• KGS/USD = 0.01144 0%
  • KZT/USD = 0.00194 -0%
  • TJS/USD = 0.10877 -0%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28571 0%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00194 -0%
  • TJS/USD = 0.10877 -0%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28571 0%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00194 -0%
  • TJS/USD = 0.10877 -0%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28571 0%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00194 -0%
  • TJS/USD = 0.10877 -0%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28571 0%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00194 -0%
  • TJS/USD = 0.10877 -0%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28571 0%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00194 -0%
  • TJS/USD = 0.10877 -0%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28571 0%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00194 -0%
  • TJS/USD = 0.10877 -0%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28571 0%
  • KGS/USD = 0.01144 0%
  • KZT/USD = 0.00194 -0%
  • TJS/USD = 0.10877 -0%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28571 0%
16 December 2025

Viewing results 91 - 96 of 1038

TCA Interview: Asia’s First New York Film Academy Campus Opens in Almaty

On 27 September, the New York Film Academy Kazakhstan (NYFA) opened the first branch of the world-renowned American film school in Central Asia. For young Kazakhstani and foreign students, this presents a unique opportunity to gain top-tier knowledge for future careers in the industry. The new campus was established through a partnership between Almaty University of Energy and Communications (Energo University) and the Dala Edge Creative Technology Park, with the opening ceremony attended by Michael Young, President and CEO of the New York Film Academy, and Sayasat Nurbek, Minister of Science and Higher Education of Kazakhstan. Gani Nygymetov, Rector of Energo University, spoke to The Times of Central Asia about the opportunities and prospects of NYFA Kazakhstan. TCA: How did the idea to establish the New York Film Academy Kazakhstan campus in Kazakhstan come about? GN: Energo University has been in existence for over 50 years and is one of the leading technical universities in Central Asia, specializing in engineering and energy. In February this year, we presented a new development strategy that includes a mission to remain a leader in energy education, while also expanding into telecommunications, IT, and techno-creative programmes. To achieve these goals, the 16-hectare Dala Edge Creative Technology Park was created near Almaty. Now, a branch of NYFA has opened there, its first campus in Asia. Previously, NYFA campuses were only located in Florence, New York, and Los Angeles. I am confident that the opening of the campus in Kazakhstan will give an additional impetus to the development of creative industries in the region and enable us to train specialists of international calibre. The Creative Technology Park will become a hub for professional training and innovative projects and will support the integration of students and professionals into the film, animation, and game design industries. TCA: Who teaches at NYFA Kazakhstan, exclusively American specialists, or are local experts also involved in the programme? What subjects are taught? GN: American specialists teach students in film directing, screenwriting, acting, 3D animation, visual effects, and game design. All programmes meet international standards, instruction is in English, and modern tools and methods used in the United States are employed. Inviting NYFA to Kazakhstan is part of a strategy to develop the country's academic potential. The Ministry of Science and Higher Education, led by Minister Sayasat Nurbek, is actively attracting leading international universities. Today, more than 40 renowned foreign universities have opened branches in Kazakhstan. This allows talented students to receive high-quality education at home and also attracts students from other countries in the region. Partnerships with international universities, including Anhalt University (Germany), which has also opened a branch at our university, and NYFA, help set high standards of education and expand opportunities for students. In the coming years, we plan to launch our own digital media faculty. [caption id="attachment_37086" align="aligncenter" width="353"] Gani Nygymetov, Rector of Energo University; image: Energo University[/caption] TCA: How many students are currently studying at NYFA Kazakhstan? Are there plans to expand the number of disciplines?  GN: NYFA...

From Kyrgyzstan to Scotland: Shahsanem Murray’s Naked Nimbus Explores Love, Loss, and Belonging

In the wake of Finding the Holy Path, published in 2014, and Cold Shadows in 2016, Naked Nimbus is Shahsanem Murray’s long-awaited third novel. Once again, Murray’s multifaceted plot is woven with intrigue and mysticism, referencing the stark cultural contrasts between life in Central Asia under the Soviet regime and that in the West. The story focuses on Arthur, a young, ambitious artist struggling to find his way in the world and recognition for his craft. Haunted by his role in a fatal accident, he searches for atonement whilst battling to maintain his moral, personal, and professional integrity. Faced by numerous challenges, Arthur experiences a storm of emotions from despair to euphoria, and, highly sensitive to his surroundings and everyone he meets, the thin line between reality and fantasy blurs as he continues to hold out hope for true love. Friendships are put to a test, and he must muster the strength to forgive both himself and those closest to him for acts of disloyalty. Arthur’s journey takes him across the globe, from his Soviet homeland to Scotland, France, and finally, the wilds of Siberia. Often feeling dislocated, he finds himself questioning his identity and self-worth both as a man and an artist; a situation compounded by supernatural encounters. Murray further explores the human condition and the problems faced by society at large by introducing parallel stories of other characters’ lives, including Arthur’s acquaintances and his friend Alik’s father, Turdubek, as he searches for a soulmate under the Soviet regime. Like the Surrealist paintings which inspired it, this novel is filled with poignant visual imagery and symbolism, which, open to interpretation, lead the reader to ponder the outcome of events. Editor Laura Hamilton caught up with Shahsanem Murray to discuss the author’s new novel: LH: What is the meaning or inspiration behind the book’s title? SM: I wanted the title to be both poetic and to act as a key for the reader’s attention. After writing the first two chapters, I realized that the original title wouldn’t work. Then, one Sunday morning, my business partner Gordon Murray mentioned the word ‘nimbus.’ Unfamiliar with the term, I began searching for images and decided that ‘Naked Nimbus’ would be a perfect description of Arthur’s plight. As a man without wings, he is unable to fly, and so, if he is to soar in his life’s journey, he must explore, harness, and embrace the moral and cultural tenets of the society in which he lives and works. LH: The video trailer recreates the opening violent murder scene, but unlike typical crime fiction, the book focuses on its prolonged mental impact on the protagonist. Was it your intention that readers view crime from a different perspective? SM: The video trailer was carefully created as a marketing tool to entice readers. It sets the scene for the impact the accidental murder has on the protagonist’s life. I hope it doesn’t disappoint! [video width="1080" height="1920" mp4="https://timesca.com/wp-content/uploads/2025/10/WhatsApp-Video-2025-10-06-at-18.28.58.mp4"][/video] LH:  In common with your previous novels, the new book...

Uzbekistan Signs Fabio Cannavaro as Coach Ahead of World Cup

Fabio Cannavaro has signed a contract with the Uzbekistan Football Association to coach the national team, which qualified for the 2026 FIFA World Cup for the first time in the country’s 34 years of independence. “The Italian coach will prepare our team for the World Cup to be held in the United States, Canada, and Mexico,” the association said after the contract was signed on Monday at Uzbekistan’s National Football Center. It said Cannavaro had the experience and skills to deliver success for Uzbekistan, describing him as “a three-time World Cup participant, 2006 World Cup winner, one of the best defenders of the recent past, and a renowned expert.” “We have seen that a defensive playing style brings results,” Ravshan Irmatov, the association’s first vice president, said at a news conference. “We believe that with his international experience, professional culture, and tactical strictness, he will bring new spirit and a new system to our national team.” At the news conference, Cannavaro said he was thankful for the trust shown in him and outlined some plans to help Uzbekistan’s national team get comfortable with the pace and demands of the World Cup level. “The intensity of the Super League needs to be increased; we will discuss this with the management. The more we move at a high tempo during the game, the better the results will start to be. Players' recovery is also very important. We would also ask the coaches at clubs to send daily, weekly, or monthly performance data of the players so that we can know whether their results are improving or not,” Cannavaro said. “I had offers from 7-8 places. First of all, the fact that the team qualified for the World Cup and the seriousness of the project here encouraged me to accept the offer. Is it difficult to play at the World Cup? Yes, very difficult, but we will try,” he said. Cannavaro replaces Timur Kapadze, an Uzbekistani former pro football player who led the national team to its first-ever qualification for the World Cup with a 0-0 draw against the United Arab Emirates in Abu Dhabi in June. Cannavaro said he had discussed the team with his predecessor, noting that having “local specialists” on the staff will help him learn about the players’ mentality and the culture of Uzbekistan. To that end, Kapadze will remain for now as an assistant coach. The Uzbekistan Football Association said the coaching staff that will help Cannavaro includes assistant coach Eugenio Albarella, who has worked with Japan’s national team as well as Juventus, Udinese, and Dinamo Zagreb; fitness coach Francesco Troise, who has collaborated with Benevento, Udinese, and Dinamo Zagreb; and goalkeepers coach Antonio Kimienti, who has experience with Italy’s national youth team, and the Sampdoria and SPAL clubs.

Touching Fairy Tales: In Ust-Kamenogorsk, Books Are Knitted, Sewn, and Brought to Life

At the A.S. Pushkin Library in Ust-Kamenogorsk, East Kazakhstan region, reading has become a tactile adventure. Here, books aren’t just read, they’re knitted, sewn, and handcrafted. Librarians have discovered a magical way to ignite children’s interest in reading: through tactile books that can be touched, flipped through, and even assembled. “The main thing is to find an approach to each child. Even if they haven’t been encouraged to read at home, we can change that in the library,” says Dinara Mergenbayeva, head of the Center for Knowledge. The idea was born from a desire to make books more relatable. “Who says children don’t read? They do, and with great curiosity! They just need something new, lively, and emotional,” she explains. Knitted Books and Soft Stories The library’s first knitted book was a Kazakh-language version of the alphabet primer Әліппе, inspired by Kulmay Sembayeva’s Aripler aleminde (“In the World of Letters”). Each letter is paired with a poem and a small, crocheted animal or object, which children can pull from pockets and explore. “For example, the letter A, next to it are an akhu (swan) and an ayu (bear). We knitted and cut out all the figures ourselves. The materials came from our homes. Even the cover was made from my old suede boots, they’ve found a second life now,” one librarian shares. Another handcrafted creation is Pushkin’s The Tale of the Fisherman and the Fish. In this interactive version, characters can be moved around, allowing children to change the course of the story. Kids act out scenes, invent new endings, and immerse themselves more deeply in the narrative. [caption id="attachment_37026" align="aligncenter" width="355"] @Yulia Chernyavskaya[/caption] There’s even a trilingual crocheted edition of Abai’s The Seasons, in Kazakh, Russian, and English. Its pages include trees, snowflakes, flowers, and ladybugs, all detachable and fastened with buttons. Children can “switch” winter to spring, collect leaves, or “scatter” snow, transforming play into reading. “This helps develop fine motor skills, imagination, and a love of books. The key is to keep it interesting,” notes Mergenbayeva. Books You Won’t Find Anywhere Else Each tactile book is handmade, with production times ranging from three weeks to six months. The entire library staff is involved, from brainstorming to material selection and testing books with children. Special editions are created for older students, including a large-format album commemorating Abai’s 175th anniversary, with sections titled “Abai the Writer,” “Abai the Philosopher,” and “Abai the Musician.” “If a child remembers even one illustration, that’s a success. A book should leave an impression, visual, emotional, any kind,” says a librarian. Each edition includes a QR code linking to a digital version in the library’s electronic collection. When Children Bring Their Parents At Pushkin Library, reading is a family affair. Every Saturday features shared reading sessions, reinforcing the tradition of reading together. “The youngest children come with their parents, and later they’re the ones dragging them back. Kids literally pull their moms and dads to the library,” Mergenbayeva smiles. For teenagers, there’s the Literary...

Uzbekistan to Co-Host FIFA U-20 World Cup in 2027 with Azerbaijan

It’s been a big year for Uzbekistan’s football ambitions.  In June, the national team qualified for the 2026 FIFA World Cup, securing a 0-0 draw against the United Arab Emirates in Abu Dhabi that was enough to propel Uzbekistan into the main draw. It is the first time that Uzbekistan, which has built up its sports infrastructure over the years, has qualified in the country’s 34 years of independence.   Now Uzbekistan and Azerbaijan are celebrating their joint appointment as host nations for the FIFA U-20 World Cup in 2027. The announcement was made on Thursday at a meeting of the FIFA Council in Zurich, Switzerland.  “Great News!” the Uzbekistan Football Association said.  “This competition is considered the second most significant men’s national team tournament organised by FIFA, after the FIFA World Cup itself,” said the association, adding that Uzbekistan had gained hosting experience in recent years by staging some big international football events.  Last year, Uzbekistan hosted the FIFA Futsal World Cup, a fast-paced variation of football that is played indoors. Some 52 matches were played during the contest. The cities of Tashkent, Andijan and Bukhara hosted games and tournament organizers received generally positive reviews.   FIFA, football’s governing body, has been helping the Central Asian country to modernize its football facilities by funding pitch construction, floodlight installation and the renovation of a stadium.  Azerbaijan, in the South Caucasus region, is also delighted with the prospect of co-hosting the FIFA event in 2027, describing it as a showcase for its good relations with Uzbekistan.  The decision “is a clear indication of the friendly relations between the heads of state, the policies aimed at the welfare and development of the countries, as well the special attention and care shown to sports in both countries,” said Rovshan Najaf, president of the Association of Football Federations of Azerbaijan.  The two nations have worked to strengthen diplomatic and economic ties, agreeing this year to a goal of boosting bilateral trade and investment to $1 billion annually by 2030.  The FIFA U-20 World Cup is held every two years. Argentina hosted it in 2023 and this year’s tournament is currently underway in Chile.

Almaty’s “Tselinny” Cultural Center Featured on Cover of Architectural Record

Kazakhstan’s architectural and cultural landscape has gained rare international recognition: Almaty’s Center for Contemporary Culture “Tselinny” has been featured on the cover of Architectural Record, the world’s oldest architectural magazine, published in the United States since 1891. International Recognition In its latest issue, journalist Andrew Ayers, who visited Almaty for Tselinny’s opening, described the project as “a new face for a former Soviet cinema” and “a gesture of reinterpreting Kazakhstan’s colonial past.” The article emphasized that the design team prioritized local context, with all work carried out by Kazakhstani contractors and interior contributions from young Almaty-based architects. [caption id="attachment_36890" align="aligncenter" width="351"] @Laurian Ghinițoiu[/caption] “Unlike many new museums, the architecture of the center sought to remain rooted in the local context,” the piece noted. Beyond its architectural merits, Architectural Record highlighted Tselinny’s institutional role, describing it as a platform for bolstering Kazakhstan’s still “fragile contemporary art scene.” The cover photograph was taken by Romanian photographer Laurian Ghinitoiu, renowned for his documentation of global architectural landmarks. History of the Building The center officially reopened in September 2025 following a seven-year reconstruction process that weathered both the COVID-19 pandemic and the legal troubles of its principal investor, businessman Kairat Boranbayev. Originally built in 1964 as the Tselinny cinema, the building underwent several renovations during the 1990s and early 2000s. A major overhaul in 2000 saw the main cinema hall divided, the foyer reconfigured, and a celebrated sgraffito mural by artist Yevgeny Sidorkin concealed behind plasterboard. [caption id="attachment_36892" align="aligncenter" width="353"] @Laurian Ghinițoiu[/caption] Boranbayev acquired the building in 2016. Four years later, a comprehensive reconstruction led by British architect Asif Khan began. The project restored the foyer’s original dimensions, revealed Sidorkin’s mural, though now in subdued tones, and transformed the cinema hall into a flexible space for exhibitions and screenings. Today, Tselinny includes a library, café, and workshop spaces. Notably, the reopening ceremony was led by Amantai Kusainbay, who has worked at the site since 1999 and continues to manage its daily operations.