Our People > K Krombie

K Krombie

Senior Editor

K. Krombie is a freelance journalist, lecturer, editor, and the author of Death in New York (published in 2021), which explores death in the Big Apple from experiments in embalming and capital punishment to the vagaries of the mortuary business. Krombie also owns a tour company called Purefinder New York, which focuses on NYC behind the scenes. She lectures on subjects ranging from Oppenheimer and the Cold War to the World Nomad Games.

Articles

UFO Files

Pentagon UFO Files Add CIA Report on Kazakhstan’s Sary Shagan Range

On May 22, the Pentagon released the second tranche of U.S. Department of War records on unidentified anomalous phenomena (UAP), the official term now often used for what are commonly called UFOs, through the Presidential Unsealing and Reporting System for UAP Encounters, known as PURSUE. The first batch, published on May 8, included a 1994 State Department cable about a Tajik Air crew’s report of an unidentified object over Kazakhstan. The new PURSUE release includes a CIA intelligence report describing a 1973 sighting at the Soviet Union’s Sary Shagan weapons testing range in Kazakhstan. The report itself is not new to the public record. The CIA first released it in 1978 in a heavily redacted version, leaving the brief UAP account as the only section that remained substantially readable. A fuller copy was cleared for release in the agency’s December 19, 2019 response to a Mandatory Declassification Review request filed by John Greenewald, founder of The Black Vault, a website that publishes declassified U.S. government records obtained through public-records requests. Much of the document deals with missile systems and warhead handling. It also refers to “rumored laser research” and includes a brief account of what the report calls an “unidentified phenomenon.” The CIA describes the source as a “former Soviet citizen who served…,” with the rest of the line obscured. Given the report’s detailed references to Sary Shagan sites and facility layouts, the file appears to rely on someone with firsthand knowledge of the range, though the released copy does not clarify the nature of the source’s connection to it. According to the report, on “one evening in late summer 1973,” the source stepped outside at Site 7 during a Canada-USSR sports broadcast and saw “an unidentified sharp (bright) green circular object or mass in the sky.” The object was west of the site at an estimated 70-degree angle, though its altitude was “undeterminable.” After 10 to 15 seconds, the “green circle widened” and “several green concentric circles formed around the mass.” There was no sound, and the object disappeared within minutes. Sary Shagan, near Lake Balkhash in central Kazakhstan, was established by the Soviet Union in 1956 for anti-ballistic missile testing and was the site of what is widely described as the world’s first successful interception of a ballistic missile warhead on March 4, 1961. Russia still leases parts of the range, while Kazakhstan controls other areas. The file also refers to the System-75, or SA-2, a Soviet surface-to-air missile system, and to the System-300/Aldan, which a CIA field comment identifies as the ABM-1 Galosh anti-ballistic missile. “According to hearsay,” the report says, experiments involving laser weapons were being conducted somewhere at the range and “supposedly” involved “powerful antennas,” though the file gives “no further details.” A better-known Soviet-era UAP case is the Petrozavodsk phenomenon of September 20, 1977, named for the city in Karelia in northwestern Russia, where the most widely publicized sighting was reported. Accounts of unusual lights also came from locations in northern Europe and further...

1 week ago

UFO Files

Pentagon UFO Files Include 1994 Tajik Air Report Over Kazakhstan

On May 8, the Pentagon released the first batch of U.S. Department of War files on unidentified anomalous phenomena (UAP), including a State Department cable describing a 1994 sighting by Tajik Air pilots over Kazakhstan. The new archive, called the Presidential Unsealing and Reporting System for UAP Encounters, was created in response to a directive from U.S. president Donald Trump. It covers unresolved cases where the government cannot make a definitive determination from available data, with further releases expected “every few weeks.” The department uses the current term UAP as well as the older term unidentified flying object (UFO). The release includes a three-page unclassified State Department cable from the U.S. embassy in Dushanbe. Dated January 31, 1994, it is titled “Tajik Air Pilots Report Unidentified Flying Object” and carries a State Department “Released in Full” stamp dated February 25, 2026. The same cable had previously appeared in CUFON’s archive of State Department UFO records, released in 2000 in response to a Freedom of Information Act (FOIA) request. According to the cable, Tajik Air chief pilot Ed Rhodes, identified as a United States citizen, and two American pilot colleagues reported that they had encountered a UFO on January 27, 1994, while flying at 41,000 feet in a Boeing 747SP. The location was given as latitude 45 north and longitude 55 east, over Kazakhstan. The pilots described the object as an intensely bright light approaching from the east at high speed and at an altitude far above their aircraft. They said they watched it for about 40 minutes as it moved in circles, corkscrews, and 90-degree turns. Rhodes reportedly took several photographs with a pocket Olympus camera and said copies would be sent to the embassy and to the Tajikistan desk at the State Department if they came out. No such photographs appear in the released cable. The crew could not identify the object’s shape because it was dark. They described its light as resembling a “bow wave,” and later said the aircraft flew beneath contrails left by the object after sunrise. Rhodes estimated those contrails to be at about 100,000 feet. The embassy suggested that the object might have been a meteor entering and skipping off the Earth’s atmosphere. Rhodes and the other pilots rejected that explanation, saying their years flying passenger aircraft for Pan Am had given them extensive experience with meteors and space junk. Based on the object’s reported speed and maneuverability, Rhodes expressed the view, which the cable says his crew seemed to support, that it was “extraterrestrial and under intelligent control.” The U.S. government recorded what the pilots said, but the cable does not confirm what they saw, as demonstrated in the file’s cautionary note: “We have no opinion and report the above for what it may be worth.” The release adds an official U.S. record to a regional history in which unexplained aerial reports have surfaced in Soviet research programs and, more recently, in media and online claims. During the Soviet period, reports of anomalous...

3 weeks ago

Foreign Investment

Kazakhstan Finance Day in New York Showcases Market Reform, IPO Ambitions, and Alatau City Pitch

At Kazakhstan Finance Day in New York, officials and executives used the panel “Investment Opportunities in Kazakhstan” to present the country as entering a new phase of market development, citing macroeconomic stability, capital-market reform, potential initial and secondary public offerings, and infrastructure tied to the Alatau City project. The panel session was held at Citigroup headquarters in Manhattan and was moderated by Stephanie von Friedeburg, global head of Citi’s Public Sector Group. Speakers included Timur Suleimenov, governor of the National Bank of Kazakhstan; Adil Mukhamejanov, chairperson of the management board of the Kazakhstan Stock Exchange (KASE); Zhandos Shaikhy, deputy chairman of the management board of Baiterek National Managing Holding; Aidar Ryskulov, managing director for economics and finance at Samruk-Kazyna; and Bayan Konirbayev, deputy CEO and chief digital officer of the Alatau City Authority. Opening the event, von Friedeburg noted that the forum’s return to Citigroup headquarters for a third time reflected the continued engagement between Kazakhstan and U.S. investors. Kazakhstan’s ambassador to the United States, Magzhan Ilyassov, linked the event to growth in bilateral economic ties, citing more than $17 billion in commercial agreements signed during President Kassym-Jomart Tokayev’s November 2025 visit to Washington, and adding that further agreements were under consideration. The first financial presentation came from Suleimenov, who reported that Kazakhstan’s economy grew 6.5% in 2025, inflation had eased to 11%, and the National Bank remained committed to returning inflation to its 5% target. He framed the country’s investment case around tighter macroeconomic coordination, fiscal discipline, and financial-sector development. “We’re also exploring the development of a national crypto reserve framework, where digital assets will gradually be accumulated and managed as part of a sovereign reserve diversification strategy,” Suleimenov explained. He also pointed to continued work on the digital tenge and national digital financial infrastructure. Suleimenov connected that financial agenda to the investment case, arguing that Kazakhstan was reducing its structural dependence on oil revenue and moving ahead with legal and tax changes aimed at improving the investment climate. He described the Middle Corridor as increasingly important and called the route through Kazakhstan, the Caspian, and the Caucasus “the only viable, reliable route” between the East and West. [caption id="attachment_47460" align="aligncenter" width="1258"] Kazakhstan Finance Day in New York; image: K. Krombie[/caption] The discussion then moved to Samruk-Kazyna’s finances and privatization plans. Aidar Ryskulov put the fund’s assets under management at $88 billion and EBITDA at $10.8 billion. He indicated that the fund intended to remain active in international debt markets this year. Ryskulov stated that Samruk-Kazyna was targeting a public-market transaction this year, with London, Hong Kong, and Astana under consideration, although timing would depend on macroeconomic conditions. He later pointed to IPO plans for the national railway company, Kazakhstan Temir Zholy (KTZ). "Our capacity is roughly 55 million tons, and we’re going to double this capacity in five to seven years,” he said. Ryskulov also characterized Kazatomprom as “one of the best assets” and presented it as undervalued and a high-dividend company. Zhandos Shaikhy focused on Baiterek’s scale and...

1 month ago

Kazakh Diaspora

NoMad Nights: Celebrating Kazakh Identity at New Year in New York

There’s no party like a New Year NoMad Kazakh Party. Staged slightly ahead of New Year’s Eve to align with the weekend, the glamorous event marked a welcome to the incoming 2026 as well as a celebration of Kazakh culture in New York City. The Sky Wise Lounge, a fashionable Asian fusion venue with regular live entertainment, is located in Brooklyn’s Sheepshead Bay. The neighborhood has a sizable Central Asian population rooted in the former Soviet diaspora and sustained by post-Soviet migration. Events like this one are part of an expanding series of multi-city gatherings across the United States hosted by ATB Promotions, led by Kazakhstani entrepreneur, Talgat Abdrakhmanov. A rotating group of about half a dozen DJs brings high-energy sets that fuse their own mixes with crowd-favorite Kazakhstani hits. [caption id="attachment_41575" align="aligncenter" width="455"] Talgat Abdrakhmanov (right) at NoMad Nights[/caption] Abdrakhmanov, originally from Karaganda, has achieved the American dream. Like other successful immigrants, he has built a business by adopting, adapting, and commercializing the enterprising customs of the U.S. After arriving in New York City in 2012, Abdrakhmanov worked his way up from a dishwasher and a waiter to a customer service representative. He later worked as an IT quality assurance analyst and in the competitive worlds of Wall Street and Silicon Valley. But it was not all work. While navigating employment and IT studies, Abdrakhmanov also embraced the play element of his American life, particularly nightlife and dance music, where he began to notice an unmet demand within his community. During this time, he developed an idea rooted in his own downtime preferences and a desire to cater to fellow immigrants from Kazakhstan. Initially, he organized small meetups with friends at restaurants and sports bars, as well as group outings to soccer games and boxing matches, including bouts featuring former Kazakhstani middleweight world champion Gennady Golovkin, widely known as GGG. “That was the initial spark that gave me an idea to make parties and events in the future,” Abdrakhmanov told The Times of Central Asia. “That’s how ATB Promotions came up.” The Kazakhstani community in the U.S. was receptive to Abdrakhmanov’s first networking foray, KazCommunity USA. “I started KazCommunity USA back in 2016, because I had held many jobs and gained a lot of experience, and people were often asking me for advice, where to find a job, where to find a place to live, how to do this, how to do that. Based on those questions, I decided to create chats and groups on Facebook, Telegram, and WhatsApp, so they exist across different social media platforms. “KazCommunity USA is really about the community. I never charged any money for it. It’s more like a nonprofit initiative that helps people find work, find a place to live, and connect with each other. That includes organizing meetups and events, some of which I later did through ATB Promotions. But KazCommunity itself is free and focused on helping people and building connections within the community.” Abdrakhmanov’s efforts to connect U.S.-based Kazakhstani...

5 months ago

Turkmen Music

From the Central Asian Steppe to Manhattan: A Turkmen Bard in New York

A halal Chinese Muslim restaurant in New York City is an unlikely setting for a concert by a highly acclaimed bard of the Turkmen tradition. Yet on a Saturday afternoon in Manhattan’s Kips Bay neighborhood, before an audience of attentive listeners and curious onlookers peering through the window, the multi-award-winning Mohammad Geldi Geldi Nejad filled Beef Up Noodle with sustained melodic phrases and guttural embellishments. At times, his dexterous strumming of the dutar, a two-stringed long-necked lute, deliberately mimicked the rhythm of galloping horse hooves central to the Turkmen bardic style. Mohammad was raised in the Turkmen community of Gonbad-e Kavus in northeastern Iran. At age ten, he became only the second musician ever to receive the honorary title Oghlan Bakhshi, meaning Child Bard. His musical education in Turkmen bardic traditions began in early childhood, before more formal training in Turkmenistan’s capital, Ashgabat. Turkmen culture, shaped by a nomadic heritage, extends across Turkmenistan, Iran, Afghanistan, Uzbekistan, and Kazakhstan, with smaller populations in Turkey, Iraq, and the North Caucasus. It draws on nomadic traditions where performance serves as a primary vehicle of cultural expression. Central Asian music and culture, carried by diasporic communities from these regions, has found a growing audience in the United States. Turkmen traditions, however, given the minuscule size of the Turkmen population in the U.S., remain largely unfamiliar to most audiences. [video width="848" height="478" mp4="https://timesca.com/wp-content/uploads/2025/12/WhatsApp-Video-2025-12-17-at-18.16.28.mp4"][/video] Even so, Mohammad has brought his music to audiences beyond Turkmenistan and Iran, performing in parts of Europe and the U.S., including recent concerts at the Lowell Folk Festival in Massachusetts and at Roulette in Brooklyn. At the latter, he offered Western listeners rare access to a musical lineage sustained within a family across generations. Performing under his honorific alias Oghlan Bakhshi, he appeared alongside his father, the gyjak, or spike fiddle, master Abdolghaffar Geldinejad, and his wife and regular musical collaborator, Zyyada Jumayeva, a dutar player who represents the female bardic tradition of Turkmenistan. His album Journey Across the Steppes is the first international release of Turkmen folk music in 30 years. His work has also been documented in a book series, The Music of Central Asia. At Beef Up Noodle, Mohammad’s performance, titled Songs of the Bakhshi: Turkmen Bardic Heritage, formed part of a broader curatorial landscape shaped by ethnomusicologist Mu Qian, whose work spans scholarship, publishing, and community-based music making. From Zayton to New York is the concert series he curates, exploring how music travels through histories of migration and exchange. Mohammad’s appearance opened a Central Asian trilogy within the series, to be followed by programs devoted to Kyrgyz and Kazakh musical traditions in early 2026. This trilogy represents one strand of Mu Qian’s wider mission, developed through the See & Sea Cultural Foundation, to support minority musicians and bring underrepresented musical cultures from across Asia into conversation with audiences beyond their places of origin. [caption id="attachment_41154" align="aligncenter" width="1283"] Mu Qian with Mohammad Geldi Geldi Nejad; image: Paul Adams[/caption] British expat Margaret Murray, an audience member whose chance meeting...

6 months ago

Photography

Grounding the Stars: Andrew McConnell’s Lens on Space and the Steppe

Award-winning photographer and filmmaker Andrew McConnell has dedicated his career to illuminating the world’s overlooked regions and underreported stories. He has a distinctive ability to examine major global issues and events from fresh, often unexpected perspectives. Ordinary people in extraordinary circumstances are the focus of McConnell’s lens. From conflict zones in the Democratic Republic of the Congo to the hidden lives of the Sahrawi people in Western Sahara, his work frequently highlights human endurance in challenging environments. His new book, Some Worlds Have Two Suns, takes a different direction. It explores the vast, remote Kazakh Steppe, where the sparse local population coexists with the high-tech world of space travel. The project began in 2014 after he filmed his documentary Gaza. While decompressing at home in Ireland, he watched a BBC documentary about a Soyuz spacecraft landing in the Kazakh Steppe. The stark contrast between destruction and human achievement struck him. “I turned to my parents and said, ‘I’m gonna go and see that.’” That moment sparked an eight-year journey documenting the Russian ground crews recovering astronauts and the communities living beneath these celestial homecomings. TCA: You visited the Kazakh Steppe multiple times to document the Soyuz landings. How many trips did you make and what were the challenges of reaching such a remote location? Andrew: I probably made a dozen. I would join the ground crew in Karaganda, which is not far from Astana, and from there they head out to the Steppe, and depending on whether it's winter or summer they have different vehicles for either one. In summer, the Steppe is fine to drive on, so they have four by fours and we head out and set up camp the day before the Soyuz arrives. They know the exact time the Soyuz will land, right down to the second, and it always goes to the same location, which is a group of tombs. You can see those in the book, the two horsemen beside these tombs. These are old nomadic burial tombs, maybe 300 years old, so that, initially, was very interesting to me… you know, what are these? The Steppe is this unending boundless void of nothingness, just flat grassland. At first, as a photographer, it was quite underwhelming because visually, how do you make that interesting? But here were these tombs in the middle of nowhere and it was instantly fascinating. That was always the base camp. I don’t know if that’s where Rocosmos aimed Soyuz, but that’s where it came into the atmosphere every time I saw it. It would enter the atmosphere above these tombs. The parachute deploys and then it depends on the wind because they can drift for 20 kilometers. A couple of times it was a windless day, and the Soyuz dropped within sight of these tombs. I had a fantasy that it would drop in the middle of it. [caption id="attachment_28250" align="aligncenter" width="2000"] Nomadic burial tombs, Soyuz landing zone, Kazakhstan, 2018; image: Andrew McConnell[/caption] TCA: What shifted your focus from the...

1 year ago

Art and Culture

Exploring Uzbekistan’s Cultural Tapestry – Trio Fadolín’s From Near and Far in NYC

Earlier this month, the Library for the Performing Arts at Manhattan’s Lincoln Center resonated with the vibrant sounds of From Near and Far, a new musical project by the New York-based ensemble Trio Fadolín. The performance, part of the New York Public Library’s cultural programming, captivated audiences with its rich exploration of Uzbek musical traditions and beyond. Suspense, melancholy, and drama were interwoven with personal stories shared by Ljova (Lev Zhurbin), a member of the ensemble and virtuoso of the fadolín — a one-of-a-kind string instrument custom-made for him — blending the tonal depth of the violin, viola, and cello. The program featured compositions by Ljova, Uzbek composer Dmitry Yanov-Yanovsky, and Ljova’s father, the renowned Soviet-era composer Alexander Zhurbin. Adding a poignant layer to the evening, Alexander Zhurbin attended the concert in person, providing a tangible connection to the ensemble’s exploration of cultural and familial roots. [embed]https://www.youtube.com/watch?v=guMv_IRHstg[/embed] Alexander Zhurbin, 1985 Much of Ljova’s career has been dedicated to uncovering and performing music from underrepresented regions, introducing audiences to sounds often unfamiliar in the West. Born in Moscow, he immigrated to New York in 1990 with his parents, quickly immersing himself in the city’s multicultural and musical landscape. As a composer, arranger, and bandleader for his ensemble, Ljova and the Kontraband, he has collaborated with globally acclaimed groups including the Yo-Yo Ma-founded Silkroad Ensemble (now called Silkroad). Ljova’s work defies boundaries, blending Eastern and Western influences to honor and innovate musical traditions. The trio's members — Ljova, violinist Sabina Torosjan (born in Estonia), and cellist Valeriya Sholokhova (born in Ukraine) — found a shared connection to Uzbekistan through their personal histories, which became the foundation for From Near and Far. TCA spoke with the trio about their musical and familial ties to Uzbekistan. TCA: Can you share how your personal histories connect you to Uzbekistan? Ljova: My father, Alexander Zhurbin, wrote the Soviet Union's first rock opera, Orpheus and Eurydice, in 1975. It played in stadiums and was in the Guinness Book of Records as the longest-running musical in Russia. He was born in Tashkent and lived there until his mid-20s when he moved to Leningrad — now St. Petersburg — to study, and then to Moscow to work as a composer in film, TV, musicals, and the concert stage. Sabina: Just like many people from the former Soviet Union, I have a mixed background. I grew up in Estonia. My mother’s side of the family was Ukrainian Jews and my father’s side was Armenian. The interesting connection to Uzbekistan is that it is where my father was born. His father was sent to work there as a veterinarian at the time, in Biruni, Uzbekistan. But shortly after my father was born, his family returned to Yerevan. Valeriya: My grandfather’s family sought refuge there during World War II and survived those difficult years in Uzbekistan. However, they returned to Ukraine as soon as they were able. There are pictures of my grandfather as a child wearing an Uzbek tyubeteyka, and...

1 year ago

Domestic Violence

#ForSaltanat: The Quest for Justice in Domestic Violence Cases in Kazakhstan

In the spring of 2024, the televised murder trial of Kuandyk Bishimbayev, Kazakhstan’s former Minister of the National Economy, captivated viewers across the country. Bishimbayev was found guilty of the brutal murder of his wife, Saltanat Nukenova, in a restaurant in Astana, and sentenced to 24 years in prison. Comparisons to the O.J. Simpson trial of 1995 were inevitable. Both trials involved a prominent figure — in this case, a politician previously pardoned by President Nursultan Nazarbayev after serving time for corruption — a victim who had endured domestic abuse, and a massive viewership. Bishimbayev's trial underscored public fascination with the case, driven not only by its reality TV appeal but by a growing awareness of deeply ingrained gender inequities, particularly regarding the societal expectations placed on Kazakh women within marriage. The trial’s timing occurred shortly before — and perhaps by no coincidence — new legislation was signed by President Kassym-Jomart Tokayev on April 15, 2024, amending laws to protect the rights and safety of women and children. However, critics noted an omission: a clear, targeted focus on preventing domestic violence. Two Kazakh women, who shared their stories with The Times of Central Asia, revealed the extent to which domestic violence remains embedded in Kazakh society. Rayana, from Astana, and Aliya, a Kazakh student in New York City, have never met, yet their stories echo shared challenges and hopes for change in their home country. Rayana, a beauty industry professional in her mid-twenties, reflected on her brief and tumultuous marriage, which began when she was 23. “I loved my husband, but felt it was too early to marry. We married just four months after meeting, and within a month of living together, I wanted a divorce. He was unfaithful and violent.” When Rayana sought help from her mother-in-law, she was told that her mother-in-law had also been a victim of domestic violence and that she, too, must learn to endure it. “It is worth mentioning that in Kazakhstan the north is very different from the south,” Rayana added. “I'm a northerner, he's a southerner. I had never experienced abuse before, and then for the first time, I felt a panic attack, which I still live with. In the south, people adhere more to traditions and have a negative attitude towards divorce and washing their dirty linen in public. Women keep silent about domestic violence. I can’t say anything about his family’s attitude. I still don’t fully understand.” Having grown up around domestic violence, she believes that one in two families is affected by it. After separating, Rayana’s family offered her support, while her in-laws disapproved, even throwing out her belongings. Rayana’s life since then, however, has vastly improved. “I have been working in the beauty industry for a long time. In our field, at least, climbing the career ladder is not difficult. My first supervisor helped me a lot. He spoke fondly of his wife and cared about his female employees. This gives us faith that there are good men...

2 years ago

World Nomad Games

A Yurt Full of Culture: Immersive Theater Meets Nomadic Traditions at the World Nomad Games

In and amongst the many yurts at the 2024 World Nomad Games Ethnoaul (Ethnic Village), the inhabitants of a specific yurt — not only delight and surprise passersby with boisterous renditions of Kazakh music, dance, and comical stage combat — but they energetically beckon people inside to experience the traditional familial rituals of a nomadic Kazakh marriage proposal. Guests are seated on the floor while segments of the ritual are played out and translated into English by the host, Ernur. The experience is immersive to the point where some of the observers from far-off regions were overheard congratulating the bride-to-be on her upcoming nuptials. Inside the yurt, Ernur set the scene by pointing out the players, among them, the fathers of the future bride and groom, the future bride, her future mother-in-law, and a strumming dombra player. After the union was established, the mother-in-law bestowed her daughter-to-be with gifts of jewelry. As the dombra rhythm accelerated, the fathers-in-law embraced, and the two families exchanged gifts of — in this instance — fur-collared cloaks. The wedding, Ernur explained, would occur in March, the month of the traditional Central Asian New Year (Nauryz). Upward-facing palms aided declarations of goodwill and thankfulness, followed by more music, merriment, and horse-related appetizers. A sense of genuine formality and inclusive pomp was fully realized in under ten minutes. [video width="848" height="478" mp4="https://timesca.com/wp-content/uploads/2024/09/WhatsApp-Video-2024-09-13-at-12.10.55.mp4"][/video] The Mukanov Theater, named after Kazakh Soviet writer and poet Sabit Mukanov, is based in Petropavl, approximately 300 miles north of Astana near the border with Russia. Ernur, the aforementioned host and cast member, has been acting with the twenty-one-year-old Mukanov Theater for a year. Back in Petropavl, the company, which has a 200-seat theater building, performs traditional Kazakh plays, modern plays, and Shakespeare, which Ernur described as “so difficult for us!” 2024 marks the first year that they have performed at the WNG with their debut marriage proposal ceremony. Additionally, the theater company has enacted different nomadic traditions in other yurts around Kazakhstan. Ernur, who said he’d enjoyed his time in Astana, added that the Mukanov Theater was “proud that the World Nomad Games are here [in Kazakhstan].” [caption id="attachment_23140" align="aligncenter" width="720"] Left to right: Brandon, Albert and Jan at the World Nomad Games; image: TCA, K. Krombie[/caption] Three Western traveling companions, who met each other only recently on the backpacker trail of Central Asia, were ushered into the Mukanov Theater yurt. They each provided reviews of the immersive theater experience, and also, their individual opinions regarding the wider connotations of the performance, proportionate to Kazakhstan’s post-Soviet cultural heritage. Brandon, an American from San Francisco, has been traveling the world for nine months and thought it would be “really funny” to come to the Stans for a couple of months. “I was in Turkey, and I was like, you know what, where's the weirdest place I can think of to go to that's not too far from where I am right now? Who's ever been to Uzbekistan, right? Kazakhstan is my last stop...

2 years ago

World Nomad Games

Celebrating Female Pioneers at the 2024 World Nomad Games

Like most dominating worldwide sports, the World Nomad Games are top-heavy with male athletes. Yet while women don’t participate in all the categories, in the 2024 WNG, a noteworthy number of them have become the center of attention. Among the packed crowds of the Hippodrome and Ethnoaul venues, one competitor and two ticket holders had a few things to say on the matter of WNG women. Timea Janurik, known as Timi, is a folk musician and a PhD student in folk teaching methods, from Budapest, Hungary. She is competing as a player of the citera, the national stringed instrument of Hungary, at the Ethnoaul. The Hungarian representation at the WNG includes three men and three women, but Timi, who specializes in Turkic folk songs, is the only musician among them. While rehearsing in Astana, Timi chanced upon a Kazakh girl singer and asked her, “Do you want to join me in the concert?” Hence, a female alliance and a makeshift band were formed because Timi only knew how to sing one song in the Kazakh language. According to Timi, her new partner “can sing beautifully.” In Timi’s native Hungary, folk musicianship is an art form split evenly among men and women, but citera playing is dominated by women (and violin playing by men). [video width="848" height="478" mp4="https://timesca.com/wp-content/uploads/2024/09/WhatsApp-Video-2024-09-12-at-00.21.19.mp4"][/video] Timi is also participating in the female Assyk games, a type of traditional Kazakh board game in which players use small animal bones — assyks — to knock out multiple lines of their opponent’s assyks. The game rules differ according to gender. The male version of the game “is more popular,” says Timi, “because it’s more visible and looks so fancy to play.” [caption id="attachment_23070" align="aligncenter" width="1577"] Image: TCA, K. Krombie[/caption] British visitors Naomi Ocean and Andy Myer (an archer), from Wales and Devon, respectively, came all the way from the UK to Astana to watch the horseback archery. Even though they are well-traveled in other regions of Central Asia, this is their first visit to Kazakhstan and the WNG. They remarked that they hadn’t noticed the UK team participating in anything they have witnessed thus far, but what they have seen has been “interesting and exciting.” Having just seen the Turkey team being “trashed in the kok boru,” they were happy to see Turkey’s subsequent victory in the Traditional Turkish Archery, in particular the female team member who performed victory laps before an exhilarated, mostly Kazakh crowd. “We were glad,” said Naomi, “and we loved seeing the female archers.” Naomi was equally, if not more impressed by the “mixed teams” in the horseback archery category. Having watched and enjoyed the 2016 Kazakh language documentary film, The Eagle Huntress, Naomi and Andy look forward to the Kusbegilik games. “We’re expecting to see women handling eagles, which should be good.” [caption id="attachment_23071" align="aligncenter" width="2000"] Image: TCA, K. Krombie[/caption] A Turkish team victor, competing in Traditional Turkish Archery (mixed gender team), and an Uzbek athlete in horseback archery (with no specific male and female categories)...

2 years ago

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