Silk Road Treasures - The Times Of Central Asia

Viewing results 1 - 6 of 18

UAE Embracing the Silk Road Narrative: Central Asia at Art Abu Dhabi 2024

More than at any other time in recent history, the entire art world is this year tackling geopolitical identity issues. And while we usually delegate Biennales and non-commercial art events to take the pulse of our contemporary reality, this time an art fair took up this task: Art Abu Dhabi. This year the fair was bigger than ever and had a hugely relevant Central Asian and Caucasus section, curated by Elvira Eevr Djaltchinova-Malec, which was aptly called “Drifting identities.” Founder of the Warsaw Institute for Modern and Contemporary Asian Art (WIMCAA) Foundation - based on the spreading of Asian and global art – Djaltchinova-Malec was invited by the fair's artistic director, Dyala Nusseibeh, to curate a section that presented different aspects of the rich cultural tapestry of the region without shying away from the political concerns and instability which often characterize this part of the world. [caption id="attachment_26543" align="aligncenter" width="928"] From left to right, Abdelmonem Alserkal - prominent art patron based in Dubai, founder of the Alserkal Avenue, Alserkal Foundation, Elvira Eevr Djaltchinova-Malec, Almagul Menlibayeva, and Danagul Tolepbay image: Elvira Eevr Djaltchinova-Malec[/caption] Djaltchinova-Malec has been working on this concept of the Silk Road in different shows – namely Silk Road 2.0 - Artists re-loaded conference in Warsaw, Silk Road 2.0 - New Opportunities panel for art for 021 Art fair in Shanghai - adapting it to the changing geopolitical landscape of the region. "Our foundation was established in 2016, and already, eight years ago, we started to explore the topic of the Silk Road,” Djaltchinova-Malec told TCA. “We wanted to understand the desire of China and countries who joined Chinese projects for the New Silk Road, and we invited artists and art professionals from Vietnam, the United Kingdom, Central Asia, Kazakhstan, Germany, Tibet, France, and Ukraine for the foundation’s first conference.” The Belt and Road Initiative, sometimes referred to as the New Silk Road, is a global infrastructure development strategy adopted by the Chinese government in 2013 to invest in more than 150 countries and international organizations. [caption id="attachment_26545" align="aligncenter" width="2560"] Tapestry by Almagul Menlibayeva; image: Elvira Eevr Djaltchinova-Malec[/caption] It’s the first time that the curator is presenting these artistic geographies in the context of the Gulf. On one hand, this is opening up Central Asian narratives to an Arab public that might be curious to learn more about art in this region. On the other hand, it is helping to open markets and create access to a different pool of new collectors. Thanks to an individual outreach which started well before the fair, the experiment proved successful. "Fortunately, many collectors from the Gulf already know artists from Central Asia, as there are a few art galleries in the UAE which represent them, as well as institutions like the Sharjah Foundation,” Djaltchinova-Malec stated. In addition, many collectors and artists from Russia who are knowledgeable about Central Asian narratives and sensitive to colonization issues, are now based in the UAE. “We tried to involve as many collectors from other circles as...

Silk Road Treasures Central Asia Life & Culture Kazakhstan Life & Culture Kazakhstan

Kazakh Rituals Included in UNESCO’s Intangible Cultural Heritage List

The Kazakh wedding ritual of Betashar has been officially recognized by UNESCO as part of the Representative List of the Intangible Cultural Heritage of Humanity. This inclusion highlights the enduring beauty and cultural significance of Kazakhstan's ancient traditions. In this article, we explore the Betashar ritual, other celebrated customs, and the challenges posed by certain archaic practices in modern times. Betashar: Revealing the Bride's Face During the UNESCO Committee for the Safeguarding of the Intangible Cultural Heritage meeting in Asunción, Paraguay, Betashar was officially added to the list of intangible cultural heritage. State Counselor Yerlan Karin announced the decision, which underscores Kazakhstan's commitment to preserving its rich cultural legacy. Kazakhstan ratified UNESCO’s Convention for the Safeguarding of the Intangible Cultural Heritage in 2011, pledging to protect and promote cultural traditions. Today, 13 Kazakh practices are on UNESCO’s list, including kiiz үi (yurt), kүi (instrumental music), aitys (improvised poetry duels), Nauryz (spring festival), kүres (wrestling), and togyzkymalak (a traditional board game). Betashar—literally "revealing the face"—is a wedding rite introducing the bride to her husband's family. Historically, the bride spent three days secluded with the women of her community before being ceremonially presented to her new family. Her face, hidden under a large cloth, was uncovered in front of the gathered relatives while a zhirshy (singer-improviser) performed the betashar zhyry, a song introducing the family members. In return, they pledged gifts to the couple. The ritual concluded with the bride serving tea to her in-laws. While modern weddings often simplify Betashar, its symbolic meaning remains deeply cherished. Preserving Other Traditions Another ritual presented to UNESCO is Salburyn, an ancient hunting custom. Hunters once gathered on horseback for multi-day expeditions, accompanied by falcons and hounds. These hunts began with feasts and competitions, emphasizing camaraderie and skill. Today, while hunting is less necessary, Salburyn is celebrated as part of cultural events, such as during the Nauryz festivities in Kyzylorda region. The custom of Tusau Kesu—cutting a child’s “fetters”—is a joyous milestone in Kazakh culture. When a child begins to walk, their legs are symbolically tied with a colorful string, which is then cut by a respected relative. The ceremony includes laying out a symbolic “white path” (ak zhol), representing a prosperous future. Items such as money, a whip, a dombra, or a book are placed along the path to hint at the child’s potential destiny. Addressing Harmful Practices Not all traditions are compatible with contemporary values or legal norms. Bride kidnapping, an archaic practice still occurring in some regions, has drawn criticism and calls for stricter legal measures. Mazhilis deputy Murat Abenov recently urged tougher penalties for bride abduction, highlighting gaps in the Criminal Code that leave many cases unresolved. “Many victims are coerced into claiming they went voluntarily,” Abenov explained, citing examples where cultural products like songs and videos romanticize the practice. Despite its criminalization after the October Revolution, the issue persists. In 2023, there were 13 officially recorded cases of bride abduction, though Abenov believes the real figure is higher due to...

Central Asia Silk Road Treasures Uzbekistan Life & Culture Local Politics Uzbekistan Life & Culture Uzbekistan Local Politics

Archaeologists Uncover Rare Silk Road Artifacts in Uzbekistan

A joint archaeological expedition from China and Uzbekistan has made remarkable discoveries at Mengchaktepa, a key Silk Road site located on the northern bank of the Syr Darya River. Known as the “Living Fossil of the Silk Road,” the site has been under investigation by the Chinese Academy of Social Sciences (CASS) and Uzbekistan’s Institute of Archaeology since 2012. The team, led by CASS archaeologist Liu Tao, unearthed seven tombs, two buildings, and numerous artifacts, including silk fabrics, leather goods, bronze mirrors, square-holed coins, and beads. Among the most significant finds are silk fragments, the first such discovery in the region since 1986, which bridges a 40-year gap in the study of ancient silk in the Ferghana Valley. According to Liu, these silk fragments highlight the advanced weaving techniques of antiquity. Abdulhamidjon Anarbayev, a professor at Uzbekistan's National Center for Archaeology, praised the Chinese team’s contributions to advancing Uzbekistan’s field archaeology through modern excavation and preservation methods. He noted that the research underscores the high standards of Chinese archaeology globally. Mengchaktepa holds immense value for studying cultural connections along the Silk Road. Ancient Chinese chronicles from the Qin and Han dynasties (221 BC–220 AD) describe how Zhang Qian, an emissary of the Western Han dynasty, established trade links between China and Central Asia. Through Dayuan, the ancient region corresponding to the modern Ferghana Valley, silk, paper, and Chinese technology reached Europe, while grapes and alfalfa were introduced to China. Excavations at Mengchaktepa have been ongoing since 1986. Early discoveries included nine cave tombs containing well-preserved remains, silk garments, and jewelry from the 5th to 8th centuries. This year, researchers are focusing on the necropolis’s scope, tomb structures, and their artifacts, with special attention to preserving organic materials like silk, leather, and reeds for laboratory analysis. Liu explained that the findings provide new insights into the region’s early medieval funerary practices, belief systems, and architectural traditions. Artifacts such as Han-style objects and relics linked to Zoroastrianism affirm Mengchaktepa’s pivotal role in East-West cultural exchanges along the Silk Road.

Silk Road Treasures Home Life & Culture Kazakhstan Kazakhstan International Affairs Features

The Impact of Korean Culture on Kazakhstan: Personal Stories and Impressions

In recent years, Korean culture - including K-pop and doramas (dramas) - has gained incredible popularity in Kazakhstan. It has had a significant impact on young people, offering not only entertainment, but also support, motivation, and new opportunities to socialize and express themselves. To better understand how Korean culture is influencing life in Kazakhstan, TCA talked to young people about their stories and experiences. [caption id="attachment_26045" align="aligncenter" width="585"] Image: TCA[/caption] Alua, 22, computer club administrator For me, as an insecure teenager, K-pop and doramas have been a tremendous support and help in shaping my personality. Songs about self-love, with words of encouragement and motivation give many teens a foothold they often can't get from their environment. The doramas teach us and show us that nothing is impossible, that everything is in our hands. They also show young girls what healthy relationships should look like. That's what I love about Korean culture, the lack of gender boundaries and the promotion of healthy attitudes. I think this kind of influence has a great effect on the youth of Kazakhstan. Doramas are television series produced in South Korea and other Asian countries. They cover a wide range of genres: romance, drama, comedy, sci-fi, historical subjects, and more. Doramas are known for their high-quality productions, plot twists, and colorful characters. [caption id="attachment_26046" align="aligncenter" width="585"] Image by Nastya, from the official BTS film festival in Kino Park, Astana[/caption] Nurlan, 19, student at a pedagogical faculty I like Korean culture because of its unconventionality. For example, K-pop groups such as BTS have always fought against male stereotypes and I’m inspired by it. I think it's really great, because in Kazakhstan there are big problems with the perception of gender roles. In addition to male stereotypes, they are also breaking down female stereotypes through female groups like BLACKPINK, who present themselves as confident girls who are not afraid of getting their own way. Also in Kazakhstan, many convenience stores like the Korean 7/11 are opening up where you can eat noodles and tokpoki, and sit with friends, just like in the doramas. I really like it, and I’m happy that Korean trends that are reaching us in Kazakhstan. [caption id="attachment_26049" align="aligncenter" width="585"] Image: TCA[/caption] Sarah, 21, store administrator and student I started getting into Korean culture back in 2010, when my sister showed me the dorama Boys More Beautiful Than Flowers. After that, K-pop and doramas helped me not to get discouraged during difficult moments, offering an interactive culture that nurtured a sense of love and support. Even if it wasn't fashionable then and I was made fun of, K-pop kept me going. Now, however, it’s a worldwide phenomenon, and that’s nothing short of heartwarming. So many people around the world have discovered a whole new genre of music, movies, TV series and things in the Korean media space, such as albums and photocards, fan-sites, merch, and concerts. Doramas and shows like Running Man and Apartment 404 have become my favorite part of celebrity promotion in Korea....

Home Silk Road Treasures Environment Uzbekistan Environment Kazakhstan Environment Uzbekistan International Affairs Uzbekistan Features Kazakhstan Kazakhstan International Affairs Features Kazakhstan Featurees Uzbekistan International Affairs

The Amu Darya and the Aral Sea Crisis: Voices from the Heart of an Environmental Disaster

A documentary entitled Amu Darya: Missing to the River has been produced as part of Project Amu Darya. This initiative began in 2022, and is a collaboration between students from Karakalpakstan, Khorezm, and Oxford University in the UK. This research is important for several reasons. Firstly, the Aral Sea crisis, which is one of the most severe man-made ecological disasters in history, is under-reported by the global media. Secondly, the academic field is limited - outside of Uzbekistan, the historiography of the Aral crisis is still a developing field. Thirdly, the geographical scope of research is limited. Research is often focused on the Aral Sea itself, and does not take into account the impact on the wider region. Finally, there is no involvement of stakeholders. The personal experiences of those living along the Amu Darya River are often excluded from studies. [caption id="attachment_25946" align="aligncenter" width="1280"] Amu Darya: Missing to the River screening - image: TCA, Sadokat Jalolova[/caption] The Amu Darya is one of the two main rivers feeding the Aral Sea. Irrigation in the Amu Darya basin has been carried out for more than three thousand years. However, the current Aral Sea crisis was caused by mismanagement during the Soviet and post-Soviet eras. International donors have intensified their efforts to address the crisis. By December 2022, the UN Multi-Partner Human Security Trust Fund for the Aral Sea Region had raised over $16 million to support communities affected by the disaster. Established in 2018, the fund helps mitigate the environmental and social consequences of the crisis. President Mirziyoyev’s government has also lifted many data restrictions, allowing more research in the region. In 2017, the United Nations conducted the first socioeconomic survey of Aral Sea communities. [caption id="attachment_25948" align="aligncenter" width="884"] Aralkum Desert, former Aral Sea; image: TCA, Sadokat Jalolova[/caption] Central Asian countries are also cooperating to solve the problem of water level reduction in the Aral Sea. This year, as a result of the introduction of water-saving technologies on 55,000 hectares of rice fields in Kazakhstan, more than 200 million cubic meters of water were directed to the Aral Sea. The Times of Central Asia spoke with Annie Liddell, one of Project Amu Darya’s co-founders. She shared her thoughts about the inspiration behind the documentary. According to Liddell, the team were inspired by Svetlana Alexievich’s book Voices of Chernobyl. The author used oral interviews to highlight the personal stories behind the environmental disaster, making it more relatable. Liddell explained that the film aims to preserve the authenticity of interviewees’ voices and connect their stories of the Amu Darya’s past with the reality of its present state, which is a rapidly spreading desert. Local communities played a central role in the film’s creation. Students from Karakalpak State University and Urgench State University contributed to the research. Residents of Karakalpakstan and Khorezm also shared their personal stories, and provided insights into their culture and stability. [caption id="attachment_25949" align="aligncenter" width="1280"] Image: Project Amu Darya[/caption] The documentary depicts different historical periods and personal experiences. It covers...

Cultural Heritage Silk Road Treasures Central Asia Life & Culture Kyrgyzstan Life & Culture Kyrgyzstan Kyrgyzstan Home

Min-Kush — The Kyrgyz Time Capsule

Although Min-Kush is only about 100 miles from Bishkek, as the crow flies, the mountains make us travel 250 miles. We reached a scenic viewpoint along the road, and I stopped to take a picture. I exited the truck and approached a horse with dramatic snow-capped mountains peeking through the clouds. A man came and invited us to ride his horse around his farm. This is his farm, his 75 sheep, and his horse. The horse and I galloped around the farm, chatted with the farmer, and got back on the road. This was my first time on horseback after a year and a half in Central Asia. Min-Kush, once a prosperous town nestled in the Kyrgyz mountains known for its bustling uranium mining industry, has hit the end of the road literally and figuratively. Coming down the A367 highway, a nondescript road sign says “Min-Kush” with an arrow pointing left. We turned, and the road seamlessly transformed from pavement to dirt. It is the last and only settlement on this road off of the highway. The only other vehicles we pass are semi-trucks carrying tons of coal destined for Kyrgyzstan and China. [caption id="attachment_25324" align="aligncenter" width="1200"] @TCA H.Kuvin[/caption] The city peaked at around 20,000 in the 1980s, but today’s number hovers around 3,500. Established in 1955, the apartments and houses are built in the Stalinist architectural style. The vibrant blue paint that once covered the wooden panels is faded, and sections of the buildings are caved in, but people still live here. The contrast in one building is stark. On the top floor, there are broken windows and unhinged shutters. On the bottom floor, there are new window frames and flowers on the windowsill. The blossoming life on the windowsill is far from what it once was. We stopped and chatted with some locals and asked about their lives. “When Moscow supported us, we had everything: stores, schools, factories, and a hospital. Now…nothing, but we cannot dwell on things. Life is better now than it was after the fall of the USSR.” The man asks for a cigarette and a light; my French friend complies with his request. The main draw of Min-Kush for me is an abandoned felt pen factory. I’ve seen pictures online of some incredible Soviet banners that serve as a time capsule in the mountains. We asked if anyone knew where to find it, and a man told us it was torn down and replaced by a soccer field. As night set in, we looked for a guesthouse of sorts. I had read online that there is one, but there are no signs or information about it anywhere. We stop by a man fixing his Soviet Chaika car on the side of the road. He tells us the hotel is right up the road. We drive to an unlit building where two men are fixing another truck. We chatted, and he made a phone call. Ten minutes later, a lady shows up, unlocks the...