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Children’s Delphic Games Open in Kyrgyzstan

The First Open Children's Delphic Games for CIS countries has begun in Bishkek. The opening ceremony was held at the Toktogul Satylganov Kyrgyz National Philharmonic. The event strives to revive the ancient Greek traditions of the Delphic Games, which took place in the city of Delphi and were dedicated to art and culture. The competition program this year includes competitions for piano, violin, classical guitar, pop and solo singing, folk dance, and DJing. The festival features folk instruments, arts and crafts, and sign language songs. Asel Chynbaeva, Commissioner for Children's Rights, opened the Games by speaking about the importance of the Delphic Games as a platform for cultural exchange and showcasing talent among young people from Eurasian countries. This year special attention is being paid to the Paradelphi nomination, which includes the performance of works in sign language. This emphasizes the importance of inclusiveness and demonstrates how art can overcome barriers and unite people. The Games will run until October 5.

Culture life and culture Film Festival Art and Culture Documentary TURKSOY

Turkmenistan to take part in Turkic World Documentary Film Festival

Turkmenistan has been announced as a participant in the 9th Turkic World Documentary Film Festival, which will be held in Ankara in October this year. The festival received 300 applications from nine countries, including Turkmenistan, Kazakhstan, Kyrgyzstan, Azerbaijan, Uzbekistan, the Turkish Republic of Northern Cyprus, Hungary, and Northern Macedonia. The festival is organized by the Federation of Journalists of the Turkic World with the support of the Ministry of Culture and Tourism of Turkey, the International Turkic Culture Organization (TURKSOY), and other partners. Out of 300 submitted works, 147 films passed preliminary consideration by the jury. The festival’s grand opening is scheduled for October 11 at TURKSOY's headquarters. The competition will include works in the “feature-length documentary,” “short documentary,” and “student documentary” categories. A jury consisting of documentary filmmakers and scholars of the Turkic world will choose the winners. The festival will end on November 15 with a closing ceremony and announcement of the final results.

World Nomad Games Traditions Culture

A Yurt Full of Culture: Immersive Theater Meets Nomadic Traditions at the World Nomad Games

In and amongst the many yurts at the 2024 World Nomad Games Ethnoaul (Ethnic Village), the inhabitants of one particular yurt — not only delight and surprise passersby with boisterous renditions of Kazakh music, dance, and comical stage combat — but they energetically beckon people inside to experience the traditional familial rituals of a nomadic Kazakh marriage proposal. Guests are seated on the floor while segments of the ritual are played out and translated into English by the host, Ernur. The experience is immersive to the point where some of the observers from far-off regions were overheard congratulating the bride-to-be on her upcoming nuptials. Inside the yurt, Ernur set the scene by pointing out the players, among them, the fathers of the future bride and groom, the future bride, her future mother-in-law, and a strumming dombra player. After the union was established, the mother-in-law bestowed her daughter-to-be with gifts of jewelry. As the dombra rhythm accelerated, the fathers-in-law embraced, and the two families exchanged gifts of — in this instance — fur-collared cloaks. The wedding, Ernur explained, would occur in March, the month of the traditional Central Asian New Year (Nauryz). Upward-facing palms aided declarations of goodwill and thankfulness, followed by more music, merriment, and horse-related appetizers. A sense of genuine formality and inclusive pomp was fully realized in under ten minutes. [video width="848" height="478" mp4="https://timesca.com/wp-content/uploads/2024/09/WhatsApp-Video-2024-09-13-at-12.10.55.mp4"][/video] The Mukanov Theater, named after Kazakh Soviet writer and poet Sabit Mukanov, is based in Petropavl, approximately 300 miles north of Astana near the border with Russia. Ernur, the aforementioned host and cast member, has been acting with the twenty-one-year-old Mukanov Theater for a year. Back in Petropavl, the company, which has a 200-seat theater building, performs traditional Kazakh plays, modern plays, and Shakespeare, which Ernur described as “so difficult for us!” 2024 marks the first year that they have performed at the WNG with their debut marriage proposal ceremony. Additionally, the theater company has enacted different nomadic traditions in other yurts around Kazakhstan. Ernur, who said he’d enjoyed his time in Astana, added that the Mukanov Theater was “proud that the World Nomad Games are here [in Kazakhstan].” [caption id="attachment_23140" align="aligncenter" width="720"] Left to right: Brandon, Albert and Jan at the World Nomad Games; image: TCA, K. Krombie[/caption] Three Western traveling companions, who met each other only recently on the backpacker trail of Central Asia, were ushered into the Mukanov Theater yurt. They each provided reviews of the immersive theater experience, and also, their individual opinions regarding the wider connotations of the performance, proportionate to Kazakhstan’s post-Soviet cultural heritage. Brandon, an American from San Francisco, has been traveling the world for nine months and thought it would be “really funny” to come to the Stans for a couple of months. “I was in Turkey, and I was like, you know what, where's the weirdest place I can think of to go to that's not too far from where I am right now? Who's ever been to Uzbekistan, right? Kazakhstan is my last stop...

USSR History Legislation Culture

Uzbekistan’s Point Man Against Russian “Chauvinism”

Alisher Qodirov is 49 years old, the leader of Uzbekistan’s Milli Tiklanish (National Revival) party, the deputy speaker of the lower house of parliament, and a former presidential candidate. And Qodirov is also a leading critical voice in Uzbekistan regarding the country’s Soviet past and comments of current Russian chauvinists. On September 4, Qodirov wrote on his Telegram account that Soviet ideological propaganda should be banned in Uzbekistan. He was responding to a court verdict earlier that day against a 74-year-old pensioner in Samarkand who was found guilty of “encroaching on the constitutional order of Uzbekistan.” Specifically, the man advocated the restoration of the Soviet Union and said Uzbekistan’s independence was superficial. Qodirov wrote that Uzbekistan’s time as a Soviet republic was a “sad period of our history.” The Milli Tiklanish leader said even suggesting a recreation of the USSR was a “betrayal of our people and our ancestors, who became victims of the bloody regime.” Qodirov continued that calls for Uzbekistan‘s reincorporation into some sort of a resurrected USSR “should be considered a crime against the constitutional order of the country.” The Milli Tiklanish leader said such thinking was a “betrayal of our people and our ancestors, who became victims of the bloody regime.” Qodirov has expressed his opinion on the Soviet Union before. When Uzbekistan marked May Day on May 1, 2021, the Soviet flag was raised during a concert of “Songs of Victory” in Tashkent. Posting on Telegram, Qodirov called the incident “an insult and a provocation… to the Uzbek people to raise the flag of the Soviet occupying state in the very center of the capital, which is soaked in the blood of… our ancestors.” Russian chauvinism has been rising since the Kremlin launched its full-scale war on Ukraine, and so have irredentist remarks from people on Russian television and officials in the State Duma. Kazakhstan, which shares a 7,800-kilometer border with Russia, is usually the target, but in the last year, Uzbekistan has been mentioned. On December 20, 2023, Russian writer, nationalist, and co-chairman of the A Just Russia – For the Truth party, Zakhar Prilepin spoke about migrant laborers at press conference in Moscow. The majority of migrant laborers in Russia are from Central Asia and Prilepin said, “These territories, from where migrant workers come to us, should simply be annexed entirely.” Prilepin specifically mentioned Uzbekistan, as more than half the Central Asian migrant laborers in Russia come from there. “Uzbekistan, for example… since two million of your citizens are on our territory, we claim your territory,” Prilepin told a press conference, and added, “Who will forbid us to do anything useful on the territory of the Eurasian territory after the parade in Kyiv? No one.” Less than one month later, on January 22, 2024, Russia’s NTV television station showed an interview with a person identified as Mikhail Smolin, a historian. Smolin absurdly claimed the Uzbek nation never existed until after the Bolshevik Revolution of 1917. Smolin said the same about Kazakhs and Azerbaijanis....

Cultural Cooperation Embassy Cultural Heritage Ukraine Culture

Ashgabat Exhibition to Mark Ukraine’s Independence Day

The Embassy of Ukraine in Turkmenistan is poised to display an exhibition of archival photographs in Ashgabat, dedicated to Ukraine's Independence Day. Titled “Ukraine and Ukrainians," the exhibition will run from August 30 - September 6 2024, and comprise a selection of rare images from the Ivan Honchar Museum. Funded by the National Center of Folk Culture, an organization actively engaged in preserving and disseminating folk cultural traditions, the museum's vast collections of historical photographs provide the younger generation with a deeper understanding of their cultural roots and heritage. The forthcoming exhibition follows “Cultural Values of the Turkmen People”; an exhibition of photographs, books, and national dress previously mounted in Kyiv to celebrate the 300th anniversary of the birth of Turkmen poet and philosopher Makhtumkuli Fraghi. Aimed to attract young audiences, the exhibition was complemented by excursions for pupils of eight of Kyiv's schools and lyceums, as well as students studying journalism, with talks presented on Turkmenistan's archaeological monuments located in the ancient cities of Merv, Kunyaurgench, and Nisa fortresses, and included in the UNESCO World Heritage List.

Culture Freeview Fridays Silk Road Treasures

Silk Road Treasures: A Few of My Favorite Things

Under the banner of "Silk Road Treasures", TCA’s people – journalists, editors, authors – share their personal experiences of Central Asia and her people, and by listing their favorite places, literature, films, art, architecture and archaeological sites, alongside encounters with customs and traditions, provide pointers for readers wishing to visit the region. Stephen M. Bland - Senior Editor and Head of Investigations Architecture: Bukhara - The Kalon Trinity [caption id="attachment_21936" align="aligncenter" width="2560"] The Kalon Mosque, Bukhara; image: TCA, Stephen M. Bland[/caption] From the ninth century Pit of the Herbalists to the Ismail Samani Mausoleum and the bird market, the old town in Bukhara isn’t really about its separate sights, it’s the sum of its parts, the timeless city permeated by an air of antiquity like a window into the past. That having been said, however, the jewel in the crown of Bukhara is the trinity of the Kalon Mosque, Minaret, and the Mir-i-Arab Madrasah. Built as an inland lighthouse for desert caravans, the Kalon Minaret - “great” in Tajik - was probably the tallest building in Central Asia upon its completion in 1127. The third minaret to have been built on this site, previous incarnations had caught fire and collapsed onto the mosque below, officially because of the “evil eye.” Also known as the “Tower of Death,” over the centuries the minaret has seen countless bodies sewn into entrail catching sacks and tossed from its 47-meter-tall lantern. Particularly popular during Manjit times, this practice survived until the 1920s. [caption id="attachment_21937" align="aligncenter" width="2560"] The lantern of the Kalon Minaret, Bukhara; image: TCA, Stephen M. Bland[/caption] Home of the first recorded use of the now ubiquitous blue tile in Central Asia, the 14 distinct bands of the minaret are majestic in the pink evening light, its scale and intricacy remarkable. While the sense of history lingers, everyday life continues unabated at its stout base, and when the heat of the day abates, head-scarfed babushkas sat chit-chatting on the cool stone steps of the Madrassa, while kids kick soccer balls against the ancient stones. Art: The State Art Museum of the Republic of Karakalpakstan, Nukus [caption id="attachment_21939" align="aligncenter" width="500"] Lev Galperin - "On his Knees"[/caption] Once a thriving agricultural center, Karakalpakstan is now one of the sickest places on Earth. Respiratory illness, typhoid, tuberculosis and cancers are rife, birth defects and infant mortality rates amongst the highest in the world. The deliberate destruction of the Aral Sea for irrigation purposes has caused toxic dust storms so vast they are visible from space, ravaging a 1.5-million-kilometre square area. Spreading nitrates and carcinogens, these storms used to hit once every five years, but now come ten times a year. Yet it is in the capital of Karakalpakstan, Nukus, that a remarkable collection of art has survived in part because of its inhospitable location. Risking denouncement as an “enemy of the people,” obsessive Ukrainian-born painter, archaeologist and art collector, Igor Savitsky spirited away thousands of avant-garde pieces banned in the Soviet Union....