Tajikistan Life & Culture - The Times Of Central Asia

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Art and Culture

Central Asia Steps Out of the Post-Soviet Shadow

Central Asia is rarely presented on its own terms. It is more often viewed through exterior lenses like Russian imperial memory, Chinese reach, Silk Road romance, or great-power rivalry. The result is a region made to look secondary to the forces around it, even as its five countries carry deep histories, distinct languages, and identities that cannot be reduced to a backdrop. That old frame is starting to crack. Central Asia is finding new ways to tell its own story. The shift goes beyond tourism or national branding. It is about who gets to define the region, which is still too often seen through the things done to it or extracted from it. Culture depicts the other side of that narrative, a place that has shaped history, not merely endured it, with traditions and ideas that have long carried influence far beyond its borders. [caption id="attachment_49147" align="aligncenter" width="2048"] Sky above Almaty: Qandy Qantar; image courtesy of Saule Suleimenova[/caption] Kazakhstan offers one visible example. The Almaty Museum of Arts opened on September 12, 2025, adding a major institution for modern and contemporary art. Its arrival builds on a broader shift in which private galleries, international platforms, and artists such as Aigerim Karibayeva and Saule Suleimenova are moving Kazakh art beyond folkloric shorthand toward identity, postcolonial memory, and urban life. The reopening of the Tselinny Center of Contemporary Culture, in a former Soviet-era cinema, adds a sharper symbolic layer. A building once tied to Soviet public culture has become a platform for modern Central Asian voices, reflecting a scene increasingly rethinking nomadism rather than simply reproducing it. [caption id="attachment_49148" align="aligncenter" width="1024"] Image: The Tselinny Center of Contemporary Culture[/caption] Uzbekistan has made culture central to its international reemergence. The inaugural Bukhara Biennial brought contemporary art into a city more often seen through its monuments, turning madrasas and caravanserais into exhibition spaces for Uzbek and world artists. The same push is visible in the Tashkent Centre for Contemporary Art, Uzbekistan’s presence at the Venice Architecture Biennale, and design projects such as When Apricots Blossom, which link heritage, craft, and the environmental disaster of the Aral Sea. Artists such as Oyjon Khayrullaeva show a younger generation reworking Islamic ornament, textiles, and public space into new visual languages. At the same time, the State Museum of Karakalpakstan in Nukus, with its Soviet-era censored works, gives the country’s art history deeper heft. In Tashkent, the Islamic Civilization Center is working on a different scale. Recognized by Guinness World Records in 2026 as the largest museum of Islamic civilization, it gives Uzbekistan a stronger role in shaping how that legacy is understood today. [caption id="attachment_49146" align="aligncenter" width="2048"] Image courtesy of Oyjon Khayrullaeva[/caption] Kyrgyzstan’s confidence rests on different ground. The sixth World Nomad Games are scheduled for August 31 to September 6, 2026, with events in Bishkek and around Issyk-Kul. That gives Kyrgyzstan a stage for living nomadic traditions, not a static museum display of them. Its contemporary art scene adds a more intimate layer, with artists such as...

Podcast

Pannier and Hillard’s Spotlight on Central Asia: New Episode Out Now

As Managing Editor of The Times of Central Asia, I’m delighted that, in partnership with the Oxus Society for Central Asian Affairs, from October 19, we are the home of the Spotlight on Central Asia podcast. Chaired by seasoned broadcasters Bruce Pannier of RFE/RL’s long-running Majlis podcast and Michael Hillard of The Red Line, each fortnightly instalment will take you on a deep dive into the latest news, developments, security issues, and social trends across an increasingly pivotal region. This week, the team will be covering the highly successful OTS summit in Turkistan, alongside Putin's notably bad day at the Moscow Victory Day parade. We'll also break down the new ships launching in the Caspian Sea and what they signal for cross-Caspian trade, a long-awaited move from Kyrgyzstan's Prosecutor General that we've been tracking for months, another serious shootout involving counter-narcotics forces in Afghanistan, and Emomali Rahmon's trip to Beijing for talks with the Chinese leadership. And for our main story, we turn to Tajikistan's heir apparent, Rustam Emomali, the man widely tipped to become the country's next president On the show this week: - Salim Ayoubzod (Radio Free Liberty) - Edward Lemon (The Oxus Society for Central Asian Affairs)

UFO Files

Pentagon UFO Files Include 1994 Tajik Air Report Over Kazakhstan

On May 8, the Pentagon released the first batch of U.S. Department of War files on unidentified anomalous phenomena (UAP), including a State Department cable describing a 1994 sighting by Tajik Air pilots over Kazakhstan. The new archive, called the Presidential Unsealing and Reporting System for UAP Encounters, was created in response to a directive from U.S. president Donald Trump. It covers unresolved cases where the government cannot make a definitive determination from available data, with further releases expected “every few weeks.” The department uses the current term UAP as well as the older term unidentified flying object (UFO). The release includes a three-page unclassified State Department cable from the U.S. embassy in Dushanbe. Dated January 31, 1994, it is titled “Tajik Air Pilots Report Unidentified Flying Object” and carries a State Department “Released in Full” stamp dated February 25, 2026. The same cable had previously appeared in CUFON’s archive of State Department UFO records, released in 2000 in response to a Freedom of Information Act (FOIA) request. According to the cable, Tajik Air chief pilot Ed Rhodes, identified as a United States citizen, and two American pilot colleagues reported that they had encountered a UFO on January 27, 1994, while flying at 41,000 feet in a Boeing 747SP. The location was given as latitude 45 north and longitude 55 east, over Kazakhstan. The pilots described the object as an intensely bright light approaching from the east at high speed and at an altitude far above their aircraft. They said they watched it for about 40 minutes as it moved in circles, corkscrews, and 90-degree turns. Rhodes reportedly took several photographs with a pocket Olympus camera and said copies would be sent to the embassy and to the Tajikistan desk at the State Department if they came out. No such photographs appear in the released cable. The crew could not identify the object’s shape because it was dark. They described its light as resembling a “bow wave,” and later said the aircraft flew beneath contrails left by the object after sunrise. Rhodes estimated those contrails to be at about 100,000 feet. The embassy suggested that the object might have been a meteor entering and skipping off the Earth’s atmosphere. Rhodes and the other pilots rejected that explanation, saying their years flying passenger aircraft for Pan Am had given them extensive experience with meteors and space junk. Based on the object’s reported speed and maneuverability, Rhodes expressed the view, which the cable says his crew seemed to support, that it was “extraterrestrial and under intelligent control.” The U.S. government recorded what the pilots said, but the cable does not confirm what they saw, as demonstrated in the file’s cautionary note: “We have no opinion and report the above for what it may be worth.” The release adds an official U.S. record to a regional history in which unexplained aerial reports have surfaced in Soviet research programs and, more recently, in media and online claims. During the Soviet period, reports of anomalous...

Sports

Tajikistan Hosts Grand Slam Judo, Wins Three Golds

Tajikistan showcased its world-class judo skills during the Dushanbe Grand Slam over the weekend, picking up three gold medals in a competition that featured 240 judoka, or practitioners of the martial art, from about three-dozen countries. While Russia topped the standings with three golds, three silvers and six bronze medals, Tajikistan’s second-place finish (three golds and one bronze) reflected the high priority of the sport in a country that is also promoting gushtingiri, a traditional form of Tajik wrestling that has some similarities to judo. Mongolia came third with two golds, two silvers and one bronze. Tajikistan’s capital has become a fixture on the international judo circuit in the last few years. The city hosted the 2024 World Junior Championships, and the Dushanbe Grand Slam was upgraded from Grand Prix status, making it a more prestigious tournament that awards a greater number of ranking points. Dushanbe will also host the World Judo Masters tournament on December 18-20, an event that Ismoil Mahmadzoir, president of the Tajikistan Judo Federation, has said will help Tajikistan’s judoka prepare for the Olympic Games in Los Angeles in 2028. Tajikistan’s emergence as a world judo power reflects years of investment and youth training in the sport, setting an example for the development of other sports in a country with relatively limited resources. Rasul Boqiev won Olympic bronze, the country’s first judo medal at the games, in Beijing in 2008. At the Paris Olympics in 2024, judokas Somon Makhmadbekov (in the -81kg weight category) and Temur Rakhimov (+100kg) also won bronze medals in their weight classes. The focus on judo in Tajikistan is sometimes associated with the legacy of gushtingiri, a traditional form of Tajik wrestling that has some similarities. In gushtingiri, a contestant tries to grab the belt of an opponent and execute a throw to the ground. While the sport goes back thousands of years in the wider region and has different names, the International Gushtingiri Federation was registered in 2022 in Switzerland, an international hub of sports associations, to standardize the rules and broaden its appeal. President Emomali Rahmon of Tajikistan is the honorary president of the federation, a sign of support for gushtingiri at the highest political level. At the May 1-3 Grand Slam in Dushanbe, Makhmadbekov – seventh in the world in his weight category - defeated Bernd Fasching of Austria for the gold, saying he was delighted to win in front of a home crowd. Makhmadbekov secured the world junior title in 2019. Tajikistan’s other gold medal winners in Dushanbe were Muhiddin Asadulloev, who is fourth in the world in his -73kg weight category, and Nurali Emomali (-66kg). Emomali is ranked second in the world in his category, and another Tajik athlete, Obid Zhebov, is just behind him in third place. Enthusiastic crowds at the Qasri Tennis area in Dushanbe delighted some of the athletes. Among them was Italian veteran Odette Giuffrida, who won gold in her -52kg category, according to tournament reports. “I wanted to compete in Dushanbe before I retire because...

Victory Day

Victory, Memory, and Moscow: Central Asia’s Changing May Calendar

May is when Central Asia’s past crowds into the public square. Workers, soldiers, veterans, constitutions, unity campaigns, and the legacy of World War II all compete for space on the calendar. The dates are familiar across the region, but their meanings are no longer the same. Kazakhstan marks People’s Unity Day on May 1, Defenders’ Day on May 7, and Victory Day on May 9. Kyrgyzstan has a May calendar built around Labor Day, Constitution Day, and Victory Day. Uzbekistan has recast May 9 as the Day of Remembrance and Honor. Turkmenistan lists May 9 as Victory Day of the 1941-1945 Great Patriotic War, but it no longer carries the same public weight as the country’s main state holidays. Those choices show how each state is handling its Soviet past. May 1 can mean labor, unity, or almost nothing. May 9 can mean victory, mourning, family memory, or careful diplomacy. In Central Asia, the politics of memory rarely move through open rejection. It works through renaming, recalibrating, and changing the optics. Russia still treats May 9 as a central ritual of state power. Victory Day marks the Soviet defeat of Nazi Germany in what Russia calls the Great Patriotic War. Under Vladimir Putin, it has become a display of military strength, national sacrifice, and confrontation with the West. Since Russia’s full-scale invasion of Ukraine in 2022, that message has become more direct. This year, the image projected from Moscow will be weaker. Russia is preparing to hold its May 9 parade on Red Square without the usual display of military hardware. Tanks and missile systems, long central to the spectacle, are being kept away. Russia’s Defense Ministry cited the “current operational situation,” while the Kremlin linked the change to Ukrainian attacks. For Central Asian governments, that image will be hard to separate from their own handling of Victory Day. Moscow has long used May 9 to gather friendly leaders and place the post-Soviet region inside a shared wartime story. Attendance in Moscow has become a diplomatic signal. Absence has become one too. In recent years, Victory Day diplomacy has shown how Central Asian governments try to respect wartime memory while avoiding full alignment with Russia’s narrative. This year, at least some Central Asian leaders are again expected in Moscow. Kazakhstan’s Kassym-Jomart Tokayev and Kyrgyzstan’s Sadyr Japarov have been reported among those planning to attend, though the Kremlin has not yet published a full list of foreign guests. Central Asian states cannot simply discard May 9. Millions of people from the region served in the Red Army or worked behind the front during World War II; from Kazakhstan alone, around one million people contributed to the war effort, with nearly 271,000 soldiers still listed as missing. Families still carry those memories. Monuments, veterans’ payments, school events, and wreath-laying ceremonies remain important. For many people, Victory Day is personal before it is geopolitical. Yet governments have changed the tone. Kazakhstan still marks Victory Day as a public holiday, but large military parades...

Currencies

Tajikistan’s 100 Somoni Banknote Shortlisted Among World’s Best

A 100 somoni banknote issued by Tajikistan in 2025 has been named among the world’s top new banknotes, according to international experts. The annual “Banknote of the Year” competition is organized by the International Bank Note Society. The organization said that around 100 new banknotes were issued globally in 2025, but only 17 were deemed sufficiently innovative in terms of design and security features to be shortlisted. Tajikistan’s 100 somoni note was among those selected. The banknote features a vibrant, multi-colored design and includes a watermark with a portrait of ancient ruler Ismoil Somoni. It incorporates advanced security elements such as Rolling Star color-shifting features, a windowed security thread with dynamic effects, and a concealed “100” numeral. Additional features include see-through registration elements and complex geometric patterns. The note was printed by German firm Giesecke+Devrient and entered circulation on October 30, 2025. Kazakhstan also received recognition in the competition, with its 1,000 tenge banknote making the shortlist as well. However, neither country ultimately emerged victorious. The top prize went to a 200 guilder banknote issued by Curaçao and Sint Maarten, themed around the underwater world. The design combines a horizontal obverse with a vertical reverse. Fiji’s 5-dollar note took second place, while Zambia’s 100 kwacha banknote ranked third. Banknotes from the Falkland Islands and Papua New Guinea made up the top five. The International Bank Note Society says the competition highlights excellence in currency design, with banknotes judged not only as means of payment but also as expressions of national identity.