• KGS/USD = 0.01187 0%
  • KZT/USD = 0.00208 0%
  • TJS/USD = 0.09406 0.11%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28571 0%
  • KGS/USD = 0.01187 0%
  • KZT/USD = 0.00208 0%
  • TJS/USD = 0.09406 0.11%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28571 0%
  • KGS/USD = 0.01187 0%
  • KZT/USD = 0.00208 0%
  • TJS/USD = 0.09406 0.11%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28571 0%
  • KGS/USD = 0.01187 0%
  • KZT/USD = 0.00208 0%
  • TJS/USD = 0.09406 0.11%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28571 0%
  • KGS/USD = 0.01187 0%
  • KZT/USD = 0.00208 0%
  • TJS/USD = 0.09406 0.11%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28571 0%
  • KGS/USD = 0.01187 0%
  • KZT/USD = 0.00208 0%
  • TJS/USD = 0.09406 0.11%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28571 0%
  • KGS/USD = 0.01187 0%
  • KZT/USD = 0.00208 0%
  • TJS/USD = 0.09406 0.11%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28571 0%
  • KGS/USD = 0.01187 0%
  • KZT/USD = 0.00208 0%
  • TJS/USD = 0.09406 0.11%
  • UZS/USD = 0.00008 0%
  • TMT/USD = 0.28571 0%
23 September 2024

Viewing results 1 - 6 of 3

The First-Ever Audio Recording of Kazakh Music

It was long believed that the world's first audio recording of Kazakh music was made in 1925 during the performance of singer, Amre Kashaubaev, at the Exposition Internationale des Arts Decoratifs et Industriels Modernes in France. However, the Berlin Museum of Visual Anthropology and Ethnology has recordings of Kazakh folk music, voices, and ritual chants, which were made in western Kazakhstan twenty years earlier. These recordings were made during the Acoustic Era, when sound waves were still recorded through analog methods. In 1857, Frenchman, Édouard-Léon Scott de Martinville invented the so-called phonautograph. Three years later, the world's first song was recorded. It was a French folk song, “By the Light of the Moon”. In 1877, Thomas Edison invented the phonograph. This invention could both record and playback audio and marked the start of the Acoustic Era. Later, in 1900, Carl Stumpf, a professor of psychology at the University of Berlin, established a phonogram archive in Berlin, where, at the same time, an orchestra from Thailand was touring. Stumpf recorded the Thai music, which was considered exotic to Europeans at that time. This recording became the first in the rich Ethnomusicology collection of the Ethnological Museum of Berlin. These recordings were originally discovered at the Institute of Russian Literature, also known as Pushkin House, which is part of the network that is affiliated with the Russian Academy of Sciences. Dr. Efim Rezvan, a well-known scholar of Turkology, showed the TCA team the wax rollers - cylindrical wax containers that can be played using Edison's phonograph. The first-ever audio recordings of Kazakh music were made using these devices. The German scientist Richard Karutz recorded them in the early 20th century when he organized an expedition to the steppes of Turkestan. As a result of his expedition, he wrote a book called Among the Kirghiz and Turkmens in Mangyshlak. During his expedition, Karutz took many photos and collected audio recordings of the local peoples' art. In addition to his scientific research, Karutz pursued other goals; for instance, he wrote about the health benefits of tea, which the locals consumed in large quantities. He claimed that drinking tea in large quantities when the air temperature was over 40 degrees Celsius helped them to bear the heat. Karutz wrote that, “It is necessary for our troops to weigh the importance of tea consumption during summer maneuvers and campaigns.” Richard Karutz was born into a mercantile family. In 1886, he went to study medicine at the University of Jena 1891. Completing his studies and receiving his doctorate in 1891, he then worked as a doctor aboard a ship. Whilst on working as a surgeon on a ship, Karutz traveled to South America and West Africa. After these trips, Karutz became interested in ethnography. In 1896, he was appointed head of the ethnographic collection of the Museum of Ethnology in Lübeck. Karutz enriched the museum's collection with artifacts from his travels, and encouraged other merchants and travelers to bring items from other countries for the collection. The...

Rejuvenating Kyrgyzstan’s Traditional Performing Arts: Razia Syrdybaeva on the Ustatshakirt Ensemble

On August 13, Kyrgyzstan’s Ustatshakirt Ensemble, a five-piece group of traditional musicians, gave its first ever performance at Edinburgh’s International Festival. Following a mesmerizing, sell- out concert, Kyrgyz author Shahsanem Murray spoke on behalf of TCA, to musicologist Razia Syrdybaeva about Ustatshakirt , its origins, aims and future plans. [caption id="attachment_23314" align="aligncenter" width="1665"] Photo: TCA Razia Syrdybaeva and the Ustatshakirt Ensemble[/caption]   TCA:  Razia, please tell us a little about yourself and the Ustatshakirt Ensemble. I am a musicologist, producer, and researcher of Kyrgyz culture, and hold a PhD in Philology. Twenty years ago, I established Ustatshakirt; an NGO educational organization with a mission to preserve Kyrgyzstan’s centuries-old musical heritage. The name Ustatshakrit - Ustat meaning master, and shakirt, student - embodies our aim to serve as a bridge between old masters and young musicians. Founded in 2003, with support from the Aga Khan Music Programme (AKA) the Ustatshakrit Center now has branches offering tuition in music, literature, and theatre to pupils in 41 primary & secondary schools across Kyrgyzstan. Over the past twenty years, through the development of faster and more effective methodology, we have taught over 10,000 children to play traditional Kyrgyz instruments such as the komuz and temir ooz komuz. We also provide tuition in other performing art forms including basic theater skills in our ‘dramalab’, and singing epics. The key goal of our work is to introduce children to their native music and help them appreciate and fall in love with their ancient culture. This is very important, especially in the present climate where exposed to external influences and technology, young people are increasingly moving away from their roots, their native language, and music. Attracted by modern rhythms and gadgets, they have little time and few opportunities to listen to their ancestral music. To more effectively engage both our pupils and audiences, we are constantly implementing the development of special methodological textbooks, music notation programs, etc. Authored by our teachers, musicians and prominent figures in the Arts, our now comprehensive collection of publications is used by Kyrgyzstan’s music educational institutions, from children's art schools to universities and conservatories. TCA: Concerts of traditional Kyrgyz music accompanied by excerpts from the great Manas epic are rarely performed in the UK, and especially, Scotland. What challenges did you face in securing a venue at the Edinburgh Festival? We heard about the festival several years ago. Getting to Edinburgh involved a lot of planning and expense and was only made possible thanks to the generous support of the Aga Khan Trust for Culture, the Aga Khan Music Program and its director Fairouz Nishanova, and our sponsors Sir Ewan & Lady Brown together with Flure Gossart. Work on repertoires for international audiences has now been ongoing for two years, and over many months prior to playing at Edinburgh, we focused on creating a program that would embrace the rich traditions of Kyrgyzstan’s music and culture. TCA: What were your impressions of the Edinburgh audience? We were all delighted by the high...

Silk Road Treasures: Almaty’s Mountains

Under the banner of "Silk Road Treasures", TCA's people -journalists, editors, authors- share their personal experiences of Central Asia and her people, and by listing their favorite places, literature, films, architecture and archaeological sites, alongside encounters with customs and traditions, provide pointers for readers wishing to visit the region. Vagit Ismailov, Journalist The first thing a travelers notice when descending at Almaty International Airport are the towering snow-capped peaks of the Zailiyskiy Alatau mountains. However, alongside their majestic presence which make this city unique, the mountains harbour a constant threat which anyone who has experienced an earthquake whilst inside a high-rise building, will both well understand and fear. Almaty, capital of Kazakhstan until 1997, is one of those cities whose growth is independent of either metropolitan status or the presence of large enterprises. Now one of the most dynamic cities in the post-Soviet space and, perhaps, one of the most prosperous in Central Asia, the ever-evolving city absorbs money from other regions and boasts a wealth of amenities, high-end restaurants and cosy cafes to welcome customers day and night. Inevitably, the population continues to rise and as commented by one of Almaty's akims (mayors), every day, the number of people entering the city is equivalent to Latvia's population of over 1.5 million. As a result, the roads are constantly clogged with traffic, again showing the megacity's restless energy and the potential for further growth. Amidst the boom in development which has spurred the construction of modern residential and business complexes, the city center remains quintessentially Soviet in style, flanked by streets of  familiar communist apartment blocs from the sixties and seventies. Today's new builds reach for the sky but under the Soviet regime, high-rise construction was forbidden in Almaty. The only exception was the Kazakhstan Hotel, which standing 102 meters high, is now the city's third tallest building. Constructed in 1977, it was designed to withstand zone 9-point seismic activity, but nevertheless, its survival of several earthquakes is regarded as miraculous. [caption id="attachment_22785" align="aligncenter" width="600"] Hotel "Kazakhstan" Image: @iStock[/caption] The proximity of the mountains and unspoilt natural landscape, provide residents and tourists alike, a perfect place to relax and enjoy the great outdoors. The nearby resorts of Shymbulak and Medeo, home to  the world's largest ice rink which sits like a diamond in a box of green velvet, offer a range of winter sports facilities. Cable cars traversing deep gorges, operate all year round, aiding access to the high pastures, and panoramic views of the Tien Shan ranges, and numerous, graded hiking trails wind through passes to lakes and waterfalls. Scenery aside, visitors can experience more of what Kazakhstan has to offer by sampling local fayre in various venues and watching demonstrations of eagle hunting, and for lovers of antiquity, there are petroglyphs to be discovered, carved on red rock, and the famous Boroldai Saka Burial mounds, dating back to V-VIII BC. [caption id="attachment_22786" align="aligncenter" width="540"] Medeo. Image: @iStock[/caption] But the threat of the Zailiyskiy Alatau is ever-present. In 1887, ...