Kyrgyzstan Life & Culture - The Times Of Central Asia

Viewing results 7 - 12 of 309

World Nomad Games

Tea, Tug-of-War, and Team GB at the World Nomad Games

A British tug-of-war athlete preparing for a nomadic sports festival in Kyrgyzstan sounds like the start of a strange travel documentary. It is also part of the appeal of the World Nomad Games, which return to Kyrgyzstan from August 31 to September 6, 2026, with The Times of Central Asia once again reporting from the ground. Since their launch in 2014, the Games have grown far beyond their roots, turning traditional sports into an international meeting point for athletes, spectators, and cultures that rarely share the same arena. What began as a Kyrgyz initiative has become one of the world’s more unusual sporting gatherings, mixing horseback combat, archery, wrestling, eagle hunting, strength contests, board games, food, music, and craft traditions in a format closer to a living festival than a conventional tournament. For visiting teams, the challenge is not only athletic. It is cultural, physical, and occasionally bewildering in the best possible way, as The Times of Central Asia explored in an interview with Sam Pollard from Team Great Britain. TCA: How did you first become involved with the World Nomad Games, and what drew you to competing there? Sam Pollard: I read Sovietistan: A Journey Through Turkmenistan, Kazakhstan, Tajikistan, Kyrgyzstan, and Uzbekistan by Erika Fatland in my second year at university, in 2023. I already knew I wanted to travel to Central Asia after university because it was completely unknown to me. I like going to places where no one I know has been, and I was excited to experience it for myself and see whether it was a hidden gem. It absolutely turned out to be just that. The book mentioned Kok Boru, or Kokpar, as one of Central Asia’s traditional games. I searched for it on YouTube and found a video of it being played at the World Nomad Games. I thought, what on earth are the World Nomad Games? I did more research, looked at some of the sports, and saw that the Games lined up perfectly with when I was hoping to travel to Central Asia. Initially, we planned to go as spectators, but then I saw that you could apply to participate. Because my friends and I had a tug-of-war background at university, we thought we’d apply, see what happened, and hope for the best. What drew us to competing was the chance to learn about and embrace nomadic culture, which we didn’t really know much about. We are quite open-minded people, so we were excited to learn from different cultures and see what we could take from them. Each “Stan” is completely different, which made the region even more attractive to us. Kyrgyzstan has its beautiful mountains, Uzbekistan has its amazing mosques, Kazakhstan has the great steppes - Mangistau is incredible - and Tajikistan has the Pamir Highway. There was a real draw for us in the unknown. TCA: What was it like being the flagbearer for the UK team at the Kazakhstan Nomad Games in 2024? Sam Pollard: It was undoubtedly the...

Film Industry

Bishkek Film Festival Positions Itself as Central Asia’s New Cinema Hub

In only four editions, the Bishkek International Film Festival has begun to look less like a young local event and more like one of Central Asia’s key meeting points for cinema. This year’s edition, held in the Kyrgyz capital, brought guests from more than 30 countries, and saw nine world premieres and a competition slate that revealed how closely filmmakers across Asia and Europe are now speaking to one another. Alongside its three competition strands — International, Central Asian and the national KyrgyzBox section, which featured some of the country’s highest-grossing projects — the festival hosted industry events, pitching sessions and the Bars in Progress section for films at various stages of post-production. Kyrgyz audiences were also introduced to Mongolian cinema through the festival’s annual country focus. The opening ceremony took place under open skies in Bishkek’s main square, where guests were welcomed on a sky-blue carpet. The event’s growing profile has been backed by state support, with the authorities recognizing that such an event can give the local film industry a major boost. At the opening, Kyrgyzstan’s Minister of Culture, Information and Youth Policy, Mirbek Mambetaliev, said state support for national cinema had increased almost tenfold: while four years ago around $915,000 was allocated for film production, today that figure has reached $10.6 million. [caption id="attachment_50456" align="aligncenter" width="2560"] Image: bishkekfilmfest[/caption] Guest Program: Audrey Tautou and a Bollywood Masterclass This year, the festival placed its bets not only on films, but also on high-profile international guests. The main highlight was Audrey Tautou, who rarely appears at events of this kind. The French actress said she is now more interested in working on the other side of the camera, and is producing an animated project. Tautou seemed deeply moved by the reception. As she said goodbye to the audience, she singled out and thanked a small child who had sat quietly in the hall the entire time without crying. Only then did it emerge that the little girl’s name was Audrey Bermet: her parents, an American father and a Kyrgyz mother, had named her after the actress. This almost accidental episode unexpectedly became a symbol of the festival itself: a major international event that, despite its growing scale, has not yet lost its remarkable intimacy and human warmth. Another highlight was a masterclass by Sandip Soparrkar, a Bollywood choreographer who has worked with some of the biggest stars of both Bollywood and Hollywood. He turned an ordinary lecture into a full-scale show, explaining why dance became the main language of Indian cinema and how it had been shaped by a variety of influences, from classical traditions to jazz, disco and modern hip-hop. Soparrkar also lifted the curtain on Bollywood itself: the cost of the biggest musical sequences, he said, can reach about $700,000. Famous scenes flashed on the screen one after another, and by the end of the session, the audience had become part of a Bollywood musical number, with the entire square dancing alongside Soparrkar to an Indian interpretation of...

Chess

Kyrgyzstan Chess Development a Priority Says Japarov

Kyrgyzstan chess development is a priority of state social policy, according to a decree signed by the country's president, Sadyr Japarov. Through measures such as after school clubs and training a new generation of teachers, Kyrgyzstan to the sport known as the "Game of Kings". The decree, titled “On Urgent Measures for the Development and Popularization of Chess in the Kyrgyz Republic for 2026-2030,” calls for creating conditions to broaden access to chess and strengthen the country’s system for training players and coaches. Under the decree, the Cabinet of Ministers and the Kyrgyz Chess Union have been tasked with drafting a National Program for the Development and Popularization of Chess by September 1, 2026. A Chess Development Fund is also envisaged to provide financial backing for the sport. One of the centerpiece projects is “Chess in Schools,” a pilot program that will introduce after-school chess clubs at 500 schools across the country for students in Grades 3-5 . The decree also establishes annual presidential awards for the country’s best chess player and best chess coach, with nominees to be proposed by the Kyrgyz Chess Union. The initiative has been welcomed by Aida Salyanova, the newly elected president of the Kyrgyz Chess Union and a former prosecutor general of Kyrgyzstan. Salyanova said government support creates an opportunity to turn chess into one of Kyrgyzstan’s intellectual brands and a tool for developing strategic thinking, discipline, and decision-making skills amongst young people. In a statement published after her election on May 23, she described state support for chess as an investment in human capital rather than merely support for a sport. “Chess should become part of the country’s modern educational, digital, and intellectual environment,” Salyanova said, adding that the long-term goal is to create a sustainable system extending from school chess programs to international competitive success. Kyrgyzstan has an active chess scene, though it remains a modest player internationally. At the 2025 national championship, the open title was won by International Master Eldiyar Orozbaev, while Woman FIDE Master Begimai Zairbek Kyzy won the women’s event. Five of the top 10 finishers in the open tournament were under 20, suggesting the country already has a young competitive base on which the new program can build. The decree comes as chess is attracting wider attention across Central Asia. Uzbekistan’s Nodirbek Abdusattorov won the elite Tata Steel Chess Tournament in the Netherlands in early 2026 and later rose to fourth in the live world rankings after victory at the Prague Chess Festival Masters. Kazakhstan has also been investing in chess education, including through KazChessLab, a program designed to train chess teachers for secondary schools.

Taxation

Kyrgyzstan Weighs Higher Sugary Drink Taxes as Child Health Concerns Rise

Kyrgyzstan is considering higher taxes on sugar-sweetened beverages, including a new sugar-content-based excise system, as officials seek to curb rising rates of obesity, diabetes, and cardiovascular disease among children and adolescents. On May 26, the Kyrgyz Ministry of Health organized a high-level policy dialogue on the taxation of sugary drinks as part of the country’s strategy to prevent noncommunicable diseases and promote healthier diets. According to the ministry, noncommunicable diseases, including cardiovascular illnesses, cancer, and diabetes, remain the leading cause of premature deaths in Kyrgyzstan. Excessive consumption of sugary beverages is increasingly recognized as a major risk factor for obesity and diabetes, especially among younger age groups. The proposal would replace the current flat excise rate with a tiered system in which drinks with higher sugar content are taxed more heavily. The Ministry of Health has also proposed a separate excise tax on energy drinks, citing their sugar and caffeine content and potential risks for adolescents. The policy discussion brought together representatives of the Ministry of Health, parliament, international development organizations, civil society groups, and public health experts to review international experience, economic evidence, and possible approaches to taxing sugary beverages. According to the World Health Organization, more than 115 countries worldwide, including 22 countries in the WHO European Region, have already implemented various forms of taxation on sugar-sweetened beverages as part of efforts to improve public nutrition and reduce the health and economic burden caused by chronic diseases. International studies show that increasing the price of sugary drinks can reduce consumption and encourage healthier dietary habits. “Today, we are facing a significant increase in diabetes, obesity, and cardiovascular diseases, and the situation among children and adolescents is particularly alarming,” Deputy Health Minister Gulbara Ishenapysova said during the dialogue. “Sugar-sweetened beverages form unhealthy eating habits from an early age while providing no nutritional value. The state already incurs enormous costs for treating complications of diabetes, including hemodialysis, heart attacks, strokes, amputations, and disability.” According to Ishenapysova, increasing taxes on sugary drinks should be viewed “first and foremost as an investment in public health and the prevention of chronic diseases.” WHO Representative to Kyrgyzstan, Dr. Liviu Vedrasco, said the taxation of sugary beverages is not only a health policy measure but also an investment in the country’s future productivity and economic resilience. “International experience convincingly demonstrates that well-designed fiscal policy helps reduce sugar consumption, encourages producers to manufacture healthier products, and helps prevent noncommunicable diseases, especially among children and adolescents,” Vedrasco said. UNICEF Representative in Kyrgyzstan, Samman Thapa, warned that the situation in the country is becoming increasingly concerning. “According to the 2023 Multiple Indicator Cluster Survey, 78% of children aged six to 23 months already consume sugary beverages,” Thapa said. “At the same time, the rate of overweight and obesity among children continues to rise.” The World Bank backed the proposal, citing modeling that projected long-term health and fiscal benefits. “Our analysis of the Kyrgyz Republic shows that there are practical measures capable of delivering significant benefits for both public...

Education

Opinion: The Cultural Bridge Kyrgyzstan Needs for Global Education

The global deployment of foreign educators has emerged as a response to teacher shortages and the growing demand for high-quality education. Kyrgyzstan is no exception. On May 14, 2026, The Times of Central Asia reported that Kyrgyz lawmakers are actively exploring mechanisms to attract foreign teachers to address the country's shortage of educators. The rationale is compelling: recruiting internationally qualified teachers enables students to access global-standard education without leaving their home country, preserving social capital and mitigating the risk of brain drain. Unfortunately, policy discourse on this issue remains disproportionately focused on academic qualifications and competencies, while largely overlooking a variable of equal consequence: cross-cultural competence. Beyond Qualifications: The Cultural Dimension Even highly qualified foreign educators may encounter significant professional difficulties if they are unprepared for the cultural environment in which they teach. Consider a teacher from Indonesia entering a Kyrgyz school corridor for the first time, only to be asked by random students whether or not he is Muslim. In Indonesian professional contexts, such a question directed at a teacher would typically be regarded as inappropriate, given cultural norms favoring indirect communication and the maintenance of formal boundaries between educators and students. In Kyrgyzstan, however, the same question reflects a culturally embedded expression of warmth and social curiosity rather than disrespect. This moment of potential misinterpretation illustrates a broader challenge; foreign educators must choose between interpreting unfamiliar behaviors through their own cultural frameworks or making a deliberate effort to understand what those behaviors signify in their new context. While the former approach risks persistent misunderstanding, the latter requires cultural preparation and training that most current recruitment models do not provide. Drawing on personal experience as an Indonesian educator working in Kyrgyzstan, the contrast between the two cultural contexts becomes instructive. In Indonesia, students conventionally avoid posing direct questions about a teacher's religion or personal life, as such inquiries may be perceived as presumptuous. After sustained engagement in the Kyrgyz educational environment, however, it becomes evident that directness in social interaction is normative rather than transgressive. Students who pose seemingly personal questions are not seeking to offend; they are engaging in the relational practices through which trust and connection are established within their cultural context. Policy Recommendations for Sustainable Teacher Mobility Attracting foreign educators to Kyrgyzstan offers systemic advantages over sending domestic students abroad. It distributes the benefits of international educational exposure across the entire system, from rural schools to urban universities, without concentrating opportunity among a select demographic. It also reduces dependency on the return of overseas-trained graduates, whose repatriation remains statistically uncertain. Nevertheless, effective implementation requires a policy that extends beyond academic considerations alone. Three measures would make such recruitment more sustainable: First, pre-service cultural orientation should be made a formal prerequisite for all incoming foreign teachers. Such a program should go beyond classroom rules and address community expectations and the distinctive social role of educators in Kyrgyz society. Research on international teacher mobility consistently demonstrates that cultural preparedness is among the strongest predictors of early retention and...

Venice Biennale

Kyrgyzstan Pavilion Brings Nomadism to the 2026 Venice Biennale

Central Asia is increasingly visible on the contemporary art map, and few events carry more symbolic weight than the Venice Biennale, often described as the Olympics of the art world. In recent years, Kazakhstan’s privately funded art scene and Uzbekistan’s state-backed art scene have often led the region’s international push. This year, Kyrgyzstan is is determined not to lag behind. The country’s pavilion at the 61st Venice Biennale marks its second dedicated national participation. Kyrgyzstan first appeared in this format in 2022 with Gates of Turan, a state-commissioned installation by Firouz FarmanFarmaian on the Venetian island of Giudecca that drew on nomadic heritage and local craft traditions. At the center of the 2026 pavilion is Alexey Morosov, a Bishkek-born artist who has lived and worked in Italy for years. He chose the former church of Santa Caterina at Convitto Foscarini, in Venice’s Cannaregio district, as the setting for BELEK, the Kyrgyz word for “gift.” Curated by art historian Geraldine Leardi, the exhibition reflects on water and Kyrgyzstan’s tradition of generosity. The works are in close dialogue with the space that hosts them. The former church, founded in the 14th century, still carries traces of a fire during restoration work in the 1970s. “You can almost smell the burn,” Morosov said at the opening, standing in the presbytery. “For me, it’s very important to pay attention to the genius loci, the spirit of the place,” the artist added. “In a place like this, you have to understand precisely how to use space as a tool, while also respecting it.” Artistic Nomadism Born in Bishkek in 1974, Morosov was trained in the traditions of classical Western art and developed a deep interest in Greek and Roman archaeology, Renaissance painting, and medieval architecture. At 17, he began traveling. He has lived and worked in Lucca, Tuscany, since 2015. “In his practice, the artist naturally bridges Eastern and Western cultures,” Leardi said. “By birth, the original content of his art is Central Asian. His training and artistic education, however, developed in a Western direction.” BELEK, she said, represents a synthesis of those backgrounds. Morosov himself frames it in terms of nomadism. " It's my land, my blood, because my family is originally from Kyrgyzstan, from the middle of the 18th century. I’d describe my mode as meta-nomadismo," he said. “And in my mind, Kyrgyz tradition, Kyrgyz soul, are absolutely in harmony with the Italian conception of art and style of life.” Leardi came to the project as a Byzantinist with no previous deep engagement with Central Asian art. She describes her research for the pavilion as its own kind of journey, traveling to Kyrgyzstan via Mongolia and Korea, “like Marco Polo,” she said, laughing. What she found was a country of extreme contrasts. “It’s not a quiet land. You feel a lot when you’re there. It’s very challenging,” she said. Her task was to “find the channels, find the paths to communicate in the right way between the country and Venice, because there are...