Kazakhstan - The Times Of Central Asia

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Russian Influence

Russian Official Says West Is Seeking to Reduce Moscow’s Influence in Central Asia

Russia’s Deputy Foreign Minister Mikhail Galuzin has accused Western countries of attempting to weaken Russia’s position in Central Asia by expanding their economic and strategic influence across the region, according to an interview published by the Russian newspaper Izvestia. Galuzin said the United States and the European Union are seeking greater control over key transport corridors and natural resources in Central Asia, presenting their engagement as efforts to diversify economies and strengthen regional resilience. However, he argued that such initiatives are driven by broader geopolitical objectives. “We note the desire of the United States and the European Union to take control of key transport corridors and natural resources in the region,” Galuzin told Izvestia. He added that Moscow is concerned by what it sees as Washington’s growing involvement in agreements related to critical minerals and rare earth metals. “This is not simply economic competition, but an attempt to push Russia out and create Western-controlled infrastructure near our borders,” Galuzin said. The remarks reflect Moscow’s concern over Central Asia’s multi-vector diplomacy, as Kazakhstan, Uzbekistan, and their neighbors expand ties with the European Union, China, the United States, and Gulf countries while maintaining longstanding relations with Russia. Galuzin also claimed that Western governments are promoting narratives portraying Russia as a security threat in an effort to influence regional policymakers. “We observe how the United Kingdom and some EU states systematically advance the narrative of an alleged danger coming from Moscow,” he said. According to the Russian diplomat, the aim is to encourage Central Asian governments to move away from cooperation with Russia in favor of political and economic incentives offered by Western countries. He argued that regional states are unlikely to support such a shift. “Neither Russia nor our historical friends and strategic partners in Central Asia are interested in such scenarios,” Galuzin said, adding that countries in the region “do not want to become pawns in someone else’s game.”

National Identity

Kazakhstan Looks to the Golden Horde for a Deeper National Narrative

A major international symposium dedicated to the Golden Horde opened this week in Kazakhstan’s capital, underscoring the country’s growing effort to redefine its historical narrative and national identity through the legacy of the Great Steppe. The symposium, held under the patronage of UNESCO and titled “The Golden Horde as a Model of Steppe Civilization: History, Archaeology, Culture and Identity,” brought together more than 300 scholars, including 120 foreign researchers from over 20 countries. The event reflects Kazakhstan’s effort to align its national narrative with a growing body of scholarship that treats nomadic societies not as a “backward” alternative to sedentary civilizations, but as a distinct and highly sophisticated model of statehood shaped by the economic realities of the Eurasian steppe. Opening the symposium, President Kassym-Jomart Tokayev declared that “no historian today questions the power of the Golden Horde, the empire that ruled the Great Steppe and occupied vast expanses of Eurasia. The empire that connected East and West and exerted a profound influence on the development of civilizations and the formation of states was unquestionably one of the largest political structures in history,” Tokayev said. [caption id="attachment_49194" align="aligncenter" width="1280"] Image: Akorda[/caption] The Legacy of the Great Steppe The Golden Horde, also known as the Ulus of Jochi, emerged from the empire created by Genghis Khan across the Eurasian steppe. The wider Eurasian steppe stretched from Eastern Europe toward Mongolia, while the Golden Horde controlled a vast western portion of that world. The region long served as home to Indo-European, Turkic and Mongol nomadic peoples. Its open geography, largely free of impassable mountain barriers, enabled the large-scale movement of herds of horses, sheep and cattle in search of pastures and water sources. It was in this region, on the territory of present-day northern Kazakhstan, that horses were first domesticated about 5,500 years ago near the settlement of Botai. The archaeological Botai culture dates back to roughly 3700-3100 BCE. The Golden Horde itself traces directly to Jochi, the eldest son of Genghis Khan, whose descendants ruled the Ulus of Jochi across a vast territory from the Irtysh to the Danube. Over time, the Ulus of Jochi was divided between Jochi’s sons into western and eastern wings known respectively as the White Horde (Ak-Orda) and the Blue Horde (Kok-Orda). By the middle of the 15th century, the Ulus of Jochi had fragmented into successor polities, including the Siberian, Uzbek, Kazan, Crimean, and Kazakh khanates, as well as the Nogai Horde. Moscow’s rise also unfolded in the shadow of this post-Horde order before it later became the core of the Russian Empire. [caption id="attachment_49193" align="aligncenter" width="2560"] Image: Akorda[/caption] Between Myth and Statehood Because written sources on the Golden Horde remain fragmented, much of its legacy survived through oral traditions, epics, myths, and legends. In Kazakh tradition, for example, khans continued to be chosen from among the Chinggisids, direct descendants of Genghis Khan, and elevated on a white felt carpet during coronation ceremonies. The period also produced oral epics preserved through the tradition of the...

TCA Interviews

“Between Worlds”: Filmmaker Zhannat Alshanova on Migration and Identity

Kazakhstani filmmaker Zhannat Alshanova belongs to a new generation of directors whose careers have unfolded across countries and cultures. Before establishing herself as an auteur filmmaker, the London Film School graduate worked on international productions filmed in Kazakhstan, South Africa, Guatemala, Malaysia, and the United States. Her short film History of Civilization won the Silver Leopard at the Locarno Film Festival; several years later, her debut feature Becoming also premiered there. In an interview with The Times of Central Asia, Alshanova discusses migration, identity, the Western film industry, the creative vulnerability of young directors, and what it means to make cinema “between worlds.” TCA: Zhannat, would it be fair to call you a “Locarno star”? Your debut feature Becoming premiered there; before that, you won the Silver Leopard for your short A History of Civilization, and you also took part in the festival’s directing academy. Zhannat: We really have had a long relationship. Even before screening my own films there, I attended the festival as a co-producer of a South African film selected for competition. That was a year before my own participation. TCA: How did you end up working on a South African project, and what was the film about? Zhannat: It was made by people from my film school. We all studied together at London Film School, although they were a year ahead of me. It was a genuinely creative environment where everyone supported one another and worked on each other’s graduation films. Usually, productions took place in the filmmaker’s home country, so I ended up helping produce projects not only in South Africa, but also in Turkey and the United States. In Guatemala, I worked as a second assistant director. The South African project was a hybrid film, part fiction, part documentary, a road movie about a young man traveling to an audition. The entire story unfolds through that journey. It turned out to be a very beautiful film. [caption id="attachment_49166" align="aligncenter" width="1280"] From a personal photo archive[/caption] TCA: You all came to London Film School from completely different parts of the world. Were your themes similar or very different? Zhannat: Some were similar, others completely different. So many factors shape a filmmaker, the country you grew up in, your personal background, your experience of migration or travel. Some people had lived in one country their entire lives before leaving; others had moved between countries since childhood, while some had lived abroad and then returned home. Everyone carried different experiences. Some directors were interested in stories about children, others focused on people their own age, while some tried to imagine the future. The ideas were extremely varied, but all of them were vivid and personal. For me, the greatest asset of film school was access to different cultures and perspectives. Everyone brought their own cinematic baggage, films, directors and artistic traditions you might never otherwise encounter. It became a fascinating mix of global culture. TCA: What kind of film were you working on in Guatemala? Zhannat: It...

Art and Culture

Central Asia Steps Out of the Post-Soviet Shadow

Central Asia is rarely presented on its own terms. It is more often viewed through exterior lenses like Russian imperial memory, Chinese reach, Silk Road romance, or great-power rivalry. The result is a region made to look secondary to the forces around it, even as its five countries carry deep histories, distinct languages, and identities that cannot be reduced to a backdrop. That old frame is starting to crack. Central Asia is finding new ways to tell its own story. The shift goes beyond tourism or national branding. It is about who gets to define the region, which is still too often seen through the things done to it or extracted from it. Culture depicts the other side of that narrative, a place that has shaped history, not merely endured it, with traditions and ideas that have long carried influence far beyond its borders. [caption id="attachment_49147" align="aligncenter" width="2048"] Sky above Almaty: Qandy Qantar; image courtesy of Saule Suleimenova[/caption] Kazakhstan offers one visible example. The Almaty Museum of Arts opened on September 12, 2025, adding a major institution for modern and contemporary art. Its arrival builds on a broader shift in which private galleries, international platforms, and artists such as Aigerim Karibayeva and Saule Suleimenova are moving Kazakh art beyond folkloric shorthand toward identity, postcolonial memory, and urban life. The reopening of the Tselinny Center of Contemporary Culture, in a former Soviet-era cinema, adds a sharper symbolic layer. A building once tied to Soviet public culture has become a platform for modern Central Asian voices, reflecting a scene increasingly rethinking nomadism rather than simply reproducing it. [caption id="attachment_49148" align="aligncenter" width="1024"] Image: The Tselinny Center of Contemporary Culture[/caption] Uzbekistan has made culture central to its international reemergence. The inaugural Bukhara Biennial brought contemporary art into a city more often seen through its monuments, turning madrasas and caravanserais into exhibition spaces for Uzbek and world artists. The same push is visible in the Tashkent Centre for Contemporary Art, Uzbekistan’s presence at the Venice Architecture Biennale, and design projects such as When Apricots Blossom, which link heritage, craft, and the environmental disaster of the Aral Sea. Artists such as Oyjon Khayrullaeva show a younger generation reworking Islamic ornament, textiles, and public space into new visual languages. At the same time, the State Museum of Karakalpakstan in Nukus, with its Soviet-era censored works, gives the country’s art history deeper heft. In Tashkent, the Islamic Civilization Center is working on a different scale. Recognized by Guinness World Records in 2026 as the largest museum of Islamic civilization, it gives Uzbekistan a stronger role in shaping how that legacy is understood today. [caption id="attachment_49146" align="aligncenter" width="2048"] Image courtesy of Oyjon Khayrullaeva[/caption] Kyrgyzstan’s confidence rests on different ground. The sixth World Nomad Games are scheduled for August 31 to September 6, 2026, with events in Bishkek and around Issyk-Kul. That gives Kyrgyzstan a stage for living nomadic traditions, not a static museum display of them. Its contemporary art scene adds a more intimate layer, with artists such as...

Water Crisis

Tajikistan and UN to Host Water Crisis Conference in Dushanbe

Tajikistan and the United Nations will co-host the 4th High-Level International Conference on the International Decade for Action "Water for Sustainable Development " 2018-2028 next week, as Central Asia and other regions face increasing water scarcity because of climate change, higher consumption, and other factors. Delegates to the May 25-28 water conference in Dushanbe include government officials, scientists, executives from financial institutions and civil society members from around the world. The goal of creating “sustainable” water resources is especially critical in Central Asia, where there is growing concern that shortages could threaten public health and stir tension between upstream and downstream countries. Kyrgyzstan and Tajikistan, for example, are in mountainous regions and have relatively significant water resources that they share with neighboring countries. However, the resources are under strain. Kazakhstan, Uzbekistan and Turkmenistan, in turn, rely on the cross-border water supply that flows downstream. Central Asian governments have begun joint projects on water infrastructure to avoid the kind of tensions that emerged in the past. The Dushanbe conference is another step in that process, even though the event is global in perspective. Tajik diplomats have held briefings in Azerbaijan, Saudi Arabia and other countries to promote the conference, describing Tajikistan as a leader in “water diplomacy” as the world faces a water crisis that is increasingly evident in floods, droughts, pollution and melting glaciers. Dushanbe has already hosted several international conferences on water. Saidjon Shafizoda, spokesman for Tajikistan’s Ministry of Foreign Affairs, said at a briefing in the Tajik capital on Wednesday that the conference can help accelerate innovation and mobilize funding for the “sustainable and inclusive” management of water, the state Khovar news agency reported. Organizers say more than 2,500 people are expected to participate.

Podcast

Pannier and Hillard’s Spotlight on Central Asia: New Episode Out Now

As Managing Editor of The Times of Central Asia, I’m delighted that, in partnership with the Oxus Society for Central Asian Affairs, from October 19, we are the home of the Spotlight on Central Asia podcast. Chaired by seasoned broadcasters Bruce Pannier of RFE/RL’s long-running Majlis podcast and Michael Hillard of The Red Line, each fortnightly instalment will take you on a deep dive into the latest news, developments, security issues, and social trends across an increasingly pivotal region. This week, the team will be covering the highly successful OTS summit in Turkistan, alongside Putin's notably bad day at the Moscow Victory Day parade. We'll also break down the new ships launching in the Caspian Sea and what they signal for cross-Caspian trade, a long-awaited move from Kyrgyzstan's Prosecutor General that we've been tracking for months, another serious shootout involving counter-narcotics forces in Afghanistan, and Emomali Rahmon's trip to Beijing for talks with the Chinese leadership. And for our main story, we turn to Tajikistan's heir apparent, Rustam Emomali, the man widely tipped to become the country's next president On the show this week: - Salim Ayoubzod (Radio Free Liberty) - Edward Lemon (The Oxus Society for Central Asian Affairs)