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An Exploration of Identity by Kazakh Artist Gulnur Mukazhanova

There are some abstract works that can feel like a spiritual encounter. We are all familiar with the work of Mark Rothko, a master in materializing emotions and bringing viewers to transcendence through simple hues, nuances, and color gradients. Far fewer people however, will be aware of Gulnur Mukazhanova, a Kazakh artist whose felt paintings are imbued with a tenderness that offers viewers solace and comfort, and grounded in hope, open new horizons. When I first saw the artist’s work at the Parisian art fair ‘Asia Now’ two years ago, I was immediately struck by her unique use of wool and felt in the creation of abstract art. Delicate and evocative at once, her work successfully elevates craft to the status of fine art. [caption id="attachment_21715" align="alignnone" width="732"] Photo: Estefania Landesmann: Gulnar at work[/caption] Born in Semipalatinsk, Kazakhstan, shortly before the end of the USSR, the artist has been working with textiles since beginning her practice, and influenced by Kazakh traditions, employs felt as a primary material. Mukazhanova studied at the Art Academy in Almaty and later, at the Kunst Hochschule in Berlin Weißensee. She has now lived and worked in Berlin for many years and it was here, that she started to process her Kazakh origins, heritage, and the state of society, with an international audience in mind. Spiritual and emotional, her abstractions are informed by issues concerning identity and the transformation of traditional values of her native culture in the age of globalization. TCA caught up with Gulnur to discuss her latest work, her creative process, and how her Kazakh origins continue to influence her art. TCA: What initially drew you to art and how did your journey begin? GM: My earliest memories involve drawing animals when I was around five years old. My cousin, also an artist, had a significant influence on me and was the first person to open my eyes to the world of art. I studied art at the university in Kazakhstan and then moved to Berlin, initially to study textile design. However, I quickly realized that design wasn’t my path and so, shifted my focus to more experimental approaches with textiles. By the end of my studies in Berlin, I was fully immersed in working with felt and it has remained a central part of my practice ever since. [caption id="attachment_21716" align="alignnone" width="2500"] Photo: Thierry Bal : Öliara & the Dark Moon[/caption] TCA: Your work often carries deep emotional and historical weight, as illustrated by your series “Öliara: The Dark Moon” and your abstract self-portraits. How do you approach abstraction in these works? GM: “Öliara: The Dark Moon” was a solo show in Mimosa House in London that dealt with dark periods in Kazakh history, particularly the tragic events of "Bloody January" 2022. The series reflects on life, death, and the fragile nature of existence; themes that are unfortunately all too relevant in our world today. The felt pieces in this series are abstract allowing them a deep emotional resonance which would not be afforded by a...

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Unveiling the Magic: Behind the Scenes of “Baikonur”

Space continues to capture our imagination and inspire our stories, as we try to make sense of this vast final frontier. In the last part of our series on Baikonur, we explore its depiction within cinema. In 2011, German filmmaker, Veit Helmer released Baikonur, a story about space, scavenging and misguided love that was shot within the region. TCA spoke to him about filming in this heavily restricted landscape. TCA: What was the inspiration behind your film, Baikonur? What drew you to this subject matter? Helmer: I was fascinated by the actual place, or what I knew about it; a hidden city with such a glorious past. Whilst researching, I found out about the scavengers who collect the pieces which fall on the steppe when the rockets are heading to space. To tell both stories at the same time intrigued me: space exploration and hunting for scrap metal. TCA: Given you also directed Absurdistan and Tuvalu, would it be fair to say you’re drawn to far-flung places? Helmer: Yes, I love to explore and find locations which haven’t been filmed before. But compared to the locations of my previous films - Tuvalu, which was shot in Bulgaria, and Absurdistan, which was shot in Azerbaijan - to travel to Baikonur was a much longer journey. [caption id="attachment_21684" align="aligncenter" width="2560"] Still from the film, "Baikonur," Alexander Asochakov as "Gagarin" leaving, villagers standing near yurt; image: Veit Helmer[/caption] TCA: As stated in the tagline of your film, “Whatever falls from heaven, you may keep. So goes the unwritten law of the Kazakh seppe. A law avidly adhered to by the inhabitants of a small village, who collect the space debris that falls downrange from the nearby Baikonur space station.” The village scavengers portrayed in your film are based in reality; how did you find out about them, and what was your experience with them? Helmer: It was very funny reading the first review from Kazakhstan, where a young journalist wrote that the film is based on the old Kazakh law “Whatever falls from heaven, you may keep,” which in reality was an invention by my screenwriter, Sergey Ashkenazy. But as this fable seems to feel so real, I never tried to dispel that myth. When writing the screenplay, Sergey and me went to Zheskaskan and the surrounding steppe, talking to the hunters of the scrap metal. It was not an ideal moment, because Roscosmos started to collect the debris themselves and the local villagers’ activity became illegal. The new reality was not villages against each other, but villagers against Roscosmos. [caption id="attachment_21685" align="aligncenter" width="2560"] Still from the film, "Baikonur," Alexander Asochakov as "Gagarin" (center) cleaning assembly hall in Baikonur ; image: Veit Helmer[/caption] TCA: As a Western filmmaker you were granted a unique opportunity to film within Baikonur - what did you observe of the landscape? What were the highlights of this experience? Helmer: There was a saying among the early cosmonauts that the Central Asian steppe was for them...

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A Guy From the Bronx and His Contribution to Uzbekistan’s Boxing Gold

Uzbekistan’s five gold medals in boxing at the Paris games owe something to Sidney Jackson, an accomplished boxer from a poor Jewish family in the Bronx, New York City, who is credited with introducing the sport to Central Asia in the early 1920s. That’s the view of Uzbekistan’s ambassador to the United States, Furqat Sidiqov, and other people in Uzbekistan who know about the country’s evolution as an Olympic boxing power. “This remarkable success is tied to Sidney Jackson, founder of Uzbekistan’s boxing school,” Sidiqov said on the X platform. He said Jackson’s legacy is still shaping champions today and urged people to watch a documentary about the American that was released in 2022 with the backing of the Uzbek government. Jackson, a beloved figure in Uzbekistan who died in Tashkent in 1966, started boxing when he was a boy, won featherweight titles in the United States and joined a boxing tour in Europe just before World War I. He dropped out of the tour because of an injury, traveled to Russia and then diverted to Tashkent when fighting erupted in Europe. Short of money, he stayed there, found a job, joined an international brigade that fought in the civil conflict sweeping Central Asia and the Caucasus after the Russian Revolution, and opened a threadbare boxing club in Tashkent after the war ended. [caption id="attachment_21805" align="aligncenter" width="400"] Sketch of Sidney Jackson by Rifkat Azihanov[/caption] Over the years, he trained Russian and Central Asian boxers who had international success as representatives of the Soviet Union. Jackson laid foundations for athletes including Russian middleweight boxer Valeri Popenchenko, who won gold at the Olympics in Tokyo in 1964, and Rufat Riskiyev, an Uzbek middleweight boxer who won silver at the 1976 Olympics in Montreal. Uzbekistan’s boxing federation was founded in 1928, and Jackson served as its chairman for more than 20 years. The history of boxing in Uzbekistan is “inextricably linked” with Jackson, according to Uzbek boxing officials. “To call Sidney Jackson the grandfather of boxing in Uzbekistan is accurate, but still undersells his impact on the sport,” the asianboxing.info website said in 2020. “And whilst it may have been more than 50 years since he died, his impact is still felt there, and always will be for any Uzbek stepping between the ropes.”

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Blast off to Baikonur: A Space Tourist’s Odyssey

Space tourism is a growing industry, with visitors to Baikonur attending launches, especially missions to the International Space Station. The town is a leased Russian enclave ensconced within Kazakhstan, including the cosmodrome which is controlled by Roscosmos, the Russian space agency. After NASA ended its Space Shuttle program in 2011, Baikonur became the only launch site to the International Space Station (ISS) until 2020. Now, 60 years after space travel began, it still remains an important gateway to the stars. As described by Megan Eaves, “Baikonur is in many ways a perfect relic of the Soviet 1960s. Stoic mosaics depicting muscular comrades heralding a new era of space still decorate entrance gates and the walls of the town's functional, Brutalist apartment blocks, which once housed construction workers, aerospace engineers and space families. Inside the cosmodrome, crumbling hangars stand side-by-side next to the original, minimalist cottages where Yuri Gagarin and the early cosmonauts slept.” [caption id="attachment_21654" align="aligncenter" width="800"] Statue of Yuri Gagarin in the town of Baikonur, Kazakhstan; image: Ric Gazarian[/caption] Near a hotel where visitors stay is Cosmonaut’s Alley, a path in a wooded area surrounded by trees planted by all those who launched into space from Baikonur. The first tree that greets visitors is Yuri Gagarin’s from 1961. Continuing our coverage of Baikonur, TCA spoke to renowned travel blogger, Ric Gazarian, who in 2018 witnessed the MS-08 launch which sent three men on the 55th expedition to the ISS. TCA: Your blogs about your experience at Baikonur contain a lot of history on the Russian space program; where and when did you find out about Baikonur and the space program? Was there anything in particular that piqued your interest? Gazarian: There wasn’t a specific moment, but I’ve been intrigued by space travel since I was a kid. NASA is exceedingly cool and fascinating, and so is Roscosmos, but with the addition of the exoticness from a Western perspective. The history and rivalry between the U.S. and the Soviet Union’s space program is so rich. So, when I found out about the opportunity to visit Baikonur and witness a space launch, it was immediately added to my bucketlist. It was this unique opportunity to witness firsthand Soviet/Russian space traditions. The added bonus is so few people make the effort to visit. [caption id="attachment_21619" align="aligncenter" width="2560"] Museum in the Chelomey International Space School, Baikonur, Kazakhstan; image: Ric Gazarian[/caption] TCA: You stated that “This was not your typical tourist trip to Paris…This was a group of space geeks and Soviet fan boys.” Which one are you? Gazarian: A little bit of both. One experience we had was watching the cosmonauts leave their quarantine hotel and board the bus to take them for their final preparations before the launch. A crowd of a couple of hundred people had circled their bus; it was a rock star moment. To know these guys were soon to be launched into space touches you emotionally. And yes, this is a dream come true for Soviet...

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Comic Con Astana 24: Mixed Impressions from Delight to Disappointment

Comic Conventions, known as Comic Con, began back in1970 when a group of enthusiasts gathered in San Diego, California to exchange comics. Since then, international festivals promoting comics, pop culture, sci-fi, video games, anime and related films and TV series have soared in popularity, attracting thousands of fans to venues across the globe. Now an annual event, Kazakhstan’s Comic Con was first staged in 2019, and Comic Con Astana '24, running from 25-28 July at the city’s Expo International Exhibition Center, was one of the most eagerly anticipated events in the world of pop culture. Tickets were available online from 15 April as well as at the door. Quick to sell out, the four-day festival attracted over 53,000 visitors from 30 countries. [caption id="attachment_21630" align="alignnone" width="720"] photo TCA : Center stage[/caption] Comprising a comprehensive program representing all aspects of the international comics industry, Astana’s festival included appearances by numerous superstars such as Russian actors Ruzil Minekaev and Anton Lapenko, and Danish actor Mads Mikkelsen renowned for his leading role in the TV series ‘Hannibal’ and as Cliff Unger in Hideo Kojima’s video game ‘Death Standing.’ Representing the home front, presentations were made by over 100 Kazakh authors of graphic novels. In addition to having a unique opportunity to meet their heroes, actors and authors, visitors were able to actively participate in various themed events, masterclasses, autograph sessions, and exhibitions. Professionals and attendees alike, injected great flair to the event by dressing as their favorite heroes to compete for prizes totaling US$ 27,000 in a Cosplay contest. [caption id="attachment_21629" align="alignnone" width="540"] photo: TCA: Cosplay participants[/caption] Response to the organizers’ delivery of a dynamic, wide-spanning program was generally positive, with visitors reporting that the event had met their expectations. Many however, commented that their overall impression was significantly marred by the considerable discomfort caused by lengthy, bottleneck queues of up to three hours to either enter the building or access popular events. [video width="480" height="848" mp4="https://timesca.com/wp-content/uploads/2024/08/WhatsApp-Video-2024-08-13-at-17.49.23_d55b7dfb.mp4"][/video] "The program was great, especially meeting our favorite actors,” a guest named Altair, told TCA. “But the queues were simply unbearable. We spent almost half of the day just waiting, and it greatly affected our enjoyment.” Nastya, another guest, also expressed her dissatisfaction over the control of the flow of visitors: "The festival was cool, but the crush, which led to some visitors fainting, made our stay not as comfortable as we would have liked. I hope that in the future, Comic Con will take this into account and improve the organization.” Aruzhan, the third visitor interviewed by TCA, added, "I liked everything, it was especially cool to see stars from all over the world, but I think they should have sold fewer tickets so that everyone was comfortable in the building.” On the other side of the fence, blogger Anastasiz and a guest headliner of the Comic Con, was similarly upset by administrative oversights and in a video post, condemned the fact that because the queues were not closed, hundreds of people, standing in tight...

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Turkmenistan Celebrates Caspian Sea Day

The Caspian Sea Day is currently being celebrated in a series of festive events in Turkmenistan's national tourist zone, Avaza, With a key focus on environmental awareness, specialists from the Nature Protection Society of Turkmenistan have organized a programme of educational activities in schools and public spaces to instil in children, a love and respect for nature, encourage them to live in harmony with the environment, and develop a strong sense of responsibility for nature conservation. As part of the Caspian Day celebrations, the Society has conducted creative contests on environmental themes, exhibitions demonstrating the beauty of nature, photo contests, and cultural and sports competitions dedicated to the flora and fauna of the Caspian Sea. In addition to the above, Turkmenistan has organized international conferences, scientific meetings, and environmental events, with special attention paid to protecting the marine environment, preserving the unique ecosystem of the Caspian Sea, and developing regional cooperation. President Serdar Berdimuhamedov of Turkmenistan has consistently advocated turning the Caspian Sea into a zone of peace, trust, and ecological well-being, and is actively involved in developing trade, economic, and socio-cultural ties in the region. The Caspian Day on August 12 - a date chosen in connection with the instigation of the Framework Convention on the Protection of the Caspian Sea and the Environment from Pollution - has been celebrated annually since 2006, by the five Caspian littoral states: Kazakhstan, Azerbaijan, Iran, Russia, and Turkmenistan.