• KGS/USD = 0.01143 0%
  • KZT/USD = 0.00206 0%
  • TJS/USD = 0.10811 -0.18%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28571 0%
  • KGS/USD = 0.01143 0%
  • KZT/USD = 0.00206 0%
  • TJS/USD = 0.10811 -0.18%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28571 0%
  • KGS/USD = 0.01143 0%
  • KZT/USD = 0.00206 0%
  • TJS/USD = 0.10811 -0.18%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28571 0%
  • KGS/USD = 0.01143 0%
  • KZT/USD = 0.00206 0%
  • TJS/USD = 0.10811 -0.18%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28571 0%
  • KGS/USD = 0.01143 0%
  • KZT/USD = 0.00206 0%
  • TJS/USD = 0.10811 -0.18%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28571 0%
  • KGS/USD = 0.01143 0%
  • KZT/USD = 0.00206 0%
  • TJS/USD = 0.10811 -0.18%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28571 0%
  • KGS/USD = 0.01143 0%
  • KZT/USD = 0.00206 0%
  • TJS/USD = 0.10811 -0.18%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28571 0%
  • KGS/USD = 0.01143 0%
  • KZT/USD = 0.00206 0%
  • TJS/USD = 0.10811 -0.18%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28571 0%

Viewing results 7 - 12 of 421

Central Asia Steps Out of the Post-Soviet Shadow

Central Asia is rarely presented on its own terms. It is more often viewed through exterior lenses like Russian imperial memory, Chinese reach, Silk Road romance, or great-power rivalry. The result is a region made to look secondary to the forces around it, even as its five countries carry deep histories, distinct languages, and identities that cannot be reduced to a backdrop. That old frame is starting to crack. Central Asia is finding new ways to tell its own story. The shift goes beyond tourism or national branding. It is about who gets to define the region, which is still too often seen through the things done to it or extracted from it. Culture depicts the other side of that narrative, a place that has shaped history, not merely endured it, with traditions and ideas that have long carried influence far beyond its borders. [caption id="attachment_49147" align="aligncenter" width="2048"] Sky above Almaty: Qandy Qantar; image courtesy of Saule Suleimenova[/caption] Kazakhstan offers one visible example. The Almaty Museum of Arts opened on September 12, 2025, adding a major institution for modern and contemporary art. Its arrival builds on a broader shift in which private galleries, international platforms, and artists such as Aigerim Karibayeva and Saule Suleimenova are moving Kazakh art beyond folkloric shorthand toward identity, postcolonial memory, and urban life. The reopening of the Tselinny Center of Contemporary Culture, in a former Soviet-era cinema, adds a sharper symbolic layer. A building once tied to Soviet public culture has become a platform for modern Central Asian voices, reflecting a scene increasingly rethinking nomadism rather than simply reproducing it. [caption id="attachment_49148" align="aligncenter" width="1024"] Image: The Tselinny Center of Contemporary Culture[/caption] Uzbekistan has made culture central to its international reemergence. The inaugural Bukhara Biennial brought contemporary art into a city more often seen through its monuments, turning madrasas and caravanserais into exhibition spaces for Uzbek and world artists. The same push is visible in the Tashkent Centre for Contemporary Art, Uzbekistan’s presence at the Venice Architecture Biennale, and design projects such as When Apricots Blossom, which link heritage, craft, and the environmental disaster of the Aral Sea. Artists such as Oyjon Khayrullaeva show a younger generation reworking Islamic ornament, textiles, and public space into new visual languages. At the same time, the State Museum of Karakalpakstan in Nukus, with its Soviet-era censored works, gives the country’s art history deeper heft. In Tashkent, the Islamic Civilization Center is working on a different scale. Recognized by Guinness World Records in 2026 as the largest museum of Islamic civilization, it gives Uzbekistan a stronger role in shaping how that legacy is understood today. [caption id="attachment_49146" align="aligncenter" width="2048"] Image courtesy of Oyjon Khayrullaeva[/caption] Kyrgyzstan’s confidence rests on different ground. The sixth World Nomad Games are scheduled for August 31 to September 6, 2026, with events in Bishkek and around Issyk-Kul. That gives Kyrgyzstan a stage for living nomadic traditions, not a static museum display of them. Its contemporary art scene adds a more intimate layer, with artists such as...

Remains of Buddhist Temple Unearthed in Ancient Silk Road City in Kyrgyzstan

The remains of what is believed to be a Buddhist temple dating to the 7th and 8th centuries have been discovered at the medieval Ak-Beshim archaeological site, the ruins of the ancient Silk Road city of Suyab in northern Kyrgyzstan, according to the Ministry of Culture, Information, Sports and Youth Policy of the Kyrgyz Republic. Located seven kilometers southwest of Tokmok, Suyab was a major Silk Road city between the 5th and 8th centuries. It was the capital of the Western Turkic Khaganate and an important center for Sogdian merchants on the Chang’an-Tian Shan route, now part of a UNESCO World Heritage corridor. Chinese historical sources suggest that the celebrated poet Li Bai, born in 701 and believed to have died in 762 or 763, may have been born in Suyab. Suyab declined in the 11th century with the rise of Balasagun, another historic city in the Chui Valley located near the famed Burana Tower. The discovery was made by a Kyrgyz-Japanese archaeological expedition during excavations conducted since early May. Researchers uncovered a platform, ramp, and staircase constructed of baked brick. Experts believe these architectural elements are characteristic of temple architecture from China’s Tang Dynasty. The discovery also supports a hypothesis put forward by renowned Soviet archaeologist Alexander Bernshtam, who in the late 1940s suggested the existence of a Buddhist religious structure in the area. Archaeological work carried out in 2025-2026 has opened new chapters in the history of Buddhism in Suyab. Joint Kyrgyz-Japanese research at the site has been underway since 2012. Efforts are currently underway to reclassify the land where excavations are taking place as protected historical and cultural territory. If approved, authorities plan to establish an open-air museum at the site. It was previously reported that archaeologists had also uncovered what is believed to be the oldest Christian structure found in Kyrgyzstan, a Nestorian church dating to the 7th or 8th century. The Times of Central Asia previously reported that the Ministry of Culture, Information and Youth Policy of Kyrgyzstan and the Dunhuang Research Academy established a joint laboratory for cultural heritage preservation that will oversee conservation work at the Ak-Beshim archaeological site.

Russia to Build University Campus in Bishkek

The Cabinet of Ministers of Kyrgyzstan has approved the reclassification of land in southern Bishkek for the construction of a new campus for the Kyrgyz-Russian Slavic University, the government said. The decree, signed on April 24 by Prime Minister Adylbek Kasymaliev, transfers the land from agricultural use to settlement status. The project is being implemented under an intergovernmental agreement between Kyrgyzstan and Russia following the state visit of Vladimir Putin to Bishkek in November 2025. It involves the construction of a university campus spanning approximately 30 hectares. Officials say the campus will form part of a long-term strategy to develop educational infrastructure and deepen humanitarian cooperation between the two countries. The new complex is designed to accommodate up to 15,000 students and will include academic, research, and social facilities in line with international higher education standards. Construction is expected to be completed by 2030, with funding to be provided jointly by both sides. It is part of a wider educational push by Russia to bolster the influence of Russian language in the region. Russian cultural organisation Evrasiya, a non-profit organisation linked to the Kremlin, has invested heavily in Kyrgyzstan since 2024. President Sadyr Japarov has instructed that the campus be equipped with modern facilities, while the Finance Ministry has been tasked with allocating funds for the necessary engineering infrastructure. Once the decree comes into force, local authorities will be required to terminate third-party rights to the land allocated for the project. Most of the site is currently state-owned, though part remains in private hands. Authorities also noted the need to comply with environmental, sanitary, and urban planning standards, including measures to improve seismic resilience – a perennial fear for Central Asian cities. The agreement on the campus construction was previously ratified by the parliaments of both countries, including Russia’s State Duma and the Federation Council.

Victory, Memory, and Moscow: Central Asia’s Changing May Calendar

May is when Central Asia’s past crowds into the public square. Workers, soldiers, veterans, constitutions, unity campaigns, and the legacy of World War II all compete for space on the calendar. The dates are familiar across the region, but their meanings are no longer the same. Kazakhstan marks People’s Unity Day on May 1, Defenders’ Day on May 7, and Victory Day on May 9. Kyrgyzstan has a May calendar built around Labor Day, Constitution Day, and Victory Day. Uzbekistan has recast May 9 as the Day of Remembrance and Honor. Turkmenistan lists May 9 as Victory Day of the 1941-1945 Great Patriotic War, but it no longer carries the same public weight as the country’s main state holidays. Those choices show how each state is handling its Soviet past. May 1 can mean labor, unity, or almost nothing. May 9 can mean victory, mourning, family memory, or careful diplomacy. In Central Asia, the politics of memory rarely move through open rejection. It works through renaming, recalibrating, and changing the optics. Russia still treats May 9 as a central ritual of state power. Victory Day marks the Soviet defeat of Nazi Germany in what Russia calls the Great Patriotic War. Under Vladimir Putin, it has become a display of military strength, national sacrifice, and confrontation with the West. Since Russia’s full-scale invasion of Ukraine in 2022, that message has become more direct. This year, the image projected from Moscow will be weaker. Russia is preparing to hold its May 9 parade on Red Square without the usual display of military hardware. Tanks and missile systems, long central to the spectacle, are being kept away. Russia’s Defense Ministry cited the “current operational situation,” while the Kremlin linked the change to Ukrainian attacks. For Central Asian governments, that image will be hard to separate from their own handling of Victory Day. Moscow has long used May 9 to gather friendly leaders and place the post-Soviet region inside a shared wartime story. Attendance in Moscow has become a diplomatic signal. Absence has become one too. In recent years, Victory Day diplomacy has shown how Central Asian governments try to respect wartime memory while avoiding full alignment with Russia’s narrative. This year, at least some Central Asian leaders are again expected in Moscow. Kazakhstan’s Kassym-Jomart Tokayev and Kyrgyzstan’s Sadyr Japarov have been reported among those planning to attend, though the Kremlin has not yet published a full list of foreign guests. Central Asian states cannot simply discard May 9. Millions of people from the region served in the Red Army or worked behind the front during World War II; from Kazakhstan alone, around one million people contributed to the war effort, with nearly 271,000 soldiers still listed as missing. Families still carry those memories. Monuments, veterans’ payments, school events, and wreath-laying ceremonies remain important. For many people, Victory Day is personal before it is geopolitical. Yet governments have changed the tone. Kazakhstan still marks Victory Day as a public holiday, but large military parades...

Kyrgyzstan Moves to Simplify Obtaining Residence Permits for Foreign Citizens

Kyrgyzstan has drafted legislative amendments aimed at simplifying the process for foreign citizens to obtain residence permits. Proposed changes to the law “On External Migration” were submitted for public discussion on April 27. The bill proposes eliminating the mandatory requirement to obtain immigrant status, which previously required applicants to apply to multiple government agencies and submit numerous documents. Instead, the process would shift to a “single-window” system, reducing processing time and administrative complexity. The procedure for obtaining a temporary residence permit would also be simplified by removing the requirement to reside in the country for at least six months prior to application. The list of grounds for obtaining a residence permit would be expanded to include employment, education, investment, family reunification, and residency for citizens of former Soviet republics that enjoy a visa-free regime with Kyrgyzstan. The draft law also proposes eliminating the outdated requirement for the registration of foreign nationals in hotels. A residence permit could be revoked if a foreign citizen leaves Kyrgyzstan for more than one year without notifying the authorities. According to the bill’s explanatory note, a residence permit is intended to ensure permanent residence in Kyrgyzstan, provide access to government services and social benefits, and exempt holders from visa and work permit requirements. Adoption of the new procedures is expected to improve the efficiency of migration regulation in the country. According to the Ministry of Labor, Social Security, and Migration, the quota for foreign workers in Kyrgyzstan for 2026 has been set at 52,000.

Silver, Silk, and Forgotten Power: Central Asia’s Islamic Past Comes to London

At Sotheby’s in London, Central Asia comes into view as a world of dazzling craft and taste. The Arts of the Islamic World & India auction on April 29th  gathers rare eastern Islamic works that show how the region turned faith, power, and luxury into art. The standout lot is a 12th or 13th-century silver ewer, catalogued as Persian or Central Asian. Most related vessels are brass or bronze. This one is comparable to vessels from the Harari Hoard, a group of 10th and 11th-century silver objects now largely held in the L.A. Mayer Museum for Islamic Art in Jerusalem. The ewer’s presence gives the sale its sharpest point of entry. It is rare, ambitious, and unusually personal. [caption id="attachment_47817" align="aligncenter" width="2447"] A pair of Seljuk gold bracelets, Persia, Khurasan, 12th century; image: Sotheby's[/caption] A 10th-century Nishapur calligraphic dish shifts the focus from metal to script, turning a simple object into a work shaped by the visual grace of the written word. Timurid horse trappings, Qur’an pages, Sogdian silks, golden Mongol cloths, an embroidered robe, and a Shakhrisabz suzani broaden the picture from courtly power to sacred text and textile brilliance, ending in a tradition still closely associated with Uzbekistan. The timing gives the auction added weight. Uzbekistan is building a major new stage for Islamic heritage. The Times of Central Asia reported in April 2026 that its Center of Islamic Civilization has entered the Guinness World Records as the world’s largest museum. TCA asked Frankie Keyworth, a Specialist in Islamic and Indian Art at Sotheby’s, why Central Asia’s artistic legacy is commanding fresh attention now. [caption id="attachment_47818" align="aligncenter" width="8984"] A turquoise-set silver and brass belt buckle, Bukhara, Central Asia, 19th century; image: Sotheby's[/caption] TCA: Why are the artifacts in this auction so important for understanding Central Asia as a center of artistic production, rather than just a corridor between other civilizations? Keyworth: They really reiterate the breadth of artistic production in Central Asia, which is incredibly rich in terms of medium, design and chronology. The works presented here range from the 8th to the 19th century, from textiles to ceramics, metalwork to manuscripts, and they reveal traditions that are distinct to Central Asia, and others that inform and are informed by artistic production in other regions. The impressive silver ewer is a good example of this. Its nielloed decoration on silver is typical of a distinct group of silver vessels produced in Central Asia, but its form would go on to inform examples in other materials, such as bronze or ceramics produced later in Persia. [caption id="attachment_47819" align="aligncenter" width="2560"] A Timurid or early Ottoman tinned copper goblet (mashrabe), Central Asia or Eastern Anatolia, late 15th century; image: Sotheby's[/caption] TCA: Which object best captures Central Asia’s wider historical importance, and what makes it so revealing? Keyworth: It’s hard to pinpoint such a vast artistic tradition to one object, but luxurious textile production is synonymous with the arts of Central Asia. In this sale, we can see one of the earliest...