful for that moment because it was through this cultivated Kazakh woman who could recite at length poems by both Sufi sages that I developed my lifelong admiration for Ibn Arabi. I found it truly fascinating that two poets, Ibn Arabi and Khoja Ahmed Yasawi, living at opposite ends of the Eurasian continent, could produce such profound and beautiful poetry, inspired by the same spiritual quest for God. TCA: Abai Kunanbayuly, like Cervantes, elevated a nation’s literature and culture. We translated Cervantes into Kazakh many years ago, and Don Quixote has been reprinted many times. We also heard that Abai’s works have been translated into Spanish. How has the Spanish readership received him? LMM: As you know, the late Pope Francis, who was from Argentina, quoted Abai more than a dozen times at the opening of the Seventh Congress of Leaders of World and Traditional Religions in 2022. Some works by Abai were translated into Spanish in 2020 by María Sánchez Puig, who received the Order of Dostyk for her work in bringing Kazakh literature closer to Spanish-speaking audiences. Another project is currently underway to translate selections from Abai’s Book of Words into Spanish this year. We’re also developing the first Kazakh-Spanish dictionary to make it...

12 months ago

Entrepreneurship

Kazakh Entrepreneur in Paris Launches Perfume Inspired by the “Kiz-Jibek” Epic

An ethnic Kazakh living in Paris has launched a perfume called Kiz-Jibek on the French market. Its founder, Nurzhan Tolegen, was born in China’s Ili Kazakh region and grew up in Kulja before eventually settling in the French capital. “I am the grandson of a nomadic people. My grandparents left their homeland during the civil war, carrying with them the soul of Kazakhstan etched into their stories, their songs, and their memories. Yet I had never set foot on those vast steppes whose grandeur my mother, a professor of literature, so often evoked,” he shares on his personal website. [caption id="attachment_35686" align="aligncenter" width="466"] Nurzhan Tolegen; image: www.tolegenparis.com[/caption] In 2021, Nurzhan traveled to Kazakhstan for the first time, spending a month reconnecting with his ancestral homeland. Those four weeks felt like a rebirth for him and marked a turning point in his life. Returning to France, he established a luxury perfume house, Tolegen Paris: a tribute to both his surname and to a heroic figure celebrated in a 16th-century Kazakh epic. In May 2025 he introduced Kiz-Jibek, describing it as “a fragrance honoring eternal love” and “a scent laced with wormwood.” The Kiz-Jibek epic, a cornerstone of Kazakh cultural heritage, reflects the values of traditional society. It emphasizes unity and loyalty to the homeland while exploring universal themes of love, virtue, honesty, and beauty. Through the character of Kiz-Jibek, one encounters the timeless image of the Kazakh woman—gentle yet resilient, modest yet dignified. [caption id="attachment_35688" align="aligncenter" width="624"] The epic characters Kiz-Jibek and Tolegen[/caption] For over five centuries, Kazakhs have sung the tale of Kiz-Jibek. Its central figures—Bazarbai, Tolegen, Kiz-Jibek, and Sansyzbai—are believed to have lived in history, with the story unfolding along the Ural River among the Jagalbaily tribe. In both the epic and the famous film, Tolegen is treacherously slain by Bekezhan, after which Kiz-Jibek, devastated by grief, throws herself into the river.

1 year ago

History

Henry Wallace’s Journey to Central Asia and Its Connection to Kazakhstan

Central Asia has long held significance for the Western world — both in the past century and today. The region is home to ancient peoples and rich indigenous traditions. As a journalist from Kazakhstan, I became curious about the cultural ties between the United States and my country. In 2023, I studied at George Washington University through the Bolashak scholarship program to explore this subject in depth. My research led me to numerous works written by American travelers and scholars. Among them, I discovered a book authored by former U.S. Vice President Henry Wallace, based on his journey to Central Asia. [caption id="attachment_35215" align="aligncenter" width="351"] Henry WallaceCredit Hudson Institute[/caption] His book, Soviet Asia Mission, was published in New York in 1946 and reflects observations from that trip. During this special mission in 1944, Wallace first traveled through Siberia, where he studied the conditions of the local population, before continuing on to the Kazakh steppe. Wallace describes the social and political realities of Kazakhstan under Soviet rule, as well as the industrial projects that caught his attention. As a senior American politician, he was particularly interested in production and agriculture. “Down to meet us at the airfield was the director, Georg Georgevich Spitsen. In motorcars, we drove at once to the largest of Karaganda's three big open-pit coal mines. With a sweeping gesture, Spitsen said: “We are digging 6,000 tons of coal a day here. Production began a year ago." A proud shovel operator, scooping up tons of run-of-mine coal to load into steel hopper cars, waved to us. The tracks were driven directly into the cut. We looked closely at the shovel's trademark. It was a Bucyrus Erie electric shovel, one of three at work here, and had been shipped in under lend-lease from the United States.” His journey to Kazakhstan in the previous century demonstrates that U.S.–Kazakh political contacts began earlier than is often assumed.. Although Kazakhstan’s place in the Soviet system was highly constrained, Wallace’s account provides valuable insight into the wartime Soviet republics.. “After lunch at Karaganda, we took off, flying southwest over very dry country. Even the streams were dried out, except in deep valleys where clusters of huts could be seen in the midst of green oases. When still a long distance away, we could see a wide expanse of water ahead. It was Lake Balkhash, bright blue in the midst of gray, treeless country. Along the shore rose the smoking stacks of smelters. On landing at the dirt airfield, we were welcomed to the copper-smelting town of Balkhash by its mayor, Anna Stepanovna Piribinus, president of the city Soviet.” His next stop was Semipalatinsk (today’s Semey). There Wallace spoke with Dimitri Chuvakhin of the Soviet Foreign Office, who accompanied him on the trip. “This kind of thing,” he said, referring to the new towns we had seen, “this kind of thing saved Russia. Trotsky was against it; he thought there had to be a world revolution. Stalin had faith in the moral stamina of...

1 year ago

History

How Did Kazakh Poet Abai Qunanbaiuly`s Name Reach the U.S.?

Kazakh literature is filled with towering figures who have shaped the nation’s cultural and spiritual identity. Among them, Abai Qunanbaiuly (1845–1904) remains the most iconic. A poet, philosopher, and intellectual of global stature, Abai left behind a legacy that continues to resonate within world literature. As Kazakhstan celebrates the 180th anniversary of his birth, it is a fitting moment to explore how his influence extended far beyond the steppe, reaching as far as the United States. George Kennan: The American Who Introduced Abai to the World In 1885, American journalist George Kennan visited Semey (then Semipalatinsk) and was deeply impressed by the city’s public library. To his surprise, local Kazakhs actively borrowed and read books, a rare sight for that time and region. In his influential work Siberia and the Exile System, Kennan specifically mentioned Abai, marking one of the earliest references to the Kazakh thinker in Western literature. Kennan’s account stands out for its authenticity. It is based not on secondhand stories but on direct observation. His writings confirm Abai’s presence in Semey’s intellectual life and suggest that the poet had begun to attract attention well beyond the Kazakh steppe. [caption id="attachment_34625" align="alignnone" width="232"] Credit «Siberia and the Exile System», by George Kennan[/caption] From Kennan’s descriptions, we gain insight into what Abai read, who his associates were, and how his worldview aligned with major thinkers of the time. Abai’s intellectual growth was greatly influenced by E. P. Mikhaelis, a Russian political exile and lifelong friend. Under Mikhaelis’s guidance, Abai refined his reading habits and began a new phase of self-education. Through Mikhaelis, he was introduced to other exiled Russian intellectuals such as S. S. Gross, A. A. Leontiev, and N. I. Dolgopolov. These thinkers were struck by Abai’s intellectual depth, civic engagement, and dedication to the betterment of his people. In return, Abai introduced them to Kazakh culture, history, and oral traditions, becoming a cultural bridge between East and West. [caption id="attachment_34627" align="alignnone" width="300"] Аbai and E.P. Mikhaelis[/caption] Kennan also described the library in Semey, where Abai was a frequent visitor and reader. Since the original excerpt is in English, it is often shared as an image in historical archives rather than a transcription. [caption id="attachment_34628" align="alignnone" width="201"] Credit «Siberia and the Exile System», by George Kennan[/caption] [caption id="attachment_34629" align="alignnone" width="300"] The exterior appearance of the library in Semey where Abai was a reader[/caption] Abai’s Songs and Wesleyan University Abai’s influence extended not only through literature but also through music. In 1970, Wesleyan University Press in Connecticut published Music of Central Asia: Essays on the History of Music of the Peoples of the USSR, a groundbreaking volume by V. Belyaev and other scholars. The book includes a chapter titled Kazakh Music: From the 15th Century to the Mid-18th Century, which devotes special attention to Abai’s musical legacy. Belyaev describes Abai as a progressive thinker and a voice for enlightenment, quoting one of his famous verses: "Song opens the doors of the world to you, Song opens the death to...

1 year ago

History

The First Kazakh Comic and Its Cultural Significance

In the early 20th century, educated Kazakh thinkers were known as Alash intellectuals. Disillusioned by the Russian Empire’s growing control over the Kazakh people, they sought to establish an independent Kazakh state and protect their nation from imperial oppression. Their political and cultural struggle laid the foundation for modern Kazakhstan’s independence. The Alash Orda, a successor to the 19th-century Kazakh enlightenment movement, evolved into a more politically assertive and nationalist organization representing Kazakhs in southern Central Asia. Formed in March 1917 by prominent figures including Alikhan Bokeikhanuly, Akhmet Baitursynuly, Mirzhakyp Dulatuly, and Khalel Dosmukhameduly, the group participated in the Pan-Muslim Congress in Moscow that May. However, the congress, largely driven by Tatar leaders, failed to address Kazakh concerns, further alienating them. As a result, the Kazakhs withdrew from future congresses and focused on developing their own political structures. The Alash movement ultimately became the leading force guiding the Kazakh people during this turbulent era. [caption id="attachment_34521" align="aligncenter" width="347"] Zhusipbek Aimauytov with his daughter; image: alash.semeylib.kz[/caption] Zhusipbek Aimauytov, one of the prominent members of the Alash movement, authored important literary works such as Kartkózha, Akbilek, and Kúnékéýdiń jazyq dalasy. He was also a statesman and cultural figure who fell victim to Soviet repression, accused of nationalist sympathies. Arrested in 1929, he was sentenced to death in absentia in 1931. Despite his short life, Aimauytov left a lasting mark on Kazakh culture and literature. His writings consistently emphasized that national progress requires sacrifice, effort, and resistance against ignorance and injustice. [caption id="attachment_34523" align="aligncenter" width="826"] Cover page of Aimauytov`s comic book published in 1929[/caption] One of Aimauytov’s lesser-known yet significant contributions was the first Kazakh comic book, Ugly Headwear, which was written for children. Published in 1929 by the Kazidat publishing house, the work is composed in verse and meant to both entertain and educate young readers. The story explores timeless themes such as social injustice, class conflict, and moral reasoning. The tale begins with a poor villager and his family — a frail wife and three strong sons. They own little: one brown horse and a single cow. When the village head visits and demands taxes, he takes the family’s only cow by force and beats the father. This dramatic opening immediately draws the reader in and sets the tone for the rest of the story, which critiques the social conditions of the time. The motif of the marginalized challenging the dominant recurs across many world literatures. Known for addressing political and societal issues in his work, Aimauytov continues this in Ugly Headwear. The village leaders, religious figures, and even the wealthy refuse to help the poor man, claiming taxes are mandated by the Tsar and must be paid. Eventually, the desperate man turns to the Russian district chief, only to be humiliated and chased away. In a symbolic scene, the man’s hat — the “ugly headwear” — becomes the central object of the story. It is lost, found by a dog, taken to a barn, and later discovered by someone who...

1 year ago

History

Bridging Empires: A Japanese Historian on Kazakh-Qing Relations

Last year, I came across Professor Jin Noda’s research from the Tokyo University of Foreign Studies: The Kazakh Khanates Between the Russian and Qing Empires: Central Eurasia International Relations during the 18th–19th Centuries. As it explores Kazakh history, particularly letters written by Khan Ablai and other sultans to the Qing emperor, I reached out to Professor Noda to ask a few questions. TCA: What inspired you to write this book? Noda: I thought there was a great divide between studies of Central Asia from the Russian side and those from the Qing Chinese side. To bridge this gap, I decided to research Kazakh history using both Russian and Chinese sources. TCA: You published letters from 1779 related to Ablai Khan. What is their social significance? Jin Noda: While the “social significance” isn’t entirely clear to me, the letters are important for Kazakhs as evidence of relations with the Qing Dynasty. They also reflect Ablai’s authority — sending letters to the Qing emperor signified his direct contact with the imperial court. TCA: Were these letters originals? What challenges did you face studying them? Jin Noda: I accessed microfilmed versions at the First Historical Archive in Beijing. The poor image quality made them difficult to read, and some texts were unreadable. TCA: How much did you rely on Chinese sources, and how reliable are they? Jin Noda: For my PhD and the book, I used many Manchu documents. While they have their biases, they also offer valuable new information on the Kazakhs. I cross-referenced them with Russian sources from the same era. TCA: Are there many historical records about Kazakhs in Japan? How should they be studied? Jin Noda: Some records exist, particularly from the Japanese military’s interest in Xinjiang after the Russo-Japanese War. For Kazakhs under Russian rule, one rare case is the Kazakh politician Marsekov contacting the Japanese government during the revolution. His letter’s translation is preserved in a Japanese archive and was recently studied by Prof. Uyama and Mr. Ono. TCA: Apart from Sultan Gubaidolla’s well-known letter, did you find other sources related to him? Jin Noda: I collected Russian archival documents on his activity around 1824 in Almay and Omsk. He is known for his role in protesting Russian colonisation. TCA: As a foreign researcher, how do you assess Kazakh-Qing political relations? Jin Noda: Traditionally, Chinese discourse portrayed the Kazakhs as distant vassals. However, Qing sources place them closer to the empire, like the Mongols or the Torghuts. I believe the Kazakh khans understood the strategic advantage in their relations with the Qing. These ties held unique importance for both sides. TCA: You’ve also used Manchu archives. What did they reveal? Jin Noda: Manchu documents are rich sources — essentially direct reports from Xinjiang officials to the emperor. While they reflect the officials’ own motivations, they offer a vivid picture of the Kazakhs’ contact with the Qing. TCA: Have you received proposals to translate your book into Kazakh? Jin Noda: I’ve recently received a proposal to translate it...

1 year ago

Kazakh writer

How The New York Times Came to Publish an Obituary for Kazakh writer Mukhtar Auezov

While browsing old issues of The New York Times, we wondered: “Is there anything here about the Kazakhs or Kazakhstan?” One edition stood out, the June 28, 1961 issue. On page 35, alongside obituaries for several prominent figures, was one for our great writer, Mukhtar Auezov. [caption id="attachment_33412" align="aligncenter" width="378"] “Winner of Lenin Prize in 1959 for 2-Volume Work Dies Mukhtar O. Auezov, the Kazakh poet and philosopher whose two-novel work, ‘Abai’ and ‘The Road of Abai,’ earned a Lenin Prize two years ago, died yesterday in Alma-Ata.”[/caption] The article went on to note that Mukhtar Auezov was born and raised in the Shyngystau region (known today as the Abai District), and later wrote a major work about the life of Abai. It also mentioned that he studied at Leningrad University and authored numerous literary works. In 1960, Auezov visited several U.S. states as part of a Soviet writers’ delegation. Upon returning home, he expressed in interviews his admiration for the towering skyscrapers of New York City. What pleased us even more was that The New York Times included a photograph of Auezov alongside the obituary. This shows that even in the 1960s, American literary circles recognized and took notice of a Kazakh writer. In other words, Auezov left a lasting impression on the American public. Other articles about him may have appeared in the U.S. press, but so far this obituary is the only one we have been able to find. Mukhtar Omarkhanuli Auezov holds the distinction of being the first known Kazakh writer to set foot on American soil. His official visit was well covered by the U.S. press and known to the American public at the time. This likely explains why such a major publication honored him with a dedicated obituary, informing readers around the world of his passing. The gesture reflects a significant level of respect and recognition. Mukhtar Auezov indeed visited the United States from February 17 to March 17, 1960, as part of a delegation of Soviet writers. This trip was part of the “Agreement Between the United States of America and the Union of Soviet Socialist Republics on Exchanges in the Cultural, Technical, and Educational Fields.” According to the agreement, four American writers visited the USSR in 1959, and in return, a Soviet delegation traveled to the U.S. in February/March 1960. To give readers a closer look at his journey, we are sharing excerpts from Mukhtar Auezov’s diary, where he reflects on the trip. The entries were later published in a bilingual edition, Mukhtar Auezov: Impressions of America, in 2021, in both Kazakh and English. Below are a few details from Auezov’s impressions of the U.S.: That day we toured Washington, D.C. It’s a very beautiful city. No two houses look alike. Even the cars are all different, though there are many, they never repeat. We visited the old part of the city, the area known as ‘Georgetown.’ All the houses here are old, yet highly stylish, elegant two-story homes. There is one...

1 year ago

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